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Guide to Computing for Expressive Music Performance
Alexis Kirke and Eduardo R. Miranda
Book
This book discusses all aspects of computing for expressive performance, from the history of CSEMPs...

The Just City
Book
'Here in the Just City you will become your best selves. You will learn and grow and strive to be...

Ross (3284 KP) rated The Change 6: Tokyo: Noriko's Story in Books
Nov 6, 2020
A decent self-contained post-apocalyptic novella
The (seemingly) final instalment in the Change series takes another turn and moves setting to the Japanese capital Tokyo. Where we have seen western cities pretty much out of control and descended into either Walking Dead style chaos or Mad Max style tribalism, we now have Tokyo. Everything is controlled by an AI called HA/HA. Noriko's story is told by a narrator, whose identity isn't revealed until late on and is a nice twist. She is on the run from the Electric Samurai, sentinel-like robots that police the city, just trying to get home. As with the rest of the series, she meets strange people along the way and sees unusual events.
Unlike with the previous books, this one has a satisfying ending. Sadly, it didn't close off the loose ends from the other books as I had hoped.
Unlike with the previous books, this one has a satisfying ending. Sadly, it didn't close off the loose ends from the other books as I had hoped.

Final Draft
Book
The only sort of risk 18-year-old Laila Piedra enjoys is the peril she writes for the characters in...

Dragon (Dirk Pitt #10)
Book
Japan, 1945: Two US bombers take off with atomic bombs. Only one gets through. The Pacific, 1993:...
Dirk Pitt

LeftSideCut (3776 KP) rated Kingsman: The Golden Circle (2017) in Movies
Jan 6, 2022
There's a point in TGC where the two main characters are storming an enemy base, stylishly dispatching, blowing up and shooting all manners of henchman, robots, robot dogs, and cowboys with electric whips, all whilst Elton John's "Saturday Night's Alright" blasts out in the background, and then the actual Elton John fly-kicks some poor fucker in the face, and everything is so off-the-rails bat-shit that it all clicks into place.
Sadly, it's takes two hours of often fun, but definitely bloated runtime to get there.
It lacks the finesse and hard hitting impact of the first entry and it's memorable set pieces and doesn't feel as tight.
It's still entertaining mind, but the finished product comes across as a little wayward in it's pursuit of non-stop absurdity, and no amount of spy-fingering at Glastonbury Festival can mask that.
Sadly, it's takes two hours of often fun, but definitely bloated runtime to get there.
It lacks the finesse and hard hitting impact of the first entry and it's memorable set pieces and doesn't feel as tight.
It's still entertaining mind, but the finished product comes across as a little wayward in it's pursuit of non-stop absurdity, and no amount of spy-fingering at Glastonbury Festival can mask that.