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E-Learning in Aviation
Sidney Dekker, Suzanne K. Kearns, R. Key Dismukes and Daniel E. Maurino
Book
Whereas traditional classroom instruction requires pilots to be pulled 'off the line', a training...
DEAD PLAGUE: Zombie Survival
Games
App
A zombie virus leaked from a secret research facility. Tropical climate helped the infection to...
Drawing Bloodlines (The Princeton Allegiant #1)
8.0
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NEVER FORCE A VAMPIRE TO MATE Dr. Alexander Manning has drawn too much blood from his beautiful...
Paranormal Romance
Ali A (78 KP) rated The Vanishing Deep in Books
Mar 6, 2020
The Great Wave destroyed the planet five hundred years ago and since then, the surface has been covered in water. Tempest was born into a world of water. Tempest’s sister Elysea drowned holding the secret to their parents’ death and Tempest wants answers. A research facility on the island of Palindromena can revive the dead for 24 hours and Tempest saved every Note she possibly could for two years to do so.
The reunion isn’t what Tempest thought it would be and instead, Elysea insists she’s innocent and convinces her sister to break her out of the facility so they together can find the answers about their parents. But it won’t be an easy journey, especially since they have the Warren, the person in charge of Elysea’s revival, on their trail to return her back before the 24 hours are up.
The Vanishing Deep’s cover is what drew me in to begin with as well as the world the author created. Astrid Scholte does an amazing job at creating this world of water and the floating islands that people live in. A part of me wishes we were able to see more of the day to day life instead of small glimpses here and there simply because the world sounds so interesting.
Scholte has a unique ability to create multi-dimensional, realistic characters that you can’t help but care for. My heart ached for Tempest and Lor throughout the whole book and I kept reading to find out if they get their happy endings or not. Having the chapters be in both Lor’s and Tempest’s points of view gives the reader a more in depth knowledge as to what’s happening, especially since during some parts, a character might be viewing things slightly differently due to grief or past experiences.
I thoroughly enjoyed the twists, turns, and thrills this book had. There were so many surprises that it made it hard for me to put down once I got to reading it. This novel is full of plot twists, both big and small that will have you turning pages upon pages until there is no more left. I would recommend this book to any fantasy lover out there. I am absolutely going to check out more of Astrid Scholte’s other novels.
*Thank you BookishFirst and Putnam’s Sons Books for Young Readers for the ARC of this book in exchange for an honest review
The reunion isn’t what Tempest thought it would be and instead, Elysea insists she’s innocent and convinces her sister to break her out of the facility so they together can find the answers about their parents. But it won’t be an easy journey, especially since they have the Warren, the person in charge of Elysea’s revival, on their trail to return her back before the 24 hours are up.
The Vanishing Deep’s cover is what drew me in to begin with as well as the world the author created. Astrid Scholte does an amazing job at creating this world of water and the floating islands that people live in. A part of me wishes we were able to see more of the day to day life instead of small glimpses here and there simply because the world sounds so interesting.
Scholte has a unique ability to create multi-dimensional, realistic characters that you can’t help but care for. My heart ached for Tempest and Lor throughout the whole book and I kept reading to find out if they get their happy endings or not. Having the chapters be in both Lor’s and Tempest’s points of view gives the reader a more in depth knowledge as to what’s happening, especially since during some parts, a character might be viewing things slightly differently due to grief or past experiences.
I thoroughly enjoyed the twists, turns, and thrills this book had. There were so many surprises that it made it hard for me to put down once I got to reading it. This novel is full of plot twists, both big and small that will have you turning pages upon pages until there is no more left. I would recommend this book to any fantasy lover out there. I am absolutely going to check out more of Astrid Scholte’s other novels.
*Thank you BookishFirst and Putnam’s Sons Books for Young Readers for the ARC of this book in exchange for an honest review
LeftSideCut (3778 KP) rated Deep Blue Sea (1999) in Movies
Jan 2, 2020
Fun in parts, but showing its age
The premise for Deep Blue Sea is painfully simple - it's Jurassic Park in the ocean.
A deep sea research facility, housing genetically modified great white sharks, is compromised during a tropical storm - everyone panics, people get eaten.
Like I said - Jurassic Park in the ocean. Unfortunately, the execution and quality is nowhere near the same level as it's dinosaur counterpart.
Deep Blue Sea is fun for sure. It's a sure fire way to mindlessly enjoy a couple of hours. At the time of it's release, it was firmly in the so-bad-its-great category, but as the years have gone by, the film has ages terribly in terms of special effects. The sharks look horrible these days. Like, original PlayStation cut scene kind of horrible. When films like JP, and Terminator 2 still look more than passable, it's hard to defend!
The dialogue is cheesy as all hell, and the whole thing is shot in a pretty sub-standard action film style - in summary, it's pretty awful.
That being said, it's a difficult film to hate too much. The cast are pretty fun for the most part - Thomas Jane, Samuel L. Jackson, Stellan Skarsgård and even LL Cool J are all pretty entertaining (apart from that god awful Head is Like a Sharks Fin song) and there are some genuinely gory and tense moments (as tense as people being chased by shiny pixels can be).
Is definitely an ok-crap film but the chances are that I'll watch it when it's on TV...
A deep sea research facility, housing genetically modified great white sharks, is compromised during a tropical storm - everyone panics, people get eaten.
Like I said - Jurassic Park in the ocean. Unfortunately, the execution and quality is nowhere near the same level as it's dinosaur counterpart.
Deep Blue Sea is fun for sure. It's a sure fire way to mindlessly enjoy a couple of hours. At the time of it's release, it was firmly in the so-bad-its-great category, but as the years have gone by, the film has ages terribly in terms of special effects. The sharks look horrible these days. Like, original PlayStation cut scene kind of horrible. When films like JP, and Terminator 2 still look more than passable, it's hard to defend!
The dialogue is cheesy as all hell, and the whole thing is shot in a pretty sub-standard action film style - in summary, it's pretty awful.
That being said, it's a difficult film to hate too much. The cast are pretty fun for the most part - Thomas Jane, Samuel L. Jackson, Stellan Skarsgård and even LL Cool J are all pretty entertaining (apart from that god awful Head is Like a Sharks Fin song) and there are some genuinely gory and tense moments (as tense as people being chased by shiny pixels can be).
Is definitely an ok-crap film but the chances are that I'll watch it when it's on TV...
The Unstoppable Wasp: Built on Hope
Book
Bestselling author Sam Maggs brings Nadia Van Dyne (the Unstoppable Wasp) and her genius friends to...
Fix My Car: 3D Concept GT Supercar Mechanic Shop
Games
App
Become the ultimate supercar mechanic! Build a Gran Turismo (GT) concept car supercharged for...
The Codes Guidebook for Interiors
Sharon Koomen Harmon and Katherine E. Kennon
Book
The Interactive Resource Center is an online learning environment where instructors and students can...
Movie Metropolis (309 KP) rated Fantastic Four (2015) in Movies
Jun 11, 2019
An absolute snooze
Here comes yet another superhero film. Ending Marvel’s year that has included the charming Big Hero 6, the overstuffed Avengers: Age of Ultron and the surprisingly excellent Ant-Man, the Fox produced Fantastic Four reboot has a tough job trying to get audiences to forget the horror that came before it.
It’s been a tough ride for the quartet of heroes, but does director Josh Trank’s modern day reimagining of Marvel’s first team do enough to change perceptions?
Not by a long shot. Despite some excellent special effects, this yawnfest of a film that was plagued by rumours of constant behind-the-scenes tension and last-minute editing doesn’t have an ounce of originality in its short 100 minute running time.
Miles Teller (Insurgent), Kate Mara (Transcendence), Michael B. Jordan (Chronicle) and Jamie Bell (Billy Elliot) take on the roles of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm respectively and are fine, if lacking in any real chemistry.
Fantastic Four is above all, an origins story as the four young adults try to crack interdimensional travel. Naturally, things don’t go quite to plan and they, alongside fellow colleague Victor Von Doom end up with an unusual set of powers – with Doom becoming the main antagonist.
Unfortunately, the plot, devised by no less than three writers is a complete bore. There is hardly anything of interest throughout the entire film as Trank pushes his cast from one underwhelming set piece to another.
When things do get tense, it’s only for a five minute scene involving Doom breaking out of a research facility. This is when we get to see what Fantastic Four could’ve been, a dark and brooding film with a disturbing villain at its core.
However, it seems this has been pushed back to make way for an unusually flat sense of humour and an uninteresting origins story. Marvel films live and die on their comedic elements and unfortunately Fantastic Four is as poor as they come.
Nevertheless, the film’s special effects are on the whole, very good. The other dimension looks fantastic and The Thing in particular is rendered using excellent motion capture animation.
An underwhelming climax wraps up a bitterly disappointing outing for the four heroes. Most superhero films end with a spectacular showdown of good versus evil but Fantastic Four has none of this. The ending is clichéd, short and has no real payoff.
Overall, expectations were already low for this reboot and despite director Josh Trank’s obvious talent for direction, this talent is nowhere to be found in Fantastic Four.
A cast that doesn’t gel together, a poor soundtrack and a lack of tonal balance ensures it will rest alongside X-Men Origins: Wolverine as proof that Marvel Studios needs the rights to all of its heroes returning to it.
https://moviemetropolis.net/2015/08/09/an-absolute-snooze-fantastic-four-review/
It’s been a tough ride for the quartet of heroes, but does director Josh Trank’s modern day reimagining of Marvel’s first team do enough to change perceptions?
Not by a long shot. Despite some excellent special effects, this yawnfest of a film that was plagued by rumours of constant behind-the-scenes tension and last-minute editing doesn’t have an ounce of originality in its short 100 minute running time.
Miles Teller (Insurgent), Kate Mara (Transcendence), Michael B. Jordan (Chronicle) and Jamie Bell (Billy Elliot) take on the roles of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm respectively and are fine, if lacking in any real chemistry.
Fantastic Four is above all, an origins story as the four young adults try to crack interdimensional travel. Naturally, things don’t go quite to plan and they, alongside fellow colleague Victor Von Doom end up with an unusual set of powers – with Doom becoming the main antagonist.
Unfortunately, the plot, devised by no less than three writers is a complete bore. There is hardly anything of interest throughout the entire film as Trank pushes his cast from one underwhelming set piece to another.
When things do get tense, it’s only for a five minute scene involving Doom breaking out of a research facility. This is when we get to see what Fantastic Four could’ve been, a dark and brooding film with a disturbing villain at its core.
However, it seems this has been pushed back to make way for an unusually flat sense of humour and an uninteresting origins story. Marvel films live and die on their comedic elements and unfortunately Fantastic Four is as poor as they come.
Nevertheless, the film’s special effects are on the whole, very good. The other dimension looks fantastic and The Thing in particular is rendered using excellent motion capture animation.
An underwhelming climax wraps up a bitterly disappointing outing for the four heroes. Most superhero films end with a spectacular showdown of good versus evil but Fantastic Four has none of this. The ending is clichéd, short and has no real payoff.
Overall, expectations were already low for this reboot and despite director Josh Trank’s obvious talent for direction, this talent is nowhere to be found in Fantastic Four.
A cast that doesn’t gel together, a poor soundtrack and a lack of tonal balance ensures it will rest alongside X-Men Origins: Wolverine as proof that Marvel Studios needs the rights to all of its heroes returning to it.
https://moviemetropolis.net/2015/08/09/an-absolute-snooze-fantastic-four-review/
DOOM II RPG
Games and Entertainment
App
Hell has returned! Prepare yourself for DOOM II RPG for the iPhone, the sequel to id Software’s...