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Bob Mann (459 KP) rated Jack Reacher: Never Go Back (2016) in Movies
Sep 29, 2021
I’m a big fan of Tom Cruise. He is a real old-fashioned film star, generous with his fans on the red carpet and with real star power at the box office. And I can happily sit down in front of just about any one of his DVD’s time and time again and still enjoy it. Unlike many critics, I even enjoyed his last outing as Jack Reacher.
Unfortunately, and it pains me to say this but, his latest outing – “Jack Reacher: Never Go Back” – is a bit dull.
Lee Child’s Reacher has many years before turned his back on his military past and wanders the country as a drifter righting wrongs outside of the law. In this film, his military past again makes a major (“No, ex-Major”) intrusion into his life. Potential love interest Major Susan Turner (Colbie Smulders, from the “Avengers” world) is arrested on trumped-up espionage charges and Cruise sets out to clear her name. Along the way he accidentally (and rather too conveniently for the plot) discovers that a paternity suit has been filed against him and Reacher confronts the rebellious and light-fingered teenager Samantha (Danika Yarosh, aged 18 playing 15).
Unfortunately the big-cheeses involved in the international arms skulduggery are determined to tie up each and every loose end in their intrigue, and that includes Reacher, Turner and young Samantha by association. Needless to say, the villains – led by a one-man killing machine (Patrick Heusinger) – haven’t counted on Reacher’s ‘particular set of skills’.
My problem with the film (after an entertaining opening) is that the screenplay lumbers from standard thriller set-piece to standard thriller set-piece in a highly predictable way. It’s as if the scripts from 20 different films have been stuck in a blender. Shadowy arms dealing shenanigans: check; Cute teenager in peril: check; Gun fight on a dockside: check; Rooftop chase: check.
Are all the individual set-pieces decently done? Yes, sure. But the combination of these bits of action tapas really don’t add up to a satisfying meal. The story arc is almost non-existent as there is no suspense in the ‘investigation’: the plot is all pretty well laid out for you.
Where there is some fun to be had is in the play-off between the born-leader Reacher and the born-leader Turner, both trying to be top-dog in the decision making. The romantic connection between the leads seems almost plausible despite their 20 (TWENTY!) year age difference: this is more down to how incredibly good Cruise still looks at age 54 (damn him!). Turner makes a good female role-model right up to the point where there is a confrontation in a hotel room and Turner backs down: despite Cruise being the “hero” it would have been nice for female equality for this face-off to have gone the other way.
The director is Edward Zwick, who helmed Cruise’s more interesting movie “The Last Samurai”.
The trailer started off well and then progressed into general mediocrity. Unfortunately – for me at least – the film lived up to the trailer. Watchable, but not memorable.
Unfortunately, and it pains me to say this but, his latest outing – “Jack Reacher: Never Go Back” – is a bit dull.
Lee Child’s Reacher has many years before turned his back on his military past and wanders the country as a drifter righting wrongs outside of the law. In this film, his military past again makes a major (“No, ex-Major”) intrusion into his life. Potential love interest Major Susan Turner (Colbie Smulders, from the “Avengers” world) is arrested on trumped-up espionage charges and Cruise sets out to clear her name. Along the way he accidentally (and rather too conveniently for the plot) discovers that a paternity suit has been filed against him and Reacher confronts the rebellious and light-fingered teenager Samantha (Danika Yarosh, aged 18 playing 15).
Unfortunately the big-cheeses involved in the international arms skulduggery are determined to tie up each and every loose end in their intrigue, and that includes Reacher, Turner and young Samantha by association. Needless to say, the villains – led by a one-man killing machine (Patrick Heusinger) – haven’t counted on Reacher’s ‘particular set of skills’.
My problem with the film (after an entertaining opening) is that the screenplay lumbers from standard thriller set-piece to standard thriller set-piece in a highly predictable way. It’s as if the scripts from 20 different films have been stuck in a blender. Shadowy arms dealing shenanigans: check; Cute teenager in peril: check; Gun fight on a dockside: check; Rooftop chase: check.
Are all the individual set-pieces decently done? Yes, sure. But the combination of these bits of action tapas really don’t add up to a satisfying meal. The story arc is almost non-existent as there is no suspense in the ‘investigation’: the plot is all pretty well laid out for you.
Where there is some fun to be had is in the play-off between the born-leader Reacher and the born-leader Turner, both trying to be top-dog in the decision making. The romantic connection between the leads seems almost plausible despite their 20 (TWENTY!) year age difference: this is more down to how incredibly good Cruise still looks at age 54 (damn him!). Turner makes a good female role-model right up to the point where there is a confrontation in a hotel room and Turner backs down: despite Cruise being the “hero” it would have been nice for female equality for this face-off to have gone the other way.
The director is Edward Zwick, who helmed Cruise’s more interesting movie “The Last Samurai”.
The trailer started off well and then progressed into general mediocrity. Unfortunately – for me at least – the film lived up to the trailer. Watchable, but not memorable.
The Elder Scrolls V: Skyrim - The Boardgame
Tabletop Game
ADVENTURES IN THE WORLD OF SKYRIM! Before the Dragonborn came to Skyrim…. You are surviving...
Lee (2222 KP) rated Richard Jewell (2019) in Movies
Jan 15, 2020
Richard Jewell tells the true story of a security guard, hailed a hero for spotting a suspicious package at the 1996 Olympic games in Atlanta, before going on to be accused of masterminding the whole thing and having his life turned upside down by the media and the FBI. Directed by Clint Eastwood, Richard Jewell is another one of those stories from recent history that I knew very few details about, other than there was a bombing at the Olympics, and it's a story that clearly deserves to be told.
We start by getting to know a bit about Richard Jewell (Paul Walter Hauser) and how he eventually found himself working security at such a high profile event. When we first meet Richard, he's working as a supply clerk for a public law firm in 1986. He meets attorney Watson Bryant (Sam Rockwell), who can be heard from across the other side of the office loudly and angrily shouting at somebody on the phone. He's not much friendlier to Richard when he puts the phone down either, discovering that Richard has very kindly replaced some stationery in his desk drawers, and even added some more Snickers bars in there after noticing empty wrappers in Watson's bin. But the pair do eventually build up a good rapport, even sharing an interest in playing video games at a local arcade during their lunch breaks.
Richard eventually leaves the firm to become a security guard at a college. With dreams of some day working his way up into law enforcement, Richard takes his role a bit too seriously, resulting in a number of complaints being made to the dean and his subsequent dismissal. Having moved in with his mother Bobi (Kathy Bates) in Atlanta, Richard lands a job working security at the Olympic games, working alongside police officers in Centennial Park during a number of events. His mother joins him to enjoy a Kenny Rogers concert one night, and then a few nights later Richard gets to work while his favourite group are playing. It's during that time, while trying to move on a group of drunk and rowdy boys, that Richard notices a suspicious backpack beneath a nearby bench. Police are alerted, and the backpack is determined to be carrying a bomb. As Richard and the police officers try to disperse the crowd, the bomb detonates and casualties are much lower than they could have been. Richard is hailed a hero.
As Richard quickly begins appearing on TV, and being offered book deals, the FBI begin their investigation. Agent Shaw (Jon Hamm) was there when the bomb went off and feels responsible for something that happened on his watch, so is determined to find the man responsible. It's not long before they decide that Richard fits the profile of previous bombers - a wannabe police officer who carries out attacks and then seeks fame and glory by helping out his victims. The situation isn't helped when ballsy reporter Kathy Scruggs (Olivia Wilde), who will go to any lengths to get her story, including sleeping around, publishes a front page story declaring Richard to be prime suspect with the FBI. From there, Richard's life, along with his mothers, is sent into turmoil and Richard is forced to contact old friend Watson Bryant to see if he'll help defend him as his lawyer.
The dynamic between Richard and Watson is what really made this movie for me. They're old friends, but clearly two very different people - Watson doesn't take any crap from anyone while Richard is a kindly, thoughtful man who just wants to help everyone, so ends up not doing himself any favours. On one occasion, Watson tells Richard not to say a word while the FBI are searching his home, and then Richard proceeds to talk to them all about anything and everything, blissfully ignorant of the glares he's receiving from Watson. There's a lot of humour in Richard Jewell, which I wasn't really expecting, and while it did make for an enjoyable movie, I felt it detracted a little from the drama and tension at times. Outside of that, both Jon Hamm and Kathy Bates were perfect in their roles, Kathy Bates this week receiving an Oscar nomination for her performance.
As the movie progresses, the injustice of it all is truly incredible. Just by Watson walking the route from the phone-booth where the warning call originated and the location where Richard was when the bomb went off, it was clear that he couldn't have done it. He even passed a polygraph test and yet he still continued to be hounded in the absence of any other leads or suspects, as he was just an easy target. It's an enjoyable watch, and certainly an important story, but because of the humour I described earlier, it just didn't have enough intensity or drama to make a bigger impact on me.
We start by getting to know a bit about Richard Jewell (Paul Walter Hauser) and how he eventually found himself working security at such a high profile event. When we first meet Richard, he's working as a supply clerk for a public law firm in 1986. He meets attorney Watson Bryant (Sam Rockwell), who can be heard from across the other side of the office loudly and angrily shouting at somebody on the phone. He's not much friendlier to Richard when he puts the phone down either, discovering that Richard has very kindly replaced some stationery in his desk drawers, and even added some more Snickers bars in there after noticing empty wrappers in Watson's bin. But the pair do eventually build up a good rapport, even sharing an interest in playing video games at a local arcade during their lunch breaks.
Richard eventually leaves the firm to become a security guard at a college. With dreams of some day working his way up into law enforcement, Richard takes his role a bit too seriously, resulting in a number of complaints being made to the dean and his subsequent dismissal. Having moved in with his mother Bobi (Kathy Bates) in Atlanta, Richard lands a job working security at the Olympic games, working alongside police officers in Centennial Park during a number of events. His mother joins him to enjoy a Kenny Rogers concert one night, and then a few nights later Richard gets to work while his favourite group are playing. It's during that time, while trying to move on a group of drunk and rowdy boys, that Richard notices a suspicious backpack beneath a nearby bench. Police are alerted, and the backpack is determined to be carrying a bomb. As Richard and the police officers try to disperse the crowd, the bomb detonates and casualties are much lower than they could have been. Richard is hailed a hero.
As Richard quickly begins appearing on TV, and being offered book deals, the FBI begin their investigation. Agent Shaw (Jon Hamm) was there when the bomb went off and feels responsible for something that happened on his watch, so is determined to find the man responsible. It's not long before they decide that Richard fits the profile of previous bombers - a wannabe police officer who carries out attacks and then seeks fame and glory by helping out his victims. The situation isn't helped when ballsy reporter Kathy Scruggs (Olivia Wilde), who will go to any lengths to get her story, including sleeping around, publishes a front page story declaring Richard to be prime suspect with the FBI. From there, Richard's life, along with his mothers, is sent into turmoil and Richard is forced to contact old friend Watson Bryant to see if he'll help defend him as his lawyer.
The dynamic between Richard and Watson is what really made this movie for me. They're old friends, but clearly two very different people - Watson doesn't take any crap from anyone while Richard is a kindly, thoughtful man who just wants to help everyone, so ends up not doing himself any favours. On one occasion, Watson tells Richard not to say a word while the FBI are searching his home, and then Richard proceeds to talk to them all about anything and everything, blissfully ignorant of the glares he's receiving from Watson. There's a lot of humour in Richard Jewell, which I wasn't really expecting, and while it did make for an enjoyable movie, I felt it detracted a little from the drama and tension at times. Outside of that, both Jon Hamm and Kathy Bates were perfect in their roles, Kathy Bates this week receiving an Oscar nomination for her performance.
As the movie progresses, the injustice of it all is truly incredible. Just by Watson walking the route from the phone-booth where the warning call originated and the location where Richard was when the bomb went off, it was clear that he couldn't have done it. He even passed a polygraph test and yet he still continued to be hounded in the absence of any other leads or suspects, as he was just an easy target. It's an enjoyable watch, and certainly an important story, but because of the humour I described earlier, it just didn't have enough intensity or drama to make a bigger impact on me.
Gareth von Kallenbach (980 KP) rated Skyfall (2012) in Movies
Aug 7, 2019
It has been four years since Daniel Craig graced the screen as James Bond, in large part due to financial issues with MGM studio. Thankfully the matters were resolved and Academy award-winning director Sam Mendes kept his schedule free to avoid any conflicts that would have kept him from filming the latest chapter in the series. “Skyfall” has a very satisfying and enjoyable plot that twist and turns yet is not difficult to follow as it takes the audience on an emotional roller coaster.
After being wounded in the line of duty, Bond has gone missing and is assumed dead by everyone at MI6. While recuperating, Bond is in no hurry to let the world or his former comrades know that he still alive, becoming very dependent on alcohol and medication to help him cope.
A list of all the operatives in deep cover operations has fallen into the wrong hands which places not only the agents’ lives, but the effectiveness of the British Secret Service, in grave danger. As a result, the head of MI6, M (Dame Judy Dench), is fighting not only for the lives of her agents, but for her very career as she is strongly encourage to ease into retirement by the new government minister named Gareth Mallory (Ralph Fiennes).
As if M’s troubles could not get any worse without her primary operative, an explosion rocks the MI6 headquarters as M returns from her meeting with Mallory. It becomes very clear that the person in possession of list has a personal score to settle with M, and delights in taunting her and her agents online as he executes a deadly plan of revenge.
Following the explosion, Bond resurfaces and demands to return to active duty despite having physical and mental issues as a result of his last mission. Mallory and others urge Bond to get out of the game and leave it for younger men, but Bond’s sense of honor and duty drive him to face the challenge.
With exotic locales ranging from Shanghai, Macau, Turkey, as well as London and Scotland, “Skyfall” captures the best of Bond with a gripping story that will have you hooked for the film’s entire 2 1/2 hours run time.
The introduction of Javier Bardem to the series was a masterful stroke as he plays a Bond villain unlike others. He is not a mega-millionaire bent on conquering the world, but rather he is a sympathetic and somewhat tragic figure that is a very kindred spirit to Bond himself.
The hallmark of the series has always been great action pieces and stunt work and “Skyfall”, does not disappoint in this category. I am very impressed with how computer generated effects were kept to an absolute minimum in the movie and how Craig and cast really went all out for their demanding and physical roles.
Mendes is to be commended for his work. Not only is the film wonderful to look at capturing the darkness of the world Bond operates in as well as the lavish beauty of the locales in which he travels. The stark contrast between light and dark in the film aptly portrays the psyche of Bond as he’s truly a person haunted by demons and the film even allows us greater insight into his character and past than has previously been seen before.
Naomi Harris and Bérénice Marlohe are the latest of Bond girls and they prove that they are more than just eye candy for the film, as they both are complex and strong women who complement the story well instead of being gratuitous sidekicks and obligatory damsels in distress.
The action-filled finale is very satisfying and the film concludes very well setting up the next chapters in the series very well. I had not been as big offensive glass to Daniel Craig films as I have of certain past Bond films. My biggest issue was that the new version of bond comes across more as a common thug rather than the suave, sophisticated, gentleman killer that I had grown to associate with bond.
This time around the film has much more of a balance in this regard as there is a quiet strength to Craig’s performance as he seems more comfortable in the role than he had in previous outings. We know that he can carry the physical demands of the role, this time around Mendes encouraged him to open up his emotional range which allowed for a more diverse and complex Bond than we had seen previously. I truly think that his work in “The Girl with the Dragon Tattoo” really helped Craig as he did a masterful job playing a complex character with flaws, and seemed much more comfortable in bringing more bonds demons to light.
I’m extremely happy with the film and especially love the movie’s dénouement which, for me, promises a very good and eagerly anticipated direction for future films.
After being wounded in the line of duty, Bond has gone missing and is assumed dead by everyone at MI6. While recuperating, Bond is in no hurry to let the world or his former comrades know that he still alive, becoming very dependent on alcohol and medication to help him cope.
A list of all the operatives in deep cover operations has fallen into the wrong hands which places not only the agents’ lives, but the effectiveness of the British Secret Service, in grave danger. As a result, the head of MI6, M (Dame Judy Dench), is fighting not only for the lives of her agents, but for her very career as she is strongly encourage to ease into retirement by the new government minister named Gareth Mallory (Ralph Fiennes).
As if M’s troubles could not get any worse without her primary operative, an explosion rocks the MI6 headquarters as M returns from her meeting with Mallory. It becomes very clear that the person in possession of list has a personal score to settle with M, and delights in taunting her and her agents online as he executes a deadly plan of revenge.
Following the explosion, Bond resurfaces and demands to return to active duty despite having physical and mental issues as a result of his last mission. Mallory and others urge Bond to get out of the game and leave it for younger men, but Bond’s sense of honor and duty drive him to face the challenge.
With exotic locales ranging from Shanghai, Macau, Turkey, as well as London and Scotland, “Skyfall” captures the best of Bond with a gripping story that will have you hooked for the film’s entire 2 1/2 hours run time.
The introduction of Javier Bardem to the series was a masterful stroke as he plays a Bond villain unlike others. He is not a mega-millionaire bent on conquering the world, but rather he is a sympathetic and somewhat tragic figure that is a very kindred spirit to Bond himself.
The hallmark of the series has always been great action pieces and stunt work and “Skyfall”, does not disappoint in this category. I am very impressed with how computer generated effects were kept to an absolute minimum in the movie and how Craig and cast really went all out for their demanding and physical roles.
Mendes is to be commended for his work. Not only is the film wonderful to look at capturing the darkness of the world Bond operates in as well as the lavish beauty of the locales in which he travels. The stark contrast between light and dark in the film aptly portrays the psyche of Bond as he’s truly a person haunted by demons and the film even allows us greater insight into his character and past than has previously been seen before.
Naomi Harris and Bérénice Marlohe are the latest of Bond girls and they prove that they are more than just eye candy for the film, as they both are complex and strong women who complement the story well instead of being gratuitous sidekicks and obligatory damsels in distress.
The action-filled finale is very satisfying and the film concludes very well setting up the next chapters in the series very well. I had not been as big offensive glass to Daniel Craig films as I have of certain past Bond films. My biggest issue was that the new version of bond comes across more as a common thug rather than the suave, sophisticated, gentleman killer that I had grown to associate with bond.
This time around the film has much more of a balance in this regard as there is a quiet strength to Craig’s performance as he seems more comfortable in the role than he had in previous outings. We know that he can carry the physical demands of the role, this time around Mendes encouraged him to open up his emotional range which allowed for a more diverse and complex Bond than we had seen previously. I truly think that his work in “The Girl with the Dragon Tattoo” really helped Craig as he did a masterful job playing a complex character with flaws, and seemed much more comfortable in bringing more bonds demons to light.
I’m extremely happy with the film and especially love the movie’s dénouement which, for me, promises a very good and eagerly anticipated direction for future films.
mostlyinpyjamas (13 KP) rated Geekerella (Once Upon a Con #1) in Books
Nov 28, 2017
Fairytale meets fandom.
The blurb: ANYTHING CAN HAPPEN ONCE UPON A CON. When geek girl Elle Wittimer sees a cosplay contest sponsored by the producers of Starfield she has to enter.
First prize is an invitation to the Excelsicon Cosplay Ball and a meet-and-greet with the actor slated to play Federation Prince Carmindor in the reboot.
Elle’s been scraping together tips from her gig at the Magic Pumpkin food truck behind her stepmothers back, and winning this contest could be her ticket out once and for all. Not to mention a fan girls dream come true.
Teen actor Darien Freeman is less than thrilled about this year’s Excelsicon. He used to live for conventions, but know they’re nothing but jaw-aching photo sessions and awkward meet-and-greets.
Playing Federation Prince Carmindor is all he’s ever wanted, but the die-hard Starfield fandom has already dismissed him as just another heartthrob.
As Excelsicon draws near, closet nerd Darien feels more and more like a fake – until he meets a girl who shows him otherwise.
Part romance, part love letter to nerd culture, and all totally adorbs, GEEKERELLA is a fairy tale for anyone who believes in the magic of fandom. ~~
Fairytale meets fandom in this modern day retelling of Cinderella.
I am always here for a new take on a well loved story, and Ashley Poston has delivered a faithful to the original story that also makes for a good tale on its own right.
I have to start by saying look at that cover! When I saw it on the shelf in Waterstones *other bookshops are available* I knew I had to buy it.
I love the modern versions of the well known characters, Elle is a Starfield nerd. Her love of the classic tv show comes from her parents, who originally founded the Starfield convention.
Catherine, the stepmother, and the stepsisters, Chloe and Cal are perfectly spiteful as overwork and under appreciate Elle.
The prince in this version is Darien, a young Hollywood golden boy with insured abs, while the fairy godmother role is filled by Sage, the punk wannabe-fashion-designer. I love Sage!
There’s also a canine sidekick, Franco, a.k.a Frank the tank, any story that includes a very good boy has the makings of a winner for me.
Ashley Poston gives a nod to the coach from the original story with The magic pumpkin, Sage’s vegan food van and the ending is perfect with the ball and even the glass shoe.
Obviously we all know how Cinderella goes but Ashley Poston gets us to the end via a geek-tastic tale of fandoms, fan blogs, cosplay conventions and the movie making world.
The way that Elle and Darien begin to get to know each other via text makes for a sweet romance, each not knowing who the other is – Darien, who Elle doesn’t believe will make a good Carmindor, and Elle, being rebelgunner the blogger who slated Darien – I’ve seen some reviews saying it’s not realistic that they fall for each other via text, and so quickly, but it does happen, and anyway, come on! This is Cinderella, and in the original her and the prince fall in love after just a dance.
Geekerella is such a heartwarming story, it’s not often I read a book again, but this is one I’ll definitely turn to when I need cheering up.
I’m giving Geekerella 5/5 stars and I can’t wait to read more of Ashley Poston’s work. ⭐️⭐️⭐️⭐️⭐️
First prize is an invitation to the Excelsicon Cosplay Ball and a meet-and-greet with the actor slated to play Federation Prince Carmindor in the reboot.
Elle’s been scraping together tips from her gig at the Magic Pumpkin food truck behind her stepmothers back, and winning this contest could be her ticket out once and for all. Not to mention a fan girls dream come true.
Teen actor Darien Freeman is less than thrilled about this year’s Excelsicon. He used to live for conventions, but know they’re nothing but jaw-aching photo sessions and awkward meet-and-greets.
Playing Federation Prince Carmindor is all he’s ever wanted, but the die-hard Starfield fandom has already dismissed him as just another heartthrob.
As Excelsicon draws near, closet nerd Darien feels more and more like a fake – until he meets a girl who shows him otherwise.
Part romance, part love letter to nerd culture, and all totally adorbs, GEEKERELLA is a fairy tale for anyone who believes in the magic of fandom. ~~
Fairytale meets fandom in this modern day retelling of Cinderella.
I am always here for a new take on a well loved story, and Ashley Poston has delivered a faithful to the original story that also makes for a good tale on its own right.
I have to start by saying look at that cover! When I saw it on the shelf in Waterstones *other bookshops are available* I knew I had to buy it.
I love the modern versions of the well known characters, Elle is a Starfield nerd. Her love of the classic tv show comes from her parents, who originally founded the Starfield convention.
Catherine, the stepmother, and the stepsisters, Chloe and Cal are perfectly spiteful as overwork and under appreciate Elle.
The prince in this version is Darien, a young Hollywood golden boy with insured abs, while the fairy godmother role is filled by Sage, the punk wannabe-fashion-designer. I love Sage!
There’s also a canine sidekick, Franco, a.k.a Frank the tank, any story that includes a very good boy has the makings of a winner for me.
Ashley Poston gives a nod to the coach from the original story with The magic pumpkin, Sage’s vegan food van and the ending is perfect with the ball and even the glass shoe.
Obviously we all know how Cinderella goes but Ashley Poston gets us to the end via a geek-tastic tale of fandoms, fan blogs, cosplay conventions and the movie making world.
The way that Elle and Darien begin to get to know each other via text makes for a sweet romance, each not knowing who the other is – Darien, who Elle doesn’t believe will make a good Carmindor, and Elle, being rebelgunner the blogger who slated Darien – I’ve seen some reviews saying it’s not realistic that they fall for each other via text, and so quickly, but it does happen, and anyway, come on! This is Cinderella, and in the original her and the prince fall in love after just a dance.
Geekerella is such a heartwarming story, it’s not often I read a book again, but this is one I’ll definitely turn to when I need cheering up.
I’m giving Geekerella 5/5 stars and I can’t wait to read more of Ashley Poston’s work. ⭐️⭐️⭐️⭐️⭐️
Phillip McSween (751 KP) rated Long Shot (2019) in Movies
Apr 29, 2019
Very Fun RomCom
When a fired journalist finds himself writing speeches for the Secretary of State, he also finds himself in over his head when he quickly falls for her. Anyone that’s read even a tenth of my reviews know how much I love genre films that try and bend said genre and do things differently, albeit slightly. It’s for that reason that I fell in love with Long Shot. I’d be surprised if you didn’t as well.
Acting: 10
Beginning: 10
Characters: 10
In Long Shot, Seth Rogen plays the role of Fred Flarsky, a journalist committed to reporting on the right things, or at least his version of what’s right, anyway. He’s daft, but not stupid. Timid for the most part, but knows how to seize an opportunity when necessary. Charlize Theron is Charlotte Field the Secretary of State, a strong woman who stands up for herself, but also knows the necessity of “playing the game” sometimes. Charlotte and Fred work so well together because they are polar opposites, but also share some strange interests. I can’t lie, I’m a sucker for most roles Rogen plays. If Chris Hemsworth is a reminder that we need to hit the gym, Rogen is a reminder that your plain old average self will do just fine, thank you very much. He is the Every Man of everymen. You want Fred to succeed not just because he’s an underdog, but also because he’s cool as hell.
Charlotte is dope too, but in a different way. I love that she takes no crap, but also has a soft spot and a willingness to give others a chance. It wasn’t hard for either of these characters to win me over.
Cinematography/Visuals: 10
Conflict: 2
The movie falters a bit here, at least in my opinion. I’m sure there may be others that feel differently, but I didn’t really feel much strong opposition over the course of the movie. I would elaborate, but will stop short here as I don’t want to give away too much of what too expect.
Genre: 9
As I kept thinking of what I would score this film on the drive home, I found new reasons to love the movie. When I look at a number of other movies in the genre, it definitely stacks up. it’s one of those movies you can watch regularly and not get bored.
Memorability: 9
Pace: 9
Director Jonathan Levine moves the story along at a smooth pace that is pretty consistent save for one or two “meh” spots along the way. It’s funny throughout and continues to make you laugh right as you start to get the sense things will die down. Fred is a bit of a wild card as well as you look forward to seeing what crazy crap he will get into next.
Plot: 4
Resolution: 10
Great ending with a bit of a twist that really brought the funny. After watching this journey, I couldn’t have been more satisfied with how things ended up. Predictable yet perfect at the same time.
Overall: 83
I have no doubt you will have a fun time seeing Long Shot. Even if you feel like you’ve been down the road before or you know what’s waiting at the end of the road, see it anyway. There is a certain amount of originality here that makes the movie well worth the ride.
Acting: 10
Beginning: 10
Characters: 10
In Long Shot, Seth Rogen plays the role of Fred Flarsky, a journalist committed to reporting on the right things, or at least his version of what’s right, anyway. He’s daft, but not stupid. Timid for the most part, but knows how to seize an opportunity when necessary. Charlize Theron is Charlotte Field the Secretary of State, a strong woman who stands up for herself, but also knows the necessity of “playing the game” sometimes. Charlotte and Fred work so well together because they are polar opposites, but also share some strange interests. I can’t lie, I’m a sucker for most roles Rogen plays. If Chris Hemsworth is a reminder that we need to hit the gym, Rogen is a reminder that your plain old average self will do just fine, thank you very much. He is the Every Man of everymen. You want Fred to succeed not just because he’s an underdog, but also because he’s cool as hell.
Charlotte is dope too, but in a different way. I love that she takes no crap, but also has a soft spot and a willingness to give others a chance. It wasn’t hard for either of these characters to win me over.
Cinematography/Visuals: 10
Conflict: 2
The movie falters a bit here, at least in my opinion. I’m sure there may be others that feel differently, but I didn’t really feel much strong opposition over the course of the movie. I would elaborate, but will stop short here as I don’t want to give away too much of what too expect.
Genre: 9
As I kept thinking of what I would score this film on the drive home, I found new reasons to love the movie. When I look at a number of other movies in the genre, it definitely stacks up. it’s one of those movies you can watch regularly and not get bored.
Memorability: 9
Pace: 9
Director Jonathan Levine moves the story along at a smooth pace that is pretty consistent save for one or two “meh” spots along the way. It’s funny throughout and continues to make you laugh right as you start to get the sense things will die down. Fred is a bit of a wild card as well as you look forward to seeing what crazy crap he will get into next.
Plot: 4
Resolution: 10
Great ending with a bit of a twist that really brought the funny. After watching this journey, I couldn’t have been more satisfied with how things ended up. Predictable yet perfect at the same time.
Overall: 83
I have no doubt you will have a fun time seeing Long Shot. Even if you feel like you’ve been down the road before or you know what’s waiting at the end of the road, see it anyway. There is a certain amount of originality here that makes the movie well worth the ride.
Movie Metropolis (309 KP) rated Thor (2011) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Marvel films have become a staple for any movie fan’s diet over the past few years. We’ve had some bloody fantastic ones; Spiderman 2, Iron Man and the second X-Men to name a few; and we’ve had some pretty rubbish ones, Hulk, The Fantastic Four and Spiderman 3 are ones that spring to mind.
Here we stand, two years before the release of the much anticipated Avengers movie and the latest offering from Marvel blasts onto our screens: Thor, but is it a success?
Kenneth ‘Thespian’ Brannagh helms this more unknown superhero flick and surprisingly with his track record of Shakespearean cinema, makes one hell of a film.
Chris Hemsworth from Home & Away stars as the Viking god himself and is the perfect choice for the role; I can’t think of anyone better suited to playing him. 6 foot 6 with blonde hair and blue eyes, come on; it can’t just be a coincidence surely? Natalie Portman (Black Swan) and Stellen Skarsgard (Mamma Mia) also star but are unfortunately largely forgettable; Portman certainly won’t be receiving an Oscar for her performance here.
Thor takes place in the fictional realm of Asgard, ruled by an ill looking, but perfect as usual Anthony Hopkins as King Odin. Of course Asgard is created via special effects and these are flawless; from the rainbow bridge that connects that world to Earth, to the sweeping shots of the enemy Frost Giant’s home. It is here, in this beautiful place that Thor really shines, the story is dense and succinct with beautiful performances from all
the actors. The sheer scope of the film is literally immense and this could’ve dwarfed the characters, but thankfully it doesn’t.
Unfortunately, Thor’s banishment to Earth for reckless behaviour isn’t as exciting and these portions of the film feel a little flat in comparison to the bright lights of Asgard. Thankfully, Hemsworth makes sure that the usual Marvel humour is included which stops these scenes from being a complete failure. Portman and Skarsgard feel lost next to Hemsworth’s fantastic characterisation which is unfortunate as they have both proved themselves to be brilliant actors.
The constant tie-in’s with the upcoming Avengers film are shameless and an obvious marketing probe but they do little to detract from the film itself, the inclusion of S.H.I.E.L.D doesn’t feel as laboured as it could have done and thankfully they play a good part in the film – even if it is in the less interesting Earth scenes.
Thor is a film as mighty as the legendary hammer its title character uses; it’s loud, occasionally obnoxious and unashamedly reliant on special effects, more-so than any other Marvel film, but this time, it works.
Kenneth Brannagh’s influence is apparent from the off, with the Shakespearean narrative at the beginning being a real highlight of the film. Thankfully, the highlights don’t stop there and apart from a few lapses in judgement, the film steamrolls itself to a decent, if little underwhelming climax.
Overall, Thor is fabulous, a really good attempt at creating a brilliant film from a rather unknown superhero. If Iron Man hadn’t been released, it would most definitely be the best of the Marvel films to date, as a result, it comes a really close second. A real treat!
https://moviemetropolis.net/2011/05/19/thor-2011/
Here we stand, two years before the release of the much anticipated Avengers movie and the latest offering from Marvel blasts onto our screens: Thor, but is it a success?
Kenneth ‘Thespian’ Brannagh helms this more unknown superhero flick and surprisingly with his track record of Shakespearean cinema, makes one hell of a film.
Chris Hemsworth from Home & Away stars as the Viking god himself and is the perfect choice for the role; I can’t think of anyone better suited to playing him. 6 foot 6 with blonde hair and blue eyes, come on; it can’t just be a coincidence surely? Natalie Portman (Black Swan) and Stellen Skarsgard (Mamma Mia) also star but are unfortunately largely forgettable; Portman certainly won’t be receiving an Oscar for her performance here.
Thor takes place in the fictional realm of Asgard, ruled by an ill looking, but perfect as usual Anthony Hopkins as King Odin. Of course Asgard is created via special effects and these are flawless; from the rainbow bridge that connects that world to Earth, to the sweeping shots of the enemy Frost Giant’s home. It is here, in this beautiful place that Thor really shines, the story is dense and succinct with beautiful performances from all
the actors. The sheer scope of the film is literally immense and this could’ve dwarfed the characters, but thankfully it doesn’t.
Unfortunately, Thor’s banishment to Earth for reckless behaviour isn’t as exciting and these portions of the film feel a little flat in comparison to the bright lights of Asgard. Thankfully, Hemsworth makes sure that the usual Marvel humour is included which stops these scenes from being a complete failure. Portman and Skarsgard feel lost next to Hemsworth’s fantastic characterisation which is unfortunate as they have both proved themselves to be brilliant actors.
The constant tie-in’s with the upcoming Avengers film are shameless and an obvious marketing probe but they do little to detract from the film itself, the inclusion of S.H.I.E.L.D doesn’t feel as laboured as it could have done and thankfully they play a good part in the film – even if it is in the less interesting Earth scenes.
Thor is a film as mighty as the legendary hammer its title character uses; it’s loud, occasionally obnoxious and unashamedly reliant on special effects, more-so than any other Marvel film, but this time, it works.
Kenneth Brannagh’s influence is apparent from the off, with the Shakespearean narrative at the beginning being a real highlight of the film. Thankfully, the highlights don’t stop there and apart from a few lapses in judgement, the film steamrolls itself to a decent, if little underwhelming climax.
Overall, Thor is fabulous, a really good attempt at creating a brilliant film from a rather unknown superhero. If Iron Man hadn’t been released, it would most definitely be the best of the Marvel films to date, as a result, it comes a really close second. A real treat!
https://moviemetropolis.net/2011/05/19/thor-2011/
Movie Metropolis (309 KP) rated American Sniper (2015) in Movies
Jun 10, 2019
Incredibly Harrowing
There’s something about Clint Eastwood’s varied directing career that puts him among the greats of the craft. Along with Spielberg, Scott and Fincher, Eastwood has created some of cinema’s greatest films – yet he goes about it in a completely different fashion to his peers, he doesn’t shout about it.
Here, Eastwood directs Bradley Cooper and Sienna Miller in his latest offering, American Sniper, but does it stand as one of the better films on his resume?
American Sniper follows the story of Chris Kyle, a decorated marksman in the US military at a time when the war against terror strikes fear into the hearts of practically everyone across the globe.
An Oscar-nominated Bradley Cooper plays the lead role beautifully, in what is the best performance of his career, while Sienna Miller makes a welcome return to the big screen as his loyal wife Taya.
As the film plays out, we see the duo go about their lives – apart and together as they come to terms with raising a family, despite Kyle’s constant deployment to Iraq and the many troubles that brings as he tries to resume normal life.
Eastwood really hits hard with the imagery, never glamorising the war on terror or conflict itself and this is perhaps the strongest part of the picture. Many films in the genre almost feel like military propaganda, but here, the brutality is raw in the emotions of the lead characters and squalid locations.
The surroundings themselves are beautifully shot with Eastwood’s trademark flair for long, sweeping camera angles being used in abundance. Thankfully he lets the stunning locations speak for themselves throughout the majority of the film, not tampering with them despite that becoming a norm recently.
These scenery shots are juxtaposed with the damp, dirty conditions the soldiers must deal with frequently, with sunset-flooded vistas giving way to crumbling buildings and claustrophobic rooms.
However, the very nature of the movie, following Cooper’s character on his various Tours, does get repetitive at times and there are certain moments that feel like you’re watching someone playing a video game like Resident Evil or Call of Duty as one minor set piece leads to a larger one – though the tense final act makes up for this somewhat.
American Sniper also makes you increasingly aware of the human cost that comes with conflict. This is a bleak film, make no mistake and it’s especially harrowing seeing how Taya (Sienna Miller) copes with being away from her husband for long periods of time, especially with the job of raising a family.
Despite a running time of over two hours, Sniper never feels long, a testament to the snappy pacing and wonderful performances Sienna+Miller+Sienna+Miller+Films+American+dQWprK3Evu6lthroughout, and despite a lack of backstory for some of the other characters, Eastwood delves into the lifestyle of Chris and his wife beautifully.
Overall, Eastwood has another memorable film to add to his CV, and whilst it would be insulting to call it ‘fun’, American Sniper is enjoyable to watch in a whole different way. Bradley Cooper and Sienna Miller are both excellent and when the whole cinema leaves the screen in complete silence, you know that the message has got across.
https://moviemetropolis.net/2015/01/23/incredibly-harrowing-american-sniper-review/
Here, Eastwood directs Bradley Cooper and Sienna Miller in his latest offering, American Sniper, but does it stand as one of the better films on his resume?
American Sniper follows the story of Chris Kyle, a decorated marksman in the US military at a time when the war against terror strikes fear into the hearts of practically everyone across the globe.
An Oscar-nominated Bradley Cooper plays the lead role beautifully, in what is the best performance of his career, while Sienna Miller makes a welcome return to the big screen as his loyal wife Taya.
As the film plays out, we see the duo go about their lives – apart and together as they come to terms with raising a family, despite Kyle’s constant deployment to Iraq and the many troubles that brings as he tries to resume normal life.
Eastwood really hits hard with the imagery, never glamorising the war on terror or conflict itself and this is perhaps the strongest part of the picture. Many films in the genre almost feel like military propaganda, but here, the brutality is raw in the emotions of the lead characters and squalid locations.
The surroundings themselves are beautifully shot with Eastwood’s trademark flair for long, sweeping camera angles being used in abundance. Thankfully he lets the stunning locations speak for themselves throughout the majority of the film, not tampering with them despite that becoming a norm recently.
These scenery shots are juxtaposed with the damp, dirty conditions the soldiers must deal with frequently, with sunset-flooded vistas giving way to crumbling buildings and claustrophobic rooms.
However, the very nature of the movie, following Cooper’s character on his various Tours, does get repetitive at times and there are certain moments that feel like you’re watching someone playing a video game like Resident Evil or Call of Duty as one minor set piece leads to a larger one – though the tense final act makes up for this somewhat.
American Sniper also makes you increasingly aware of the human cost that comes with conflict. This is a bleak film, make no mistake and it’s especially harrowing seeing how Taya (Sienna Miller) copes with being away from her husband for long periods of time, especially with the job of raising a family.
Despite a running time of over two hours, Sniper never feels long, a testament to the snappy pacing and wonderful performances Sienna+Miller+Sienna+Miller+Films+American+dQWprK3Evu6lthroughout, and despite a lack of backstory for some of the other characters, Eastwood delves into the lifestyle of Chris and his wife beautifully.
Overall, Eastwood has another memorable film to add to his CV, and whilst it would be insulting to call it ‘fun’, American Sniper is enjoyable to watch in a whole different way. Bradley Cooper and Sienna Miller are both excellent and when the whole cinema leaves the screen in complete silence, you know that the message has got across.
https://moviemetropolis.net/2015/01/23/incredibly-harrowing-american-sniper-review/
If you thought a modern retelling of [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926]--set mainly in present day Cincinnati--didn't exactly sound like a page-turner, no one could exactly blame you. But, nonetheless, you'd be quite wrong. Sittenfeld's novel imagines the Bennet family in our modern times; Mr. and Mrs. Bennet live in a rambling Tudor home in Cincinnati: broke and somewhat clueless as their house crumbles around them. Mrs. Bennet spends her time clucking around her five unmarried daughters: Jane, Liz, Mary, Kitty, and Lydia. The book revolves mainly around the perspective of Liz, a magazine writer in her upper thirties living in New York City. She and Jane, also in NYC, return home to their parents and younger sisters after Mr. Bennet has a heart attack, only to find the house and the family in a bit of a shambles.
The book is amazing. It's been a while since I read [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926], but even I can tell you that the novel does an excellent job of following the original plot without being annoying or cloying. It's [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926] with lesbians and hate sex! The book comes across as familiar yet new, allowing you to ache, laugh, and rage at what feels like a group of old friends.
Mr. Bennet is a trip, even while having a heartbreaking sadness and sweetness at his core (though some of his zingers are priceless). The younger sisters are as (nearly) vapid as to be expected--truly awful at times--for much of the book. But seriously, Lydia and Kitty loving CrossFit? It's awesome. And Liz is wonderful; you will adore this surprisingly realistic and modern Liz, with all of her foibles and issues: a truly modern Liz struggling mightily to keep her family together and afloat.
As for Darcy, well he's as Darcy as ever. Somehow Sittenfeld has managed to truly capture the essence of Austen's Darcy and Elizabeth in her new characters. I don't know how, but it's funny and lovely all at the same time. (Side note: As a woman in her early thirties, will I ever be able to read about Darcy without picturing Colin Firth? I now have a desperate need to watch the BBC/A&E mini-series again.)
Overall, I found this book funny, touching, and compulsively readable. The characters are truly characters: they are fully formed within moments of picking up the book. The city of Cincinnati makes a great guest appearance, with the city playing a prominent role in many scenes (hi Skyline Chili!). If you loved the original, you'll find this updated version enjoyable and imaginative, with a surprising depth behind it. If you've never read Austen's work (and you should), you will still discover a funny, sweet yet weighty story of a family trying to make it in this day and age. Highly recommended (4.5 stars).
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 4/19/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
The book is amazing. It's been a while since I read [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926], but even I can tell you that the novel does an excellent job of following the original plot without being annoying or cloying. It's [b:Pride and Prejudice|1885|Pride and Prejudice|Jane Austen|https://d.gr-assets.com/books/1320399351s/1885.jpg|3060926] with lesbians and hate sex! The book comes across as familiar yet new, allowing you to ache, laugh, and rage at what feels like a group of old friends.
Mr. Bennet is a trip, even while having a heartbreaking sadness and sweetness at his core (though some of his zingers are priceless). The younger sisters are as (nearly) vapid as to be expected--truly awful at times--for much of the book. But seriously, Lydia and Kitty loving CrossFit? It's awesome. And Liz is wonderful; you will adore this surprisingly realistic and modern Liz, with all of her foibles and issues: a truly modern Liz struggling mightily to keep her family together and afloat.
As for Darcy, well he's as Darcy as ever. Somehow Sittenfeld has managed to truly capture the essence of Austen's Darcy and Elizabeth in her new characters. I don't know how, but it's funny and lovely all at the same time. (Side note: As a woman in her early thirties, will I ever be able to read about Darcy without picturing Colin Firth? I now have a desperate need to watch the BBC/A&E mini-series again.)
Overall, I found this book funny, touching, and compulsively readable. The characters are truly characters: they are fully formed within moments of picking up the book. The city of Cincinnati makes a great guest appearance, with the city playing a prominent role in many scenes (hi Skyline Chili!). If you loved the original, you'll find this updated version enjoyable and imaginative, with a surprising depth behind it. If you've never read Austen's work (and you should), you will still discover a funny, sweet yet weighty story of a family trying to make it in this day and age. Highly recommended (4.5 stars).
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 4/19/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
BankofMarquis (1832 KP) rated Ant-Man and the Wasp (2018) in Movies
Jul 8, 2018
In a word - fun
By this time, either you are "in" on the Marvel Cinematic Universe or you are "out". If you are "out", there's not a whole lot that I (or any other reviewer) will be able to do to change your mind. Which is too bad, for the Marvel Cinematic Universe is a pretty fun ride. The folks at Marvel "have it down" and I can't remember the last time that I was disappointed by a Marvel movie.
And that goes for the latest installment - ANTMAN AND THE WASP.
Starring Paul Rudd and Evangaline Lilly as the titular characters, ANT-MAN AND THE WASP is the follow-up to 2015's ANT-MAN and (more directly) 2016's CAPTAIN AMERICA: CIVIL WAR. It also answers the question as to why these characters were not involved in the other Marvel movie this summer - AVENGERS: INFINITY WAR, Part 1.
But, like most of the Marvel films, the plot doesn't really matter, it is the characters and the situations they are put in that matter. And, in the case of this film, the word I would use for both is FUN.
Starting with bickering stars Rudd and Lilly. They do the "frenemies with a no-doubter mutual attraction" thing very well. They play off each other smartly, with Lilly's common sense, physicality and "cut the crap" attitude in vast contrast to Rudd's "man-child". Both are winning presences on the screen, with Rudd's natural charm jumping at you in places where (if it didn't) his character would seem like a jerk.
Joining in the fun is Michael Douglas as, basically, the referee for these two. He looks like he's having fun - despite himself - and really comes into his own with his character. Randall Park does a fun turn as a Federal Agent charged with keeping an eye on Rudd's character and Lawrence Fishburne brings "Morpheus-like" gravitas to his role as a fellow scientist.
But...like in the first Ant-Man film...the characters that steal the film are Michael Pena and his two dim-witted assistants, David Dastmalchian and T.I. When any one of these three (but, especially Pena) are on the screen, the maniacal, fun energy of this film rises dramatically. They had me wishing that they would have their own film to themselves. But..maybe I like them so much because they are being fed to us in very small doses.
Unfortunately, Judy Greer and Bobby Canavale (from the first film) and Walton Goggins (new to this film) don't really have enough to do - and when they are given something to do, it pales in comparison to the others - and to the action.
And what terrific action there is! Filmmaker Peyton Reed (he also Directed Ant Man) does a nice job of keeping the action simple (enough) that you always knew what was going on and playing with size (now they're BIG, now they're SMALL, now they're NORMAL size...) was used wisely to always drive the film - and the action - forward.
As with all Marvel films, this one has a place in the larger Marvel Cinematic Universe (a place I won't spoil here), but I was satisfied with how they dealt with this film as a stand alone, "chase" movie, yet still connected to the rest.
A good time was had.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
And that goes for the latest installment - ANTMAN AND THE WASP.
Starring Paul Rudd and Evangaline Lilly as the titular characters, ANT-MAN AND THE WASP is the follow-up to 2015's ANT-MAN and (more directly) 2016's CAPTAIN AMERICA: CIVIL WAR. It also answers the question as to why these characters were not involved in the other Marvel movie this summer - AVENGERS: INFINITY WAR, Part 1.
But, like most of the Marvel films, the plot doesn't really matter, it is the characters and the situations they are put in that matter. And, in the case of this film, the word I would use for both is FUN.
Starting with bickering stars Rudd and Lilly. They do the "frenemies with a no-doubter mutual attraction" thing very well. They play off each other smartly, with Lilly's common sense, physicality and "cut the crap" attitude in vast contrast to Rudd's "man-child". Both are winning presences on the screen, with Rudd's natural charm jumping at you in places where (if it didn't) his character would seem like a jerk.
Joining in the fun is Michael Douglas as, basically, the referee for these two. He looks like he's having fun - despite himself - and really comes into his own with his character. Randall Park does a fun turn as a Federal Agent charged with keeping an eye on Rudd's character and Lawrence Fishburne brings "Morpheus-like" gravitas to his role as a fellow scientist.
But...like in the first Ant-Man film...the characters that steal the film are Michael Pena and his two dim-witted assistants, David Dastmalchian and T.I. When any one of these three (but, especially Pena) are on the screen, the maniacal, fun energy of this film rises dramatically. They had me wishing that they would have their own film to themselves. But..maybe I like them so much because they are being fed to us in very small doses.
Unfortunately, Judy Greer and Bobby Canavale (from the first film) and Walton Goggins (new to this film) don't really have enough to do - and when they are given something to do, it pales in comparison to the others - and to the action.
And what terrific action there is! Filmmaker Peyton Reed (he also Directed Ant Man) does a nice job of keeping the action simple (enough) that you always knew what was going on and playing with size (now they're BIG, now they're SMALL, now they're NORMAL size...) was used wisely to always drive the film - and the action - forward.
As with all Marvel films, this one has a place in the larger Marvel Cinematic Universe (a place I won't spoil here), but I was satisfied with how they dealt with this film as a stand alone, "chase" movie, yet still connected to the rest.
A good time was had.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)