Search
Search results
Matthew Krueger (10051 KP) rated Deep Blue Sea (1999) in Movies
Feb 20, 2020 (Updated Feb 20, 2020)
Sharks On A Plane
Deep Blue Sea- think of "Jaws", meets "Jurassic Park". What a great cast that is mostly wasted expect for Samuel L. Jackson he is the best in this film. Him and the shark that eats him, oh did i spoil it, its 11 years old at this point. 11 years since it came out in 1999. Thomas Jane, LL Cool J and Stellan Skarsgård are good actors just i think their were wasted in this film. Samuel L. Jackson was the best part of this film, he kills it by a shark.
The Plot: On an island research facility, Dr. Susan McAlester (Saffron Burrows) is harvesting the brain tissue of DNA-altered sharks as a possible cure for Alzheimer's disease. When the facility's backers send an executive (Samuel L. Jackson) to investigate the experiments, a routine procedure goes awry and a shark starts attacking the researchers. Now, with sharks outnumbering their human captors, McAlester and her team must figure out a way to stop them from escaping to the ocean and breeding.
Dont forger the main theme song "Deepest Bluest" by LL Cool J and you got a film.
The Plot: On an island research facility, Dr. Susan McAlester (Saffron Burrows) is harvesting the brain tissue of DNA-altered sharks as a possible cure for Alzheimer's disease. When the facility's backers send an executive (Samuel L. Jackson) to investigate the experiments, a routine procedure goes awry and a shark starts attacking the researchers. Now, with sharks outnumbering their human captors, McAlester and her team must figure out a way to stop them from escaping to the ocean and breeding.
Dont forger the main theme song "Deepest Bluest" by LL Cool J and you got a film.
Emma @ The Movies (1786 KP) rated The Shape of Water (2017) in Movies
Sep 25, 2019
At a top secret research facility in the 1950s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.
A wonderful way to end the month. This was bizarre, and amazing, just as you would expect. Another one this month that I agree deserves all the award nominations it received.
Considering two of the main characters are essentially mute there was nothing left unsaid. The chemistry of everyone on screen made for amazing viewing.
Seeing Michael Shannon in this after his rendition in 12 Strong only days before was a little confusing, and throw in Zod and you've got a very odd mix going around your head. But wow, did I love to hate him! And I was pleased to see a lot of "couldn't happen to a nicer guy" moments. But seriously... was I the only one who wanted to throw up when... no spoilers, watch it and see... 😰
I can't really place something in this film that I didn't like. It was funny, and heartfelt, and heartbreaking... with a smidge of musical thrown in... you'll be tapping your toes along in no time.
A wonderful way to end the month. This was bizarre, and amazing, just as you would expect. Another one this month that I agree deserves all the award nominations it received.
Considering two of the main characters are essentially mute there was nothing left unsaid. The chemistry of everyone on screen made for amazing viewing.
Seeing Michael Shannon in this after his rendition in 12 Strong only days before was a little confusing, and throw in Zod and you've got a very odd mix going around your head. But wow, did I love to hate him! And I was pleased to see a lot of "couldn't happen to a nicer guy" moments. But seriously... was I the only one who wanted to throw up when... no spoilers, watch it and see... 😰
I can't really place something in this film that I didn't like. It was funny, and heartfelt, and heartbreaking... with a smidge of musical thrown in... you'll be tapping your toes along in no time.
Gareth von Kallenbach (968 KP) rated Morgan (2016) in Movies
Jun 19, 2019
Producer Ridley Scott has teamed with his son Luke for the new
Horror/Suspense film “Morgan” which blends Horror and Suspense in what may
well be a new franchise for FOX.
The film follows an isolated research facility surrounded by trees where
an experiment named Morgan (Anya Taylor-Joy), has had an “incident” which
has caused the parent company to dispatch a troubleshooter named Lee
Weathers (Kate Mara) to evaluate the program.
The cold and no-nonsense Weathers meets some hesitation from the research
team as they see her as a company tool intent on closing their program and
years of research and being unable to see the potential and progress of
their work.
As Weathers and the audience gets to know Morgan, they learn that she is a
genetic creation who became aware and functional at a very early age and
her recent act of violence has her confined to a cage where she listens to
music, plays Chess, and spends her time dreaming of her former visits
outside.
As Morgan is evaluated it appears that there is far more to her than first
appears. The creation is capable of great empathy, wisdom, and
appreciation for beauty, but also has a very dark side, which can appear
out of nowhere.
As the complex study and interactions with Morgan unfold, Lee and the
scientists are faced with a series of difficult decisions that sets things
on a course from which they may not return.
The film takes a while to get up to speed and does not have anything that
viewers have not seen before. I was able to figure out the twists to the
film early on and an incident that is referred to in the film would have
made a far more interesting film than what we were given. Perhaps it is
being saved for a possible prequel because as it currently stands,
“Morgan”, is an interesting if formulaic film that borrows from several
other films.
The funny thing about it is that like “Prometheus” the more I
thought about it, the more questions I had and perhaps like his father,
Scott is using the film to setup a much larger universe and future films.
I only wish there was a bit more to this as the premise though interesting
does not have enough for the versatile and talented cast to do and they
deserved much better.
http://sknr.net/2016/08/29/morgan/
Horror/Suspense film “Morgan” which blends Horror and Suspense in what may
well be a new franchise for FOX.
The film follows an isolated research facility surrounded by trees where
an experiment named Morgan (Anya Taylor-Joy), has had an “incident” which
has caused the parent company to dispatch a troubleshooter named Lee
Weathers (Kate Mara) to evaluate the program.
The cold and no-nonsense Weathers meets some hesitation from the research
team as they see her as a company tool intent on closing their program and
years of research and being unable to see the potential and progress of
their work.
As Weathers and the audience gets to know Morgan, they learn that she is a
genetic creation who became aware and functional at a very early age and
her recent act of violence has her confined to a cage where she listens to
music, plays Chess, and spends her time dreaming of her former visits
outside.
As Morgan is evaluated it appears that there is far more to her than first
appears. The creation is capable of great empathy, wisdom, and
appreciation for beauty, but also has a very dark side, which can appear
out of nowhere.
As the complex study and interactions with Morgan unfold, Lee and the
scientists are faced with a series of difficult decisions that sets things
on a course from which they may not return.
The film takes a while to get up to speed and does not have anything that
viewers have not seen before. I was able to figure out the twists to the
film early on and an incident that is referred to in the film would have
made a far more interesting film than what we were given. Perhaps it is
being saved for a possible prequel because as it currently stands,
“Morgan”, is an interesting if formulaic film that borrows from several
other films.
The funny thing about it is that like “Prometheus” the more I
thought about it, the more questions I had and perhaps like his father,
Scott is using the film to setup a much larger universe and future films.
I only wish there was a bit more to this as the premise though interesting
does not have enough for the versatile and talented cast to do and they
deserved much better.
http://sknr.net/2016/08/29/morgan/
Tim McGuire (301 KP) rated Little Monsters (2019) in Movies
Mar 3, 2020
Shes so cute tho...
387. Little Monsters. Nope it's not a remake of the Fred Savage 80s flick. Instead this is the 'Life Is Beautiful' for the zombie genre. And it was pretty sweet! We meet Dave, a down on his luck musician, broke up with the girl, band broke up, has to live with his sister and her young son. (Dave reminded me of a Andy Dwyer type, Park n Rec fans? Anyone, anyone?) To pull his weight around his sisters house, he takes his nephew, Felix, to school, and there he meets and is instantly infatuated with Felix's teacher Miss Caroline, with reason, she's played by Lupita Nyong'o!! One thing leads to another and Dave finds himself as a chaperone for the next field trip to the local zoo, which just happens to be next to a military research facility, which so happens to be suffering from a zombie outbreak at the time. As you may have guessed these zombies find their way to the zoo, and yep hell breaks loose. However, the kiddos are completely oblivious to this thanks to Miss Caroline convincing them its all just a game! It was a very well done comedy zombie flick. Rounding out the cast is Josh Gad playing a kids tv show host, he is great! Worth the watch!! Filmbufftim on FB
Tim McGuire (301 KP) rated Ad Astra (2019) in Movies
Sep 27, 2019
Space, its deep man!
356. Ad Astra. BRAAAD PIIITTTT'S INNNN SPPPAAACCCCEEEEE. Anyone? Anyone? I'm old. Anyways, so a pretty awesome space adventure flick, that's not really about a space adventure. There's messages in there man, like if humans start living in space, it will eventually be covered in billboards and fought over for resources just like home, and of course the overall message of... Well you have to see it. Back to the space adventure part. The future, man has ventured out into the solar system, and now that solar system is being smacked upside the head with a surge of energy causing all kinds of death and destruction, and it looks like its all stemming from the Lima project, headed by Clifford McBride, who's way out there in the outer solar system searching for life. So the people in charge send his son Roy McBride, another genius astronaut to find out what happened out there. On the way to set up a long distance call to his dad from Mars, Roy fights space pirates on the moon, starved baboons on a abandoned research facility, even secretly stows away aboard a spaceship to commander it to go save daddy!! And in the end, Roy may find some answers he was looking for! Definitely worth a watch in IMAX!! Filmbufftim on FB.
Darren (1599 KP) rated Alien Resurrection (1997) in Movies
Jun 20, 2019
Story: Alien: Resurrection starts as we arrive on a US space research facility where General Perez (Hedaya) is working on bringing back the aliens with clones of Ripley (Weaver), the latest number 8 shows incredible strength and development. Waiting for a delivery from Captain Elgyn (Wincott) and his crew Call (Ryder), Vriess (Pinon), Johner (Perlman) Hillard (Flowers) and Christie (Dourdan) a deal is agreed they can spend a couple of days’ rest on the research ship.
After Elgyn’s crew get involved in an altercation with the scientists they must escape but the xenomorphs have escaped onto the ship, joining up with Ripley the crew look for a way off the ship while staying alive.
Thoughts on Alien: Resurrection
Characters/Performance – Ripley is now a clone and the mother of the xenomorphs being created on the ship, she is stronger than before but becomes the best weapon against the xenomorphs. Call is the newest crew member of the pirates but she is harbouring a secret from the rest of the crew. The rest of the characters are your generic group of fighters, the tough one, the gunslinger, the smart one and the captain nothing original comes from these characters.
Performance wise, this isn’t the best Weaver alien performance but she is also brave enough to take it on with a different approach. Ryder is solid enough through the film. the rest of the cast are also solid with Ron Perlman giving his aggressive dick like performance on the good guys team.
Story – The story might not be the greatest, but it does capture what is needed for an alien movie, we have the military wanting to study the aliens for their own good, this happens every single film, we also have the group of soldiers needing to fight them off, but this film does offer a chance to build the relationship between the xenomorphs and Ripley. The problem for a lot of this story telling it that it isn’t original and isn’t on the same levels as the earlier films.
Action/Horror/Sci-Fi – The action is all mindless like you would expect from big budget style sequel too far down the line, the horror is now nearly all gone from the franchise but the sci-fi angle continues on strongly as we see how the aliens are now finding new ways to breed.
Settings – The whole film is set upon the space facility craft which is good because it keeps everything within the one location which is all we want in these films.
Special Effects – The special effects are good in this film and are one of the extra highlights within the film.
Final Thoughts – The weakest part of the Weaver alien films but still a good enjoyable enough watch.
Overall: Enjoyable enough.
https://moviesreview101.com/2017/09/27/alien-resurrection-1997/
After Elgyn’s crew get involved in an altercation with the scientists they must escape but the xenomorphs have escaped onto the ship, joining up with Ripley the crew look for a way off the ship while staying alive.
Thoughts on Alien: Resurrection
Characters/Performance – Ripley is now a clone and the mother of the xenomorphs being created on the ship, she is stronger than before but becomes the best weapon against the xenomorphs. Call is the newest crew member of the pirates but she is harbouring a secret from the rest of the crew. The rest of the characters are your generic group of fighters, the tough one, the gunslinger, the smart one and the captain nothing original comes from these characters.
Performance wise, this isn’t the best Weaver alien performance but she is also brave enough to take it on with a different approach. Ryder is solid enough through the film. the rest of the cast are also solid with Ron Perlman giving his aggressive dick like performance on the good guys team.
Story – The story might not be the greatest, but it does capture what is needed for an alien movie, we have the military wanting to study the aliens for their own good, this happens every single film, we also have the group of soldiers needing to fight them off, but this film does offer a chance to build the relationship between the xenomorphs and Ripley. The problem for a lot of this story telling it that it isn’t original and isn’t on the same levels as the earlier films.
Action/Horror/Sci-Fi – The action is all mindless like you would expect from big budget style sequel too far down the line, the horror is now nearly all gone from the franchise but the sci-fi angle continues on strongly as we see how the aliens are now finding new ways to breed.
Settings – The whole film is set upon the space facility craft which is good because it keeps everything within the one location which is all we want in these films.
Special Effects – The special effects are good in this film and are one of the extra highlights within the film.
Final Thoughts – The weakest part of the Weaver alien films but still a good enjoyable enough watch.
Overall: Enjoyable enough.
https://moviesreview101.com/2017/09/27/alien-resurrection-1997/
Ali A (78 KP) rated The Vanishing Deep in Books
Mar 6, 2020
The Great Wave destroyed the planet five hundred years ago and since then, the surface has been covered in water. Tempest was born into a world of water. Tempest’s sister Elysea drowned holding the secret to their parents’ death and Tempest wants answers. A research facility on the island of Palindromena can revive the dead for 24 hours and Tempest saved every Note she possibly could for two years to do so.
The reunion isn’t what Tempest thought it would be and instead, Elysea insists she’s innocent and convinces her sister to break her out of the facility so they together can find the answers about their parents. But it won’t be an easy journey, especially since they have the Warren, the person in charge of Elysea’s revival, on their trail to return her back before the 24 hours are up.
The Vanishing Deep’s cover is what drew me in to begin with as well as the world the author created. Astrid Scholte does an amazing job at creating this world of water and the floating islands that people live in. A part of me wishes we were able to see more of the day to day life instead of small glimpses here and there simply because the world sounds so interesting.
Scholte has a unique ability to create multi-dimensional, realistic characters that you can’t help but care for. My heart ached for Tempest and Lor throughout the whole book and I kept reading to find out if they get their happy endings or not. Having the chapters be in both Lor’s and Tempest’s points of view gives the reader a more in depth knowledge as to what’s happening, especially since during some parts, a character might be viewing things slightly differently due to grief or past experiences.
I thoroughly enjoyed the twists, turns, and thrills this book had. There were so many surprises that it made it hard for me to put down once I got to reading it. This novel is full of plot twists, both big and small that will have you turning pages upon pages until there is no more left. I would recommend this book to any fantasy lover out there. I am absolutely going to check out more of Astrid Scholte’s other novels.
*Thank you BookishFirst and Putnam’s Sons Books for Young Readers for the ARC of this book in exchange for an honest review
The reunion isn’t what Tempest thought it would be and instead, Elysea insists she’s innocent and convinces her sister to break her out of the facility so they together can find the answers about their parents. But it won’t be an easy journey, especially since they have the Warren, the person in charge of Elysea’s revival, on their trail to return her back before the 24 hours are up.
The Vanishing Deep’s cover is what drew me in to begin with as well as the world the author created. Astrid Scholte does an amazing job at creating this world of water and the floating islands that people live in. A part of me wishes we were able to see more of the day to day life instead of small glimpses here and there simply because the world sounds so interesting.
Scholte has a unique ability to create multi-dimensional, realistic characters that you can’t help but care for. My heart ached for Tempest and Lor throughout the whole book and I kept reading to find out if they get their happy endings or not. Having the chapters be in both Lor’s and Tempest’s points of view gives the reader a more in depth knowledge as to what’s happening, especially since during some parts, a character might be viewing things slightly differently due to grief or past experiences.
I thoroughly enjoyed the twists, turns, and thrills this book had. There were so many surprises that it made it hard for me to put down once I got to reading it. This novel is full of plot twists, both big and small that will have you turning pages upon pages until there is no more left. I would recommend this book to any fantasy lover out there. I am absolutely going to check out more of Astrid Scholte’s other novels.
*Thank you BookishFirst and Putnam’s Sons Books for Young Readers for the ARC of this book in exchange for an honest review
LeftSideCut (3778 KP) rated Deep Blue Sea (1999) in Movies
Jan 2, 2020
Fun in parts, but showing its age
The premise for Deep Blue Sea is painfully simple - it's Jurassic Park in the ocean.
A deep sea research facility, housing genetically modified great white sharks, is compromised during a tropical storm - everyone panics, people get eaten.
Like I said - Jurassic Park in the ocean. Unfortunately, the execution and quality is nowhere near the same level as it's dinosaur counterpart.
Deep Blue Sea is fun for sure. It's a sure fire way to mindlessly enjoy a couple of hours. At the time of it's release, it was firmly in the so-bad-its-great category, but as the years have gone by, the film has ages terribly in terms of special effects. The sharks look horrible these days. Like, original PlayStation cut scene kind of horrible. When films like JP, and Terminator 2 still look more than passable, it's hard to defend!
The dialogue is cheesy as all hell, and the whole thing is shot in a pretty sub-standard action film style - in summary, it's pretty awful.
That being said, it's a difficult film to hate too much. The cast are pretty fun for the most part - Thomas Jane, Samuel L. Jackson, Stellan Skarsgård and even LL Cool J are all pretty entertaining (apart from that god awful Head is Like a Sharks Fin song) and there are some genuinely gory and tense moments (as tense as people being chased by shiny pixels can be).
Is definitely an ok-crap film but the chances are that I'll watch it when it's on TV...
A deep sea research facility, housing genetically modified great white sharks, is compromised during a tropical storm - everyone panics, people get eaten.
Like I said - Jurassic Park in the ocean. Unfortunately, the execution and quality is nowhere near the same level as it's dinosaur counterpart.
Deep Blue Sea is fun for sure. It's a sure fire way to mindlessly enjoy a couple of hours. At the time of it's release, it was firmly in the so-bad-its-great category, but as the years have gone by, the film has ages terribly in terms of special effects. The sharks look horrible these days. Like, original PlayStation cut scene kind of horrible. When films like JP, and Terminator 2 still look more than passable, it's hard to defend!
The dialogue is cheesy as all hell, and the whole thing is shot in a pretty sub-standard action film style - in summary, it's pretty awful.
That being said, it's a difficult film to hate too much. The cast are pretty fun for the most part - Thomas Jane, Samuel L. Jackson, Stellan Skarsgård and even LL Cool J are all pretty entertaining (apart from that god awful Head is Like a Sharks Fin song) and there are some genuinely gory and tense moments (as tense as people being chased by shiny pixels can be).
Is definitely an ok-crap film but the chances are that I'll watch it when it's on TV...
Movie Metropolis (309 KP) rated Fantastic Four (2015) in Movies
Jun 11, 2019
An absolute snooze
Here comes yet another superhero film. Ending Marvel’s year that has included the charming Big Hero 6, the overstuffed Avengers: Age of Ultron and the surprisingly excellent Ant-Man, the Fox produced Fantastic Four reboot has a tough job trying to get audiences to forget the horror that came before it.
It’s been a tough ride for the quartet of heroes, but does director Josh Trank’s modern day reimagining of Marvel’s first team do enough to change perceptions?
Not by a long shot. Despite some excellent special effects, this yawnfest of a film that was plagued by rumours of constant behind-the-scenes tension and last-minute editing doesn’t have an ounce of originality in its short 100 minute running time.
Miles Teller (Insurgent), Kate Mara (Transcendence), Michael B. Jordan (Chronicle) and Jamie Bell (Billy Elliot) take on the roles of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm respectively and are fine, if lacking in any real chemistry.
Fantastic Four is above all, an origins story as the four young adults try to crack interdimensional travel. Naturally, things don’t go quite to plan and they, alongside fellow colleague Victor Von Doom end up with an unusual set of powers – with Doom becoming the main antagonist.
Unfortunately, the plot, devised by no less than three writers is a complete bore. There is hardly anything of interest throughout the entire film as Trank pushes his cast from one underwhelming set piece to another.
When things do get tense, it’s only for a five minute scene involving Doom breaking out of a research facility. This is when we get to see what Fantastic Four could’ve been, a dark and brooding film with a disturbing villain at its core.
However, it seems this has been pushed back to make way for an unusually flat sense of humour and an uninteresting origins story. Marvel films live and die on their comedic elements and unfortunately Fantastic Four is as poor as they come.
Nevertheless, the film’s special effects are on the whole, very good. The other dimension looks fantastic and The Thing in particular is rendered using excellent motion capture animation.
An underwhelming climax wraps up a bitterly disappointing outing for the four heroes. Most superhero films end with a spectacular showdown of good versus evil but Fantastic Four has none of this. The ending is clichéd, short and has no real payoff.
Overall, expectations were already low for this reboot and despite director Josh Trank’s obvious talent for direction, this talent is nowhere to be found in Fantastic Four.
A cast that doesn’t gel together, a poor soundtrack and a lack of tonal balance ensures it will rest alongside X-Men Origins: Wolverine as proof that Marvel Studios needs the rights to all of its heroes returning to it.
https://moviemetropolis.net/2015/08/09/an-absolute-snooze-fantastic-four-review/
It’s been a tough ride for the quartet of heroes, but does director Josh Trank’s modern day reimagining of Marvel’s first team do enough to change perceptions?
Not by a long shot. Despite some excellent special effects, this yawnfest of a film that was plagued by rumours of constant behind-the-scenes tension and last-minute editing doesn’t have an ounce of originality in its short 100 minute running time.
Miles Teller (Insurgent), Kate Mara (Transcendence), Michael B. Jordan (Chronicle) and Jamie Bell (Billy Elliot) take on the roles of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm respectively and are fine, if lacking in any real chemistry.
Fantastic Four is above all, an origins story as the four young adults try to crack interdimensional travel. Naturally, things don’t go quite to plan and they, alongside fellow colleague Victor Von Doom end up with an unusual set of powers – with Doom becoming the main antagonist.
Unfortunately, the plot, devised by no less than three writers is a complete bore. There is hardly anything of interest throughout the entire film as Trank pushes his cast from one underwhelming set piece to another.
When things do get tense, it’s only for a five minute scene involving Doom breaking out of a research facility. This is when we get to see what Fantastic Four could’ve been, a dark and brooding film with a disturbing villain at its core.
However, it seems this has been pushed back to make way for an unusually flat sense of humour and an uninteresting origins story. Marvel films live and die on their comedic elements and unfortunately Fantastic Four is as poor as they come.
Nevertheless, the film’s special effects are on the whole, very good. The other dimension looks fantastic and The Thing in particular is rendered using excellent motion capture animation.
An underwhelming climax wraps up a bitterly disappointing outing for the four heroes. Most superhero films end with a spectacular showdown of good versus evil but Fantastic Four has none of this. The ending is clichéd, short and has no real payoff.
Overall, expectations were already low for this reboot and despite director Josh Trank’s obvious talent for direction, this talent is nowhere to be found in Fantastic Four.
A cast that doesn’t gel together, a poor soundtrack and a lack of tonal balance ensures it will rest alongside X-Men Origins: Wolverine as proof that Marvel Studios needs the rights to all of its heroes returning to it.
https://moviemetropolis.net/2015/08/09/an-absolute-snooze-fantastic-four-review/
Gareth von Kallenbach (968 KP) rated Doom (2005) in Movies
Aug 14, 2019
In a remote section of Mars, something has gone horribly wrong for the scientists of the Union Aerospace Corporation’s research facility. Scientists run screaming for their lives from a deadly threat. Trapped on a barren world against forces unknown, the call goes out for an elite team of specialists to contain the situation, and neutralize the threat at any cost.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
