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The best Pixar film?
I have recently purchased a ‘100 Movies Bucket List’ scratch off poster, with the intention of finally crossing off all of the classic films I’ve never seen before. However with the current and ongoing COVID lockdowns, now seemed like a perfect time to watch all of the 100 films on this list including those I know and love. These will be watched in no particular order, and will be highly dependent on my mood and film availability. First on my list is Up.
Up (2009) is a Disney/Pixar animation that follows widower Carl, as he, his house and intrepid wilderness explorer Russell go on an adventure to Paradise Falls.
Up is definitely “up” there as one of the best ever Disney/Pixar films, if not THE best. It has all of the hallmarks that you’d come to expect from such a film and they are executed to perfection. From the opening sequence, which is by far one of the most heartwarming and heart-wrenching things you will ever watch (and this is coming from a studio that killed Bambi’s mother). If you’re not bawling your eyes out after the first 15 minutes, there is something seriously wrong with you.
Once we’ve recovered from the opening scenes, we’re introduced to Carl the widower (Ed Asher) and he’s still tugging on the old heart strings as he goes about his life on his own. He’s your typical grouchy old man, in a rather funny and adorable way, and watching his interactions with others is both sad and entertaining to watch. After a rather unfortunate event, Carl takes his house to the skies and it’s here where the film really starts to get going with stowaway Russell, as they arrive in Paradise Falls and encounter mysterious bird of paradise Kevin, Charles Muntz and his dogs.
As soon as Carl sets off on his journey, this becomes a spirited and fun adventure film. There is never a dull moment and is full of wonder, joy and a fair few laughs, as well as a surprising amount of dark tension generated by famous explorer Muntz (Christopher Plummer). For a kids film, Muntz is an unusually threatening figure and the fear of him is only exacerbated by the fact that half of this film is set at a quite a scary height. Even during the fight scene with Carl towards the end of the movie, Muntz is still intimidating despite the very amusing nods to old age that are thrown in.
For me though, the star (and stars) of Up are Dug and Muntz’s pack of dogs. Disney/Pixar have this amazing knack of writing funny sidekick animals, with the majority of laughs coming from simple observations about how these animals behave in real life (something The Secret Life of Pets should have take more notice of). Up so easily works dogs being dogs into the narrative of this story with ease, and talking dogs are just so funny. From the cone of shame to their attitude towards squirrels and tennis balls, and the fact that they refer to Russell as “the small mailman” – this is pure genius and makes me laugh no matter how many times I see it.
Disney/Pixar films fall into two categories: Very Good and Brilliant. Up has what all Disney/Pixar films have – a wonderfully balanced story full of adult and child appropriate laughs and heartwarming emotional ‘feels’, and some top notch animation. But what brings Up into the “Brilliant” category is it is a beautiful tale of love and friendship, with a touching and rather moving message about life. This is a classic tale that is done flawlessly in a way that only Disney/Pixar can.
Note: whilst I love the film, I’m so far not impressed with my poster itself. Scratched it as you would a scratch card and part of the picture has come off (see attached evidence)… best be more careful next time.
Up (2009) is a Disney/Pixar animation that follows widower Carl, as he, his house and intrepid wilderness explorer Russell go on an adventure to Paradise Falls.
Up is definitely “up” there as one of the best ever Disney/Pixar films, if not THE best. It has all of the hallmarks that you’d come to expect from such a film and they are executed to perfection. From the opening sequence, which is by far one of the most heartwarming and heart-wrenching things you will ever watch (and this is coming from a studio that killed Bambi’s mother). If you’re not bawling your eyes out after the first 15 minutes, there is something seriously wrong with you.
Once we’ve recovered from the opening scenes, we’re introduced to Carl the widower (Ed Asher) and he’s still tugging on the old heart strings as he goes about his life on his own. He’s your typical grouchy old man, in a rather funny and adorable way, and watching his interactions with others is both sad and entertaining to watch. After a rather unfortunate event, Carl takes his house to the skies and it’s here where the film really starts to get going with stowaway Russell, as they arrive in Paradise Falls and encounter mysterious bird of paradise Kevin, Charles Muntz and his dogs.
As soon as Carl sets off on his journey, this becomes a spirited and fun adventure film. There is never a dull moment and is full of wonder, joy and a fair few laughs, as well as a surprising amount of dark tension generated by famous explorer Muntz (Christopher Plummer). For a kids film, Muntz is an unusually threatening figure and the fear of him is only exacerbated by the fact that half of this film is set at a quite a scary height. Even during the fight scene with Carl towards the end of the movie, Muntz is still intimidating despite the very amusing nods to old age that are thrown in.
For me though, the star (and stars) of Up are Dug and Muntz’s pack of dogs. Disney/Pixar have this amazing knack of writing funny sidekick animals, with the majority of laughs coming from simple observations about how these animals behave in real life (something The Secret Life of Pets should have take more notice of). Up so easily works dogs being dogs into the narrative of this story with ease, and talking dogs are just so funny. From the cone of shame to their attitude towards squirrels and tennis balls, and the fact that they refer to Russell as “the small mailman” – this is pure genius and makes me laugh no matter how many times I see it.
Disney/Pixar films fall into two categories: Very Good and Brilliant. Up has what all Disney/Pixar films have – a wonderfully balanced story full of adult and child appropriate laughs and heartwarming emotional ‘feels’, and some top notch animation. But what brings Up into the “Brilliant” category is it is a beautiful tale of love and friendship, with a touching and rather moving message about life. This is a classic tale that is done flawlessly in a way that only Disney/Pixar can.
Note: whilst I love the film, I’m so far not impressed with my poster itself. Scratched it as you would a scratch card and part of the picture has come off (see attached evidence)… best be more careful next time.
Emma @ The Movies (1786 KP) rated Godzilla vs. Kong (2021) in Movies
Apr 29, 2021
Monsters! Yay! Small screen... booooooo!
Godzilla and Kong come head to head in a vicious battle as the humans embark on a mission to discover the ultimate power source.
I won't harp on this point too much because we're nearly at the point where I won't have to... hopefully... but this needs the big screen. You need that experience to get the full effect.
Monsters fight... do we need any story? I didn't. Which is just as well because I wouldn't be able to tell you what specifically happened apart from what I wrote in the synopsis.
You could have had this film without the humans, or as a human focus film with the monsters just lurking in the background of the whole thing. (Though I don't think anyone would care about the latter.) The monsters could easily have done a film without the humans, there's only actually one point where they're needed, and that was quite frankly dubious.
Let's talk about those humans, but where to start? The film needed to commit to either being a companion to the last film or being a new film in the franchise. So far all the others have been quite independent of each other in comparison. It may not be a popular opinion, but I would have opted for a new film... and that means no Millie Bobby Brown and no Kyle Chandler (who was quite frankly underused anyway).
My definite highlight was Brian Tyree Henry in his role as the conspiracy podcaster, and I really enjoyed that whole thread. But it definitely could have been switched up a bit and resulted in a much more believable discovery sequence in the plot. That was quite a big thing in the film, when giant monster events are more believable than human ones, you need to rethink what you're doing.
As much as I love Alexander Skarsgård, I cannot tell you much of anything about his role. He's usually always an enjoyable actor, but even that couldn't save this bland character. So much so, that when I listened to a podcast on this film and they mentioned him, I went "oh yeah, he was in it".
My main take away was that most characters had very little development, and I know I was there for the monsters, but the humans needed to not be throwaways for the amount of time they spent on screen.
I'm not going to go into the effects, they were great, and I loved them just as much as in King of the Monsters. The colours were amazing.
I'm very pleased I didn't spot spoilers for the film before seeing it. The reveals were well done and I enjoyed some of the moments that came from them, but it leads me to something I've been pondering...
This sequence of films feels wrong, Had Godzilla vs. Kong been before King of the Monsters then you'd have been presented with the perfect way to introduce more creatures, but the character dynamics would not have been right with that shuffle. There are so many possibilities, that going over them would take way too long.
For a title that highlights Godzilla before Kong, it's oddly weighted, Kong is a much bigger feature than G-zee is. He gets his own personality and a bit more heart, and it was nice to see him become a new person... ape... giant fuzzball. I can't help but be a little sad that one of his moments from the original wasn't duplicated in all its glory here.
Overall it's a fun creature feature and the action is epic as expected, with some twists thrown in if you managed to avoid the spoilers. While I really do love moments from Godzilla vs. Kong, I'm not sure it's better than KotM, but it's well worth the watch either way.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/godzilla-vs-kong-movie-review.html
Godzilla and Kong come head to head in a vicious battle as the humans embark on a mission to discover the ultimate power source.
I won't harp on this point too much because we're nearly at the point where I won't have to... hopefully... but this needs the big screen. You need that experience to get the full effect.
Monsters fight... do we need any story? I didn't. Which is just as well because I wouldn't be able to tell you what specifically happened apart from what I wrote in the synopsis.
You could have had this film without the humans, or as a human focus film with the monsters just lurking in the background of the whole thing. (Though I don't think anyone would care about the latter.) The monsters could easily have done a film without the humans, there's only actually one point where they're needed, and that was quite frankly dubious.
Let's talk about those humans, but where to start? The film needed to commit to either being a companion to the last film or being a new film in the franchise. So far all the others have been quite independent of each other in comparison. It may not be a popular opinion, but I would have opted for a new film... and that means no Millie Bobby Brown and no Kyle Chandler (who was quite frankly underused anyway).
My definite highlight was Brian Tyree Henry in his role as the conspiracy podcaster, and I really enjoyed that whole thread. But it definitely could have been switched up a bit and resulted in a much more believable discovery sequence in the plot. That was quite a big thing in the film, when giant monster events are more believable than human ones, you need to rethink what you're doing.
As much as I love Alexander Skarsgård, I cannot tell you much of anything about his role. He's usually always an enjoyable actor, but even that couldn't save this bland character. So much so, that when I listened to a podcast on this film and they mentioned him, I went "oh yeah, he was in it".
My main take away was that most characters had very little development, and I know I was there for the monsters, but the humans needed to not be throwaways for the amount of time they spent on screen.
I'm not going to go into the effects, they were great, and I loved them just as much as in King of the Monsters. The colours were amazing.
I'm very pleased I didn't spot spoilers for the film before seeing it. The reveals were well done and I enjoyed some of the moments that came from them, but it leads me to something I've been pondering...
This sequence of films feels wrong, Had Godzilla vs. Kong been before King of the Monsters then you'd have been presented with the perfect way to introduce more creatures, but the character dynamics would not have been right with that shuffle. There are so many possibilities, that going over them would take way too long.
For a title that highlights Godzilla before Kong, it's oddly weighted, Kong is a much bigger feature than G-zee is. He gets his own personality and a bit more heart, and it was nice to see him become a new person... ape... giant fuzzball. I can't help but be a little sad that one of his moments from the original wasn't duplicated in all its glory here.
Overall it's a fun creature feature and the action is epic as expected, with some twists thrown in if you managed to avoid the spoilers. While I really do love moments from Godzilla vs. Kong, I'm not sure it's better than KotM, but it's well worth the watch either way.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/godzilla-vs-kong-movie-review.html
Bob Mann (459 KP) rated The Last Letter from Your Lover (2021) in Movies
Aug 9, 2021
Engaging love story (at least, the one in the 60's) (2 more)
Lush production values, especially production design and cinematography
Great cast - especially Shailene Woodley and Ben Cross
A proper old-fashioned love story that older viewers will appreciate.
Is "chick flick" a phrase that you can use these days? I guess not, since it infers that a movie is only of interest to a particular gender. Perhaps "Sunday afternoon film" is a better phrase. And "The Last Letter From Your Lover" is a real SAF.
Positives:
- "They don't make them like this any more" the saying goes. This is a love story cum melodrama that is well told by director Augustine Frizzell, in only her second feature. The film zips backwards and forwards between different time periods, trusting the audience to keep up with where we are. The dialogue is suitably soupy for a film of this type, based on a Jojo Moyes book (who wrote "Me Before You", also well-filmed). I've seen a critic review in "The Times" where they mocked the sentimentality of the love letters: but part of me would love to say "OK - let's hear what you would have written"!
- The story ticks all the boxes to keep you engaged. Although never moved to tears, a scene towards the end of the movie certainly generated a lump in the throat.
- All the leads are great. Shailene Woodley has been a personal favourite actress since her amazing turn in "The Descendants". And she certainly doesn't disappoint here.
- The production design is lush, particularly with the 60's scenes of London and the Riviera (reminiscent for me of the recent remake of "Rebecca"). This is nicely brought out by the cinematography (by George Steel), with some of the scenes being 'hang on the wall' beautiful to look at.
- It's wonderful to see the late Ben Cross in the movie, and he gives an excellent and touching performance. Cross died of cancer in August 2020 at the age of just 72. This is probably not his last movie, since he was in another - "The Devil's Light" - currently in post-production. Such a sad loss to the industry.
Negatives:
- The movie tries to construct a love story in the 60's and one in the present day 2020's, contrasting the different rules and values at play. The 60's one works; the 20's one really didn't for me. Ellie comes across as a very unlikeable person. The contrast between the lack of communications in the 60's (waiting at a station, not sure if someone will turn up or not) and today's chat/SMS rich 'always on' world could perhaps have been brought out more. With my Dr Bob directorial hat on, I would have ditched the present-day love story entirely and focused in on two professional detectives uncovering the past together: not everything needs to involve love and sex.
- The film has a couple of rain sequences that are highly unconvincing. One Riviera in-car scene particularly made me chuckle. "TURN FIRE HOSE ON!" You can almost see the blue sky and people cavorting on the beach behind them!
Summary Thoughts on "The Last Letter from Your Lover": There are actually few films around these days that feature love stories outside the teenage years. This is an 'old-fashioned' film that will appeal to an older age group, looking for style, romance and escapism. It reminded me in turns of movies like "The Two Faces of January" and "The Age of Adeline" in its mood and presentation. I'm probably not the target audience for this movie and I really enjoyed it. But the illustrious Mrs Movie Man probably is. And she declared that she absolutely loved it!
Ignore the sniffy newspaper and ex-newspaper critics. I'd declare this to be a "recommended".
(For the full graphical review, please check out One Mann's Movies on the web, Facebook or Tiktok. Thanks.)
Positives:
- "They don't make them like this any more" the saying goes. This is a love story cum melodrama that is well told by director Augustine Frizzell, in only her second feature. The film zips backwards and forwards between different time periods, trusting the audience to keep up with where we are. The dialogue is suitably soupy for a film of this type, based on a Jojo Moyes book (who wrote "Me Before You", also well-filmed). I've seen a critic review in "The Times" where they mocked the sentimentality of the love letters: but part of me would love to say "OK - let's hear what you would have written"!
- The story ticks all the boxes to keep you engaged. Although never moved to tears, a scene towards the end of the movie certainly generated a lump in the throat.
- All the leads are great. Shailene Woodley has been a personal favourite actress since her amazing turn in "The Descendants". And she certainly doesn't disappoint here.
- The production design is lush, particularly with the 60's scenes of London and the Riviera (reminiscent for me of the recent remake of "Rebecca"). This is nicely brought out by the cinematography (by George Steel), with some of the scenes being 'hang on the wall' beautiful to look at.
- It's wonderful to see the late Ben Cross in the movie, and he gives an excellent and touching performance. Cross died of cancer in August 2020 at the age of just 72. This is probably not his last movie, since he was in another - "The Devil's Light" - currently in post-production. Such a sad loss to the industry.
Negatives:
- The movie tries to construct a love story in the 60's and one in the present day 2020's, contrasting the different rules and values at play. The 60's one works; the 20's one really didn't for me. Ellie comes across as a very unlikeable person. The contrast between the lack of communications in the 60's (waiting at a station, not sure if someone will turn up or not) and today's chat/SMS rich 'always on' world could perhaps have been brought out more. With my Dr Bob directorial hat on, I would have ditched the present-day love story entirely and focused in on two professional detectives uncovering the past together: not everything needs to involve love and sex.
- The film has a couple of rain sequences that are highly unconvincing. One Riviera in-car scene particularly made me chuckle. "TURN FIRE HOSE ON!" You can almost see the blue sky and people cavorting on the beach behind them!
Summary Thoughts on "The Last Letter from Your Lover": There are actually few films around these days that feature love stories outside the teenage years. This is an 'old-fashioned' film that will appeal to an older age group, looking for style, romance and escapism. It reminded me in turns of movies like "The Two Faces of January" and "The Age of Adeline" in its mood and presentation. I'm probably not the target audience for this movie and I really enjoyed it. But the illustrious Mrs Movie Man probably is. And she declared that she absolutely loved it!
Ignore the sniffy newspaper and ex-newspaper critics. I'd declare this to be a "recommended".
(For the full graphical review, please check out One Mann's Movies on the web, Facebook or Tiktok. Thanks.)
Emma @ The Movies (1786 KP) rated Greenland (2020) in Movies
Feb 11, 2021
A disaster movie starring Gerard Butler? Of course I was desperate to see it!
John Garrity has a golden ticket to survive the incoming apocalypse. A comet is heading to Earth and debris is wreaking havoc, but no one truly knew the trouble the world was facing. As the clock ticks down, it's a race for survival.
While the big plot point of this film was the disaster, it was actually quite heavily focused on the family drama... and I'm not going to lie, that made me a little disappointed early on.
I think it's best not to query certain things in Greenland... yeah, probably a lot of things you shouldn't think about really.
Greenland reminds me of Volcano in some instances. The ups and downs of what happens to the people in the disaster can be seen, though in this instance the focus is on the Garrity family and we see little of peripheral characters directly. But never the less, you're able to follow that rollercoaster of emotions as you go through the film and feel the highs and lows, as well as the hope and devastation.
Obviously Gerard Butler in a disaster films screams five stars. I loved Geo-Storm and watch it frequently, so I was fairly confident that this was going to be an instant favourite. Butler in an action film does call to me, and I like him with a bit of humour, but this was a solid drama and he nailed it. He gets several moments that perfectly show the character's emotional journey, and I felt that impact (pun intended?).
Garrity's wife is played by the wonderful Morena Baccarin. She also has the opportunity for some powerful moments, and one of them hits you like a dump truck. Along with Butler they work as impressive and strong leads to the individual stems of the film.
Unusually I found all the additional cast to be good too, there's normally someone that isn't quite my cup of tea, but I was pleasantly surprised that I didn't find that here. There wasn't a moment that took me out of the film at all. While the rest of the acting takes a back seat to the leads once the acting started there were a few amazing moments early on from the Garrity's neighbours. Claire Bronson as Debra (I really hope I got the right actress here) has one of the most incredible moments, and it truly got to me. There were so many moments that made me cry or hold my breath, even the second time around... I really can't fault the acting.
When it comes to the effects I get really sad. In the trailer you see a piece of debris crash into the planet and some of the following scene plays out. That moment in full is incredible to watch, the build up to it and the ripple effects it causes are such a strong moment that helped to cement the severity of the situation... I felt it from my TV, hell, I felt it when I watch it from my iPad... but I couldn't help but think about how amazing it would have been to experience that at the cinema.
As cheesy as some disaster film effects can be, and let's face it, there are some truly dire disaster films out there if you know where to look, there wasn't a moment in Greenland where it felt unrealistic. The effects all looked natural (within the scope of my knowledge in the real world... and crappy made for TV disaster movies) and that really helped with the drama.
How can I sum up Greenland? The emotional performances, the effects, the colour palette of the film... it all combined for an excellent watch. I've seen it twice already, and I'll absolutely be watching it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/greenland-movie-review.html
John Garrity has a golden ticket to survive the incoming apocalypse. A comet is heading to Earth and debris is wreaking havoc, but no one truly knew the trouble the world was facing. As the clock ticks down, it's a race for survival.
While the big plot point of this film was the disaster, it was actually quite heavily focused on the family drama... and I'm not going to lie, that made me a little disappointed early on.
I think it's best not to query certain things in Greenland... yeah, probably a lot of things you shouldn't think about really.
Greenland reminds me of Volcano in some instances. The ups and downs of what happens to the people in the disaster can be seen, though in this instance the focus is on the Garrity family and we see little of peripheral characters directly. But never the less, you're able to follow that rollercoaster of emotions as you go through the film and feel the highs and lows, as well as the hope and devastation.
Obviously Gerard Butler in a disaster films screams five stars. I loved Geo-Storm and watch it frequently, so I was fairly confident that this was going to be an instant favourite. Butler in an action film does call to me, and I like him with a bit of humour, but this was a solid drama and he nailed it. He gets several moments that perfectly show the character's emotional journey, and I felt that impact (pun intended?).
Garrity's wife is played by the wonderful Morena Baccarin. She also has the opportunity for some powerful moments, and one of them hits you like a dump truck. Along with Butler they work as impressive and strong leads to the individual stems of the film.
Unusually I found all the additional cast to be good too, there's normally someone that isn't quite my cup of tea, but I was pleasantly surprised that I didn't find that here. There wasn't a moment that took me out of the film at all. While the rest of the acting takes a back seat to the leads once the acting started there were a few amazing moments early on from the Garrity's neighbours. Claire Bronson as Debra (I really hope I got the right actress here) has one of the most incredible moments, and it truly got to me. There were so many moments that made me cry or hold my breath, even the second time around... I really can't fault the acting.
When it comes to the effects I get really sad. In the trailer you see a piece of debris crash into the planet and some of the following scene plays out. That moment in full is incredible to watch, the build up to it and the ripple effects it causes are such a strong moment that helped to cement the severity of the situation... I felt it from my TV, hell, I felt it when I watch it from my iPad... but I couldn't help but think about how amazing it would have been to experience that at the cinema.
As cheesy as some disaster film effects can be, and let's face it, there are some truly dire disaster films out there if you know where to look, there wasn't a moment in Greenland where it felt unrealistic. The effects all looked natural (within the scope of my knowledge in the real world... and crappy made for TV disaster movies) and that really helped with the drama.
How can I sum up Greenland? The emotional performances, the effects, the colour palette of the film... it all combined for an excellent watch. I've seen it twice already, and I'll absolutely be watching it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/greenland-movie-review.html
Natasha Khan recommended Covers Record by Cat Power in Music (curated)
BookInspector (124 KP) rated Cold Calling in Books
Sep 24, 2020
Even from the description, it was visible, that this book will contain tons of strong language, and it did. I believe all of us had to deal with a “cold call” at least once in our lifetime, and it is really annoying, to be honest. This book is an insight into behind the scenes of “cold calling” companies, and I found it incredibly interesting to read. After reading this novel, I promised myself not to be rude to people who work in this industry, because as it showed, their life is already not the best.
This book about a guy named Rhys. He works in a call centre and lives really sad and monotonic life. He hates his job and actually his life. His life is a routine of work, porn websites after work, casual drink with friends he hates, sleep, repeat. One day after a lot of drinks, he kills a family, takes their baby, cooks it and eats it. And it somehow changes his life, and he needs more… So this book is about a guy who from being an ordinary boring dude, becomes a vicious and exciting murderer. The characters chosen for this book are just like normal, ordinary lads, very believable and you see these kinds of people every day. Haydn Wilks has quite a bit of experience working in call centres himself, and I appreciate, that he shared the details of it with the readers.
The plot of this book left me interested and grossed out at the same time. I like horror books, but this one overwhelmed me. There were some really nasty parts in here, and if I would be a meat eater, it would put me off from it for quite a while. The details of cooking human flesh, eating it, and sharing with others just gives me nausea. So if you got weak stomach and you are sensitive, this book is definitely not for you. I really enjoyed reading about Rhys’s psychotic plans of how to find new victims and how to preserve their bodies, I like when books give insights into murderers thoughts, I find that very interesting.
This book is quite short and really quick paced, so it is a quick read even though it doesn’t have chapters. This book is written in a very interesting manner, it is like a letter to yourself, about yourself. Here is the first paragraph of the book:
“You were born the year the Berlin Wall fell. For your generation, it’s impossible to conceive of life outside capitalism. It feels as permanent and natural as gravity or the four seasons. You were born into a system and you’ve inherited its world view. A person’s beliefs are shaped by their society. No preindustrial revolution European intellectuals were openly atheist. Human civilisation is an echo chamber. Imagine how ideas that are emerging now will get amplified and distorted over time. These are the thoughts that fill your head as you stare into the computer screen; at names and addresses and telephone numbers; black details on slow-blinding white.”
So this kind of writing style justifies the lack of chapters and brought something new to my reading spectra because I don’t remember reading anything similar. This book is easy to read and doesn’t have a difficult language. I don’t know was the author lazy or genius, but this book does not have an ending. The ending of the book tells the reader to create their own ending. As this is the first book I read by this author, I really don’t know if other books by this author have the same ending style, or it’s just this one. So, to conclude, this book was too strong for me, that’s why my rating for it is not the best. However, if you have a strong stomach, interested in behind the scenes of call centres, and like books about cannibalism, this one would be a great book for you.
This book about a guy named Rhys. He works in a call centre and lives really sad and monotonic life. He hates his job and actually his life. His life is a routine of work, porn websites after work, casual drink with friends he hates, sleep, repeat. One day after a lot of drinks, he kills a family, takes their baby, cooks it and eats it. And it somehow changes his life, and he needs more… So this book is about a guy who from being an ordinary boring dude, becomes a vicious and exciting murderer. The characters chosen for this book are just like normal, ordinary lads, very believable and you see these kinds of people every day. Haydn Wilks has quite a bit of experience working in call centres himself, and I appreciate, that he shared the details of it with the readers.
The plot of this book left me interested and grossed out at the same time. I like horror books, but this one overwhelmed me. There were some really nasty parts in here, and if I would be a meat eater, it would put me off from it for quite a while. The details of cooking human flesh, eating it, and sharing with others just gives me nausea. So if you got weak stomach and you are sensitive, this book is definitely not for you. I really enjoyed reading about Rhys’s psychotic plans of how to find new victims and how to preserve their bodies, I like when books give insights into murderers thoughts, I find that very interesting.
This book is quite short and really quick paced, so it is a quick read even though it doesn’t have chapters. This book is written in a very interesting manner, it is like a letter to yourself, about yourself. Here is the first paragraph of the book:
“You were born the year the Berlin Wall fell. For your generation, it’s impossible to conceive of life outside capitalism. It feels as permanent and natural as gravity or the four seasons. You were born into a system and you’ve inherited its world view. A person’s beliefs are shaped by their society. No preindustrial revolution European intellectuals were openly atheist. Human civilisation is an echo chamber. Imagine how ideas that are emerging now will get amplified and distorted over time. These are the thoughts that fill your head as you stare into the computer screen; at names and addresses and telephone numbers; black details on slow-blinding white.”
So this kind of writing style justifies the lack of chapters and brought something new to my reading spectra because I don’t remember reading anything similar. This book is easy to read and doesn’t have a difficult language. I don’t know was the author lazy or genius, but this book does not have an ending. The ending of the book tells the reader to create their own ending. As this is the first book I read by this author, I really don’t know if other books by this author have the same ending style, or it’s just this one. So, to conclude, this book was too strong for me, that’s why my rating for it is not the best. However, if you have a strong stomach, interested in behind the scenes of call centres, and like books about cannibalism, this one would be a great book for you.
Heather Cranmer (2721 KP) rated Nine in Books
Sep 13, 2020
I've been a fan of Rachelle Dekker ever since I read The Girl Behind the Red Rope. When I saw that Rachelle Dekker had released a new book entitled Nine, I knew it was a book that I needed to read. I was so glad I picked this book up!
I felt that the plot to Nine was solid. Zoe Johnson is busy working at her mundane job as a waitress when a young 17 year old girl shows up. From the get go, Zoe is protective of this young girl named Lucy who appears naive, scared, confused, and willing to trust anyone. However, trying to protect Lucy will have a high cost as Lucy is much more than she appears to be.
I read Nine in about a day. The pacing was so spot on that I didn't want to put this book down. The action starts out right in the first chapter and just carries on throughout the book. From the very first page, I was sucked into this suspenseful world Rachelle Dekker had masterfully created. Though it does have some similarities with the video game/movie Resident Evil (sans zombies), Dekker did a fantastic job at making the plot line feel original although it's been done many times before. There are a few plot twists including one that links back to The Girl Behind the Red Rope which I was very excited to read about! Yes, some of the plot twists are a bit predictable, but Nine is a very interesting story nonetheless.
I have to gush about the characters in Nine now. Dekker did an amazing job making her characters feel fleshed out. I felt as if the characters in Nine were people I actually knew in real life; that's how realistic these characters were written. I loved Zoe's character. Even though she had a sad story and baggage of her own, it was refreshing to see her actually put her trust and care about someone else. I will say I would have liked to know more about her brother Stephen and read more in detail about what happened to him. Perhaps Dekker will write a story about Stephen another time. Anyway, Zoe was an amazing character, and I could always feel what she felt from elation to deep sadness and more. Although Olivia isn't in the book very much, I also loved Olivia and how much she sacrificed for a certain experiment. Lucy was my favorite character, and it was interesting to be able to see her thought process starting in part two of Nine. Reading about her internal struggle with how she was raised versus who she wanted to be felt very emotional to me. We have all had that struggle with ourselves to become a better version of ourself. Seeley was a bit of a wild card. Sometimes I loved him, and other times I hated him although I could understand why he was doing what he did (not that it was justified for most of it). I would have hated to have the same ultimatum given to me as Hammon gave Seeley. Even all the minor characters (especially McCoy) I really enjoyed. Every character added to the story and fleshed it out even more.
Trigger warnings for Nine include violence (including gun violence), torture, and murder.
Overall, Nine is an emotional story with a positive message that really makes you think about how you can change no matter your given circumstances. Nine would make a fantastic movie or tv series, and I know I would watch it should anyone ever do that. I would definitely recommend Nine by Rachelle Dekker to those aged 16+ that love highly suspenseful stories that include a positive message.
--
(A special thank you to Revell for providing me with a paperback of Nine by Rachelle Dekker in exchange for an honest and unbiased review.)
I felt that the plot to Nine was solid. Zoe Johnson is busy working at her mundane job as a waitress when a young 17 year old girl shows up. From the get go, Zoe is protective of this young girl named Lucy who appears naive, scared, confused, and willing to trust anyone. However, trying to protect Lucy will have a high cost as Lucy is much more than she appears to be.
I read Nine in about a day. The pacing was so spot on that I didn't want to put this book down. The action starts out right in the first chapter and just carries on throughout the book. From the very first page, I was sucked into this suspenseful world Rachelle Dekker had masterfully created. Though it does have some similarities with the video game/movie Resident Evil (sans zombies), Dekker did a fantastic job at making the plot line feel original although it's been done many times before. There are a few plot twists including one that links back to The Girl Behind the Red Rope which I was very excited to read about! Yes, some of the plot twists are a bit predictable, but Nine is a very interesting story nonetheless.
I have to gush about the characters in Nine now. Dekker did an amazing job making her characters feel fleshed out. I felt as if the characters in Nine were people I actually knew in real life; that's how realistic these characters were written. I loved Zoe's character. Even though she had a sad story and baggage of her own, it was refreshing to see her actually put her trust and care about someone else. I will say I would have liked to know more about her brother Stephen and read more in detail about what happened to him. Perhaps Dekker will write a story about Stephen another time. Anyway, Zoe was an amazing character, and I could always feel what she felt from elation to deep sadness and more. Although Olivia isn't in the book very much, I also loved Olivia and how much she sacrificed for a certain experiment. Lucy was my favorite character, and it was interesting to be able to see her thought process starting in part two of Nine. Reading about her internal struggle with how she was raised versus who she wanted to be felt very emotional to me. We have all had that struggle with ourselves to become a better version of ourself. Seeley was a bit of a wild card. Sometimes I loved him, and other times I hated him although I could understand why he was doing what he did (not that it was justified for most of it). I would have hated to have the same ultimatum given to me as Hammon gave Seeley. Even all the minor characters (especially McCoy) I really enjoyed. Every character added to the story and fleshed it out even more.
Trigger warnings for Nine include violence (including gun violence), torture, and murder.
Overall, Nine is an emotional story with a positive message that really makes you think about how you can change no matter your given circumstances. Nine would make a fantastic movie or tv series, and I know I would watch it should anyone ever do that. I would definitely recommend Nine by Rachelle Dekker to those aged 16+ that love highly suspenseful stories that include a positive message.
--
(A special thank you to Revell for providing me with a paperback of Nine by Rachelle Dekker in exchange for an honest and unbiased review.)
Ivana A. | Diary of Difference (1171 KP) rated The Thursday Murder Club in Books
Oct 5, 2020
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I am so happy I am able to be part of the instagram tour for The Thursday Murder Club by Richard Osman. Thank you to the amazing team at Penguin Random House and Viking, for sending me an ARC copy of this book.
<b><i>Synopsis:</i></b>
We follow Elizabeth, Joyce, Ron and Ibrahim, who all meet up on Thursdays and solve mysteries. But when a murder happens in their environment, they cannot stay idle. Having their own tricks up their sleeves, they uncover evidence and keep getting closer to solving the mystery. But one mystery leads to another, and another, and before they know it, they are tangled in a mystery where everyone is a suspect and no one can be trusted.
<b><i>My Thoughts:</i></b>
Their personalities, especially the ability to be brutally honest and not care what they say or do is what kept me giggling throughout. Their resilience and perseverance, and the ability to trick people as well as be a nuisance was so refreshing to read, because it was so real, and I have seen it before.
I used to work in a care home with people that were suffering from dementia, and I am glad that there is a book like this one, that realistically describes how the elderly spend their free time and how mischievous they can be.
Sometimes they help the police, and sometimes they hide things and manipulate so much that I just couldn’t believe the audacity (which was funny on its own). But I think what I loved the most was how much fun they have while they are doing what they want to do - solve mysteries. And they are very good at it!
<b><i>“In life, you have to count the good days. You have to tuck them in your pocket and carry them around with you.”</i></b>
As a foreigner, I thought I wouldn’t understand the British humor.
But I suppose living with a British partner and working in the UK does help a lot. Damn, I’ve been here too long :D Although, there was one part that I did not get, and my partner had to assist me with.
I didn’t understand the meaning of “What forty-six kilos was in real money". And when explained, let me tell you, I was not impressed. :D
<b><i>“People without a sense of humour will never forgive you for being funny.”</i></b>
On the subject of mystery, because in the end, this is a mystery novel, it does deliver. There are multiple mysteries, shall I say multi-layered, and some of the mysteries did keep me wondering until the end. Some of them, I did guess quite early in the book. I kept thinking that all the mysteries would somehow end up connected, and they do, but not in the way I expect - that’s all I will say, without revealing too much.
<b><i>I loved the The Thursday Murder Club.</i></b>
It made me giggle, it made me wonder and try to solve the multi-layer mystery, it made me sad and surprised. It got all the emotions out of me, and I loved it! I would definitely recommend this book!
<b><i>“Tony is not a believer in luck, he’s a believer in hard work. If you fail to prepare, you prepare to fail.”</i></b>
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I am so happy I am able to be part of the instagram tour for The Thursday Murder Club by Richard Osman. Thank you to the amazing team at Penguin Random House and Viking, for sending me an ARC copy of this book.
<b><i>Synopsis:</i></b>
We follow Elizabeth, Joyce, Ron and Ibrahim, who all meet up on Thursdays and solve mysteries. But when a murder happens in their environment, they cannot stay idle. Having their own tricks up their sleeves, they uncover evidence and keep getting closer to solving the mystery. But one mystery leads to another, and another, and before they know it, they are tangled in a mystery where everyone is a suspect and no one can be trusted.
<b><i>My Thoughts:</i></b>
Their personalities, especially the ability to be brutally honest and not care what they say or do is what kept me giggling throughout. Their resilience and perseverance, and the ability to trick people as well as be a nuisance was so refreshing to read, because it was so real, and I have seen it before.
I used to work in a care home with people that were suffering from dementia, and I am glad that there is a book like this one, that realistically describes how the elderly spend their free time and how mischievous they can be.
Sometimes they help the police, and sometimes they hide things and manipulate so much that I just couldn’t believe the audacity (which was funny on its own). But I think what I loved the most was how much fun they have while they are doing what they want to do - solve mysteries. And they are very good at it!
<b><i>“In life, you have to count the good days. You have to tuck them in your pocket and carry them around with you.”</i></b>
As a foreigner, I thought I wouldn’t understand the British humor.
But I suppose living with a British partner and working in the UK does help a lot. Damn, I’ve been here too long :D Although, there was one part that I did not get, and my partner had to assist me with.
I didn’t understand the meaning of “What forty-six kilos was in real money". And when explained, let me tell you, I was not impressed. :D
<b><i>“People without a sense of humour will never forgive you for being funny.”</i></b>
On the subject of mystery, because in the end, this is a mystery novel, it does deliver. There are multiple mysteries, shall I say multi-layered, and some of the mysteries did keep me wondering until the end. Some of them, I did guess quite early in the book. I kept thinking that all the mysteries would somehow end up connected, and they do, but not in the way I expect - that’s all I will say, without revealing too much.
<b><i>I loved the The Thursday Murder Club.</i></b>
It made me giggle, it made me wonder and try to solve the multi-layer mystery, it made me sad and surprised. It got all the emotions out of me, and I loved it! I would definitely recommend this book!
<b><i>“Tony is not a believer in luck, he’s a believer in hard work. If you fail to prepare, you prepare to fail.”</i></b>
Emma @ The Movies (1786 KP) rated Mile 22 (2018) in Movies
Sep 25, 2019
Contains spoilers, click to show
With a run time of 1 hour 34 minutes, and such a fast flowing story line, you certainly don't feel like you're bored at any point during Mile 22. There were plenty of times where I was confused, and a couple where I was amused, but never bored.
Overall the story is a good one and I felt like the twists and turns come in just the right places. But there's no denying that this could have been a 4/5 star film for me had there been some differences.
The opening titles set about cataloging Silva's (Mark Wahlberg) personal history so that we know what sort of person he is and how he's ended up at the head of this team. While it actually worked well I'm unsure of why it was needed at all. Most of the traits that were being shown are ones that frequently pop up in movies in the stereotypical spec ops/military characters, they needed no explanation. Similarly, the back story for Alice seemed surplus to requirements and shoe-horned in so she could have something for Silva to get angry about. Although later in the film she uses the back story to manipulate a baddie when she's cornered and that was quite amusing so I'm willing to let it slide.
By far the best thing about this movie is Iko Uwais. At all times he's consistent to character and his fight scenes were incredible. So it's a little sad that they were marred by some terrible editing. Many of the scenes would flow nicely and you were just becoming engrossed in them when they would cut abruptly to another angle. The only thing it seemed to achieve was speeding up the action, which was already fast and going along very nicely on it's own in the first place. The cuts were chaotic and difficult to watch and ruined what could have been the redeeming feature of this film.
During the film you see Silva talking about the events at some kind of briefing. Although short, they felt like ramblings and didn't make much sense. Placing one "present day" scene at either end of the main events would have achieved a much better job and covered up what felt like a script that had gone awry.
The ending felt like a bit of a cop out to me. Not answering the main question that we were all looking for left me with a deeply unsatisfying feeling and some annoyance at what felt like an obvious attempt to set up for a sequel.
I was surprised to see that this was an 18 certificate. After sitting through the whole thing I feel like it could have quite happily sat at the 15 level. All it would have needed was the removal of a lot of unnecessary language and to have some of the more graphic scenes shot from a different angle/cut better to not show so much of the brutality. That being said though, I didn't find the violence particularly bad compared to other things I've seen.
As an after thought having just rewatched the trailer again before putting it into this post... it's a shame that there weren't some of the computer erasure effects from the trailer in the film. There were certainly opportunities and with the level of technology that they're using it seems to be down played at almost all points.
What should you do?
Watch it for Iko Uwais. His action sequences were so good that they hold up the rest of the film.
Movie thing you wish you could take home
I could really do with the Hand of God when I'm out and about driving.
Overall the story is a good one and I felt like the twists and turns come in just the right places. But there's no denying that this could have been a 4/5 star film for me had there been some differences.
The opening titles set about cataloging Silva's (Mark Wahlberg) personal history so that we know what sort of person he is and how he's ended up at the head of this team. While it actually worked well I'm unsure of why it was needed at all. Most of the traits that were being shown are ones that frequently pop up in movies in the stereotypical spec ops/military characters, they needed no explanation. Similarly, the back story for Alice seemed surplus to requirements and shoe-horned in so she could have something for Silva to get angry about. Although later in the film she uses the back story to manipulate a baddie when she's cornered and that was quite amusing so I'm willing to let it slide.
By far the best thing about this movie is Iko Uwais. At all times he's consistent to character and his fight scenes were incredible. So it's a little sad that they were marred by some terrible editing. Many of the scenes would flow nicely and you were just becoming engrossed in them when they would cut abruptly to another angle. The only thing it seemed to achieve was speeding up the action, which was already fast and going along very nicely on it's own in the first place. The cuts were chaotic and difficult to watch and ruined what could have been the redeeming feature of this film.
During the film you see Silva talking about the events at some kind of briefing. Although short, they felt like ramblings and didn't make much sense. Placing one "present day" scene at either end of the main events would have achieved a much better job and covered up what felt like a script that had gone awry.
The ending felt like a bit of a cop out to me. Not answering the main question that we were all looking for left me with a deeply unsatisfying feeling and some annoyance at what felt like an obvious attempt to set up for a sequel.
I was surprised to see that this was an 18 certificate. After sitting through the whole thing I feel like it could have quite happily sat at the 15 level. All it would have needed was the removal of a lot of unnecessary language and to have some of the more graphic scenes shot from a different angle/cut better to not show so much of the brutality. That being said though, I didn't find the violence particularly bad compared to other things I've seen.
As an after thought having just rewatched the trailer again before putting it into this post... it's a shame that there weren't some of the computer erasure effects from the trailer in the film. There were certainly opportunities and with the level of technology that they're using it seems to be down played at almost all points.
What should you do?
Watch it for Iko Uwais. His action sequences were so good that they hold up the rest of the film.
Movie thing you wish you could take home
I could really do with the Hand of God when I'm out and about driving.
Jesters_folly (230 KP) rated The Queens Corgi (2019) in Movies
Jul 13, 2019
Contains spoilers, click to show
The Queens Corgi is an animated children's movie about Rex, the Queen's favourite who, after a disastrous visit from Donald Trump, is tricked into leaving the palace and winds up in the dog pound. This is a common formula in children’s movies both animated and live action and I'm sure most of us can guess what happens next, Rex tries to get back home and, on the way makes some friends and falls in love. So when my daughter wanted to see it I though I'd be in for a funny, possibly sad film. God I was wrong. There is so much wrong with this film and it all seems to go wrong from the scene where Donald Trump visits the Queen and I really wish I could say my problems were politically motivated but unfortunately the film was just that bad.
The character of Trump was reduced to a stereotypical American tourist with Melania passing comments about the size of Donald’s (big) hands being one of the things that attracted her to him.
The problems really start when Melania and the Queen decided it will be a good idea to breed their respective corgis. Melania's Corgi, Mitzi, who is made up in heave eye shadow and lipstick is instantly judged and disliked by all the Queens corgis (both Male and female). Melania's Corgi then passes judgment on all the corgis until she comes to Rex who she decided she wants. The two dogs are then left in a room together after being told by Trump to grab him by the pups.
Now I just want to make the following clear:
1) I've seen plenty of movies where the (normally timid/nerdy) male character is hit on by the strong scary bully female and this normally for comedy value. Although these scenes could be seen as problematic they are normally played for laughs.
2) I understand that dog breeders do choose dogs and put them together to mate. However, as the animals in this film are given human personality's the situation is different.
So when the two dogs are left in the room we are treated to long scene where Mitzi tries to get Rex to mate with her, because Rex wants none of it Mitzi chases him around the room, grabs him, stops him from leaving and generally won’t take no for an answer. This is not done playfully.
Later in the film, Rex is in a dog pound, one of his cell mates starts listing the rules of the pound, rule one, there is no fight club. Now, this may have been ok if it was a one time throw away line, kids films often have little jokes for adults. However, it's not a throw away line, it's used more than once, including the first time the dogs are at a fight club. Yes, the top dog, called Butch, keeps order by making any dog he doesn't like fight. We see a dog carried off on stretcher, Rex is almost thrown into a fire and is only saved when Butch is knock out in one punch which also knocks out half his teeth.
Of course Rex and his new friends make it back to the palace and beat the main villain who is sent off with Trump and Mitzi. Remember non of the palace dogs liked Mitzi and she has all already said she doesn't understand the word no so this has implications for Charlie’s futures. It's ok though because he's the bad guy (not).
So we have a children's film with dog fights, attempted rape, implied rape, judging on appearance and a dull story, that seem find the line between children’s jokes and the adult ones the only reason I'm giving this one star is because it avoids getting political with Trump.
The character of Trump was reduced to a stereotypical American tourist with Melania passing comments about the size of Donald’s (big) hands being one of the things that attracted her to him.
The problems really start when Melania and the Queen decided it will be a good idea to breed their respective corgis. Melania's Corgi, Mitzi, who is made up in heave eye shadow and lipstick is instantly judged and disliked by all the Queens corgis (both Male and female). Melania's Corgi then passes judgment on all the corgis until she comes to Rex who she decided she wants. The two dogs are then left in a room together after being told by Trump to grab him by the pups.
Now I just want to make the following clear:
1) I've seen plenty of movies where the (normally timid/nerdy) male character is hit on by the strong scary bully female and this normally for comedy value. Although these scenes could be seen as problematic they are normally played for laughs.
2) I understand that dog breeders do choose dogs and put them together to mate. However, as the animals in this film are given human personality's the situation is different.
So when the two dogs are left in the room we are treated to long scene where Mitzi tries to get Rex to mate with her, because Rex wants none of it Mitzi chases him around the room, grabs him, stops him from leaving and generally won’t take no for an answer. This is not done playfully.
Later in the film, Rex is in a dog pound, one of his cell mates starts listing the rules of the pound, rule one, there is no fight club. Now, this may have been ok if it was a one time throw away line, kids films often have little jokes for adults. However, it's not a throw away line, it's used more than once, including the first time the dogs are at a fight club. Yes, the top dog, called Butch, keeps order by making any dog he doesn't like fight. We see a dog carried off on stretcher, Rex is almost thrown into a fire and is only saved when Butch is knock out in one punch which also knocks out half his teeth.
Of course Rex and his new friends make it back to the palace and beat the main villain who is sent off with Trump and Mitzi. Remember non of the palace dogs liked Mitzi and she has all already said she doesn't understand the word no so this has implications for Charlie’s futures. It's ok though because he's the bad guy (not).
So we have a children's film with dog fights, attempted rape, implied rape, judging on appearance and a dull story, that seem find the line between children’s jokes and the adult ones the only reason I'm giving this one star is because it avoids getting political with Trump.
Sarah (7800 KP) Nov 18, 2020
Dean (6927 KP) Nov 18, 2020