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JT (287 KP) rated Starred Up (2014) in Movies

Mar 16, 2020

Starred Up (2014)

2014 | Drama

6.5

(2 Ratings)

Movie Rating

Violent and to the point (1 more)

Great acting

Prison Isn't Suppoed To Be A Holiday Camp

Prison dramas don’t get much grittier than this. Not since Scum has there been one with as much brutal tour de force. Eric (Jack O’Connell) is ‘starred up’. A term used to describe violent young offenders moved straight into an adult prison. Once he gets inside he comes face to face with the only person that might be able to control him, his father Neville (Ben Mendelsohn).

It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.

The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.

It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.

However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.

Kudos

Gareth von Kallenbach (980 KP) rated To Rome with Love (2012) in Movies

Aug 7, 2019

Before I even begin, I have something to admit, I am not very knowledgeable about Woody Allen. Sure, I have seen the occasional film and have overheard gossip but I am not a Woody Allen buff. To remedy this, I considered running out and renting every one of his films in an attempted cinematic cram session. But I decided not to. There are some people who go to the movies just to enjoy themselves and that is as good of a reason to see a film as any other.

Offering amplified versions of reality, “To Rome with Love” simultaneously feels close to home and utterly foreign. And this ebb and flow defines the entire picture.

With a blend of actors the film runs a marathon of bipolar juxtaposition. From familiar Hollywood faces, playing characters so typified that they needn’t be explained, to European actors, who bring honest perspective to the tourist filled environment.
And “To Rome with Love” is unexpected. There’s a Baldwin in a self-reflective role. Roberto Benigni plays a character that is downright drab. All while sharing a series of stories that question the absurd nature of the human experience.

The film shakes viewers up by exposing them to moments so stereotypic that are simple to grasp yet impossible to believe. And the result is effortless comedy.

Moreover, using only simple effects, strategic angular tricks and precise framing of scenes, “To Rome with Love” gets the audience thinking. The result is an hour and forty minutes that fly by like a dense vacation, too good to explain to your friends back home.
While I will avoid the pretentious research and amplified hyper analysis that follows Woody Allen, I do want to make one point clear; this is a film that anyone, regardless of interest in film study, is apt to enjoy, sure to find funny, and for a few might, even serve as a launch pad to into the cinema of the human condition.

Kudos

Gareth von Kallenbach (980 KP) rated Captain America: The First Avenger (2011) in Movies

Aug 7, 2019

Captain America: The First Avenger is a return to form for the Marvel comic-book film universe, and a solid final lead-up to the multi-hero film The Avengers, coming next year.

Chris Evans does a fantastic job of introducing us to the wiry little guy with guts who eventually becomes Captain America. Such unashamed, honest virtue is different from the typical superhero movie we’ve come to see over the last few years, and for good reason: internal conflicts often make for dramatic films. However, I don’t think such unwavering idealism would have worked with any other comic-book character than Captain America. Stanley Tucci and Tommy Lee Jones add heart to the movie, but the soul of this movie really is the Captain. Hugo Weaving as The Red Skull plays a satisfying villain here, but his motives aren’t clarified enough to warrant his fervor for evil. Hayley Atwell, playing love interest and British agent Peggy Carter does a more convincing job in her role than Hugo Weaving does in his.

The plot of the film was pretty standard fare. Hero battles villain. The ending was more climactic and earnest than I had expected walking into the theater, and it gracefully sets up the Avengers movie. Like many of the other Marvel movies of recent note, there is a decent amount of self-deprecating comic book humor that helps break up the slower parts between action scenes.

The effects of the film were solid. They were pulpy enough to feel like a Marvel universe, rather than our own, but they still carried the action to an exciting level. The art department and cinematographer did a good job recreating the 40’s asthetic throughout the film, though there was enough exotic comic book elements to bring you back into a world where superheroes really do exist.

Despite its own flaws, this is one of the better Marvel films to come out since Iron Man, and count me in to watch The Avengers next year.