This eBook was provided by the author in exchange for an honest review
“Reader, I murdered him.” Jane Steele is a gothic retelling of the renowned Jane Eyre written by the celebrated Charlotte Bronte. Crime writer, Lyndsay Faye, creates an entirely new story, whilst appropriating the skeletal structure of the original classic. However, Jane Steele is nothing like the Miss Eyre everyone is familiar with. She is far more headstrong and independent, and also a murderer.
Before readers are discouraged to hear that their beloved Jane is portrayed as a criminal, the murders that occur are more of a homicidal or self-defense nature, as opposed to premeditated serial killing. In fact the first death, occurring when she is a nine year old orphan, is not her fault at all, however it prompts Jane’s wealthy aunt to pack her off to boarding school, and thus the similarities with Jane Eyre commence.
Written in an autobiographical manner, Jane describes her years at the virulent school, where she and the other girls experience abuse at the hands of the ignoble schoolmaster. As readers will recall, Eyre’s life improves in her later school years, however Jane Steele’s education comes to a premature end, resulting in her fending for herself in 19th century London.
As the blurb indicates, Jane returns to the house she grew up in after the death of her aunt, affecting to be a governess for the current owner’s ward. Mr. Charles Thornfield, a bachelor, is Jane Steele’s version of Rochester, minus the wife in the attic. The contents of the cellar, on the other hand, are a different matter…
From a romantic point of view, all happens in a similar manner to Jane Eyre, however this is where the comparisons end. With concealed crimes and secrets, as well as an unsolved murder, the story becomes the thriller it initially proposed to be. The incisive Jane Steele takes matters into her own hands – figuratively and literally – as she determines to resolve the unanswered questions.
Although not written with the intent to be comical, the stark contrasts between original and retelling create humorous scenarios. The nature of the main character in comparison with the time frame, a period where women had very little rights, makes the narrative far more exciting and amusing than the earlier novel – although not necessarily better.
Lyndsay Faye maintains the atmosphere of the 1800s with her affinity for eloquent turns of phrase and choice of words. She is a prolific author full of wonderful ideas; her ability to create a new story out of a well-known classic is a formidable skill. What is admirable is they way in which Faye has made Jane Steele a novel in its own right, and not merely a rip-off of Bronte’s work.
The skillful composition and wording will likely be loved by all, its only downfall being the reaction of hardcore Jane Eyre fans. Those who wish for the classics to be left alone and not pulled apart by contemporary authors or film directors may adopt a negative attitude towards to publication of Jane Steele. On the other hand, many will absolutely love this gothic retelling, appreciate the similarities and enjoy the new twist to the storyline. Personally, I am with the latter group.
Wow, What an absolute joy this book was to read! THE EX by Freida McFadden is a fascinating tale of obsession, revenge and lies.
Told in alternating chapters between the ex and the new girlfriend, and even though the plot is not an original one by any means as it has been tried and tested many times before, I was, nevertheless, absolutely enthralled by this novel from the very first page, which I attribute to Freida McFadden’s superb writing.
The ex, Francesca Mascolo, is Italian and is expecting to marry her adorable boyfriend, Dr Joel Broder, who works as an Emergency Room physician at the local hospital. They have been together many, many years and have travelled and worked abroad together, until one night he dumps her in a crowded restaurant, saying that their relationship didn’t work for him any more. Francesca repeatedly begs him to reconsider - she is very much in love and can’t afford to pay the rent for their flat on her own earnings.
Cassie Donovan is the new girl, twenty-six-years-old and runs a small, used book-store called Bookland, that she inherited from her grandparents Grandma Bea & Grandpa Marv, when she was twenty-two. Her best friend, Zoe Malloy is also her business partner and they were room-mates at college. Cassie offered her a share in Bookland for some help with running Bookland. Cassie is the accountant and Zoe, who has a degree in Communication, manages the sales. Bookland is in a bit of financial trouble and the girls haven’t yet managed to drag it out of the financial hole it was in when Cassie took over. Zoe is gorgeous with bobbed jet black hair, red lipstick and black nails and glowing personality. She’s chatty, everyone’s friend, and kind to the homeless.
Cassie’s not interested in dating, she’s too busy trying to keep Bookland afloat. And all of her most recent dating endeavours have been bitterly disappointing.
Joel is in his mid-thirties and is very much a “Hot Doctor.” He has vivid blue eyes, a lovely smile, an attractive laugh, and lovely biceps. Joel and Cassie first meet in Bookland and Joel is so sexy that Cassie starts to waver about not dating. He is as attracted to Cassie as she is to him.
I loved that Joel is a bit of a romantic and that there is a connection between the two of them straight-away. One of the best bits of the book is following how their romance develops, however, everyone has a past and some people are keeping secrets and hiding their emotions …
I really liked Freida McFadden’s character development and her straightforward writing style. She managed to create exactly the right amount of suspense to keep the story interesting so that I felt that I needed to read just one more chapter.
Freida McFadden writes with great flair, which helped to make this novel as wonderful as it is. This book will be extremely enjoyable for anyone who loves a good psychological thriller. Overall, THE EX is a highly recommended, incredibly entertaining story with a surprising and fulfilling ending.
{Thank you to Hidden Gems and Freida McFadden for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Twenty-one-year-old Natalie gratefully escaped her small-town life in Washington state, including an obsessive ex-boyfriend who broke into her house when she told him she was leaving for art school in New York City. But now the glamorous life she dreamed of is anything but: even with a partial scholarship, she's struggling to pay her tuition and rent. So when her friend tells her of a possible solution--go online and find an older sugar daddy: a wealthy man who pays her for dates--Natalie is intrigued. She figures it is a temporary solution until she gets back on her feet. But then she meets Gabe Turnmill, a handsome lawyer, more than thirty years older her senior. Soon she's madly in love with Gabe, who gives her a monthly allowance and helps her find her own apartment. But Gabe has his own family and life, and when he ends things with Natalie, she's devastated, unable to let things go. She begins stalking Gabe and his family. Gabe is a powerful man, however, and he's not going to let his sugar baby ruin his life.
Wow, this book was utterly captivating! I totally loved HER PRETTY FACE, and I felt the same about this one! This novel starts out with Natalie calling her long-estranged father, who abandoned her family when she was ten. "I killed someone," she says. From there, we flash back four months, learning more about Natalie's life as an art student and how she winds up as a sugar baby. It's utterly fascinating--learning about this life and how Natalie becomes tied up in it. She's convinced she will only go on a couple of dates, but her life becomes a series of unfortunate incidents. Then she falls for Gabe.
"But this was not a real relationship. Gabe was paying her. Now, Nat was afraid of falling for a man she could never really have."
The characters in this book are spot-on. Talk about creepy, obsessive, and utter trainwrecks. These two are so messed up. And I loved them! I could not put this book down! I picked it up on Sunday afternoon and had to finish it Sunday night before I went to bed. I simply could not look away from Natalie and Gabe and their absolutely bizarre relationship.
"Gabe liked situations he could control, people he could manage."
This book is a crazy mix of thriller, mystery, and romantic suspense. It's really interesting to think that these sugar baby/daddy relationships actually exist (hopefully without some of the other insanity that occurs in this book). Harding does such a wonderful job with her main characters and their utterly twisted minds. The point of view switches between the two, and we hear from some of the supporting cast, too. It helps up the drama and suspense, for sure. New York City is a great backdrop for all that goes down. I sort of had an inkling how it would all play out near the end, but I definitely couldn't put the book down.
Overall, totally loved this one. Definitely one of my favorite thrillers this year--just a really fun, captivating book with a different storyline and awesome, crazy characters. 4.5 stars.
Rebecca is an adaptation of Daphne Du Maurier’s 1938 novel of the same name, following a young woman’s whirlwind romance and her battle to rid her new marriage and home of the shadow of her husband’s first wife.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
