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Lenard (726 KP) rated Shaft (2019) in Movies
Jun 23, 2019
Samuel L Jackson in the role he is most suited for. Jackson plays John Shaft, an unfiltered New York City detective turned private investigator. Shaft works the mean streets of Harlem although not the gentrified nouveau riche version that exists today. In this sequel to the 2000 remake/continuation of the 70s classics, the booksmart JJ, John Shaft Jr, hires Shaft to help him investigate the "suicide" of his best friend, an Afghan War vet and former heroin junkie. Using his special set of streetwise skills, Shaft shows his son that he may not know as much as he thinks he does especially when it comes to women. Together, the Shafts uncover the conspiracy that the Supertroopers found 18 years ago but in Harlem with a major Latinx drug dealer who tried to destroy Shaft's life 20 years ago. While not great, this film at least is entertaining in ways most of the films this summer is not.
And Soon the Darkness (2010)
6.5
Rate It
Movie
Thriller remake, based on the 1970 film of the same name. Stephanie (Amber Heard) and Ellie's...
Gareth von Kallenbach (980 KP) rated Charlie and the Chocolate Factory (2005) in Movies
Aug 14, 2019
It seems of late that every month Hollywood either releases or plans to release a remake of a classic film. This summer has spawned no less than 5 remakes of classic films or televisions shows and with box office receipts in decline, it would seem that the public is craving for something fresh.
Thankfully the Tim Burton remake of Charlie and the Chocolate Factory is not only a winner, but injects a much needed jolt of camp, charm, and wit into a late summer season that desperately needed it.
The film stars Johnny Depp as the mysterious candy maker Willie Wonka. Wonka has become a reclusive for two decades in order to protect his secret recipes from corporate spies and thieves.
As the film opens, a young boy named Charlie Bucket, (Freddie Highmore), returns home to his family shack, which he shares with his parents and four grandparents. As told via narration, that despite the poverty of his family, Charlie is a very lucky boy. Over their meager dinner of cabbage soup, Charlie’s grandfather (David Kelly) regales the family with tales of Willie Wonka and his exploits which he saw first hand while working in the factory decades earlier.
When Wonka resumed candy shipments after a hiatus the world was delighted, but many wondered who was making the candy as aside from shipping trucks, nobody was ever seen coming or going from the factory.
Such secrecy only added to the legend of Wonka as amazing candy creations continued to arrive in shops to the delight of customer’s world wide.
When it is announced that five golden tickets have been hidden inside candy bars world wide, and that the winners will be given a full day tour of the factory by Wonka himself, frenzy erupts across the globe as Wonka Bars are snatched up by a rabid public. Charlie dreams of getting one of the precious tickets, but his family’s meager income limits him to one bar a year on his birthday. Undaunted Charlie counts the days until his coming birthday, undaunted by the discovery of tickets around the globe.
When his efforts to get a ticket are daunted, and the fifth ticket is reported to be found, Charlie consoles himself by finding money in the street and purchases a Wonka Bar from the corner store. In the blink of an eye Charlie finds himself holding the last ticket when he learns that the last one reported found was a hoax.
Soon Charlie and his Grandfather are touring the magical factory complete with rivers of chocolate and edible candy forests in the company of the quirky Wonka and the fellow contest winners. What follows next is not going to be much of a surprise for those who have seen the 1971 version starring Gene Wilder or those who have read the novel by Roald Dahl, what is a surprise is how fresh and spirited this new version is. I was utterly charmed by the story and the effective pacing of the film.
Burton is a master of mixing visuals and fantasy and this time he not only excels, but he adds an effective touch of humanity to the fantasy which keeps the film from being lost in a see of color and effects.
Depp is brilliant as the eccentric Wonka as his mirth and camp, is underscored by equal amounts of fear and mistrust. The film is essentially a morality tale, but it never losses its focus or the charm by becoming preachy or drawn out. In a role that could easily have been mishandled, Depp soars and shows that he is one of the greatest actors of our generation.
Parents should note that there are a few moments in the film that may be a bit intense for the youngest of viewers, but that being said, the film is a true delight full of magic and fantasy that will delight young and old.
Thankfully the Tim Burton remake of Charlie and the Chocolate Factory is not only a winner, but injects a much needed jolt of camp, charm, and wit into a late summer season that desperately needed it.
The film stars Johnny Depp as the mysterious candy maker Willie Wonka. Wonka has become a reclusive for two decades in order to protect his secret recipes from corporate spies and thieves.
As the film opens, a young boy named Charlie Bucket, (Freddie Highmore), returns home to his family shack, which he shares with his parents and four grandparents. As told via narration, that despite the poverty of his family, Charlie is a very lucky boy. Over their meager dinner of cabbage soup, Charlie’s grandfather (David Kelly) regales the family with tales of Willie Wonka and his exploits which he saw first hand while working in the factory decades earlier.
When Wonka resumed candy shipments after a hiatus the world was delighted, but many wondered who was making the candy as aside from shipping trucks, nobody was ever seen coming or going from the factory.
Such secrecy only added to the legend of Wonka as amazing candy creations continued to arrive in shops to the delight of customer’s world wide.
When it is announced that five golden tickets have been hidden inside candy bars world wide, and that the winners will be given a full day tour of the factory by Wonka himself, frenzy erupts across the globe as Wonka Bars are snatched up by a rabid public. Charlie dreams of getting one of the precious tickets, but his family’s meager income limits him to one bar a year on his birthday. Undaunted Charlie counts the days until his coming birthday, undaunted by the discovery of tickets around the globe.
When his efforts to get a ticket are daunted, and the fifth ticket is reported to be found, Charlie consoles himself by finding money in the street and purchases a Wonka Bar from the corner store. In the blink of an eye Charlie finds himself holding the last ticket when he learns that the last one reported found was a hoax.
Soon Charlie and his Grandfather are touring the magical factory complete with rivers of chocolate and edible candy forests in the company of the quirky Wonka and the fellow contest winners. What follows next is not going to be much of a surprise for those who have seen the 1971 version starring Gene Wilder or those who have read the novel by Roald Dahl, what is a surprise is how fresh and spirited this new version is. I was utterly charmed by the story and the effective pacing of the film.
Burton is a master of mixing visuals and fantasy and this time he not only excels, but he adds an effective touch of humanity to the fantasy which keeps the film from being lost in a see of color and effects.
Depp is brilliant as the eccentric Wonka as his mirth and camp, is underscored by equal amounts of fear and mistrust. The film is essentially a morality tale, but it never losses its focus or the charm by becoming preachy or drawn out. In a role that could easily have been mishandled, Depp soars and shows that he is one of the greatest actors of our generation.
Parents should note that there are a few moments in the film that may be a bit intense for the youngest of viewers, but that being said, the film is a true delight full of magic and fantasy that will delight young and old.
Gareth von Kallenbach (980 KP) rated The Crazies (2010) in Movies
Aug 8, 2019
In the farming community of Ogden Marsh, a small town in middle America where everyone knows their neighbor, unspeakable horror is about to happen.
During a game of baseball local Farmer Rory Hamill arrives interrupting the game with shotgun in tow. This odd incident soon leads to more and shows that that something definitely isn’t right as the locals begin losing their minds.
In the new film “The Crazies”, a remake of the classic original film by horror legend George Romero, the audience is taken on a bizarre trip as a an ideal small community becomes the setting of unimagined terror and chaos.
Before the movie, I researched the original and read a comic series in order to get a better grasp on the source material.
Sadly the final product did not live up to my expectations as the film plays out in a very stale manner and it seems that Director Breck Eisner was unsure what direction he wanted to the film to take.
I felt like I was watching a re-packaged “28 Days later” with a little bit of “Quarantine” mixed in, Honestly the movie was so boring to me that I found myself trying to find anything in it that could keep my attention.
Thankfully the film does have some great special FX which for me is the saving grace of the film. While I had expected a bit more form the source material which was rife with possibilities, “The Crazies” plays out as a rather mundane horror film that offers very little that is new and fresh.
During a game of baseball local Farmer Rory Hamill arrives interrupting the game with shotgun in tow. This odd incident soon leads to more and shows that that something definitely isn’t right as the locals begin losing their minds.
In the new film “The Crazies”, a remake of the classic original film by horror legend George Romero, the audience is taken on a bizarre trip as a an ideal small community becomes the setting of unimagined terror and chaos.
Before the movie, I researched the original and read a comic series in order to get a better grasp on the source material.
Sadly the final product did not live up to my expectations as the film plays out in a very stale manner and it seems that Director Breck Eisner was unsure what direction he wanted to the film to take.
I felt like I was watching a re-packaged “28 Days later” with a little bit of “Quarantine” mixed in, Honestly the movie was so boring to me that I found myself trying to find anything in it that could keep my attention.
Thankfully the film does have some great special FX which for me is the saving grace of the film. While I had expected a bit more form the source material which was rife with possibilities, “The Crazies” plays out as a rather mundane horror film that offers very little that is new and fresh.
Sarah (7800 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Aug 25, 2018
Could've been better
I think I must be the only person who could take or leave this film. I'd heard a lot of good things about it, but in all honesty it wasn't what I was expecting.
Firstly, I'm glad they didn't completely remake the original and instead gave this it's whole new spin by being a video game. This actually works, and works quite well. And the main cast do very well, especially Jack Black playing a teenage girl and Karen Gillan when she's trying to flirt. There is some good humour in this too, it's just not always my kind of humour.
My main issue with this film is that a lot of the script and humour seemed aimed at the teenage instagram generation. The odd joke isn't too bad, but this was a bit too much. There's also the plot, which seems a little too basic even for a video game and there is far too much explanation going on. There also isn't much in the way of threat and danger in this film. The bad guy is a bit lame and the whole Jumanji world is nowhere near as threatening as you'd have imagined from watching the original film.
This isn't a terrible film and it's not quite as bad as I'd have expected, but its not one I'd rush out to watch again.
Firstly, I'm glad they didn't completely remake the original and instead gave this it's whole new spin by being a video game. This actually works, and works quite well. And the main cast do very well, especially Jack Black playing a teenage girl and Karen Gillan when she's trying to flirt. There is some good humour in this too, it's just not always my kind of humour.
My main issue with this film is that a lot of the script and humour seemed aimed at the teenage instagram generation. The odd joke isn't too bad, but this was a bit too much. There's also the plot, which seems a little too basic even for a video game and there is far too much explanation going on. There also isn't much in the way of threat and danger in this film. The bad guy is a bit lame and the whole Jumanji world is nowhere near as threatening as you'd have imagined from watching the original film.
This isn't a terrible film and it's not quite as bad as I'd have expected, but its not one I'd rush out to watch again.
Broken Sword 1 - Shadow of the Templars: Director's Cut
Games and Entertainment
App
Paris in the Fall… a brutal murder at the Palais Royale. When Nico Collard is invited to interview...
Chris Sawin (602 KP) rated Halloween (2007) in Movies
Jun 19, 2019 (Updated Jun 21, 2019)
You probably already know the story of Michael Myers and the horror that took place in Haddonfield, Illinois on Halloween night. How Michael Myers became one of the biggest slasher icons in horror movie history. Now we get to hear the story told by Rob Zombie, the man who brought us House of 1,000 Corpses and The Devil's Rejects. He gives us some insight as to why Michael Myers is the way he is by showing us some of his childhood, the environment he grew up in, and how his family was. After he's institutionalized, we see how his progress continues to deteriorate as Dr. Samuel Loomis tries to do everything he can to save this young boy. Fifteen years go by when Loomis finally throws in the towel and Myers escapes Smith's Grove. Now on his way back to Haddonfield, Myers seeks his sister, Laurie, to finish what he started almost two decades ago.
There seems to be a huge debate amongst horror fans about whether this film was good or not. The results seemed to be pretty one-sided in favor of the original horror film from 1978, but now it seems the remake has almost just as many fans. I wouldn't say it was a 50/50 ratio, but 60/40 (60% of horror fans either hate the remake or prefer the original, 40% like the remake or prefer it over the original) seems about right these days. I managed to see the work print a few years ago and I wasn't impressed. With the release of Halloween 2 at the end of this month though, I promised myself I would give this film another shot. So that time has finally come and I can honestly say that the film isn't as bad as I remembered.
A few aspects of the film are actually quite good. Tyler Mane is a great Michael Myers. He's almost seven feet tall and is built like a giant. He's a total monster and the destruction and mayhem he causes is believable given his size. The adult version of Michael Myers is spot-on for a re-imagining of the film. Malcolm McDowell also does a good job as Dr. Loomis. He's no Donald Pleasance, but McDowell's take on the character isn't bad. Scout Taylor-Compton is also a worthy mention. She slips into the shoes of a modern day Laurie Strode rather flawlessly. Moving on from the acting though, the film is pretty solid from the time Michael gets his iconic mask through the finale. The way Michael made so many masks while he was in Smith's Grove was an interesting idea and the scene where you see his room fifteen years later with nothing but masks on every wall is one of the best in the film. The cinematography is also something that is often overlooked, which is a shame since it's actually pretty exceptional. It seemed to stand out most during the scenes where Michael was stalking Laurie, especially in the abandoned Myers house at the end. There's a scene right after Michael gets out of Smith's Grove where he goes to a truck stop and winds up getting the jumpsuit we're all familiar with. While there, he runs into Big Joe Grizzly in the bathroom stall and is banging Grizzly's hand, which is holding a knife, against the bathroom stall wall. As he's doing this though, the bathroom stall is just getting demolished but with every smashing blow, the camera violently shakes. The camera just always seemed to have a knack for giving a good perspective of what the character was going through, whether it was Michael or Laurie.
The disappointing part of this is pretty much everything leading up to Michael getting his mask back after his escape is pretty terrible. The dialogue, especially in the first ten to fifteen minutes of the film, is horrendous. Everything that's said between Deborah Myers and Ronnie White is just awful. The white trash upbringing just doesn't seem worthy for a horror icon like Michael Myers. It's just hard to believe that Michael Myers is the way he is because his mom was a stripper and his older sister was a whore. Logic seems to just be thrown by the way side as the film progresses. After Michael escapes from Smith's Grove, he returns to his old house where his mask and knife that he used to kill his family happen to just be lying under the floorboards. So did the police just pick up the bodies without searching the house or what? So he got his jumpsuit by stealing it from a guy taking a dump at a truck stop? Really? Hearing some of the original music return from John Carpenter's version of the film was a bit bittersweet. On one hand, it was great hearing it again. On the other, however, it just didn't seem to fit. Made me miss the original film more than anything. Giving Michael Myers a specific origin was probably Zombie's biggest mistake. The most terrifying thing about Michael Myers was that he was The Shape and had a bit of mystery to him. You knew he was going after Laurie, but other than that you had Loomis' word to fall back on. Michael was the human incarnation of pure evil. That's it. That's all you need. Humanizing the character and introducing us to his childhood only watered down the Michael Myers character.
There's a scene with Michael Myers and Dr. Loomis in Smith's Grove Sanitarium where Michael has made a mask that he's colored completely black. When Loomis asks him why it's black, Michael says that it's his favorite color. Loomis goes into an explanation about the color spectrum. Black is on one end and is the absence of color while white is at the opposite end and is every color. That's actually a great explanation of the differences between the original film and the remake. The original film would be the black segment of the spectrum. Carpenter's version leaves more to the viewer's imagination as the only explanation for Michael Myers is that he is "pure evil." While the remake would be the white segment of the spectrum as it goes into full detail why Michael Myers is the way he is and it shows every little violent and vulgar detail. Some people would say that having a little bit of mystery would be a good thing when it comes to a film like this while others like having everything laid out for them. It all depends on the viewer and which end of the spectrum they prefer. In my opinion though, that's the biggest mistake Rob Zombie made. There's no mystery left with the Michael Myers character. He's no longer The Shape, but is a psychopathic killer because he was raised by a white trash family, liked to torture animals, and whose sister didn't take him trick or treating.
The best thing Zombie can do is distance himself from the original film(s) as much as possible. To do something original with these characters. He looks like he'll do just that when Halloween 2 hits theaters on August 28th. One thing re-watching the remake accomplished was that it made me look forward to the sequel. The trailer looks really good (but to be fair, so did the trailer for the original film) and I was on the fence about it until I saw this again. The only problem I have is that Zombie seems to be telling the same story with the same initial cast with all of his films. House of 1,000 Corpses, The Devil's Rejects, and Halloween (first half of the film) are all way too similar. Zombie needs something new to add to his resume. Will Halloween 2 deliver that? Probably not, but a guy can hope.
There seems to be a huge debate amongst horror fans about whether this film was good or not. The results seemed to be pretty one-sided in favor of the original horror film from 1978, but now it seems the remake has almost just as many fans. I wouldn't say it was a 50/50 ratio, but 60/40 (60% of horror fans either hate the remake or prefer the original, 40% like the remake or prefer it over the original) seems about right these days. I managed to see the work print a few years ago and I wasn't impressed. With the release of Halloween 2 at the end of this month though, I promised myself I would give this film another shot. So that time has finally come and I can honestly say that the film isn't as bad as I remembered.
A few aspects of the film are actually quite good. Tyler Mane is a great Michael Myers. He's almost seven feet tall and is built like a giant. He's a total monster and the destruction and mayhem he causes is believable given his size. The adult version of Michael Myers is spot-on for a re-imagining of the film. Malcolm McDowell also does a good job as Dr. Loomis. He's no Donald Pleasance, but McDowell's take on the character isn't bad. Scout Taylor-Compton is also a worthy mention. She slips into the shoes of a modern day Laurie Strode rather flawlessly. Moving on from the acting though, the film is pretty solid from the time Michael gets his iconic mask through the finale. The way Michael made so many masks while he was in Smith's Grove was an interesting idea and the scene where you see his room fifteen years later with nothing but masks on every wall is one of the best in the film. The cinematography is also something that is often overlooked, which is a shame since it's actually pretty exceptional. It seemed to stand out most during the scenes where Michael was stalking Laurie, especially in the abandoned Myers house at the end. There's a scene right after Michael gets out of Smith's Grove where he goes to a truck stop and winds up getting the jumpsuit we're all familiar with. While there, he runs into Big Joe Grizzly in the bathroom stall and is banging Grizzly's hand, which is holding a knife, against the bathroom stall wall. As he's doing this though, the bathroom stall is just getting demolished but with every smashing blow, the camera violently shakes. The camera just always seemed to have a knack for giving a good perspective of what the character was going through, whether it was Michael or Laurie.
The disappointing part of this is pretty much everything leading up to Michael getting his mask back after his escape is pretty terrible. The dialogue, especially in the first ten to fifteen minutes of the film, is horrendous. Everything that's said between Deborah Myers and Ronnie White is just awful. The white trash upbringing just doesn't seem worthy for a horror icon like Michael Myers. It's just hard to believe that Michael Myers is the way he is because his mom was a stripper and his older sister was a whore. Logic seems to just be thrown by the way side as the film progresses. After Michael escapes from Smith's Grove, he returns to his old house where his mask and knife that he used to kill his family happen to just be lying under the floorboards. So did the police just pick up the bodies without searching the house or what? So he got his jumpsuit by stealing it from a guy taking a dump at a truck stop? Really? Hearing some of the original music return from John Carpenter's version of the film was a bit bittersweet. On one hand, it was great hearing it again. On the other, however, it just didn't seem to fit. Made me miss the original film more than anything. Giving Michael Myers a specific origin was probably Zombie's biggest mistake. The most terrifying thing about Michael Myers was that he was The Shape and had a bit of mystery to him. You knew he was going after Laurie, but other than that you had Loomis' word to fall back on. Michael was the human incarnation of pure evil. That's it. That's all you need. Humanizing the character and introducing us to his childhood only watered down the Michael Myers character.
There's a scene with Michael Myers and Dr. Loomis in Smith's Grove Sanitarium where Michael has made a mask that he's colored completely black. When Loomis asks him why it's black, Michael says that it's his favorite color. Loomis goes into an explanation about the color spectrum. Black is on one end and is the absence of color while white is at the opposite end and is every color. That's actually a great explanation of the differences between the original film and the remake. The original film would be the black segment of the spectrum. Carpenter's version leaves more to the viewer's imagination as the only explanation for Michael Myers is that he is "pure evil." While the remake would be the white segment of the spectrum as it goes into full detail why Michael Myers is the way he is and it shows every little violent and vulgar detail. Some people would say that having a little bit of mystery would be a good thing when it comes to a film like this while others like having everything laid out for them. It all depends on the viewer and which end of the spectrum they prefer. In my opinion though, that's the biggest mistake Rob Zombie made. There's no mystery left with the Michael Myers character. He's no longer The Shape, but is a psychopathic killer because he was raised by a white trash family, liked to torture animals, and whose sister didn't take him trick or treating.
The best thing Zombie can do is distance himself from the original film(s) as much as possible. To do something original with these characters. He looks like he'll do just that when Halloween 2 hits theaters on August 28th. One thing re-watching the remake accomplished was that it made me look forward to the sequel. The trailer looks really good (but to be fair, so did the trailer for the original film) and I was on the fence about it until I saw this again. The only problem I have is that Zombie seems to be telling the same story with the same initial cast with all of his films. House of 1,000 Corpses, The Devil's Rejects, and Halloween (first half of the film) are all way too similar. Zombie needs something new to add to his resume. Will Halloween 2 deliver that? Probably not, but a guy can hope.
Kim Pook (101 KP) rated the PlayStation 4 version of Spongebob Squarepants: Battle for Bikini Bottom - Rehydrated in Video Games
Oct 18, 2020
Gameplay (1 more)
Every characters original voice
I won this game from one of smash bombs competitions in exchange for a review. I wanted to wait until I'd finished it but I think I've played enough of it to give a review on it.
I didn't actually know that this game is a remake of an old game until I researched it, obviously as I didn't know this I also had never played the original. I did however, love spongebob as a teen (I'd probably still watch it now, if I had the chance) so he is a known cartoon for me.
The game itself is pretty good, you have to go around collecting golden spatulas, lost socks and as many shiny objects as you can carry (golden spatulas and shiny objects are needed to get into some zones) whilst at the same time killing many different robots and solving puzzles. The game is rated pegi 7 which is about right for this type of game, some parts of the game can be incredibly frustrating though especially if you're going for all the trophies, one part for example took me about 45 minutes just to get to a collectable. It's all good fun though and not to be taken too seriously, I look forward to completing the game.
I didn't actually know that this game is a remake of an old game until I researched it, obviously as I didn't know this I also had never played the original. I did however, love spongebob as a teen (I'd probably still watch it now, if I had the chance) so he is a known cartoon for me.
The game itself is pretty good, you have to go around collecting golden spatulas, lost socks and as many shiny objects as you can carry (golden spatulas and shiny objects are needed to get into some zones) whilst at the same time killing many different robots and solving puzzles. The game is rated pegi 7 which is about right for this type of game, some parts of the game can be incredibly frustrating though especially if you're going for all the trophies, one part for example took me about 45 minutes just to get to a collectable. It's all good fun though and not to be taken too seriously, I look forward to completing the game.
Extreme Cities: The Peril and Promise of Urban Life in the Age of Climate Change
Book
How will climate change affect our lives? Where will its impacts be most deeply felt? Are we doing...
Andy K (10823 KP) rated The Last Starfighter (1984) in Movies
Dec 2, 2018
Guilty 80s pleasure still sparkles!
I have made several "Andy's Guilty Pleasures" lists in my life and Flash Gordon, Krull and this film are always at the very top. I'm sure it's because this movie was a childhood favorite, but also because it hits everything just right. It's not complicated, scary, or deep at all. Just a campy good time.
When local teenager trailer park handyman Alex Rogan finally beats his favorite video game "Starfighter" he gets more than he bargained for when it's owner comes calling and invites Alex into outer space to help the star league defend itself against its enemies.
It was one of the first movies to use any sort of CGI images as we think of them today. I'm sure nowadays people would say it looked a bit dated, but I would argue the characters and story are what keep it relevant.
There have been many stories and attempts to remake or reboot this film, even from Steven Spielberg, and thus far it hasn't happened.
Keeping my fingers crossed it never does.
When local teenager trailer park handyman Alex Rogan finally beats his favorite video game "Starfighter" he gets more than he bargained for when it's owner comes calling and invites Alex into outer space to help the star league defend itself against its enemies.
It was one of the first movies to use any sort of CGI images as we think of them today. I'm sure nowadays people would say it looked a bit dated, but I would argue the characters and story are what keep it relevant.
There have been many stories and attempts to remake or reboot this film, even from Steven Spielberg, and thus far it hasn't happened.
Keeping my fingers crossed it never does.