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Faster by Samantha Fish
7.5
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Samantha Fish has received practically every accolade a contemporary blues...
Awix (3310 KP) rated Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) in Movies
Feb 17, 2018 (Updated Feb 17, 2018)
Four's a crowd
Twenty-sixth Godzilla movie (also eleventh Mothra movie, eighth Ghidorah movie and third Baragon movie, in case anyone's counting) recruits director Shusuke Kaneko, helmsman of the brilliant 90s Gamera trilogy; results are (perhaps inevitably) disappointing. A new incarnation of Godzilla threatens Japan, but a young tabloid TV journalist encounters a mysterious old man in an equestrian safety helmet who tells her of three legendary Guardian Monsters who will defend the country against this menace (Baragon is also a Guardian Monster but not famous enough to get his name in the title).
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Bong Mines Entertainment (15 KP) rated Parachute - Single by Jaclyn Manfredi in Music
Jun 18, 2019
Jaclyn Manfredi is a singer-songwriter from Long Island, New York. Not too long ago, she released a grungy contemporary R&B tune, entitled, “Parachute”.
“We’re five thousand feet in the air. But it feels like you couldn’t care. I can see right through your blank stare. And I know it’s time for me to prepare.” – lyrics
‘Parachute’ tells an interesting tale of a young woman who feels cold whenever she’s by her significant other’s side.
Every day, thoughts about their relationship being a mistake filter into her mind, and her frustration about her partner’s missteps has multiply sky high.
Later, she admits that they’re running out of time, and the air in their relationship is running thin.
‘Parachute’ contains a relatable storyline, ear-comforting vocals, and groovy instrumentation flavored with retro-soul, R&B, and funk elements.
“‘Parachute’ is a song about a toxic relationship that you can’t wait to get out of and the feeling of having a weight lifted off your shoulders.” – Jaclyn Manfredi
At the age of seventeen, Jaclyn Manfredi performed at the acclaimed Apollo Theatre and Carnegie Hall in New York City. Shortly afterward, she won the IMTA national singing talent competition in 2017.
Her musical influences include Amy Winehouse, Alicia Keys, and the contemporary funk of Bruno Mars.
https://www.bongminesentertainment.com/jaclyn-manfredi-parachute/
“We’re five thousand feet in the air. But it feels like you couldn’t care. I can see right through your blank stare. And I know it’s time for me to prepare.” – lyrics
‘Parachute’ tells an interesting tale of a young woman who feels cold whenever she’s by her significant other’s side.
Every day, thoughts about their relationship being a mistake filter into her mind, and her frustration about her partner’s missteps has multiply sky high.
Later, she admits that they’re running out of time, and the air in their relationship is running thin.
‘Parachute’ contains a relatable storyline, ear-comforting vocals, and groovy instrumentation flavored with retro-soul, R&B, and funk elements.
“‘Parachute’ is a song about a toxic relationship that you can’t wait to get out of and the feeling of having a weight lifted off your shoulders.” – Jaclyn Manfredi
At the age of seventeen, Jaclyn Manfredi performed at the acclaimed Apollo Theatre and Carnegie Hall in New York City. Shortly afterward, she won the IMTA national singing talent competition in 2017.
Her musical influences include Amy Winehouse, Alicia Keys, and the contemporary funk of Bruno Mars.
https://www.bongminesentertainment.com/jaclyn-manfredi-parachute/
JT (287 KP) rated Rim of the World (2019) in Movies
Mar 10, 2020
Given the success of Stranger Things it would seem that the mismatched relationship of a group of adolescent teens would make for great viewing. The format has had plenty of success in the past, think The Goonies and Lost Boys, but here it just seems tiresome and flat.
Teens at a summer camp get caught up in an alien invasion which leaves them with the option – whether to save the world or not – they do of course. And so begins a quest to through California to deliver an important piece of information that holds the key to defeating the alien race. Director McG really doesn’t have a grip on this one, relying on toilet humour and a pointless romantic sub plot to carry the film through to its final conclusion.
Makes me want to have kids just so I can insist they don’t watch this
Where the above mentioned films had a real sense of 80s nostalgia and a group of kids who you genuinely had an interest in, Rim of the World feels like an interlude to the next big retro throwback. Picking four stereotypes which pretty much cover off the socially inept and outcast, is almost annoying. Poor jokes and not very good special effects does little to elevate it to a Netflix success.
Teens at a summer camp get caught up in an alien invasion which leaves them with the option – whether to save the world or not – they do of course. And so begins a quest to through California to deliver an important piece of information that holds the key to defeating the alien race. Director McG really doesn’t have a grip on this one, relying on toilet humour and a pointless romantic sub plot to carry the film through to its final conclusion.
Makes me want to have kids just so I can insist they don’t watch this
Where the above mentioned films had a real sense of 80s nostalgia and a group of kids who you genuinely had an interest in, Rim of the World feels like an interlude to the next big retro throwback. Picking four stereotypes which pretty much cover off the socially inept and outcast, is almost annoying. Poor jokes and not very good special effects does little to elevate it to a Netflix success.
Sarah (7798 KP) rated The Perfection (2019) in Movies
Apr 30, 2020
Better than expected
I feel like this film has been on my To Watch list since forever, and it's only taken a lockdown for me to finally get around to watching it. And it turned out much better than I expected.
This is a rather unusual film, it starts off feeling rather sinister and arty and then seems to rush through a variety of genres including romance, horror and suspenseful thriller. I'm a little undecided at how good an idea this was, but I was decently entertained for the most part. The plot starts off well, and whilst it may have been a tad predictable it was still enjoyable until the final few scenes. Sadly I feel like the final scenes and how the story got wrapped up went a little too bizarre and ridiculous. The very final scene almost had me in hysterics at how downright stupid it was. There was also a story telling mechanism used in this a couple of times that I think was trying to be retro but instead seemed a little silly and outdated, and entirely unnecessary.
Despite the negatives, this surprisingly kept my attention and wasn't as bad as I'd thought. There was a decent amount of gore that made me cringe in delighted horror and the short run time helps to make it a lot more enjoyable.
This is a rather unusual film, it starts off feeling rather sinister and arty and then seems to rush through a variety of genres including romance, horror and suspenseful thriller. I'm a little undecided at how good an idea this was, but I was decently entertained for the most part. The plot starts off well, and whilst it may have been a tad predictable it was still enjoyable until the final few scenes. Sadly I feel like the final scenes and how the story got wrapped up went a little too bizarre and ridiculous. The very final scene almost had me in hysterics at how downright stupid it was. There was also a story telling mechanism used in this a couple of times that I think was trying to be retro but instead seemed a little silly and outdated, and entirely unnecessary.
Despite the negatives, this surprisingly kept my attention and wasn't as bad as I'd thought. There was a decent amount of gore that made me cringe in delighted horror and the short run time helps to make it a lot more enjoyable.
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