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Johnny English Strikes Again (2018)
Johnny English Strikes Again (2018)
2018 | Action, Adventure, Comedy
Unwanted and underwhelming third outing for Rowan Atkinson's credit-card-advert-character from long ago. When a cyber-attack on the British government exposes the identity of every active agent, retired spy/moron Johnny English is brought back to find those responsible. Much obvious slapstick and many painfully telegraphed punchlines ensue; I did laugh a bit, but possibly out of sympathy.

This time around it seems obvious that the film is being pitched towards a very young audience, which explains its general silliness and reluctance to engage in anything resembling actual satire - as it is, the film's capacity to get real-world issues utterly wrong is almost uncanny (Britain and the Russians team up to stop cyber-terrorists). On the other hand, some of it feels aimed at older viewers who are generally suspicious and resentful of the modern world (the internet is bad, smartphones are bad, the Health and Safety Act is silly, etc). Maybe it's meant to be a film for right-wing grandparents to take their kids' kids to.

On the other hand, it's Rowan Atkinson, who is a superbly gifted clown, and there are inevitably a few amusing bits along the way - but not nearly enough, given his talent. Hopefully this is as close to actually not being funny as he will ever get.
  
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David Zellner recommended Robocop (1987) in Movies (curated)

 
Robocop  (1987)
Robocop (1987)
1987 | Action, Sci-Fi

"I was thirteen when I saw this on opening weekend, and I remember leaving the theater walking on air. This had everything I’d wanted in a film. I was expecting just another fun action movie, and it was so much more. I was blown away by Verhoeven’s skillful hand with bleak absurdist satire, action, and genuine pathos. Somehow the film’s ludicrous extremes were able to make a perfect in-the-moment statement about the Regan-era eighties without the benefit of hindsight. Amazing script, amazing cast, and Peter Weller should’ve gotten an Oscar. So many memorable lines. Rob Bottin’s iconic designs of Robocop and the nuclear waste victim. Phil Tippet’s brilliant stop-motion wonder ED-209, so hilariously anthropomorphized through its beastly sound design and hurky movement—and I’ve yet to see something like that executed as perfectly with CGI. Some truly great, subversive physical comedy. When this was first released on Criterion I was so excited it was getting the reverence it deserved among the other classics. I believe it’s on the commentary track where Verhoeven talks about the sequel he pitched that was inevitably turned down. Instead of simply repeating himself, he proposed a love story with RoboCop falling for a cyborg that was little more than a floating brain in a jar. I would love to see that."

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