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Neon's Nerd Nexus (360 KP) rated Widows (2018) in Movies
May 13, 2019
Perfection
#widows is this years biggest surprise. Just like a punch to the gut its full of #pain, suffering an overload of #emotion & shock. My goodness what an exceptional & #stunning piece of work this is. As soon as the film opened is was hanging off my seat, with an opening which not only sets the stage for what's to come but showcases just how talented #stevemcqueen is as a director. This calm before the storm style of directing works so well that it constantly lulls you into a false sense of security (by using #beautiful/unique camera work, a powerful score, subbtle #humour, interesting characters & deep character connections) to pull you in which are then followed instantly by incredibly tense action or scenes of #brutal #violence or shocking emotional breakdowns which hit you hard like a slap across the face. Long but never once #boring this is such a heavy, bleak & #depressing film not only about grief, loss, #broken trust & #survival but also about #racism, corruption, power abuse & the using of money & #religion as a control tool. I dont want to spoil to much because its best to go in blind here to feel the full impact of the #film & its twists. #Widowsmovie is so powerful & full of so much depth I felt like id been hit by a train walking out. Everything flows together so perfectly here from its pacing to its plot & its cinematography right down to its sound & set design. Theres also stellar acting all across the board here & i mean seriously impressive preformances by a good chunk of the cast which makes sure each & every characters pain, grief & struggle through #life is felt deeply, making it at times increadibly #heartbreaking & tuff to watch. This film overall was such an engaging/draining & absorbing thrill ride full of intelligent & current themes that I cant wait to see it again & delve deeper into its layers. Absolutely mind blowing & one of the most tense & well constructed #heist films ive seen in a long long time. #odeon #odeonlimitless #filmbuff #filmcritic #thursdaythoughts #violadavis #collinfarrell #liamnesson #danielkaluuya #love
Neon's Nerd Nexus (360 KP) rated Mission: Impossible - Fallout (2018) in Movies
May 14, 2019
Next level
#missionimpossiblefallout is an insane #summer #blockbuster thats an extremely well made & a breathtakingly #fun adrenaline shot to the #heart. #Fallout proudly takes its place as the best #Mi film with its #darker tone, higher stakes, well fleshed out characters & bigger set pieces. #mi6 is shot so beautiful & #smooth with everything feeling so polished & well crafted. We are frequently treated to #gorgeous establishing shots, slick tracking shots & extremely tight #action camerawork throughout. Sets, locations & real stunt work also constantly impress scale wise & visually too. #Fight choreography is very impressive & every fight scene feels fast, weighty, exhausting & brutal & its refreshing to be able to follow the action smoothly in a blockbuster for a change without the need for constant jump cuts. #Comedy is still here but its greatly toned down in favour for a much more bleaker tone here. Story wise there's a lot more at stake this time & the films darker tone & constant twists established not only great tension but ensure your frequently left breathless & on edge. There's an underlining theme of #religion being used as a tool of power here & how one mans vision of to start again is reminiscent of a god first destroying everything to recreate better. Sacrifice is also a recurring theme too & we learn so much more about Ethan's character & #Mi6 because of this, are the choices he/they make all for good? or are they actually making things worse & creating more deaths/problems for the world. #Villains are all intimidating, have an unnerving presence & great motives. Solomon & Ethans #relationship is very interesting with great depth as it seems #Ethan fears #Solomon be it him being scared of becoming like him or knowing that he's the only person capable of taking away everything he cares about without giving him a choice. Acting is flawless #henrycavill, #seanharris, #vingrhames all shine but its #tomcruise & the sheer commitment/dedication to his work on show here thats truly breath taking. Please see this film, we need more blockbusters this well made/with this much depth. Simply #fantastic. #odeon #filmbuff #filmcritic #missionimpossible #wednesdaywisdom
Kyera (8 KP) rated A Darker Shade of Magic in Books
Feb 1, 2018
The first book set up the idea of the different Londons: magic-less grey London, vibrant red London, starving and desperate white London, and decimated, dead black London. Each built upon a foundation of London but developed in completely different fashions. Their cultures, religion, speech, manner and being is so unique in each world.
It was a really intriguing way to build the world and immediately fascinated me. Good world building is so important to books because it is immersive, it pulls you in and makes you forget that its not real. You are living the story with the characters. She even created languages that were utilized by characters from different places, from the magic language of the Antari to the flowing words or harsh tones of the neighboring lands. It shows a passion for authenticity and true love of what she has created.
I love the characters. Rhy with his charm always brightens the room (or a scene). Lila is cunning, ruthless, ambitious and a thief. She doesn't need anyone and she would never admit to needing anything. She takes or does what she wants, no matter the cost with no regrets. She is tough as nails and her grit is inspiring. Her first instinct is to protect herself above all.
Many people may not agree with me, but Lila was probably my least favourite of our main characters. She was smart and tough, but a little too ruthless for my taste. Kell was the character that I liked/related to the most, even though he was a powerful magic user he seemed the most down to earth.
Not only does she introduce us to unique main characters, but she brilliantly gives depths to those in the background. There are some supporting characters that at times I liked even more than some of our leads.
Overall the story is more of a slow-burn/build rather than quick action packed scenes. I think that it worked really well for this story and have no complaints. Highly recommended to young adult/teen readers who enjoy fantasy or magic books with characters that have very diverse personalities/outlooks on life and great world-building.
It was a really intriguing way to build the world and immediately fascinated me. Good world building is so important to books because it is immersive, it pulls you in and makes you forget that its not real. You are living the story with the characters. She even created languages that were utilized by characters from different places, from the magic language of the Antari to the flowing words or harsh tones of the neighboring lands. It shows a passion for authenticity and true love of what she has created.
I love the characters. Rhy with his charm always brightens the room (or a scene). Lila is cunning, ruthless, ambitious and a thief. She doesn't need anyone and she would never admit to needing anything. She takes or does what she wants, no matter the cost with no regrets. She is tough as nails and her grit is inspiring. Her first instinct is to protect herself above all.
Many people may not agree with me, but Lila was probably my least favourite of our main characters. She was smart and tough, but a little too ruthless for my taste. Kell was the character that I liked/related to the most, even though he was a powerful magic user he seemed the most down to earth.
Not only does she introduce us to unique main characters, but she brilliantly gives depths to those in the background. There are some supporting characters that at times I liked even more than some of our leads.
Overall the story is more of a slow-burn/build rather than quick action packed scenes. I think that it worked really well for this story and have no complaints. Highly recommended to young adult/teen readers who enjoy fantasy or magic books with characters that have very diverse personalities/outlooks on life and great world-building.
Dana (24 KP) rated Burned (Burned, #1) in Books
Mar 23, 2018
I honestly didn't know how I would feel about this book. I haven't been having the best week or so, so I didn't necessarily want to read something too heavy. While this book did have a lot of heavy themes, it wasn't too dark for me, which I was glad about.
The rest of this review will have some spoilers, so read at your own peril.
I didn't really know much about this book as I was going into it. My roommate gave it to me on a recommendation, so I read it the next day and I really enjoyed it. I know it came out ages ago, but I don't think I was really emotionally mature enough to really appreciate the story. Overall, I am glad I waited until I was a bit older.
Even though it is close to 550 pages, it doesn't feel that long because of the way it is set up. The poetry gives it a fresh perspective and a very interesting storytelling perspective. I absolutely loved the formatting, especially the shapes of the poems.
This book talks a lot about religion, abuse (specially religious and familial abuse), independence, sex, and relationships in a very mature, yet approachable way.
This book supports the idea that you should get help from someone when you need it-even if it is not the authorities.
It was interesting to see Pattyn's development throughout the book, as heartbreaking as it was. She starts off as such a timid, rule-abiding girl, and then turns into someone with her own thoughts and morals. I feel like that as she was able to experience more, she grew into her own person to an extent.
I love Aunt Jeanette-she just wants what is best for Pattyn.
The ending crushed me. I just wanted Pattyn to be happy with Ethan, but no. It just had to come to a horrible end, didn't it?
Sorry this review is pretty short. I can't really find all the right ways to say what I'm thinking about this book.
Overall, I enjoyed the book and I think I will check out more of Ellen Hopkins's books.
The rest of this review will have some spoilers, so read at your own peril.
I didn't really know much about this book as I was going into it. My roommate gave it to me on a recommendation, so I read it the next day and I really enjoyed it. I know it came out ages ago, but I don't think I was really emotionally mature enough to really appreciate the story. Overall, I am glad I waited until I was a bit older.
Even though it is close to 550 pages, it doesn't feel that long because of the way it is set up. The poetry gives it a fresh perspective and a very interesting storytelling perspective. I absolutely loved the formatting, especially the shapes of the poems.
This book talks a lot about religion, abuse (specially religious and familial abuse), independence, sex, and relationships in a very mature, yet approachable way.
This book supports the idea that you should get help from someone when you need it-even if it is not the authorities.
It was interesting to see Pattyn's development throughout the book, as heartbreaking as it was. She starts off as such a timid, rule-abiding girl, and then turns into someone with her own thoughts and morals. I feel like that as she was able to experience more, she grew into her own person to an extent.
I love Aunt Jeanette-she just wants what is best for Pattyn.
The ending crushed me. I just wanted Pattyn to be happy with Ethan, but no. It just had to come to a horrible end, didn't it?
Sorry this review is pretty short. I can't really find all the right ways to say what I'm thinking about this book.
Overall, I enjoyed the book and I think I will check out more of Ellen Hopkins's books.
Nicole Hadley (380 KP) rated Rooftops of Tehran in Books
Jun 18, 2018
<a href="https://awindowintobooks.wordpress.com">Full Review</a>
I received, Rooftops of Tehran by Mahbod Seraji, for free in exchange for a review. The synopsis of the book immediately caught my attention. From the beginning I was excited to read this novel. The story takes place in Iran. The story shows how American involvement affects everyone and not always in a good way. The characters are well developed. The story has twists, that I never expected but kept the story going.
Pasha, Ahmed, Zari and Faheemah are the main characters. Pasha and Ahmed spend many hours on his rooftop talking, joking, dreaming of the love of their lives and contemplating life. Pasha fantasized being with Zari but she was to married off to a childhood friend. While Ahmed wanted to be with Faheemah and ended up dating with the approval of her parents. Pasha and his friends live in Iran in the 1970's where they are skeptical of religion, arrange marriage and the government of their country. The US is viewed as a place of opportunity but as a place that causes problems.
By reading this book I was able to gain insight to middle class life in Iran during the 1970's until the rule of the Shah. This is a coming of age book that appears simple in the beginning but as the story progresses life gets complicated due to arranged marriage customs, and modern ideas from western culture. School is a place that is run by petty tyrants and when rules are not obeyed punishment is what follows. At the core, is the fundamentalism of Iran's future.
The SAVAK is present everywhere and people of all ages feel their impact. SAVAK have an impact on Iranian culture and not in a good way. They cause confusion, heartbreak and even death.
This story is written in a fast paced narrative perspective. The author has developed the characters well. At the end of the story I felt like I was sitting on the rooftop with Pasha experiencing his life, the twists, the secrets and all that effected his life with him.
I received, Rooftops of Tehran by Mahbod Seraji, for free in exchange for a review. The synopsis of the book immediately caught my attention. From the beginning I was excited to read this novel. The story takes place in Iran. The story shows how American involvement affects everyone and not always in a good way. The characters are well developed. The story has twists, that I never expected but kept the story going.
Pasha, Ahmed, Zari and Faheemah are the main characters. Pasha and Ahmed spend many hours on his rooftop talking, joking, dreaming of the love of their lives and contemplating life. Pasha fantasized being with Zari but she was to married off to a childhood friend. While Ahmed wanted to be with Faheemah and ended up dating with the approval of her parents. Pasha and his friends live in Iran in the 1970's where they are skeptical of religion, arrange marriage and the government of their country. The US is viewed as a place of opportunity but as a place that causes problems.
By reading this book I was able to gain insight to middle class life in Iran during the 1970's until the rule of the Shah. This is a coming of age book that appears simple in the beginning but as the story progresses life gets complicated due to arranged marriage customs, and modern ideas from western culture. School is a place that is run by petty tyrants and when rules are not obeyed punishment is what follows. At the core, is the fundamentalism of Iran's future.
The SAVAK is present everywhere and people of all ages feel their impact. SAVAK have an impact on Iranian culture and not in a good way. They cause confusion, heartbreak and even death.
This story is written in a fast paced narrative perspective. The author has developed the characters well. At the end of the story I felt like I was sitting on the rooftop with Pasha experiencing his life, the twists, the secrets and all that effected his life with him.
Louise (64 KP) rated The Heart's Invisible Furies in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
As always I do things back to front, John Boyne is famously known for writing ‘The Boy in the Striped Pyjamas’,I have not got round to reading this book but have watched the film adaptation and found it heart-breaking. Anyway on to his newest book on the market. This book is delightful, laugh out loud hilarious, an emotional rollercoaster and you will no doubt fall in love with Cyril Avery.
The story is told from our protagonist Cyril Avery, the story starts off when he is still in the womb and how he came to be put up for adoption and then every 7 years thereafter. The whole book follows Cyril throughout his whole life and the struggles he comes across living in Dublin in the 1950’s and coming to terms with his identity and sexuality.
I thoroughly enjoyed this book and I adored Cyril Avery, he had this awkwardness about him, and seemed to get in some truly awful situations. For him growing up was anything but ordinary, he was adopted by ‘The Avery’s’ but was continuously told that he wasn’t a real Avery and never would be. With his strange adoptive parents, Cyril takes everything in his stride until he meets Julian Woodbead and realises that he might just be attracted to boys.
John Boyne’s writing was breath-taking and I was enchanted from the start – I slowly read this book as I didn’t want it to end. The characters in this book were great and all had amazing personalities. It also shows how homophobic the country was back in the 1950’s and how people were scared to ‘come out’ for fear of being attacked and disowned by family members.
This book does delve in to Irish politics and was something that I had not read before but due to my lack of knowledge was not something that interested me.
This story told by Cyril Avery is about Love, Relationships, Politics, Religion, Violence and Identity.
I rated this 4.25 out of 5 stars
As always I do things back to front, John Boyne is famously known for writing ‘The Boy in the Striped Pyjamas’,I have not got round to reading this book but have watched the film adaptation and found it heart-breaking. Anyway on to his newest book on the market. This book is delightful, laugh out loud hilarious, an emotional rollercoaster and you will no doubt fall in love with Cyril Avery.
The story is told from our protagonist Cyril Avery, the story starts off when he is still in the womb and how he came to be put up for adoption and then every 7 years thereafter. The whole book follows Cyril throughout his whole life and the struggles he comes across living in Dublin in the 1950’s and coming to terms with his identity and sexuality.
I thoroughly enjoyed this book and I adored Cyril Avery, he had this awkwardness about him, and seemed to get in some truly awful situations. For him growing up was anything but ordinary, he was adopted by ‘The Avery’s’ but was continuously told that he wasn’t a real Avery and never would be. With his strange adoptive parents, Cyril takes everything in his stride until he meets Julian Woodbead and realises that he might just be attracted to boys.
John Boyne’s writing was breath-taking and I was enchanted from the start – I slowly read this book as I didn’t want it to end. The characters in this book were great and all had amazing personalities. It also shows how homophobic the country was back in the 1950’s and how people were scared to ‘come out’ for fear of being attacked and disowned by family members.
This book does delve in to Irish politics and was something that I had not read before but due to my lack of knowledge was not something that interested me.
This story told by Cyril Avery is about Love, Relationships, Politics, Religion, Violence and Identity.
I rated this 4.25 out of 5 stars
Joelene Marie (28 KP) rated The Black Witch in Books
Oct 1, 2018
Wow! This story, these characters... just wow. Seriously got me right in the feels. There's quite a bit of controversy surrounding this book and i think it's for the wrong reasons. This book isn't racist or any of the other things it's been called, not in and of itself. Does it contain racism, misogyny, homophobia, xenophobia? in spades! Religious zealots, oppression, and just plain ignorant prejudice and discrimination? Oh, absolutely! At times heartbreaking and difficult to read? Definitely! But at its core this is a book about hope. It's about moving past preconceived notions of others based on any of the labels used to divide and coming together. It's about looking beyond outward appearance and seeing the person inside. There are obvious parallels between the book and reality because the author was trying to make a point, not that she or her story are racist or condone these behaviors but the exact opposite, that it is wrong and that we could do amazing things if we quit using labels that divide us, whether it's race, religion, gender, sexuality, occupation, ability, class, country of origin, political affiliation, etc. Those are only labels, they don't define any of us nor should they.
This book is beautifully written, with very well developed characters that u come to love and plenty u despise, in a world very similar to our own in different ways. It's emotional. It's wonderful. It has an important message. I am so glad that I read it for myself instead of just going on the negative reviews and jumping on the hate bandwagon. Thinking for yourself instead of believing what you're told about something is a pretty strong message in the story as well. I absolutely loved it and was disappointed when I got to the end. I implore everyone to please take the time to read it yourself and see how it makes you feel instead of avoiding it on some misguided principle after reading a bad review written by someone who either didn't get the obvious messages within The Black Witch or was already prejudiced against it themselves. Seriously, it's worth it.
This book is beautifully written, with very well developed characters that u come to love and plenty u despise, in a world very similar to our own in different ways. It's emotional. It's wonderful. It has an important message. I am so glad that I read it for myself instead of just going on the negative reviews and jumping on the hate bandwagon. Thinking for yourself instead of believing what you're told about something is a pretty strong message in the story as well. I absolutely loved it and was disappointed when I got to the end. I implore everyone to please take the time to read it yourself and see how it makes you feel instead of avoiding it on some misguided principle after reading a bad review written by someone who either didn't get the obvious messages within The Black Witch or was already prejudiced against it themselves. Seriously, it's worth it.
Goddess in the Stacks (553 KP) rated Darius the Great is Not Okay in Books
Dec 25, 2018
This novel got a lot of hype before and after its release - and it deserves it. It has great minority representation, from Persian (and bi-racial!) to Zoroastrian and Baha'i, to clinical depression and male friendship. You could also read gay and/or asexual into it, but that's not explicitly mentioned. Romantic love is just never addressed; perhaps because the story just doesn't involve it, but you could definitely read the main character as ace.
Darius is a great main character. He's funny, self-deprecating, and complex. He has clinical depression, is medicated for it, and can sometimes tell when it's the depression making him think a certain way, but sometimes he can't. He's biracial, visiting Iran and his mother's Persian family for the first time, and adjusting to Persian social norms and traditions while trying not to lose sight of his American life. His connection with his father is tenuous and fraught with miscommunication, and lot of the book is spent wrestling with that relationship. His new friend, Sohrab, is a great foil to that, as his father is completely absent from his life, having been arrested and thrown in jail prior to the start of the story, largely for being in the wrong place at the wrong time, and being part of a minority religion.
There are so many small things touched on this book - suspicion at customs when flying through, bullying at school for being Persian, not speaking his family's language because his mother didn't teach it to him (and feeling cut off because of it) - all little things that a lot of immigrant children deal with.
Aside from the cultural things the book addresses, there's also the mental health aspect. Both Darius and his father have clinical depression, and there's stigma attached to having the diagnosis, and to taking pills for it. We see how their mental states affects their relationship with each other and with the rest of their family, and it's quite powerful. The author talks about having clinical depression in an afterword, and includes some resources that helped him. This is an #ownvoices novel in more ways than one, and it really shows. Excellent book.
You can find all my reviews at http://goddessinthestacks.com
Darius is a great main character. He's funny, self-deprecating, and complex. He has clinical depression, is medicated for it, and can sometimes tell when it's the depression making him think a certain way, but sometimes he can't. He's biracial, visiting Iran and his mother's Persian family for the first time, and adjusting to Persian social norms and traditions while trying not to lose sight of his American life. His connection with his father is tenuous and fraught with miscommunication, and lot of the book is spent wrestling with that relationship. His new friend, Sohrab, is a great foil to that, as his father is completely absent from his life, having been arrested and thrown in jail prior to the start of the story, largely for being in the wrong place at the wrong time, and being part of a minority religion.
There are so many small things touched on this book - suspicion at customs when flying through, bullying at school for being Persian, not speaking his family's language because his mother didn't teach it to him (and feeling cut off because of it) - all little things that a lot of immigrant children deal with.
Aside from the cultural things the book addresses, there's also the mental health aspect. Both Darius and his father have clinical depression, and there's stigma attached to having the diagnosis, and to taking pills for it. We see how their mental states affects their relationship with each other and with the rest of their family, and it's quite powerful. The author talks about having clinical depression in an afterword, and includes some resources that helped him. This is an #ownvoices novel in more ways than one, and it really shows. Excellent book.
You can find all my reviews at http://goddessinthestacks.com
LeftSideCut (3776 KP) rated Mandy (2018) in Movies
Oct 30, 2019 (Updated Oct 30, 2019)
A ride from start to finish
Mandy is an utterly bizarre experience, but it's one that kept me absolutely enthralled from beginning to end.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
Neon's Nerd Nexus (360 KP) rated Midsommar (2019) in Movies
Jul 5, 2019
I'm A Believer
Midsommar is a modern day folklore fairytale masterpiece that's traumatizing, intoxicating, stomach churning & deeply hypnotic. If you've seen Raw or the Witch & enjoyed them Midsommar is easily on par standard wise & comparability wise to them. A tale of love, passion, grievance, trauma, connection, communion, religion, celebration, purity & punishment. Filled with folklore, depth, symbolisum, metaphores & small visual clues Midsommar is one giant puzzle box & for everyone paying close attention there are entire multiple layers hidden in everything. Be it the pictures hung on the walls in the background, dialog, music cues, camera angles, subbtle special effects, screen transitions, facial expressions & props. Most people watching this film will leave wondering what strange horror movie they just saw & while technically it is a horror as the film played out I began to realise its intentions thus seeing its beauty & messages clearly. For instance like how if we all united as one unity & learnt to love rather than hate we could live in perfect harmony with nature. Acting is jaw dropping especially from the lead actress & sound design realises that creating tension doesn't necessarily need any sound at all. Visually its vibrant & striking with subtle effects like things pulsing & warping as if reality its self is an illusion. Midsommar made me feel quezy, disturbed, intreagued & so happy with chills going up & down my spine frequently as I also couldn't shake this feeling of dread the entire time. When violence hits it hits hard & sickeningly rough but as the last scene played out & the perfect ending hit I was smiling the most I have during a film in a long time. What an intelligent, thought provoking look at how a trauma in life can make us more susceptible & easily lead, how guilt/trauma manifests in us, how innocence & purity thrives above deceit & selfishness, but most importantly how we could all live way happier & more for filling lives as if we all respected each other & the world around us experiencing both pain & pleasure as one. Go see it sit in the front row & let Midsommar embrace & absorb you in the best experience of the year so far by far.
