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Death on the Nile (2022)
Death on the Nile (2022)
2022 | Mystery
Cinematography (1 more)
Very stylish
Not as good as the original (0 more)
A decent remake
I'm a big Agatha Christie fan and the Ustinov version of this from '78 along with @Evil Under the Sun (1982) are two of my favourite films of her stories.
This doesn't differ too much in terms of the core story or characters. We do get a little look at Poirot's past. It looks stunning, the cinematography stands out as well as the opulence. From the Fashion, the steamer boat, all the details show the class of high luxury and wealth of the lead characters.
It's a bit raunchy as well to make it a bit more modern.
Some of cast are unrecognisable, Russell Brand looking very different. French and Saunders do seem a bit miscast though.
Some of details of the plot did seem a bit more rushed in this version. Also lacking a bit of charm of the original. Still a good effort and better than Murder on the Orient Express I felt.
  
Beauty and the Beast (2017)
Beauty and the Beast (2017)
2017 | Fantasy, Musical, Romance
Remake of ‘Beauty and the Beast’ convincingly springs to life
Critic Review by Ann Hornaday- Washington Post

Original rating: 3 out of 4

Full review: https://www.washingtonpost.com/goingoutguide/movies/remake-of-beauty-and-the-beast-convincingly-springs-to-life/2017/03/16/9022737c-05bf-11e7-ad5b-d22680e18d10_story.html?utm_term=.dd812aa47337

Excerpt:

This “Beauty and the Beast” isn’t predicated on starry-eyed romance or animal attraction, but the solace of mutual loss and understanding, which makes it all the sweeter. Although the Beast is an entirely digital creation, based in part on Jean Cocteau’s groundbreaking 1946 film, Stevens imbues his hauteur and fanged hostility with pathos and arch humor. Joining Heath­cliff and Mr. Rochester as yet another handsome dude in a bad mood, Stevens’s Beast provides the right kind of foil for Watson’s spirited, courageous heroine, who in one of two seriously frightening sequences fights off a snarling pack of wolves. The blink-and-you’ll-miss-it meet-cute moment for two gay characters is part of this “Beauty and the Beast’s” larger sense of expansiveness, wherein exteriors fall away, inner essences come to the fore and true love ensues.

And what in this big, boffo, ball-gowned world could be wrong with that?
  
The Taking of Pelham One Two Three (1974)
The Taking of Pelham One Two Three (1974)
1974 | Action, Drama, Mystery

"And the final film, since you limited me to a mere five… that’s always the biggest battle, not what will be number one, but what will be the last film on a short list, because, you know, I would want to throw Pan’s Labyrinth on there, or City of God, or Annie Hall, or Crimes and Misdemeanors. What I’m gonna put on is The Taking of Pelham One, Two, Three. You want to throw on your list something that is perhaps would be contrarian, or would be unusual. But to me, it’s the most entertaining crime film that I have ever seen. In a movie like that, involvement is the most significant aspect in determining whether or not it’s successful. And you’re simply involved in this movie. It doesn’t have one movie star. There’s nobody particularly handsome or heroic in the film. You’re dealing with Walter Matthau and Marty Balsam and Robert Shaw. To me, it’s a delight. It’s interesting because a remake of it is gonna be coming out, I believe next year. I don’t begrudge them. I think it’s an absolutely appropriate film to remake. As good as it was, it can be given a modern sensibility that can appeal to modern audiences."

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