"I grew up in London, but I spent my teens in the countryside, and I’d come to London on the weekends. It was the early stages of the band where we were meeting new people, getting drunk and stoned - all of those really formative experiences of exploring the decadent debauchery that London has to offer. Then at the end of the weekend I’d have to hop on a train and go back to the sanity of school life. “Whenever I hear this song it evokes that feeling, the sense of the early days of the band and discovering my gang. Your early twenties are about finding your tribe, which is what I did during that time by travelling to London and having those formative experiences with them. “Last Train to London” evokes that sense of finding where you belong, and it happens to contextually fit in with my experience at the time. “It’s a stark contrast to the previously mentioned songs, which are a little darker and heavier. It’s a feel-good tune to me, although it’s a song which has a kind of sad, bittersweet mood in the lyrics, like “I really want tonight to last forever / I really want to be with you.” I felt that bittersweet feeling at the time. “It’s also just a great disco banger! It’s mixed so loud and so relentlessly; and sonically it’s an incredible song. I’m uplifted whenever I hear it, it makes me feel elated. I always drop it when I DJ, it bulldozes the songs on either side of it when I play it."

"Baxter Dury was a big inspiration for me and Laurie. Back in the day when we were first touring we’d do loads of shows and I remember that on pretty much every journey we’d have the album Happy Soup on, not talking to each other, we’d just have that on full blast. ‘Claire’ was the one that struck a chord with me, I love the honesty and sincerity of it and the softness in his voice. The instrumentation is everything that I love about a tune, it’s quite melancholic and nice and sad. “I love Baxter Dury. I love Ian Dury as well, but I think they’re in completely different ballparks, they get compared quite a lot but I don’t think they should. I actually discovered Baxter Dury through my Mum, I feel like I’m dropping my parents into this whole thing! My Mum’s very much into new and current music, she’s got her finger on the pulse and she’s always introducing me to new stuff. When this came out she was the first person who showed it to me. She said ‘This is Ian Dury’s son’ and I was ‘Woah, this is fucking sick.’ “Weirdly, Baxter was doing something on 6 Music and he played one of our tunes. He ended up talking to Laurie about the tune, a song of ours called ‘Where's Your Car Debbie?’ and I think he wanted to know more about it. Much to our excitement, we got in contact with him and ended up doing a tune with him and becoming friends with him, it was wicked."

"I love the orchestration, I love the sentiment, [Thom Yorke] is going through a peaceful patch on that record. He sounds like for the first time he is crooning to you a little bit, like he is a little more comfortable. He is still dealing with huge social issues in his lyrics and very deeply personal experiences as well. On 'Morning Bell' he sings: ""Where'd you park the car?"" That's the conversation your parents have when they are newly split up. They still have to share a vehicle, that is a conversation that they have to have. If you're a child of the '80s, nowadays everybody's got their own car, but that was the only communication my parents had after about six months. And when I heard it singing out in the middle of his lyrics, I just knew for sure that's what he was talking about. So, beautiful, overarching. Sometimes Thom's lyrics are like being berated. It's like being shouted at, and then at other times, he seems to pull a rainbow out of the sludge out of nowhere. That record, it could have been any of them, but that's the one I consider mine, in the same way I feel a sense of ownership of those Talk Talk records. That's the Radiohead album that's given me the most joy. It can take you back to a sad time in your life, and I think that's what good music does as well. You know it brings you forward to the present, but also reminds you of your emotional connection to something in the past. And I think if an album can do that, it's worked, basically."

"What a beautiful guy. He was so sweet. I mean, every song he’s done is my favourite. You can’t go wrong with them. Some of the songs aren’t as good as others but most of the ones he wrote with Joe Melson and Bill Dees are great. I’ve just recorded ‘Running Scared’ for my new album, Longwave, and he once told me that ‘Running Scared’ was his personal favourite of all the songs he’d ever done. I actually got to work with Roy and be his pal and be his producer and his co-writer on a song called ‘You Got It’ which was a big hit in America and here too. So that was a big thrill for him to have a hit. And it was his first hit in 20 years and we’d done it together and that was a great, marvellous feeling. In real life, he was actually a very funny guy. And he could do all Monty Python sketches on his own! He did all the parts! When we were doing Wilburys videos, we’d be going in a van to Grand Union Station in LA to film ‘Handle With Care’ and he’d be doing Monty Python sketches. And he’s got this enormous and most infectious giggle you’ve ever heard and we’d all be giggling like schoolgirls after a minute or two and all fucking fall about! He was a lovely guy and if he was sad he never showed it. When Roy died we did talk about getting someone else in but we thought that nobody could replace Roy Orbison."