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Whatchareadin (174 KP) rated If I Stay (If I Stay, #1) in Books
May 10, 2018
Mia is a typical 17 year old girl. She has a great family, plays the cello, has good friends and an incredible boyfriend. On a very non-typical day in her home of Oregon, a dusting of snow keeps the whole family home from work and school. Her family decides to take a drive and visit some family and friends. Unfortunately, on this journey, tragedy strikes. Mia's family is involved in a car accident. As Mia's life hangs in the balance, she reflects on all that has happened in her short time on earth and what would or could happen if she decided to stay.
I thought this was going to be a tear-jerker, but it wasn't so much. The events that took place are sad for sure, but I didn't find myself crying like I thought I would. Imagine if everyone in your immediate family is killed in a car accident and you are the only survivor. What do you do? You watch your whole family laying in pools of blood and then you watch yourself being operated on and see the looks in the eyes of your friends and family as they try to make sense of it all as well. In the book, the movie Ghost is referenced, and this book does remind me a bit of that movie. Patrick Swayze is dead though, and Mia is just trying to figure out if she should stay with the living, or go and be with her parents and her brother. It's a hard decision to make and I'm not sure if it is one that I could make. For me or for any other member of my family. How can you make the decision to let someone live or die? How do you make that decision yourself? Are we really able to make that decision?
My favorite part of this book, is looking back into Mia's life. Getting an understanding of who she is and who her family was. I love the fact that her family was so close and most of her life treated her like a little adult instead of a child. They were encouraging and always there for her. Her boyfriend and her best friend were the same way. They may not have always agreed on everything, but they were always understanding and willing to give a listening ear. I'm not sure if the series follows Mia along the rest of her journey, but I would like to know what her decision was.
I thought this was going to be a tear-jerker, but it wasn't so much. The events that took place are sad for sure, but I didn't find myself crying like I thought I would. Imagine if everyone in your immediate family is killed in a car accident and you are the only survivor. What do you do? You watch your whole family laying in pools of blood and then you watch yourself being operated on and see the looks in the eyes of your friends and family as they try to make sense of it all as well. In the book, the movie Ghost is referenced, and this book does remind me a bit of that movie. Patrick Swayze is dead though, and Mia is just trying to figure out if she should stay with the living, or go and be with her parents and her brother. It's a hard decision to make and I'm not sure if it is one that I could make. For me or for any other member of my family. How can you make the decision to let someone live or die? How do you make that decision yourself? Are we really able to make that decision?
My favorite part of this book, is looking back into Mia's life. Getting an understanding of who she is and who her family was. I love the fact that her family was so close and most of her life treated her like a little adult instead of a child. They were encouraging and always there for her. Her boyfriend and her best friend were the same way. They may not have always agreed on everything, but they were always understanding and willing to give a listening ear. I'm not sure if the series follows Mia along the rest of her journey, but I would like to know what her decision was.
Rachel King (13 KP) rated Pale Demon (The Hollows, #9) in Books
Feb 11, 2019
One of the things I have grown to love about Rachel Morgan through all of these nine books is her constant positive and hopeful perspective with others, despite how contrary their behavior. Though her friends and partners are telling her in so many ways that the rulers of her kind, the witches' council, will never let her make it to the coast and are more interested in killing her than anything else, she won't believe it until she sees for herself. And then there is her odds-defying ability to always find a way to survive against all attacks - she truly has become one of a kind, as is revealed in several ways in this book, with her match-up against the just-released demon creation that is her genetic match, as well as the sad speech that Ivy gives her about how Rachel is leaving her and Jenks behind with the way she can create change across all species.
And if that is not enough to keep her busy, Rachel's love life only becomes more complicated, since Pierce has professed his love for her in the previous book, and Rachel feels a certain obligation to him. Of course, Al continues to pursue Rachel despite her refusals, and one violent-turned-steamy moment showed the kind of lust-filled potential that exists between them. Towards the end of the book, Rachel also makes a rather interesting observation about demons in general that could put Al in the potential category for future books. If two men is not enough to keep her busy, a very obvious growing attraction between her and Trent seems to show the most promise, and is ironically the one I found myself most rooting for, especially with some of the scenes in the book.
Trent's part in the book is an elf quest of sorts that he is particularly silent about, but gets him in all kinds of trouble and just creates more work for Rachel and crew. Of course, the outcome of this quest makes Trent more likable in the end, but he has to do much to prove himself to Rachel. The newest element to the series in this book was the use of wild magic by the elves, which has an untamed, old world quality that Rachel dislikes immensely. Trent wields it well, though often secretly and against Rachel's wishes.
In the end, the revelations that Rachel undergoes regarding herself and the people around her mark a major turning point for her and the series. I only wish I knew when the next book was due for release!
And if that is not enough to keep her busy, Rachel's love life only becomes more complicated, since Pierce has professed his love for her in the previous book, and Rachel feels a certain obligation to him. Of course, Al continues to pursue Rachel despite her refusals, and one violent-turned-steamy moment showed the kind of lust-filled potential that exists between them. Towards the end of the book, Rachel also makes a rather interesting observation about demons in general that could put Al in the potential category for future books. If two men is not enough to keep her busy, a very obvious growing attraction between her and Trent seems to show the most promise, and is ironically the one I found myself most rooting for, especially with some of the scenes in the book.
Trent's part in the book is an elf quest of sorts that he is particularly silent about, but gets him in all kinds of trouble and just creates more work for Rachel and crew. Of course, the outcome of this quest makes Trent more likable in the end, but he has to do much to prove himself to Rachel. The newest element to the series in this book was the use of wild magic by the elves, which has an untamed, old world quality that Rachel dislikes immensely. Trent wields it well, though often secretly and against Rachel's wishes.
In the end, the revelations that Rachel undergoes regarding herself and the people around her mark a major turning point for her and the series. I only wish I knew when the next book was due for release!
Kristy H (1252 KP) rated Saints for All Occasions in Books
Mar 6, 2019
Beautiful story of parenthood, immigration, siblings, religion, and so much more
Nora and Theresa Flynn are only twenty-one and seventeen when they leave their native Ireland and immigrate to the U.S. For her entire life, Nora has been the quintessential older sister, raising Theresa and their younger brother after the death of their mother. Now she's headed to Boston to be married to their former Irish neighbor, Charlie, whom Nora doesn't really even love. Theresa, meanwhile, is outgoing, beautiful, and intelligent. She loves the dances and social atmosphere in Boston, but that all changes when she winds up pregnant. Both Nora and Theresa are forced to make some drastic life decisions that will affect them for the rest of their lives. Fifty years later, in 2009, Nora and Charlie have four children: John, Bridget, Brian, and Patrick. But Theresa and Nora are no longer speaking, and Theresa lives as a cloistered nun in an abbey in Vermont. What happened between the two sisters? And how will a sudden tragedy affect their current, separate lives?
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know
Amanda (96 KP) rated Soul Suites in Books
Mar 14, 2019
I received a physical copy of this book in exchange for an honest review. So thank you to the publisher for giving me the opportunity to read this book!
***There will be a SLIGHT Spoiler***
I wasn't entirely sure about it. The story starts off with the author stating that he is recounting what he has done and feels the story should be told. So at first, you're thinking, wait? Is this a true story?
The more I read about Reaching Dreams and Charles Pearson's disappearance, the more I really started to wonder if this was truly a real story. About halfway through the book, I finally decided to just google the story and the company. Surprise, surprise...yeah, not real.
Basically, Charles Pearson (CEO of Reaching Dreams) goes undercover as a homeless man in one of their districts in the streets of Chicago to see how this company was thriving while others were not. One night, while he was sleeping in his sleeping bag, he was picked up and taken to an unknown location, along with quite a few others that have gone missing.
The establishment is run by Dr. Raymond, whom is such a fickle kind of character. I inflicts torture on these people and actually KILLS them to prove that there is indeed an afterlife, but he misses having a relationship with patients and wants to connect with them. It really rubbed me the wrong way how the guards and other technicians are just OKAY with the procedures because they get paid well and benefits. Money makes the world go round, unfortunately.
Reading through this story, it makes me sad to think about some people who do live on the streets and are just trying to get by. There are some, however, that choose to live on the streets because they are essentially free.
The story was difficult to read, but it wasn't a bad story either. It's told by an unreliable narrator for the most part, which are not my favorite kind of books. I will say, Morse had me going. The story was pretty steady paced. Some chapters were long detail that were a bit drawn out, but it's necessary to understand each individuals backgrounds.
Charles' story is heartbreaking that it was a struggle to read through some of it.
Even though the story is fiction, you can't rule out the possibility that something like this could very well be hidden and we have no idea about it. Something to think about.
It is dark and has some detailed stories on some people and torture.
***There will be a SLIGHT Spoiler***
I wasn't entirely sure about it. The story starts off with the author stating that he is recounting what he has done and feels the story should be told. So at first, you're thinking, wait? Is this a true story?
The more I read about Reaching Dreams and Charles Pearson's disappearance, the more I really started to wonder if this was truly a real story. About halfway through the book, I finally decided to just google the story and the company. Surprise, surprise...yeah, not real.
Basically, Charles Pearson (CEO of Reaching Dreams) goes undercover as a homeless man in one of their districts in the streets of Chicago to see how this company was thriving while others were not. One night, while he was sleeping in his sleeping bag, he was picked up and taken to an unknown location, along with quite a few others that have gone missing.
The establishment is run by Dr. Raymond, whom is such a fickle kind of character. I inflicts torture on these people and actually KILLS them to prove that there is indeed an afterlife, but he misses having a relationship with patients and wants to connect with them. It really rubbed me the wrong way how the guards and other technicians are just OKAY with the procedures because they get paid well and benefits. Money makes the world go round, unfortunately.
Reading through this story, it makes me sad to think about some people who do live on the streets and are just trying to get by. There are some, however, that choose to live on the streets because they are essentially free.
The story was difficult to read, but it wasn't a bad story either. It's told by an unreliable narrator for the most part, which are not my favorite kind of books. I will say, Morse had me going. The story was pretty steady paced. Some chapters were long detail that were a bit drawn out, but it's necessary to understand each individuals backgrounds.
Charles' story is heartbreaking that it was a struggle to read through some of it.
Even though the story is fiction, you can't rule out the possibility that something like this could very well be hidden and we have no idea about it. Something to think about.
It is dark and has some detailed stories on some people and torture.
Sassy Brit (97 KP) rated Then She Was Gone in Books
Jun 5, 2019
Then She Was Gone by the Sunday Times Bestseller Lisa Jewell, was a super-fast read for me. Several years after her daughter Ellie has gone missing , Laurel meets new man Floyd, who is absolutely smitten with her. When he takes her home to meet his kid Poppy, Laurel is surprised as how much she reminds her of her missing daughter when she was the same age. Coincidence? Or something much more untoward?
I think you can tell where this one is heading…
Admittedly, I guessed pretty early on, what was going to happen and how Noelle was involved in the whole situation. Yes, I’m being cryptic here, trying hard not to reveal spoilers for anyone who has not read this yet. But, even the blurb is an unsubtle clue. What blew me away was what was really going on with Laurel’s new boyfriend, Floyd in the final scenes. The way Lisa Jewell connected everything together and revealed the truth made this a very exciting read.
Was Floyd really as bad as Jake’s girlfriend, Blue had thought? Could he really be blamed for his actions bearing in mind his upbringing and how he came to be with Poppy? Would there ever have been a right time to reveal all? It’s bit like those situations when you mean to call someone up, but forget, and keep forgetting until much later. Only by then, so much time has passed it feels too late to ring at all. But in Floyd’s case, and in this analogy, he doesn’t even own a phone…
I thought the plot was a little bit far fetched, but despite this it worked. In fact, as we hear what really happened to Ellie, I found myself thinking the theme had changed from psychological thriller to borderline horror. By the time I got to the end I was positive this was a four star read, and then the last page did it for me. I shed a tear! Yep, I thought it was sad and unless my hormones are playing up for some odd reason, that last page did it for me. In between howling and sniffing, I moved my 4 stars to a 4.5 star rating! Oh, Lisa Jewell, please promise me you’ll never go back to chicklit! I cannot wait to see what you come up with next in this genre. I await to be dazzled! (And I don’t have to wait long as Watching You is due out in July).
Clever, moving and addictive reading.
I think you can tell where this one is heading…
Admittedly, I guessed pretty early on, what was going to happen and how Noelle was involved in the whole situation. Yes, I’m being cryptic here, trying hard not to reveal spoilers for anyone who has not read this yet. But, even the blurb is an unsubtle clue. What blew me away was what was really going on with Laurel’s new boyfriend, Floyd in the final scenes. The way Lisa Jewell connected everything together and revealed the truth made this a very exciting read.
Was Floyd really as bad as Jake’s girlfriend, Blue had thought? Could he really be blamed for his actions bearing in mind his upbringing and how he came to be with Poppy? Would there ever have been a right time to reveal all? It’s bit like those situations when you mean to call someone up, but forget, and keep forgetting until much later. Only by then, so much time has passed it feels too late to ring at all. But in Floyd’s case, and in this analogy, he doesn’t even own a phone…
I thought the plot was a little bit far fetched, but despite this it worked. In fact, as we hear what really happened to Ellie, I found myself thinking the theme had changed from psychological thriller to borderline horror. By the time I got to the end I was positive this was a four star read, and then the last page did it for me. I shed a tear! Yep, I thought it was sad and unless my hormones are playing up for some odd reason, that last page did it for me. In between howling and sniffing, I moved my 4 stars to a 4.5 star rating! Oh, Lisa Jewell, please promise me you’ll never go back to chicklit! I cannot wait to see what you come up with next in this genre. I await to be dazzled! (And I don’t have to wait long as Watching You is due out in July).
Clever, moving and addictive reading.
James P. Sumner (65 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 5, 2019
A poor end to a great series.
With the much-publicised sale of the Fox-owned Marvel properties to Disney, we knew going into this film it would be the last of its series. The three entries that came before breathed life into a tired franchise, and were all must-see blockbusters.
Sadly, Dark Phoenix doesn't live up to the quality of its predecessors.
It reminded me in a lot of ways of Christopher Nolan's "Dark Knight Rises". It was the end of something special... we had been promised stakes that had never been higher... we expected sadness... we expected fireworks. We expected a big finish.
Unfortunately, Dark Phoenix failed where Dark Knight Rises succeeded, and that was the payoff. The film seemed to be over just as it was getting started. A strong beginning with tension and danger promised more of the same, but it never quite got there. Visually, yes, you could see the build-up, see what was at stake... but you couldn't feel it. I found myself not caring what happened to the characters, which was a real shame.
The film just didn't feel... big enough for what it was trying to do.
We know from the trailers that an early mission into space ends with Jean Grey absorbing a cosmic energy known in the comics as the Phoenix Force. This whole thing felt very watered down compared to the source material, probably because for the entire time, none of the X-Men actually knew what they were dealing with. Just that Jean was angry and, well, you wouldn't like her when she's angry.
The bulk of the story revolves around the heroes trying to save their friend, but even they don't know from what they're trying to save her from. The CGI is well done, and isn't over-used. Some of the character arcs are intriguing to a point, although they lack the depth they needed to really make you care.
Without spoilers, the ending is satisfactory. It's very Dark Knight Rises in some ways, actually. A fitting end to the film, but only because the film itself was below par. The X-Men series that began with First Class deserved so much more.
If you've seen the other three, there's an obligation to say goodbye to the current iteration of these characters. But if you're just after a typical popcorn movie, I'm sad to say you could do much, much better than this.
(Oh, and there's no mid- or post-credits scene, so no need to sit through them.)
Sadly, Dark Phoenix doesn't live up to the quality of its predecessors.
It reminded me in a lot of ways of Christopher Nolan's "Dark Knight Rises". It was the end of something special... we had been promised stakes that had never been higher... we expected sadness... we expected fireworks. We expected a big finish.
Unfortunately, Dark Phoenix failed where Dark Knight Rises succeeded, and that was the payoff. The film seemed to be over just as it was getting started. A strong beginning with tension and danger promised more of the same, but it never quite got there. Visually, yes, you could see the build-up, see what was at stake... but you couldn't feel it. I found myself not caring what happened to the characters, which was a real shame.
The film just didn't feel... big enough for what it was trying to do.
We know from the trailers that an early mission into space ends with Jean Grey absorbing a cosmic energy known in the comics as the Phoenix Force. This whole thing felt very watered down compared to the source material, probably because for the entire time, none of the X-Men actually knew what they were dealing with. Just that Jean was angry and, well, you wouldn't like her when she's angry.
The bulk of the story revolves around the heroes trying to save their friend, but even they don't know from what they're trying to save her from. The CGI is well done, and isn't over-used. Some of the character arcs are intriguing to a point, although they lack the depth they needed to really make you care.
Without spoilers, the ending is satisfactory. It's very Dark Knight Rises in some ways, actually. A fitting end to the film, but only because the film itself was below par. The X-Men series that began with First Class deserved so much more.
If you've seen the other three, there's an obligation to say goodbye to the current iteration of these characters. But if you're just after a typical popcorn movie, I'm sad to say you could do much, much better than this.
(Oh, and there's no mid- or post-credits scene, so no need to sit through them.)
Kristy H (1252 KP) rated Saints for All Occasions in Books
Jan 30, 2018
Well-written (1 more)
Striking characters
Gorgeous family saga
Nora and Theresa Flynn are only twenty-one and seventeen when they leave their native Ireland and immigrate to the U.S. For her entire life, Nora has been the quintessential older sister, raising Theresa and their younger brother after the death of their mother. Now she's headed to Boston to be married to their former Irish neighbor, Charlie, whom Nora doesn't really even love. Theresa, meanwhile, is outgoing, beautiful, and intelligent. She loves the dances and social atmosphere in Boston, but that all changes when she winds up pregnant. Both Nora and Theresa are forced to make some drastic life decisions that will affect them for the rest of their lives. Fifty years later, in 2009, Nora and Charlie have four children: John, Bridget, Brian, and Patrick. But Theresa and Nora are no longer speaking, and Theresa lives as a cloistered nun in an abbey in Vermont. What happened between the two sisters? And how will a sudden tragedy affect their current, separate lives?
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know.
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know.
Kristy H (1252 KP) rated The Beautiful Dead in Books
Feb 8, 2018
Eve Singer is a beleaguered TV crime reporter dealing with a pushy boss who wants Eve to be everything: younger, covering every story, and on top of every lead. In her personal life, Eve goes home to her childhood home and her father, Duncan, who is suffering from dementia. When Eve winds up covering the murder of a young woman, she doesn't realize she will soon be entwined with the girl's killer, someone who is obsessed with death, and the desire to be recognized for his "killing performances." As the killer pulls Eve deeper into his twisted web, she has some startling choices to make.
I have to say, my last book of 2016 surprised me. This novel was certainly creepy, but also had a certain nuance and depth to it that I wasn't expecting. Eve is a complicated and likeable character, and the book doesn't just cover murder and gore, it goes into her personal life, and the struggles she has caring for her father and his failing memory. The bits with her father are often both sad and humorous; they are very real and give the book a true humanity. Indeed, there's a real depth to Eve, who is stuck in a man's world and the pressures and unfairness that brings to to her career-wise (there's always a younger, prettier reporter waiting in the wings, as her boss never hesitates to remind her), as well as the burdens a woman feels as a caretaker. After all, it's not her brother taking care of her dad. Further, the book looks at an interesting psychological conundrum: how our society seems to need murder and the way it feeds on the social media aspect of it, as of late. Without society's interest in murder and death, Eve has no job.
Overall, I really enjoyed this one. It lost me slightly for a bit near the end, but managed to get back on track, and even threw in a very interesting twist I didn't see coming. Although I admit, I kept wondering where the police's behavioral scientist was. Why was the poor Lead Detective reading and deciphering everything from a serial killer alone? However, I digress. This was a well-done thriller with a different and engaging plot. I really found myself drawn to Eve, and her father, Duncan. It was an enjoyable novel with which to end the year.
I received a copy of this book from the publisher and Netgalley (thank you!); it's available in the U.S. as of 01/03/2017.
I have to say, my last book of 2016 surprised me. This novel was certainly creepy, but also had a certain nuance and depth to it that I wasn't expecting. Eve is a complicated and likeable character, and the book doesn't just cover murder and gore, it goes into her personal life, and the struggles she has caring for her father and his failing memory. The bits with her father are often both sad and humorous; they are very real and give the book a true humanity. Indeed, there's a real depth to Eve, who is stuck in a man's world and the pressures and unfairness that brings to to her career-wise (there's always a younger, prettier reporter waiting in the wings, as her boss never hesitates to remind her), as well as the burdens a woman feels as a caretaker. After all, it's not her brother taking care of her dad. Further, the book looks at an interesting psychological conundrum: how our society seems to need murder and the way it feeds on the social media aspect of it, as of late. Without society's interest in murder and death, Eve has no job.
Overall, I really enjoyed this one. It lost me slightly for a bit near the end, but managed to get back on track, and even threw in a very interesting twist I didn't see coming. Although I admit, I kept wondering where the police's behavioral scientist was. Why was the poor Lead Detective reading and deciphering everything from a serial killer alone? However, I digress. This was a well-done thriller with a different and engaging plot. I really found myself drawn to Eve, and her father, Duncan. It was an enjoyable novel with which to end the year.
I received a copy of this book from the publisher and Netgalley (thank you!); it's available in the U.S. as of 01/03/2017.
Kristy H (1252 KP) rated Be Frank With Me in Books
Feb 8, 2018
Alice has worked a string of dead-end jobs until she winds up as an assistant for a literary agent, Mr. Vargas. He is impressed with her work at a tech store (think Apple Genius Bar) and takes her under his wing. Eventually Mr. Vargas dispatches Alice to assist with one of his most famous, but reclusive, clients: M.M. "Mimi" Banning. Mimi wrote a famous bestseller book as a young woman and then basically disappeared off the grid. She's recently lost all her money in a Ponzi scheme, however, and she needs an assistant to help with delivery of a new manuscript. Enter Alice. However, when Alice arrives in California, she finds herself mainly acting as caretaker to Mimi's nine-year-old son, Frank: a quirky and unique boy who changes Alice's life.
There's really no way to describe this book. It was an excellent way to round out 2015 - it's a lovely and touching novel. While in theory it describes a bit of time in Alice's life, with most of the story coming from her point of view, the true hero of this story is Frank - amazing, wonderful, funny Frank. Frank would probably be deemed autistic, or at least somewhere on the spectrum, in our society, as he clearly has issues with being touched, interacting with his peers, and many other things. But he's also this amazing, unique, and smart boy - he dresses like a movie star from the '30s, has an endless supply of facts in his brain about everything (but doesn't comprehend sarcasm or humor), loves old films, and has a fierce and deep devotion for his mother -- no matter what she does.
As Alice gets to know Frank, Mimi, and the small cast of characters around them - mainly, Xander, Frank's piano teacher, who flits in and out of his life - she is as drawn to the boy as the rest of us. But can she save Frank (and Mimi) from the harshness of the outside world and their past? It's an interesting thought and one that doesn't lend itself to a typical beginning/middle/end plot. In some ways, not a lot happens in this book (though in some ways, a lot does), but its story is propelled by Johnson's excellent character development and descriptions. Frank, Alice, Mimi, and Xander really come to life in her hands. It's a funny book, a sad book, but a beautiful book. Certainly a worthwhile read. You'll find yourself thinking about these characters long after you turn the last page.
(Note: I received an advance copy of this novel from Edelweiss in return for an unbiased review.)
There's really no way to describe this book. It was an excellent way to round out 2015 - it's a lovely and touching novel. While in theory it describes a bit of time in Alice's life, with most of the story coming from her point of view, the true hero of this story is Frank - amazing, wonderful, funny Frank. Frank would probably be deemed autistic, or at least somewhere on the spectrum, in our society, as he clearly has issues with being touched, interacting with his peers, and many other things. But he's also this amazing, unique, and smart boy - he dresses like a movie star from the '30s, has an endless supply of facts in his brain about everything (but doesn't comprehend sarcasm or humor), loves old films, and has a fierce and deep devotion for his mother -- no matter what she does.
As Alice gets to know Frank, Mimi, and the small cast of characters around them - mainly, Xander, Frank's piano teacher, who flits in and out of his life - she is as drawn to the boy as the rest of us. But can she save Frank (and Mimi) from the harshness of the outside world and their past? It's an interesting thought and one that doesn't lend itself to a typical beginning/middle/end plot. In some ways, not a lot happens in this book (though in some ways, a lot does), but its story is propelled by Johnson's excellent character development and descriptions. Frank, Alice, Mimi, and Xander really come to life in her hands. It's a funny book, a sad book, but a beautiful book. Certainly a worthwhile read. You'll find yourself thinking about these characters long after you turn the last page.
(Note: I received an advance copy of this novel from Edelweiss in return for an unbiased review.)
Kristy H (1252 KP) rated Angels Burning in Books
Feb 13, 2018
Dove Carnahan is Chief of Police in a rural Pennsylvania town. Her job is typically more administrative than investigative. So when a girl's body is found beaten and burned in abandoned part of town, Dove must rally her team's limited resources to find out what has happened. In addition, she must work with the state police, including Chief Nolan, with whom she has a past, to solve the crime. In doing so, Dove becomes entwined with a local redneck family. The crime also brings up memories of the murder of Dove's mother many years ago. Will Dove be able to bring justice for this crime, without getting sidetracked by her own past?
I thoroughly enjoyed this book - it took me by complete surprise. Part of it was that I felt that I knew the characters. I've grown up with families like these - gone to school with them, live near them now. O'Dell portrayed the town dynamics flawlessly and she did a magnificent job of bringing each character into full detail.
Dove is an interesting character - flawed in many ways, but you cannot help but root for her and like her. The entire book felt somewhat familiar, like I'd picked up in the middle of series. (Speaking of, when this ended, I thought, oh I hope O'Dell writes another book featuring Dove.) Dove reminded me a little bit of Kate Burkholder, from Linda Castillo's excellent series - another strong female detective fighting for her hometown.
There were a few plot points that seemed a bit unbelievable (at one point, Dove shoots out the tires on a boys' pickup truck, just because he's annoyed her - something that would no doubt get her fired in this crazy media/viral video age we live in), but O'Dell's writing and plot gets you past any missteps. I thought Dove focused a bit too much on worries about her age (she's just turned 50) and her gender -- pointing out how men wouldn't treat her a particular way if she was actually a man. But really, Dove is so excellent at her job that she really just manages to prove that she can do anything - age or gender be damned.
The plot is intriguing and compelling and you find yourself drawn into the deceased girl's family and acquaintances, as well as Dove's own family and past. Honestly, when this one was over, I felt sad, which is a rare quality anymore. 4.5 stars.
(Note: I received an ARC of this book from Netgalley in return for an unbiased review.)
I thoroughly enjoyed this book - it took me by complete surprise. Part of it was that I felt that I knew the characters. I've grown up with families like these - gone to school with them, live near them now. O'Dell portrayed the town dynamics flawlessly and she did a magnificent job of bringing each character into full detail.
Dove is an interesting character - flawed in many ways, but you cannot help but root for her and like her. The entire book felt somewhat familiar, like I'd picked up in the middle of series. (Speaking of, when this ended, I thought, oh I hope O'Dell writes another book featuring Dove.) Dove reminded me a little bit of Kate Burkholder, from Linda Castillo's excellent series - another strong female detective fighting for her hometown.
There were a few plot points that seemed a bit unbelievable (at one point, Dove shoots out the tires on a boys' pickup truck, just because he's annoyed her - something that would no doubt get her fired in this crazy media/viral video age we live in), but O'Dell's writing and plot gets you past any missteps. I thought Dove focused a bit too much on worries about her age (she's just turned 50) and her gender -- pointing out how men wouldn't treat her a particular way if she was actually a man. But really, Dove is so excellent at her job that she really just manages to prove that she can do anything - age or gender be damned.
The plot is intriguing and compelling and you find yourself drawn into the deceased girl's family and acquaintances, as well as Dove's own family and past. Honestly, when this one was over, I felt sad, which is a rare quality anymore. 4.5 stars.
(Note: I received an ARC of this book from Netgalley in return for an unbiased review.)