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Ivana A. | Diary of Difference (1171 KP) rated My Name Is Anna in Books
Nov 9, 2018
Two women – desperate to unlock the truth.
How far will they go to lay the past to rest?
My name is Anna is one of those books that captures your attention from the moment you look at its cover. Then, it drags you into a story, makes you bite your nails throughout, lifts you up in the air with the amazing writing and than smashes you back into the ground with the incredible twist at the end. Exactly what you want and need from a thriller.
The story is being told by two girls:
Anna, a girl raised with a religious mother, where everything is forbidden and everything is a sin. And when on her 18th Birthday, Anna decides to disobey her mum and go to a theme park, she feels like she has been here before. And then random events lead to her realising that she was taken away when she was a little girl. And her real name is not Anna at all…
Rosie, a girl whose big sister has been missing for fifteen years. And when the media is ready to let the story go after the fifteen years anniversary, Rosie is determined to do whatever it takes to discover the truth of what actually happened on that day at the theme park.
The first thing I noticed in this book, that makes it different than all the stories about the kidnapping is – that the plot is being revealed in the first chapters. I was not expecting to immediately know that Anna and Rosie are sisters and Anna was kidnapped as a girl, but this was stated in the first chapters in the book. I personally thought that this would be the big twist, but the twist came to be so much better than that.
I loved how you could relate to both girls, for different reasons, and how even though they were sisters, how one little moment changed their lives completely. How Anna was raised with different beliefs than Rosie, and how they grew up to be so different, but the same…
This was a great story that give you thoughts about ‘’what could’ve been…’’ and it makes you wonder – if certain things didn’t happen, would our lives be the same?
The end for me, was particularly meaningful. The last moments, the realisation, the conclusion, the story that ended, or the one that never begun, all the things we could’ve been, but are not, and all the things that we wish we could have changed, but we can’t.
If you, like me, are into kidnapping stories, amazing twists and thriller stories that take your breath away, this will definitely be the perfect book for you. This will be a hit at the beginning of 2019, and it will hit the top shelves. I know it hits my favourite shelf – for sure!
A huge thanks to Penguin Random House UK, for providing me with a hardback copy, in exchange for an honest review of this book. The opinions in this review are entirely my own, and completely unbiased.
How far will they go to lay the past to rest?
My name is Anna is one of those books that captures your attention from the moment you look at its cover. Then, it drags you into a story, makes you bite your nails throughout, lifts you up in the air with the amazing writing and than smashes you back into the ground with the incredible twist at the end. Exactly what you want and need from a thriller.
The story is being told by two girls:
Anna, a girl raised with a religious mother, where everything is forbidden and everything is a sin. And when on her 18th Birthday, Anna decides to disobey her mum and go to a theme park, she feels like she has been here before. And then random events lead to her realising that she was taken away when she was a little girl. And her real name is not Anna at all…
Rosie, a girl whose big sister has been missing for fifteen years. And when the media is ready to let the story go after the fifteen years anniversary, Rosie is determined to do whatever it takes to discover the truth of what actually happened on that day at the theme park.
The first thing I noticed in this book, that makes it different than all the stories about the kidnapping is – that the plot is being revealed in the first chapters. I was not expecting to immediately know that Anna and Rosie are sisters and Anna was kidnapped as a girl, but this was stated in the first chapters in the book. I personally thought that this would be the big twist, but the twist came to be so much better than that.
I loved how you could relate to both girls, for different reasons, and how even though they were sisters, how one little moment changed their lives completely. How Anna was raised with different beliefs than Rosie, and how they grew up to be so different, but the same…
This was a great story that give you thoughts about ‘’what could’ve been…’’ and it makes you wonder – if certain things didn’t happen, would our lives be the same?
The end for me, was particularly meaningful. The last moments, the realisation, the conclusion, the story that ended, or the one that never begun, all the things we could’ve been, but are not, and all the things that we wish we could have changed, but we can’t.
If you, like me, are into kidnapping stories, amazing twists and thriller stories that take your breath away, this will definitely be the perfect book for you. This will be a hit at the beginning of 2019, and it will hit the top shelves. I know it hits my favourite shelf – for sure!
A huge thanks to Penguin Random House UK, for providing me with a hardback copy, in exchange for an honest review of this book. The opinions in this review are entirely my own, and completely unbiased.
Phil Leader (619 KP) rated The Door (Seventh Dimenson #1) in Books
Nov 12, 2019
Shale Snyder is a troubled teenager. Her father left her mother when she was little, she has alienated almost all of the other children around her and has problems at school. Following yet another incident she is suspended and feels totally cast adrift. At this point she finds a door and hears a voice calling her to enter...
There is quite a clever concept at the heart of this book; that the Holy Land at the time of Jesus is a sort of dimensional nexus where those who are called can travel and gain spiritual help for themselves as well as the other travellers. It is a fine blending of both science fiction and Christian concepts.
There is also much of The Pilgrim's Progress about this, with Shale's journey and the characters she meets. And although she is living near Nazareth and does encounter Jesus (and other people mentioned in the bible) the religious side is not forced but comes naturally from the narrative. There is also a fair smattering of The Wizard of Oz, as the dimensional copy of the Holy Land from 2000 years ago also contains versions of people that Shale knows from home.
The result is a book that shows how even a little faith by someone as lost as Shale can give her the will to turn her life around and make herself and those around her better people. It is a very positive message, though not gained without significant trials.
There are a couple of negatives. Sometimes the narrative thread can be a little confusing, a side-effect of the dimension-hopping aspect of the story. Also some of the characters appear to serve little purpose, but perhaps as this is the first of a series they will come into play in later books. There is also one comment from her friend Daniel (another traveller from modern-day Israel) that did concern me, I hope this is due to his personal experience rather than a theme of future books.
Overall this is an engrossing read, managing to deliver a positive Christian message without labouring the point and providing a good story arc for Shale to keep the reader invested in the story
There is quite a clever concept at the heart of this book; that the Holy Land at the time of Jesus is a sort of dimensional nexus where those who are called can travel and gain spiritual help for themselves as well as the other travellers. It is a fine blending of both science fiction and Christian concepts.
There is also much of The Pilgrim's Progress about this, with Shale's journey and the characters she meets. And although she is living near Nazareth and does encounter Jesus (and other people mentioned in the bible) the religious side is not forced but comes naturally from the narrative. There is also a fair smattering of The Wizard of Oz, as the dimensional copy of the Holy Land from 2000 years ago also contains versions of people that Shale knows from home.
The result is a book that shows how even a little faith by someone as lost as Shale can give her the will to turn her life around and make herself and those around her better people. It is a very positive message, though not gained without significant trials.
There are a couple of negatives. Sometimes the narrative thread can be a little confusing, a side-effect of the dimension-hopping aspect of the story. Also some of the characters appear to serve little purpose, but perhaps as this is the first of a series they will come into play in later books. There is also one comment from her friend Daniel (another traveller from modern-day Israel) that did concern me, I hope this is due to his personal experience rather than a theme of future books.
Overall this is an engrossing read, managing to deliver a positive Christian message without labouring the point and providing a good story arc for Shale to keep the reader invested in the story
Hazel (1853 KP) rated The Last Boat Home in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Last Boat Home</i> is the debut novel of Norwegian author Dea Brøvig. Set in a small village on the south coast of Norway, the story follows Else Dybdahl through two different time periods: then (1974-1976) and now (2009). The narrative begins in 1976 where Else, who we currently know nothing about, is in labour. After this the tale switches between then and now (then becoming 1974 and continuing up until the birth of Else’s daughter Marianne).
Else is living in the same area that she grew up in with her daughter and granddaughter, Liv. An ex-boyfriend from her childhood, Lars, has just moved back to the area with his wife and children. In the past Else and Lars snuck around keeping their relationship secret from the God-fearing community, in particularly from the rather strict pastor.
Brøvig keeps the reader engaged by leaving us wanting to know, and trying to work out who Marianne’s father is. We learn that Else was only in her teens at the time of her birth. Is Lars the father? Or was a member of the travelling circus that comes to one of the local farms responsible? In which case was it the strong man, or one of the other acts? Or was there someone else?
As well as the religious aspects this book also contains the topic of abuse, which Else and her mother, Dagny, are exposed to by their alcoholic father and husband. However, in my opinion, the strongest theme is secrets. Not only are there secret relationships, the Dybdahls keep themselves isolated to prevent their friends and church society from discovering their true home circumstances. And once Else becomes pregnant? Well that is yet another reason to isolate themselves. In the present day there are still secrets. Else does not want Marianne to know who her real father is and so has lied about the truth not only to her daughter and granddaughter, but also to Lars and everyone else she knows.
Personally I think the story line could have been stronger and possibly more drawn out to create a greater sense of suspense, however Brøvig successfully conjures up images of mountains, fjords and farmlands of a Norwegian community. Overall it was a good book and a fairly quick read too.
<i>The Last Boat Home</i> is the debut novel of Norwegian author Dea Brøvig. Set in a small village on the south coast of Norway, the story follows Else Dybdahl through two different time periods: then (1974-1976) and now (2009). The narrative begins in 1976 where Else, who we currently know nothing about, is in labour. After this the tale switches between then and now (then becoming 1974 and continuing up until the birth of Else’s daughter Marianne).
Else is living in the same area that she grew up in with her daughter and granddaughter, Liv. An ex-boyfriend from her childhood, Lars, has just moved back to the area with his wife and children. In the past Else and Lars snuck around keeping their relationship secret from the God-fearing community, in particularly from the rather strict pastor.
Brøvig keeps the reader engaged by leaving us wanting to know, and trying to work out who Marianne’s father is. We learn that Else was only in her teens at the time of her birth. Is Lars the father? Or was a member of the travelling circus that comes to one of the local farms responsible? In which case was it the strong man, or one of the other acts? Or was there someone else?
As well as the religious aspects this book also contains the topic of abuse, which Else and her mother, Dagny, are exposed to by their alcoholic father and husband. However, in my opinion, the strongest theme is secrets. Not only are there secret relationships, the Dybdahls keep themselves isolated to prevent their friends and church society from discovering their true home circumstances. And once Else becomes pregnant? Well that is yet another reason to isolate themselves. In the present day there are still secrets. Else does not want Marianne to know who her real father is and so has lied about the truth not only to her daughter and granddaughter, but also to Lars and everyone else she knows.
Personally I think the story line could have been stronger and possibly more drawn out to create a greater sense of suspense, however Brøvig successfully conjures up images of mountains, fjords and farmlands of a Norwegian community. Overall it was a good book and a fairly quick read too.
PTL: The Rise and Fall of Jim and Tammy Faye Bakker's Evangelical Empire
Book
In the early months of 1987 Jim and Tammy Faye Bakker had it all-a popular Christian talk show,...
Sassy Brit (97 KP) rated Godsend in Books
Jun 6, 2019
Godsend, by J.A. Marley is the second Danny Felix novel, and although I have not read the first, Standstill, I read this fast and furiously, as if this was indeed a standalone novel.
Vincent Cardell has over zealous political and religious ambitions, and decides to help out the Mexican cartel with their money laundering, and skims a little bit off the top for himself, I mean the church, whilst he’s at it.
His wife, June is fed up with his ways, and suspects the cartel know what he’s done, and it won’t be long before they come for him, and perhaps her too. So what does she do? Enlists Danny, to rob Vincent’s money and give it all to her. What could possibly go wrong with a deal proposed by a Preacher’s wife?
Right from the first few pages I knew this cheeky chappy was going to be a lot of fun to read. Danny is a flawed, and somewhat vulnerable character, coping with past events that have led to panic attacks and flashbacks, yet he’s still a criminal at heart, despite being ‘retired’ and living in Florida Keys. Nothing, it seems, can keep this man down. He’s a genuine, loveable rogue. As is his mate, Ciaran.
In fact, all of the characters were really well rounded; I loved to hate Harkeness, and I kind of liked June Cardell (also a Brit), even though I probably shouldn’t have. Hell, even Slow Tina, a seventy year old stripper, had a great part to play! (Her character made me giggle).
Because Godsend was based in America, the whole story was written very much in an American style read (lots of Americanisms), with an evangelical couple, preacher Vincent and his conniving wife, June, being a central part of this theme. This was balanced out nicely by the fact that Danny himself was from the UK, with plenty of British-isms up his sleeve! Lots of ‘feckin’s’ and ‘fecks’ too! Aha!
As with this style of gritty, pulp action, there is a lot of name dropping in this book, musicians, actors, and the films, books and songs they produced. They even went to a Geekfest, which I have to mention, as I went to one last Sunday! So yeah, you could say this was my kind of read in more ways than one. Then, just when I thought it was all over the epilogue says otherwise… Nice one!
Overall this is a terrific hard-boiled crime thriller, with some great one liners and equally great, misbehaving characters. If you want to know what happens when you mess with the cartel, read this book!
Vincent Cardell has over zealous political and religious ambitions, and decides to help out the Mexican cartel with their money laundering, and skims a little bit off the top for himself, I mean the church, whilst he’s at it.
His wife, June is fed up with his ways, and suspects the cartel know what he’s done, and it won’t be long before they come for him, and perhaps her too. So what does she do? Enlists Danny, to rob Vincent’s money and give it all to her. What could possibly go wrong with a deal proposed by a Preacher’s wife?
Right from the first few pages I knew this cheeky chappy was going to be a lot of fun to read. Danny is a flawed, and somewhat vulnerable character, coping with past events that have led to panic attacks and flashbacks, yet he’s still a criminal at heart, despite being ‘retired’ and living in Florida Keys. Nothing, it seems, can keep this man down. He’s a genuine, loveable rogue. As is his mate, Ciaran.
In fact, all of the characters were really well rounded; I loved to hate Harkeness, and I kind of liked June Cardell (also a Brit), even though I probably shouldn’t have. Hell, even Slow Tina, a seventy year old stripper, had a great part to play! (Her character made me giggle).
Because Godsend was based in America, the whole story was written very much in an American style read (lots of Americanisms), with an evangelical couple, preacher Vincent and his conniving wife, June, being a central part of this theme. This was balanced out nicely by the fact that Danny himself was from the UK, with plenty of British-isms up his sleeve! Lots of ‘feckin’s’ and ‘fecks’ too! Aha!
As with this style of gritty, pulp action, there is a lot of name dropping in this book, musicians, actors, and the films, books and songs they produced. They even went to a Geekfest, which I have to mention, as I went to one last Sunday! So yeah, you could say this was my kind of read in more ways than one. Then, just when I thought it was all over the epilogue says otherwise… Nice one!
Overall this is a terrific hard-boiled crime thriller, with some great one liners and equally great, misbehaving characters. If you want to know what happens when you mess with the cartel, read this book!
Rachel King (13 KP) rated The Claiming of Sleeping Beauty (Sleeping Beauty, #1) in Books
Feb 11, 2019
Anne Rice wrote a trilogy of books under the pen name A. N. Roquelaure, based on the fairy tale Sleeping Beauty. These books were titled The Claiming of Sleeping Beauty, Beauty's Punishment (Sleeping Beauty), and Beauty's Release: The Conclusion of the Classic Erotic Trilogy of Sleeping Beauty. Yep, you read it right - erotica. The set is the only thing I have ever read by Anne Rice, and the only erotica books I have ever read. I have told maybe one or two other people that I have read the series, because it just does not match up with my "good girl" persona, and it resulted in the shocked expression I was expecting. Why would I read such an abomination? One part boredom, one part fairy tale superfan, and three parts secret naughty indulgence/curiousity (one for each book) - I found the books at a slow point while working at a bookstore, and sneakily read them at the customer service desk when I had nothing else to do.
In the first book, Beauty is awakened from her hundred-year sleep with a deflowering by the Prince. He takes her to his kingdom, where she is trained as a sexual slave and plaything, but she fails to be obedient, so is sent to brutal slavery in the neighboring village. In the second book, she is sold at auction and a power struggle ensues as she refuses to be completely broken by her various punishments. Actual plotline wanes in this one until towards the end some of the psychological aspects of sexual slavery are explored before Beauty is kidnapped for a Sultan. In the third book, the various characters all reach closure in varying forms as the sexual aspects of the plot take on a more religious and philosophical tone, as opposed to the crudity of the European castle and village. By the end of the series, it felt more like I was reading a study of a lifestyle for the education and not so much for the indulgence.
The sexual scenes are extremely explicit and graphic with the theme of sado-masochism replete throughout the text, but amazingly, there is still a plotline and decent character development. The first book was my favorite of the three, simply because that is the only book of the three that actually uses the fairy tale in its plotline, and by the third book much of the sex seemed vaguely repetitive and did not affect me as intensely as it did in the beginning. I would even dare to recommend it to those who are of the appropriate age.
I likely have A. N. Roquelaure's influence to thank for my unquestioning devotion to the Kushiel's Legacy series by Jacqueline Carey, now that I think about it...
In the first book, Beauty is awakened from her hundred-year sleep with a deflowering by the Prince. He takes her to his kingdom, where she is trained as a sexual slave and plaything, but she fails to be obedient, so is sent to brutal slavery in the neighboring village. In the second book, she is sold at auction and a power struggle ensues as she refuses to be completely broken by her various punishments. Actual plotline wanes in this one until towards the end some of the psychological aspects of sexual slavery are explored before Beauty is kidnapped for a Sultan. In the third book, the various characters all reach closure in varying forms as the sexual aspects of the plot take on a more religious and philosophical tone, as opposed to the crudity of the European castle and village. By the end of the series, it felt more like I was reading a study of a lifestyle for the education and not so much for the indulgence.
The sexual scenes are extremely explicit and graphic with the theme of sado-masochism replete throughout the text, but amazingly, there is still a plotline and decent character development. The first book was my favorite of the three, simply because that is the only book of the three that actually uses the fairy tale in its plotline, and by the third book much of the sex seemed vaguely repetitive and did not affect me as intensely as it did in the beginning. I would even dare to recommend it to those who are of the appropriate age.
I likely have A. N. Roquelaure's influence to thank for my unquestioning devotion to the Kushiel's Legacy series by Jacqueline Carey, now that I think about it...
Midge (525 KP) rated The Nowhere Child in Books
Mar 11, 2019
Brilliant And Dark
“The Nowhere Child” is a debut psychological thriller by Christian White and it was so special! Several things cast their spell - my favourite genre; a very smart cover design; winner of the Victorian Premier Literary Award; and great ratings from the offset. It could only be a winner!
The book opens with an introduction to the main protagonist Kimberly (Kim) Leamy who is a photography teacher in Melbourne, Australia. Twenty-six years earlier, Sammy Went, a two-year-old girl vanished from her home in Manson, Kentucky. James Finn, an American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her crossed international lines to steal a toddler.
Jack and Molly Went’s daughter Sammy disappeared from their Kentucky home in 1990. Already estranged, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith.
Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had and to solve the mystery of her abduction that will take her deep into the dark heart of religious fanaticism.
For me, Christian White’s writing is captivating and extremely well structured. Although the theme of a child being stolen is not particularly original, the clever telling of this story made it a joy to read. The chapters alternate between the past and the present, maintaining the reader’s attention. The chapters narrated in the past explore the impact of Sammy’s disappearance on her family and the community in which they live. The other chapters follow Kim’s pathway of discovery to the truth about her past.
The most gripping parts of “The Nowhere Child” were the chapters about the past, as the author unearthed long-buried secrets of Kim’s grieving family. It seemed that nearly every character from her past had something they wanted to be kept hidden. Revelations were made that included identity, betrayal, secrets, loss and a sinister cult. A tense story of menace and suspense, the story held my interest from start to finish and the way in which Christian White brought everything to a conclusion was just fabulous.
I loved “The Nowhere Child” and I would recommend it to anyone who likes this genre. It has left me eager to read more from this author in the future.
Thank you to #NetGalley, and HarperCollins UK for a free ARC of #NowhereChild in exchange for a voluntary, honest review.
The book opens with an introduction to the main protagonist Kimberly (Kim) Leamy who is a photography teacher in Melbourne, Australia. Twenty-six years earlier, Sammy Went, a two-year-old girl vanished from her home in Manson, Kentucky. James Finn, an American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her crossed international lines to steal a toddler.
Jack and Molly Went’s daughter Sammy disappeared from their Kentucky home in 1990. Already estranged, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith.
Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had and to solve the mystery of her abduction that will take her deep into the dark heart of religious fanaticism.
For me, Christian White’s writing is captivating and extremely well structured. Although the theme of a child being stolen is not particularly original, the clever telling of this story made it a joy to read. The chapters alternate between the past and the present, maintaining the reader’s attention. The chapters narrated in the past explore the impact of Sammy’s disappearance on her family and the community in which they live. The other chapters follow Kim’s pathway of discovery to the truth about her past.
The most gripping parts of “The Nowhere Child” were the chapters about the past, as the author unearthed long-buried secrets of Kim’s grieving family. It seemed that nearly every character from her past had something they wanted to be kept hidden. Revelations were made that included identity, betrayal, secrets, loss and a sinister cult. A tense story of menace and suspense, the story held my interest from start to finish and the way in which Christian White brought everything to a conclusion was just fabulous.
I loved “The Nowhere Child” and I would recommend it to anyone who likes this genre. It has left me eager to read more from this author in the future.
Thank you to #NetGalley, and HarperCollins UK for a free ARC of #NowhereChild in exchange for a voluntary, honest review.
Savage (Songs From A Broken World) by Gary Numan
5.5
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Coming almost four years after his album ‘Splinter (Songs From A Broken Mind)’ earned the best...
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Kappboom - Cool Wallpapers & Background Wallpapers
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The #1 Ranked and Best Wallpapers app with over 200,000 beautiful and cool wallpapers at your...
Bob Mann (459 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 20, 2019
Young ensemble cast actually ensembling! (1 more)
Adam Driver on great form
After 42 years - does it leave with a bang or a whimper?
This review will be spoiler-free.
And so we come to the grand conclusion of George Lucas's nine-film vision, and someone can at last put the multi-limbed behemoth in a coffin and nail down the lid. It's certainly been a bumpy ride for this latest trilogy under Disney's stewardship, with rabidly negative fan-boys getting very hot under the collar about 'their baby' being despoiled by the evil empire!
We left the end of the last film with the Rebellion in tatters, reduced to a tiny fleet of ships. (It was truly fortunate that our key players were not on any of the lost ships wasn't it?) Rey (Daisy Ridley) is progressing her Jedi-training under the guidance of a new teacher. But the presence of Kylo-Ren (Adam Driver) is forever there, and their long-distance "psycho-chats" are becoming ever more 'substantial' as the bond between them grows.
But a dark presence from the past has returned, and both are drawn to it in different ways. A showdown between the forces of good and evil is inevitable.
The pace of the film is frenetic and totally exhausting. The first 30 minutes hardly pause for a breath as we zap around from location to location. Where the film really worked better for me was in the quieter and more reflective moments. Kylo Ren is in many of these moments: one, where he visits a very dark place, is well done; and one, where he receives a special visitor, is an interlude that is surprisingly effective. Adam Driver really is in excellent form here; he's never been my favourite actor in the world, but here truly impresses.
One of the problems of the first two films in the trilogy is that it sent all the young leads off in multiple different directions. The result was that there was very little of the interplay of the first films (between Han, Luke and Leia) that made them so memorable. Here that issue is rectified and Poe (Oscar Isaac) and Finn (John Boyega) develop a close onscreen bond with much resultant banter. Ridley's Rey also gets thrown into the mix, with the result that a group hug feels at last normal and right. It's bizarre, but you suddenly realise what was missing here when - FOR THE FIRST TIME - two of the characters get introduced to each other!
A welcome inclusion is that of the late Carrie Fisher as Leia. It's actually extraordinary that they had enough unused footage to be able to weave in a full role for the character into the story. It never feels forced and there were only a few 'hugs' where I found myself thinking "I bet that's not her".
C3PO (Anthony Daniels) also gets much more screen time and has some really nice and comical scenes in here. And a new uni-wheeled robot (voiced by director J.J. Abrams) adds to both the comic potential (and the available Disney merchandise!).
One of the new characters on show is the physically impressive Naomi Ackie as the horse (or something!) riding Jannah. But she's given little to do in the plot.
Elsewhere, there are a whole bunch of famous faces cropping up. Watching the end credit roll is an "OH! That was who that was" revelation in some cases. I won't list them here, since it is delicious to go in blind and have the surprise of seeing them. But some are famous actors from screen and TV, and one is an Abrams' favourite from a past TV glory. The biggest cheer though was reserved for a certain X-wing fighter near the end of the film. A blink-and-you'll-miss-him moment, it was a white-haired appearance to treasure.
What the film does very well (or very badly if you read some reviews) is hark back to the glories of the earlier films, and particularly Episodes IV to VI. Many places are revisited or scenes re-enacted until the place is just SOGGY with nostalgia (to use an old Tom Lehrer line). Although greatly contrived, I enjoyed these scenes immensely.
Making maximum use of the opportunity, John Williams bashes out theme after theme from most of the nine films. The soundtrack really is a "John Williams Greatest Hits" collection. Williams also actually gets a cameo as well - apparently as an eye-patch wearing bar-tender in the Nepalese-like town, though I must admit I missed it. (I've seen comment online that this is his first on-screen appearance: actually not true... he was conducting the orchestra in the "bird-lady's concert hall" in "Home Alone 2").
There are also a huge number of similarities I saw in certain scenes with other cinematic releases outside of the Star Wars universe:
"Raiders of the Lost Ark" - in two particular scenes;
"Dunkirk" - but done properly!
"Dora and the Lost City of Gold" - it doesn't make any physics sense here either!
"Power Rangers" - just because of one of the characters - you'll know the one
"Harry Potter and the Deathly Hallows Part 2" - but to say more would be a spoiler!
And there are probably others I've forgotten!
One of my key issues with "The Last Jedi" was the way in which it invented mad-cap tasks, objects and people that had to be completed/found for the plot to be moved forwards. A massive and pointless diversion to a casino planet, for example, was made just to get into a secure area of an imperial vessel: something in this film they 'just do'!
This movie also suffers to a degree from the disease of 'McGuffinitis'. Where's the beacon? There's a dagger that must be found; Where's the interpreter?; etc. It's all very formulaic. But at least in this case, there is a certain logical flow that follows within the plot.
The LP soundtrack of "Star Wars" got me into a lifelong love of film music. One of the last tracks on the soundtrack of the first film was called "The Last Battle". Well, THAT wasn't true! There have been so many space battles since then that we've all lost count. But we all knew this would build to a doozy of a finale, and the film doesn't disappoint. There is utter mayhem in the skies: WILL NOBODY THINK OF THE HENCHMEN'S FAMILIES?
It all drives to a satisfying ending for me and feels like a good closure to the saga. Is it perfect? No, not at all. It really sets itself with too much to do, and then tries to do it all within the available running time. The film will - and has by looking at the volume of IMDB 1* ratings - upset a lot of the fan-boys. But, you know what? Stuff 'em! The film should be judged on how it makes YOU feel as a standalone piece of entertainment, rather than as a part of some sort of pseudo-religious cult. And I personally think Abrams did a pretty decent job here of trying to please most of the people most of the time.
(For the full graphical review, please visit One Mann's Movies here - https://bob-the-movie-man.com/2019/12/20/one-manns-movies-film-review-star-wars-the-rise-of-skywalker-2019/ )
And so we come to the grand conclusion of George Lucas's nine-film vision, and someone can at last put the multi-limbed behemoth in a coffin and nail down the lid. It's certainly been a bumpy ride for this latest trilogy under Disney's stewardship, with rabidly negative fan-boys getting very hot under the collar about 'their baby' being despoiled by the evil empire!
We left the end of the last film with the Rebellion in tatters, reduced to a tiny fleet of ships. (It was truly fortunate that our key players were not on any of the lost ships wasn't it?) Rey (Daisy Ridley) is progressing her Jedi-training under the guidance of a new teacher. But the presence of Kylo-Ren (Adam Driver) is forever there, and their long-distance "psycho-chats" are becoming ever more 'substantial' as the bond between them grows.
But a dark presence from the past has returned, and both are drawn to it in different ways. A showdown between the forces of good and evil is inevitable.
The pace of the film is frenetic and totally exhausting. The first 30 minutes hardly pause for a breath as we zap around from location to location. Where the film really worked better for me was in the quieter and more reflective moments. Kylo Ren is in many of these moments: one, where he visits a very dark place, is well done; and one, where he receives a special visitor, is an interlude that is surprisingly effective. Adam Driver really is in excellent form here; he's never been my favourite actor in the world, but here truly impresses.
One of the problems of the first two films in the trilogy is that it sent all the young leads off in multiple different directions. The result was that there was very little of the interplay of the first films (between Han, Luke and Leia) that made them so memorable. Here that issue is rectified and Poe (Oscar Isaac) and Finn (John Boyega) develop a close onscreen bond with much resultant banter. Ridley's Rey also gets thrown into the mix, with the result that a group hug feels at last normal and right. It's bizarre, but you suddenly realise what was missing here when - FOR THE FIRST TIME - two of the characters get introduced to each other!
A welcome inclusion is that of the late Carrie Fisher as Leia. It's actually extraordinary that they had enough unused footage to be able to weave in a full role for the character into the story. It never feels forced and there were only a few 'hugs' where I found myself thinking "I bet that's not her".
C3PO (Anthony Daniels) also gets much more screen time and has some really nice and comical scenes in here. And a new uni-wheeled robot (voiced by director J.J. Abrams) adds to both the comic potential (and the available Disney merchandise!).
One of the new characters on show is the physically impressive Naomi Ackie as the horse (or something!) riding Jannah. But she's given little to do in the plot.
Elsewhere, there are a whole bunch of famous faces cropping up. Watching the end credit roll is an "OH! That was who that was" revelation in some cases. I won't list them here, since it is delicious to go in blind and have the surprise of seeing them. But some are famous actors from screen and TV, and one is an Abrams' favourite from a past TV glory. The biggest cheer though was reserved for a certain X-wing fighter near the end of the film. A blink-and-you'll-miss-him moment, it was a white-haired appearance to treasure.
What the film does very well (or very badly if you read some reviews) is hark back to the glories of the earlier films, and particularly Episodes IV to VI. Many places are revisited or scenes re-enacted until the place is just SOGGY with nostalgia (to use an old Tom Lehrer line). Although greatly contrived, I enjoyed these scenes immensely.
Making maximum use of the opportunity, John Williams bashes out theme after theme from most of the nine films. The soundtrack really is a "John Williams Greatest Hits" collection. Williams also actually gets a cameo as well - apparently as an eye-patch wearing bar-tender in the Nepalese-like town, though I must admit I missed it. (I've seen comment online that this is his first on-screen appearance: actually not true... he was conducting the orchestra in the "bird-lady's concert hall" in "Home Alone 2").
There are also a huge number of similarities I saw in certain scenes with other cinematic releases outside of the Star Wars universe:
"Raiders of the Lost Ark" - in two particular scenes;
"Dunkirk" - but done properly!
"Dora and the Lost City of Gold" - it doesn't make any physics sense here either!
"Power Rangers" - just because of one of the characters - you'll know the one
"Harry Potter and the Deathly Hallows Part 2" - but to say more would be a spoiler!
And there are probably others I've forgotten!
One of my key issues with "The Last Jedi" was the way in which it invented mad-cap tasks, objects and people that had to be completed/found for the plot to be moved forwards. A massive and pointless diversion to a casino planet, for example, was made just to get into a secure area of an imperial vessel: something in this film they 'just do'!
This movie also suffers to a degree from the disease of 'McGuffinitis'. Where's the beacon? There's a dagger that must be found; Where's the interpreter?; etc. It's all very formulaic. But at least in this case, there is a certain logical flow that follows within the plot.
The LP soundtrack of "Star Wars" got me into a lifelong love of film music. One of the last tracks on the soundtrack of the first film was called "The Last Battle". Well, THAT wasn't true! There have been so many space battles since then that we've all lost count. But we all knew this would build to a doozy of a finale, and the film doesn't disappoint. There is utter mayhem in the skies: WILL NOBODY THINK OF THE HENCHMEN'S FAMILIES?
It all drives to a satisfying ending for me and feels like a good closure to the saga. Is it perfect? No, not at all. It really sets itself with too much to do, and then tries to do it all within the available running time. The film will - and has by looking at the volume of IMDB 1* ratings - upset a lot of the fan-boys. But, you know what? Stuff 'em! The film should be judged on how it makes YOU feel as a standalone piece of entertainment, rather than as a part of some sort of pseudo-religious cult. And I personally think Abrams did a pretty decent job here of trying to please most of the people most of the time.
(For the full graphical review, please visit One Mann's Movies here - https://bob-the-movie-man.com/2019/12/20/one-manns-movies-film-review-star-wars-the-rise-of-skywalker-2019/ )
