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Sophia (Bookwyrming Thoughts) (530 KP) rated Beautiful Creatures (Caster Chronicles, #1) in Books
Jan 23, 2020
Like most books I read, Beautiful Creatures was just randomly picked up and looked interesting, so I read it. Plus, I needed some books to occupy me and it was somehow on my to-read list already. I just didn't get the chance to read it over the summer. Call that lucky to be in the library at the time.
I will probably admit, that although I read the entire series, I didn't really like the first 2 books in the series. Except for the ending and the summaries. Which was why I continued reading the series. :) Or maybe there was just something special about Ethan, Lena, Riley, Link, etc that I just can't place a tab on? Or was there a little cliffhanger (which I totally love) that just urged me to read on and give the series another try?
I will also admit that I liked Beautiful Chaos overall. The character haven't changed... although they have. In a way. Ethan is still plain Wayward, just like from Day One. Besides getting "chased around" by his other self, of course. Lena is back to herself again, although she is now a light and dark caster due to the Seventeenth Moon. I didn't really enjoy Lena's distance and major meltdown from Beautiful Darkness, so it's nice to know that we get her back again.
Link has changed majorly in a way, at least in physical and how do you say this? erm, he's developed "Vampire-like" senses after being bit by John Breed from Beautiful Darkness, so he's now one-quarters Incubus. He's still on and off with Once Upon A Siren, Riley, but she's still same old, same old Riley. In Mortal form, yet continues about life Siren Style with no powers.
Overall, Beautiful Chaos is my favorite book out of the series so far. It's more action-packed than the books before it, even if it has quite the sad ending. I will most likely read the fourth and final book in the series, Beautiful Redemption (released already) because I just have to know what happens next to Ethan, Lena and the other characters.
Speaking of which, and I know I'm a bit off-topic, but who's excited for the Beautiful Creatures movie? I know am! The trailer looked awesome...
<a href="https://bookwyrmingthoughts.com/review-beautiful-chaos-by-kami-garcia-and-margaret-stohl/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I will probably admit, that although I read the entire series, I didn't really like the first 2 books in the series. Except for the ending and the summaries. Which was why I continued reading the series. :) Or maybe there was just something special about Ethan, Lena, Riley, Link, etc that I just can't place a tab on? Or was there a little cliffhanger (which I totally love) that just urged me to read on and give the series another try?
I will also admit that I liked Beautiful Chaos overall. The character haven't changed... although they have. In a way. Ethan is still plain Wayward, just like from Day One. Besides getting "chased around" by his other self, of course. Lena is back to herself again, although she is now a light and dark caster due to the Seventeenth Moon. I didn't really enjoy Lena's distance and major meltdown from Beautiful Darkness, so it's nice to know that we get her back again.
Link has changed majorly in a way, at least in physical and how do you say this? erm, he's developed "Vampire-like" senses after being bit by John Breed from Beautiful Darkness, so he's now one-quarters Incubus. He's still on and off with Once Upon A Siren, Riley, but she's still same old, same old Riley. In Mortal form, yet continues about life Siren Style with no powers.
Overall, Beautiful Chaos is my favorite book out of the series so far. It's more action-packed than the books before it, even if it has quite the sad ending. I will most likely read the fourth and final book in the series, Beautiful Redemption (released already) because I just have to know what happens next to Ethan, Lena and the other characters.
Speaking of which, and I know I'm a bit off-topic, but who's excited for the Beautiful Creatures movie? I know am! The trailer looked awesome...
<a href="https://bookwyrmingthoughts.com/review-beautiful-chaos-by-kami-garcia-and-margaret-stohl/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Ivana A. | Diary of Difference (1171 KP) rated The Man In The Mirror: A Billionaire Romance in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
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<b><i>Have you ever wanted a steamy Beauty and the Beast retelling? You might not get the Disney fantasy, but you will get the true love part. Or will you?</i></b>
Charlotte is a nanny and she goes in a rich family to take care of a little boy. His mother is demanding and his father stays in his room at all times.
Mr. King survived a fire accident and half of his face is covered with a golden mask, to hide the sad memories. He almost never goes out and his son is scared of him. Also,he only visits him at night.
He always talks to his son’s nannies through the intercom, to ask about his day. But with this nanny, it feels different. He can’t wait to hear her voice.
Compared to ‘’Nanny and the Beast’’, The Man in the Mirror is not as steamy, and the love relationship feels a bit more realistic. However, the story is still under developed for my tastes.
The nannies in Georgia’s books are represented in a bit of an unrealistic way. As a nanny, I think you will always influence the child you spend time with. Bear in mind, you spend all day, every day with them. But there are rules and boundaries set by the parents, and you do not cross those. The author somehow forgot about this part, it seems.
The Man in the Mirror opens up plenty of topics for discussion and in the end, it is a quick and enjoyable read. Georgia’s books are the ones that you pick up, wanting to have a quick read moment and relax.
If this book sounds intriguing, go and grab your copy, and let me know in the comments whether you enjoyed it.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2019/05/Book-Review-Banner-1.png"/>;
<b><i>Have you ever wanted a steamy Beauty and the Beast retelling? You might not get the Disney fantasy, but you will get the true love part. Or will you?</i></b>
Charlotte is a nanny and she goes in a rich family to take care of a little boy. His mother is demanding and his father stays in his room at all times.
Mr. King survived a fire accident and half of his face is covered with a golden mask, to hide the sad memories. He almost never goes out and his son is scared of him. Also,he only visits him at night.
He always talks to his son’s nannies through the intercom, to ask about his day. But with this nanny, it feels different. He can’t wait to hear her voice.
Compared to ‘’Nanny and the Beast’’, The Man in the Mirror is not as steamy, and the love relationship feels a bit more realistic. However, the story is still under developed for my tastes.
The nannies in Georgia’s books are represented in a bit of an unrealistic way. As a nanny, I think you will always influence the child you spend time with. Bear in mind, you spend all day, every day with them. But there are rules and boundaries set by the parents, and you do not cross those. The author somehow forgot about this part, it seems.
The Man in the Mirror opens up plenty of topics for discussion and in the end, it is a quick and enjoyable read. Georgia’s books are the ones that you pick up, wanting to have a quick read moment and relax.
If this book sounds intriguing, go and grab your copy, and let me know in the comments whether you enjoyed it.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Kirk Bage (1775 KP) rated Black Mirror - Season 5 in TV
Mar 3, 2020 (Updated Mar 3, 2020)
Contains spoilers, click to show
Striking Vipers - 5.5
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Kristy H (1252 KP) rated American Dirt in Books
Apr 9, 2020
So I put this book on hold at the library before it exploded into controversy and then it was the last book I was allowed to check out before our library closed down due to the pandemic. I can't tell if it was a great book to read in a pandemic (people with lives even worse on a daily basis) or if it just made my anxiety even worse! At this point, I'm just going to give a short review and try not to dip into the whole uproar over the book, but I do encourage you to read up on it and to read some #ownvoices authors, as well.
Lydia Perez lives in Acapulco with her husband, a journalist, and their eight-year-old son, Luca. She runs a bookstore, and one day someone comes in and buys several books that Lydia stocks solely because they are her favorites, not because she expects them to sell. They strike up a friendship and Javier returns frequently to her bookstore. It's only later that Lydia realizes that he is the leader of the newest, powerful drug cartel in town--the one that is ruining Acapulco. And the same jefe about whom her husband is writing an explosive journalistic profile. Once it's published, Lydia and Luca must flee Acapulco, becoming migrants overnight. They are heading to the United States, the one place Javier can't hurt them. But can they survive the dangerous journey?
This is an eye-opening and sad book. It's certainly heart-rendering and gives you such empathy for what Lydia and Luca must go through. For me, it was Luca who made this book. He is an endearing and indomitable character, and I loved him dearly. Cummins is a strong writer, and her characters certainly do come to life. I did find the story a little slow; it took it a while to really get going. It was also incredibly stressful--no surprise there--so I was on edge the entire time I was reading. However, I found myself rooting for Lydia and Luca as if they were true, actual people and for that, I applaud Cummins, no matter her motivations for writing this book. There's also so much about this story that broke my heart and it made me even further aware of so many deplorable things. The world is a terrible and scary place.
Lydia Perez lives in Acapulco with her husband, a journalist, and their eight-year-old son, Luca. She runs a bookstore, and one day someone comes in and buys several books that Lydia stocks solely because they are her favorites, not because she expects them to sell. They strike up a friendship and Javier returns frequently to her bookstore. It's only later that Lydia realizes that he is the leader of the newest, powerful drug cartel in town--the one that is ruining Acapulco. And the same jefe about whom her husband is writing an explosive journalistic profile. Once it's published, Lydia and Luca must flee Acapulco, becoming migrants overnight. They are heading to the United States, the one place Javier can't hurt them. But can they survive the dangerous journey?
This is an eye-opening and sad book. It's certainly heart-rendering and gives you such empathy for what Lydia and Luca must go through. For me, it was Luca who made this book. He is an endearing and indomitable character, and I loved him dearly. Cummins is a strong writer, and her characters certainly do come to life. I did find the story a little slow; it took it a while to really get going. It was also incredibly stressful--no surprise there--so I was on edge the entire time I was reading. However, I found myself rooting for Lydia and Luca as if they were true, actual people and for that, I applaud Cummins, no matter her motivations for writing this book. There's also so much about this story that broke my heart and it made me even further aware of so many deplorable things. The world is a terrible and scary place.
Gareth von Kallenbach (980 KP) rated The Intern (2015) in Movies
Aug 6, 2019
Ben is a widower who has tried to fill his time with routine and travel since his wife passed, but he is stuck in a rut. He feels unnecessary and lonely. On his way out of a grocery store Ben spies a flier for “Senior Interns”. He discovers that they actually mean Senior Citizens and not high school seniors, and he creates a video application outlining his qualifications and telling about himself.
Jules runs her company, which she started out of her home, with an attention to detail that insists on perfection, all the while it’s strangling her home life.
She neither remembers she agreed to, nor wants to utilize, an intern of any sort, let alone an out-to-pasture one as Ben appears to be.
With quiet persistence, a good dose of humor, and genuine caring, expertise and talent, Ben goes about proving to Jules just how much she needs his brand of help and how much value he can add to her operation.
I really enjoyed this film. For me, it had just the right amount of funny and sad and even a bit of action (entrenched in a totally impossible situation, and obviously for pure comic relief sake) that made it completely enjoyable to watch.
It is rated PG-13, but I think that even a youngster in the 10 or 11 year old range, provided they were mature enough to deal with the idea of infidelity inside a marriage, would be ok to see it too. The rating was given in part due to “brief strong language” but to be honest I can’t recall any very strong language, which honestly in this day & age is a refreshing change.
I love DeNiro in almost anything I see him in, and this was no exception. I have never had strong feelings either way regarding Anne Hathaway, but I liked her in this, paired against DeNiro. The rest of the cast did their job well, but for me sort of faded into the background against the 2 main characters.
I would give this film 4 out of 5 stars, and the 4 stars is only because it wasn’t a movie I came away with a feeling of “oh my gosh that was AMAZING”, and more that I came away thinking “that was really good, I really enjoyed it and I’m glad that I got to see it.”
Jules runs her company, which she started out of her home, with an attention to detail that insists on perfection, all the while it’s strangling her home life.
She neither remembers she agreed to, nor wants to utilize, an intern of any sort, let alone an out-to-pasture one as Ben appears to be.
With quiet persistence, a good dose of humor, and genuine caring, expertise and talent, Ben goes about proving to Jules just how much she needs his brand of help and how much value he can add to her operation.
I really enjoyed this film. For me, it had just the right amount of funny and sad and even a bit of action (entrenched in a totally impossible situation, and obviously for pure comic relief sake) that made it completely enjoyable to watch.
It is rated PG-13, but I think that even a youngster in the 10 or 11 year old range, provided they were mature enough to deal with the idea of infidelity inside a marriage, would be ok to see it too. The rating was given in part due to “brief strong language” but to be honest I can’t recall any very strong language, which honestly in this day & age is a refreshing change.
I love DeNiro in almost anything I see him in, and this was no exception. I have never had strong feelings either way regarding Anne Hathaway, but I liked her in this, paired against DeNiro. The rest of the cast did their job well, but for me sort of faded into the background against the 2 main characters.
I would give this film 4 out of 5 stars, and the 4 stars is only because it wasn’t a movie I came away with a feeling of “oh my gosh that was AMAZING”, and more that I came away thinking “that was really good, I really enjoyed it and I’m glad that I got to see it.”
Gareth von Kallenbach (980 KP) rated War Horse (2011) in Movies
Aug 7, 2019
“War Horse” is one of Steven Spielberg’s newest silver screen stories. His flair and panache are present, as ever. This gorgeous film pulls on the heart strings, and plays on several different emotional chords.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
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