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The Spotlight Kid/Clear Spot by Captain Beefheart
The Spotlight Kid/Clear Spot by Captain Beefheart
1990 | Blues, Psychedelic, Rock
7.0 (1 Ratings)
Album Favorite

"Beefheart was a bit of a dangerous guy. I did know Don Van Vliet quite well during 1972/73 and he was not a very nice man. He was pretty cruel to his musicians, which was pretty hard for them to take because they didn’t have a great opinion of him as a human being, nor as a musician. Don had no musical talent whatsoever, he simply employed other people to translate his maniacal ravings, musically speaking, into something that had a bit of order and discipline. Lyrically, however, Don did have a great talent and was a vivid painter – literally of course as a pictorial artist in that kind of abstract expressionist style. But he also employed that abstract expressionism in his lyric writing, and that makes him special and very worthwhile in spite of the fact he didn’t leave behind him a group of happy or respectful musicians. It’s rather sad that he was a bully. So he and Frank Zappa are my two big American, not influences, but revered examples of musical greatness. In Beefheart’s case it was a musically naïve greatness. Spotlight Kid and Clear Spot were the two albums around 1972, when Captain Beefheart and his band supported Jethro Tull when we were doing Thick As A Brick in America. Don called me himself, as Warner Brothers had told him what hotel I was staying in, and he kind of invited himself on tour. I tried to talk him out of it saying, “Don, this is not the passport to success you might think it is,” as audiences can be very cruel to support bands. But he was very insistent and Warner Brothers were desperate for some kind of outlet for Beefheart’s work and pushed for him to come on tour with us, so somewhat reluctantly I agreed. The audience did hate him and he got a rough ride every night. It was not successful for him in any way whatsoever. It was a misguided but interesting liaison."

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AmeriKKKa's Most Wanted by Ice Cube
AmeriKKKa's Most Wanted by Ice Cube
1990 | Hip-hop, Rhythm And Blues
6.0 (6 Ratings)
Album Favorite

"It's probably my third favourite rap album of all time. Again, I think it's a really overlooked record: I think it's so good because he was produced by The Bomb Squad. I remember being shocked by that at the time; for some reason I didn't think that Ice Cube and Public Enemy got on, so I was quite surprised that The Bomb Squad had produced it. But you could just tell that their production values were there straight away, and it would open up into some kind of expression, and then it would close back down, and you could hear all these things going on in the background. This was when Ice Cube was still kind of known as just being a rapper, and for me this was his peak. There are songs on there like 'The Nigga Ya Love To Hate' which is just amazing; the title track; and I think one of my favourite songs on there is 'Once Upon A Time In The Projects' which is just fucking brilliant. That was always the thing about Public Enemy: they always ruled because they had the best rapper in the world; Chuck D was the best rapper and everything bounced off that, and that's why this album is great - Ice Cube, here, is most connected and it feels so important that he gets his point across. He's not disconnected, he's not being arrogant, it's just pure aggression. I never see this listed as one of the best rap albums of all time, but for me it's just a brilliant record. It's up there with some of the Kool Keith stuff, it's up there with Public Enemy, it's up there with NWA. It's just brilliant. And it's really sad that he didn't go onto do more work with the Bomb Squad, because it was obviously a marriage made in the projects and it was fucking amazing. It's another lost classic that just doesn't get mentioned anymore."

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Villains (2019)
Villains (2019)
2019 | Comedy, Drama, Horror
This one struck a chord with me, and hit all the right notes along the way.

Villains is a witty, often funny, often dark thriller, with a sprinkling of horror for good measure. It's beautifully shot from start to finish and has fantastic performances all round from its small cast. Bill Skarsgård and Maika Monroe are extremely likeable "protagonists", as two amateur crooks on the run after robbing a gas station hoping to gather enough cash to start a new life together. The chemistry between the two of them is wonderful. When they run out of fuel during their getaway, they break into a nearby house in an attempt to either siphon some gas, or straight up steal a car but are quickly embroiled in a life or death situation when the homeowners return, two people who aren't quite as they seem. Jeffrey Donovan and Kyra Sedgwick are just as great as the two homeowners, both playing up their parts with villanous glee. Donovan's character may just be one of the most likable "bad guys" in recent history.

What follows is an incredibly entertaining and suspenseful film, with a few shocks and the odd splash of violence. The screenplay is brilliant, the pacing is perfect, and the music score is beautiful.
Underneath all of the craziness though, is a story I found to be incredibly sad. None of these people are perfect, some worse than others, but even the worst of the bunch aren't completely awful. These characters are well fleshed out, and are easy to sympathise with. This ensures some well earned emotional moments that really land and the cast are just fantastic sharing the screen together.

I wasn't quite sure what to expect from Villains but it really got me. I can safely say it's one of my favourites of 2019, which is something considering how many excellent movies there were that year.
  
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Kristy H (1252 KP) rated Beach Read in Books

Jan 7, 2021  
Beach Read
Beach Read
9
8.5 (2 Ratings)
Book Rating
Heartfelt and beautiful romance

Author January Andrews is 29, miserable, broke, single, and semi-homeless. She's had her entire life view shattered. Now she's arriving at her late father's secret lakeside home. The one he just happened to share, secretly, with a second woman that wasn't her mother. There she finds herself living next door to her college rival--now a successful author--Augustus Everett. But soon the two discover they're both struggling with writer's block and strike a deal: Augustus will write something cheery and happy (January's style) and she'll attempt something serious (his style). To assist in this endeavor, they'll take each other on field trips: for instance, she'll bring him to theaters showing old romantic comedies, and he'll take her to interview cult members. And, under no circumstances, will they fall in love.

"Here’s the thing about writing Happily Ever Afters: it helps if you believe in them. Here’s the thing about me: I did until the day of my father’s funeral."

I adored this romance, which isn't a fun and easy love story, but instead a tale of two broken people trying to find their way again in the world. The book focuses almost solely on January and "Gus," as she knows him from college, and oh these characters are just so amazing, popping from the pages as you get to know them. There are great wonderful side characters as well, particularly Gus' aunt.

The banter in this book is unbelievable, as January and Gus first continue their college rivalry and then slowly get to know each other. In fact, I challenge you to find another romance with such wonderful gradual sexy chemistry. And January is simply hilarious and wonderful and inspiring despite the fact that's grieving--not just the loss of her father, but the loss of the idea of him, the person she'd known and idealized.

Overall, this is just an amazing book. Sad yet humorous and sexy and romantic. I can't recommend it enough. 4.5+ stars.
  
More Than Words
More Than Words
Jill Santopolo | 2019 | Fiction & Poetry
7
7.0 (1 Ratings)
Book Rating
This is the thirteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!

Nina Gregory has always been a loyal daughter. After her mother's death, she was raised by her father, the owner of the Gregory Hotels, a renowned chain in New York City. She knows she will take over the family business someday. And her father has always taught her that family (and reputation) come before everything. But when Nina's father dies, she finds herself adrift. Not even her boyfriend, Tim, whom she's been raised with since childhood (his parents work with her father) can provide comfort. When Nina finds out something about her father that causes her to question everything, she finds herself turning to her boss, mayoral candidate Rafael. Nina's always been cautious and proper. But now, she's not so sure what to believe.

"Not only was she going to lose her father, she was going to lose the life she'd imagined for herself. The future she'd expected would be hers."

This was a good read about love, loss, and politics. I think parts of it might have annoyed me more, but I read it at a good time. Nina honestly came across as self-centered at moments, but she was certainly going through a lot, trying to find herself in the wake of her father's death. With her family legacy, she was under a lot of pressure. The book did a good job of capturing grief and loss. I also really liked Rafael--he was a character I could root for. The story seemed to meander a little and could be heartbreaking, but it was a book centered around death, after all.

Overall, I enjoyed this one. It's sad, but hopeful too. A good read if you go in with the right mindset. 3.5 stars.
  
Love, Hate, and Other Filters
Love, Hate, and Other Filters
Samira Ahmed | 2017 | Romance, Young Adult (YA)
9
8.3 (8 Ratings)
Book Rating
A lovely teen read that delves into deep topics
This is the twelfth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!

Maya Aziz feels like she lives two lives. In one, she's the dutiful daughter to her Indian Muslim parents: attending college near home, marrying a suitable Muslim boy, and becoming a lawyer. In the other, she goes to school in New York City to become a filmmaker and falls in love with whomever she wants--maybe even Phil, the boy she's loved forever. And in Maya's real world, horrible things happen, often hate crime motivated, that can turn her world upside down.

This is such a beautiful book, and I completely fell in love with Maya and her voice. As the child of the only Indian Muslim family in her small suburban Chicago town, she's always felt different. She dreams of making films, not conforming the way her parents desire. But she also wants to please them. And she's scared, as she deals with all the terrible bigotry and Islamophobia that her family faces.

Ahmed writes so lyrically, weaving her story about Maya finding her way in the world, while still painting a stark and timely picture of racism. It's a bit of a love story, yes, but also one of discovering yourself and finding strength in yourself and the people around you. Maya and Phil's relationship is sweet, and it's so easy to root for her on all levels.

I found this to be a profound read. In many ways, it's simply about a teenager trying to stand up for herself, but it also speaks deeply about Islamophobia. It's often sad, but it's quite hopeful too. I found myself tearing up a bit while reading. Definitely worth a read. 4.5 stars.
  
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Kirk Bage (1775 KP) rated I Am a Killer in TV

Apr 8, 2021  
I Am a Killer
I Am a Killer
2018 | Crime, Documentary
7
7.5 (2 Ratings)
TV Show Rating
Although the first season of this series is from August 2018, I came to it most recently when season 2 was advertised and released just 3 weeks ago. It is an interesting concept that sometimes works well and sometimes doesn’t. Basically, it is a talking heads documentary where inmates on death row get an opportunity to restate their standpoint of their case and what led them to a death sentence. Quite often that standpoint is either maintaining innocence completely or partially, or admitting full culpability with some caveat based on mitigating circumstances they feel were never fully explored. It covers such a varied range of personalities and detail that the main point of interest for me was how little each death row inmate had in common, except a past of deprivation and a series of smaller crimes that led to the big one – either committed by them or upon them as the victim.

Stories of drug abuse, sexual and physical abuse from parents, role models and influencing figures seems so common that almost all of the 20 inmates interviewed so far can pin some of the blame on their childhood in some way. But our sympathy also ranges from zero to quite a lot as each tale is told, depending on the personality we are now seeing. In many cases there is no contrition, only more blame or excuses and self pity. In some cases there is a lot of regret and sorrow. And in one or two cases, a definite sense of a massive injustice. In the main however, it is all just so sad – how easily lives were taken or ruined by a moment of impulsive behaviour. There is a lot to find of use in studying the criminal mind in this show, but on the whole I found it very depressing and hard going. Maybe one at a time and not a binge on this one!
  
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ClareR (6059 KP) rated Space Hopper in Books

Feb 9, 2021  
Space Hopper
Space Hopper
Helen Fisher | 2021 | Contemporary, Fiction & Poetry, Science Fiction/Fantasy
8
8.0 (1 Ratings)
Book Rating
Space Hopper is a wonderful story about the love of mothers and daughters, loss, reconnection and time travel. Quite a mix there, and that’s exactly what drew me to this book.
Who, in Faye’s position, wouldn’t take the opportunity to visit someone they had loved and lost? What makes it all the more intriguing is the fact that this person is Faye’s mother. Although Faye is happily married with two young children, she feels a gap in her life - and the person she wants to fill that gap is her mother. But she died when Faye was 8 years old. When she accidentally steps inside the Space Hopper box that she has kept since childhood, that strength of feeling transports her back to the 1970’s and her childhood home.
This isn’t a book that you can rationalise, so it’s best not to, after all, it’s the strength of Faye’s feelings, I think, that take her back in time. It’s a very sad book at times, and if I was faced with Faye’s decision - to stay with my family or to see my mum after not seeing her for 30 years - I would be hard pressed to make the right choice. After all, what IS the right choice?
It does seem a little selfish of Faye to choose to go somewhere where she might not be able to return from, but there’s no doubting Faye’s love for her husband and children. But to be able to speak to her mum as an adult after so long - you can imagine how compelling that must have been for Faye.
I really enjoyed this, and I have so many thoughts about it that I could go on and on about it! It would make such a good book club book - there’s so much to discuss.
The writing is quite beautiful, and I cried at the end - I think that says it all, really.
Many thanks to The Pigeonhole for serialising this thought-provoking book.