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How to Turn Down a Billion Dollars: The Snapchat Story
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Snapchat is the tech startup that got ahead by breaking all the rules. Its CEO, Evan Spiegel, and...
The Theory and Practice of Directors' Remuneration: New Challenges and Opportunities
Markus Stiglbauer, Alexander Kostyuk and Dmitriy Govorun
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The recent financial crisis has led to a loss of trust in corporate governance and in particular on...
Locator365 – Remote Mobile Tracking, Routing Record. Prevent Missing Persons
Navigation and Productivity
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【Video Demo】 http://www.youtube.com/watch?v=D7Hz3EKnQiA 【AppPicker.com Review*****】 - If...
Movie Metropolis (309 KP) rated Aladdin (2019) in Movies
Jun 10, 2019
Don't let us down Guy Ritchie
Along with Beauty & The Beast and The Lion King, Aladdin is one of Disney’s most-loved animated films. With Disney’s penchant for remaking their classic cartoons over the last few years, it was always going to be the case that Aladdin was going to be on the cards.
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Madbatdan82 (341 KP) rated Stranger Things - Season 3 in TV
Jul 6, 2019
Getting better with age
I've loved all 3 seasons of ST so far but this is the best so far. It's just just sublime. All the characters get depth and development whilst introducing a few new ones. The nostalgia shown in this is superb and unapologetic. At one point Mike and Lucas are having a convo about coka cola classic vs new coke and (very post modern tongue firmly in cheek) Lucas says 'classic is good but the remake is better'. Terminator, evil dead, back 2 the future, day of the dead, invasion of the body snatchers and many more are lovingly referenced with possibly the greatest and funniest being a brilliant neverending story shout out. The gore and horror is there in spades with more a focus on body horror and some very 'Lovecraftian' scenes which are equally awesome & disgusting. Steve & Dustin are the stars and continue their great team up from season 2 and honestly I think a spin off where they have a detective agency would be an amazing show that needs to be made!! It'll make u laugh, it'll make u cry but you will love it...PS keep watching for a post credits scene in last episode! Season 4 I cant wait!!!
Lee (2222 KP) rated Dumbo (2019) in Movies
Mar 31, 2019
It's set to be a busy year for live action Disney remakes, with Aladdin and The Lion King already lined up for release this year. Kicking things off though, is this reimagining of the 1941 classic Dumbo, with Tim Burton directing.
It's 1919 and Holt Farrier (Colin Farrell) has returned from World War I, arriving by train to join the Medici Brothers Circus, where he worked before the war as a performer. But Holt has a number of issues to contend with on his return, the least of which being the loss one of his arms while in service. He's greeted at the station by his two young children, Milly and Joe, who lost their mother, Holt's wife, to influenza while he was away. On top of that, he learns that while he was away, the cash strapped circus owner, Max Medici (Danny DeVito) decided to sell the horses that were part of Holt's star act. Holt is put in charge of pregnant elephant Jumbo, with Max hoping that the arrival of a cute baby elephant will bring in the much needed crowds. It's a lot for Holt to come to terms with and adjust to.
Soon after, the baby elephant is born. But with clumsy, oversized ears, he's not quite the cute crowd pleaser they had all hoped for. Attempts to hide his ears only end in disaster, and ridicule from the circus crowds. Milly and Joe fall in love with the new arrival, and when they discover that he has the ability to use those big ears for flying, interest in him is quickly renewed.
The flying elephant not only draws in the crowds, but also the attentions of V.A. Vandevere (Michael Keaton), who offers Max a deal for him and his circus troupe to join his huge fancy theme park. It's at this point that the movie should really begin to soar, having introduced the circus family and their new arrival. Unfortunately, the arrival of Vandevere signals a sharp downward spiral in terms of story telling. The circus cast are all but forgotten, with the story focusing instead on the tired, familiar tale of sleazy, greedy businessman who is only interested in money and success, at the expense of the poor, trusting people who believed him.
The computerised Dumbo is simply oozing cuteness and technical wizardry. The eyes and the facial expressions are wonderful and he manages to steal every scene he is in. Every time he takes flight, it is a joy to watch. Unfortunately though, this version of Dumbo is trying to add a lot more to the original story and ends up becoming bit of a drag at times. The human characters are poorly written and mostly forgettable, and the movie really only soars when Dumbo himself does. While trying to steer clear of being a straight up remake, opting instead for the addition of plot and characters, it ultimately loses a lot of the charm. As with the recent remake of Beauty and the Beast, it's another case of style over substance.
It's 1919 and Holt Farrier (Colin Farrell) has returned from World War I, arriving by train to join the Medici Brothers Circus, where he worked before the war as a performer. But Holt has a number of issues to contend with on his return, the least of which being the loss one of his arms while in service. He's greeted at the station by his two young children, Milly and Joe, who lost their mother, Holt's wife, to influenza while he was away. On top of that, he learns that while he was away, the cash strapped circus owner, Max Medici (Danny DeVito) decided to sell the horses that were part of Holt's star act. Holt is put in charge of pregnant elephant Jumbo, with Max hoping that the arrival of a cute baby elephant will bring in the much needed crowds. It's a lot for Holt to come to terms with and adjust to.
Soon after, the baby elephant is born. But with clumsy, oversized ears, he's not quite the cute crowd pleaser they had all hoped for. Attempts to hide his ears only end in disaster, and ridicule from the circus crowds. Milly and Joe fall in love with the new arrival, and when they discover that he has the ability to use those big ears for flying, interest in him is quickly renewed.
The flying elephant not only draws in the crowds, but also the attentions of V.A. Vandevere (Michael Keaton), who offers Max a deal for him and his circus troupe to join his huge fancy theme park. It's at this point that the movie should really begin to soar, having introduced the circus family and their new arrival. Unfortunately, the arrival of Vandevere signals a sharp downward spiral in terms of story telling. The circus cast are all but forgotten, with the story focusing instead on the tired, familiar tale of sleazy, greedy businessman who is only interested in money and success, at the expense of the poor, trusting people who believed him.
The computerised Dumbo is simply oozing cuteness and technical wizardry. The eyes and the facial expressions are wonderful and he manages to steal every scene he is in. Every time he takes flight, it is a joy to watch. Unfortunately though, this version of Dumbo is trying to add a lot more to the original story and ends up becoming bit of a drag at times. The human characters are poorly written and mostly forgettable, and the movie really only soars when Dumbo himself does. While trying to steer clear of being a straight up remake, opting instead for the addition of plot and characters, it ultimately loses a lot of the charm. As with the recent remake of Beauty and the Beast, it's another case of style over substance.
David McK (3623 KP) rated Ghostbusters: Afterlife (2021) in Movies
Nov 28, 2021 (Updated Mar 30, 2024)
Who ya gonna call?
Ghostbusters 2 was released in 1989.
Ghostbusters: The video game in 2009.
At that stage, it was - unofficially - touted as Ghostbusters 3.
The (atrocious) remake was in 2006.
This was released in 2021 - so over 30 years since Ghostbusters 2 - and is now the 'official' third entry in the franchise.
Having said that, there is absolutely no mention of Ghostbusters 2 during it, so you could easily skip that if you wanted a rewatch before going to see this.
This follows a new family, who find they have ties to a Ghostbuster of yore, when they are evicted from their tenement and inherit a farmhouse out in the rural countryside: a farmhouse that has secrets of its own, as does the surrounding neighbourhood.
It's also no secret that this relies heavily on nostalgia for the original and that family is at the core of the movie, written - as it is - by the son of the late Ivan Reitman (Jason Reitman) - and paying an elegiac tribute to the late Harold Ramis (1 of the original 4 Ghostbusters - Egon Spengler - , who passed in 2014.
Oh, and the post (not mid) -credits scene? Goes some way to making up for how Ernie Hudson was treated in the original, when he saw his scenes drastically cut from what was intended.
Ghostbusters: The video game in 2009.
At that stage, it was - unofficially - touted as Ghostbusters 3.
The (atrocious) remake was in 2006.
This was released in 2021 - so over 30 years since Ghostbusters 2 - and is now the 'official' third entry in the franchise.
Having said that, there is absolutely no mention of Ghostbusters 2 during it, so you could easily skip that if you wanted a rewatch before going to see this.
This follows a new family, who find they have ties to a Ghostbuster of yore, when they are evicted from their tenement and inherit a farmhouse out in the rural countryside: a farmhouse that has secrets of its own, as does the surrounding neighbourhood.
It's also no secret that this relies heavily on nostalgia for the original and that family is at the core of the movie, written - as it is - by the son of the late Ivan Reitman (Jason Reitman) - and paying an elegiac tribute to the late Harold Ramis (1 of the original 4 Ghostbusters - Egon Spengler - , who passed in 2014.
Oh, and the post (not mid) -credits scene? Goes some way to making up for how Ernie Hudson was treated in the original, when he saw his scenes drastically cut from what was intended.
LeftSideCut (3776 KP) rated the PlayStation 4 version of Crash Team Racing: Nitro Fueled in Video Games
Jun 24, 2019
I've spent a couple of afternoons now, playing this very shiny remake of the PS One classic, and I can safely say, I'm once again hooked.
It's another nostalgia fest, following on from the N Sane Trilogy, and it looks amazing, full of colour and impressive textures.
The gameplay itself is pretty identical to the original, and still just as challenging (I swear I used to be better at these games as a kid).
It's not just the original content we get here though, Activision and Beenox have added in content from the CTR sequels that followed in later years, bolstering Nitro-Fueled to a bulkier experience, alongside plenty of unlockable characters, and customisation items for your cart. There's also an in game store where you can buy various items with in game currency, but here's the best part - as it stands, you can only earn in game currency by playing the game! There's is no option to spend real money here, which is refreshing in today's gaming climate.
I'm already gunning for 100% completion on this one, and with an already-announced batch of FREE additional content incoming (including Spyro!), I get the feeling I'll be playing this one for a while.
It's another nostalgia fest, following on from the N Sane Trilogy, and it looks amazing, full of colour and impressive textures.
The gameplay itself is pretty identical to the original, and still just as challenging (I swear I used to be better at these games as a kid).
It's not just the original content we get here though, Activision and Beenox have added in content from the CTR sequels that followed in later years, bolstering Nitro-Fueled to a bulkier experience, alongside plenty of unlockable characters, and customisation items for your cart. There's also an in game store where you can buy various items with in game currency, but here's the best part - as it stands, you can only earn in game currency by playing the game! There's is no option to spend real money here, which is refreshing in today's gaming climate.
I'm already gunning for 100% completion on this one, and with an already-announced batch of FREE additional content incoming (including Spyro!), I get the feeling I'll be playing this one for a while.
LeftSideCut (3776 KP) rated Zombeavers (2015) in Movies
Oct 21, 2020
Do you remember that bit in Scrubs where JD is trying so hard to not laugh at something that Sean Hayes' character says because he's cross with him, but let's out the smallest laugh and is then annoyed at himself? That's an accurate portrayal of the one time I found something funny in Zombeavers.
I enjoy a so-bad-it's-good film now and again - may I interest you in the culinary delights of Basket Case, or Maximum Overdrive perhaps? Hell, I'd even take The Wicker Man remake at this point - but Zombeavers is one of those films that thinks it's so-bad-it's-good when if fact it's just plain shite.
It would be a much easier film to enjoy if the characters weren't just completely awful assholes for the entire runtime. There is just no redeeming quality to any of them. I know that they are designed purely to die horrible deaths, but considering those parts don't happen for quite a time, it's a really grating and deeply unfunny experience.
By the time the horror hits, it's too hard to care anymore, and no amount of gratuitous nudity or silly gore can fix that.
I will acknowledge that it does step up a notch in the dying minutes when we get the human-beaver-zombie hybrids (with some pretty gross practical effects) and is the sole reason why this film went from a one to a two.
Big old pile of toss.
I enjoy a so-bad-it's-good film now and again - may I interest you in the culinary delights of Basket Case, or Maximum Overdrive perhaps? Hell, I'd even take The Wicker Man remake at this point - but Zombeavers is one of those films that thinks it's so-bad-it's-good when if fact it's just plain shite.
It would be a much easier film to enjoy if the characters weren't just completely awful assholes for the entire runtime. There is just no redeeming quality to any of them. I know that they are designed purely to die horrible deaths, but considering those parts don't happen for quite a time, it's a really grating and deeply unfunny experience.
By the time the horror hits, it's too hard to care anymore, and no amount of gratuitous nudity or silly gore can fix that.
I will acknowledge that it does step up a notch in the dying minutes when we get the human-beaver-zombie hybrids (with some pretty gross practical effects) and is the sole reason why this film went from a one to a two.
Big old pile of toss.
Nice Try, Jane Sinner
Book
"Jane Sinner snarked her way into my heart, and she's never leaving. Prepare to fall hard for this...
young adult