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Hazel (1853 KP) rated Valley of the Moon in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
For fans of <i>The Time Traveler’s Wife</i> (Niffenegger, 2003) this captivating story by Melanie Gideon is an alluring, spellbinding work of fiction about loving, being loved and finding somewhere you belong. With a touch of time travel in an otherwise typical reality,<i> Valley of the Moon </i>will excite, enrapture and touch readers’ hearts.
It is difficult to give a synoptic review without giving too much of the plot away. In short, the book contains the two lives of complete strangers who meet under extremely unlikely circumstances. It is 1975 and Lux Lysander is struggling to make ends meet as a single mother in San Francisco. Estranged from her parents, Benno has become her life; Lux would do anything for him. The other half of the story begins in 1906 in the Californian Sonoma Valley. Joseph has achieved his dream of creating an Edenic community where races and classes can live in harmony. Greengage is a self-sufficient society where everyone is seen as equal, however, something happens to shake up the peace – literally. A huge earthquake mysteriously leaves the valley unharmed but completely surrounded by a deadly fog. No one can leave and no one can enter, that is until Lux does.
Until the two characters’ lives collide, the narrative is fairly typical, but it quickly takes on a theme that most minds would attempt to debunk. Through a wall of fog, Lux can pass between 1975 and 1906, whereas Joseph and his friends can only stay in their own timeline. Lux begins to live a double life: one with her son Benno and one with the antiquated lifestyle of the Greengage community. Unfortunately, it is only possible to pass through the fog on a fall moon, and not necessarily every month.
Lux’s modern appearance and colloquialisms baffle the community but she soon finds herself a place amongst the inhabitants. For a while, Lux is able to keep her two lives separate, but one slip up causes her to temporarily lose the love and trust of her only son. Torn between her own flesh and blood and the only place she feels she belongs, Lux has to decide how far she would go for the people she loves.
One of the key themes of the novel is relationship. Although romance develops toward the latter stages of the story, the majority is focused on familial love and love between friends. Lux and Benno’s relationship is particularly important, especially when their love becomes strained by Lux’s secret dalliance with the past. The other significant theme is about finding oneself. Lux lives in an era where, despite developments in women’s equality, single mothers are still shunned. Conversely, in 1906 where historically things were worse for women, the egalitarian society feels much more like home.
Lux’s temerity is to be admired as she continues to visit the past despite it being beyond the bounds of possibility. More applaudable is her determination to win back her son as well as her distant parents.
Despite being set for the most part in the 1970s and 80s, <i>Valley of the Moon</i> has a futuristic air about it, with an element of fantasy and science fiction. It is almost a version of <i>The Lion, the Witch and the Wardrobe</i> (Lewis, 1950) but for adults, with more realistic themes. Melanie Gideon admits that she got the idea for the novel from the film <i>Brigadoon</i> (1954) in which the protagonist stumbles across a magical land in the woods. With similarities, Gideon has created her own version of this fairy-tale-like scenario.
Journeying through a range of emotions, <i>Valley of the Moon</i> is a story that engages readers from beginning to end. With ups and downs, the author explores the lives and personalities of the main characters, which develop beautifully over time. This book is not one likely to disappoint its readers.
For fans of <i>The Time Traveler’s Wife</i> (Niffenegger, 2003) this captivating story by Melanie Gideon is an alluring, spellbinding work of fiction about loving, being loved and finding somewhere you belong. With a touch of time travel in an otherwise typical reality,<i> Valley of the Moon </i>will excite, enrapture and touch readers’ hearts.
It is difficult to give a synoptic review without giving too much of the plot away. In short, the book contains the two lives of complete strangers who meet under extremely unlikely circumstances. It is 1975 and Lux Lysander is struggling to make ends meet as a single mother in San Francisco. Estranged from her parents, Benno has become her life; Lux would do anything for him. The other half of the story begins in 1906 in the Californian Sonoma Valley. Joseph has achieved his dream of creating an Edenic community where races and classes can live in harmony. Greengage is a self-sufficient society where everyone is seen as equal, however, something happens to shake up the peace – literally. A huge earthquake mysteriously leaves the valley unharmed but completely surrounded by a deadly fog. No one can leave and no one can enter, that is until Lux does.
Until the two characters’ lives collide, the narrative is fairly typical, but it quickly takes on a theme that most minds would attempt to debunk. Through a wall of fog, Lux can pass between 1975 and 1906, whereas Joseph and his friends can only stay in their own timeline. Lux begins to live a double life: one with her son Benno and one with the antiquated lifestyle of the Greengage community. Unfortunately, it is only possible to pass through the fog on a fall moon, and not necessarily every month.
Lux’s modern appearance and colloquialisms baffle the community but she soon finds herself a place amongst the inhabitants. For a while, Lux is able to keep her two lives separate, but one slip up causes her to temporarily lose the love and trust of her only son. Torn between her own flesh and blood and the only place she feels she belongs, Lux has to decide how far she would go for the people she loves.
One of the key themes of the novel is relationship. Although romance develops toward the latter stages of the story, the majority is focused on familial love and love between friends. Lux and Benno’s relationship is particularly important, especially when their love becomes strained by Lux’s secret dalliance with the past. The other significant theme is about finding oneself. Lux lives in an era where, despite developments in women’s equality, single mothers are still shunned. Conversely, in 1906 where historically things were worse for women, the egalitarian society feels much more like home.
Lux’s temerity is to be admired as she continues to visit the past despite it being beyond the bounds of possibility. More applaudable is her determination to win back her son as well as her distant parents.
Despite being set for the most part in the 1970s and 80s, <i>Valley of the Moon</i> has a futuristic air about it, with an element of fantasy and science fiction. It is almost a version of <i>The Lion, the Witch and the Wardrobe</i> (Lewis, 1950) but for adults, with more realistic themes. Melanie Gideon admits that she got the idea for the novel from the film <i>Brigadoon</i> (1954) in which the protagonist stumbles across a magical land in the woods. With similarities, Gideon has created her own version of this fairy-tale-like scenario.
Journeying through a range of emotions, <i>Valley of the Moon</i> is a story that engages readers from beginning to end. With ups and downs, the author explores the lives and personalities of the main characters, which develop beautifully over time. This book is not one likely to disappoint its readers.
The Man Who Walked Through Walls
Marcel Ayme, Sophie Lewis and Yann Kebbi
Book
A collection of funny and fantastical short stories, Marcel Ayme's The Man Who Walked through Walls...
Mothergamer (1511 KP) rated Warframe in Video Games
Apr 3, 2019
A friend of mine suggested that I check out the game Warframe. They thought I would like it since I like games like Phantasy Star Online and Mass Effect. Warframe is a free to play co-operative third person shooter game. It's a science fiction futuristic role playing game. You can play Warframe on the PC, Xbox One, or the Playstation 4. Unfortunately there is no cross platform play with this, but at least you have a choice about which one you want to play on.
You play as a member of the Tenno, a race of ancient warriors who have awoken from cryosleep and find themselves at war with a race known as the Grineer who appear to be human clones with metal mods and the Corpus a corporation with robots and laser technology. I found that concept pretty intriguing and decided to check it out on my computer.
There are three starter warframes to choose from; Mag, Volt, and Excalibur. I decided to go with Mag and started my adventure in Warframe and named her Pirotess Dragontamer like my Final Fantasy XIV character. The introductory tutorial is quite helpful which gave me a chance to get used to the battle controls. I also liked that you can change the colors of your warframe and customize it to your tastes.
My Mag warframe is pretty cool.
There are so many missions you can do on each planet ranging from rescue missions to spy missions. You can do these missions solo, but it's definitely easier to do them with friends. The max number of people on a team is four and it does make a mission go a lot faster when you have a full team. Finding a team is fairly easy as you can make your match settings public and the game will match you with people who are doing the same mission.
Pirotess doing a mission with her friends.
I'm glad I tried Warframe out because I love it. It's a lot of fun to play and the story is very interesting. The graphics for the game look great and the voice acting and music is really good as well. It's hard to believe it's a free to play online game because there is so much content and so many great areas to explore.
You can also do crafting in the game and it isn't boring. In many of the missions you get blueprints for weapons and different warframes which you can build in your ship. Level grinding is not boring at all because of the variety of the missions. You also have solo missions for ranking up your warframe. The max level for a warframe is 30 and you can level up your weapons and pets as well.
Pirotess on her Frost warframe.
My husband Ron plays Warframe with me as well and he's really enjoying it also. It's a lot of fun playing the game together and with our friends. Having a good clan helps too because they can help you get missions done as well as helping with getting blueprints and items you need for crafting and modding equipment.
I'm also looking forward to the new expansion for the game, Plains of Eidolon because it looks fantastic and there's going to be even more things added including a new warframe. Warframe is so much fun and I love just exploring and doing all the events and missions with everyone. It's fast paced and fits in my wheel house for sci-fi space games. Now, I'm off to explore more of the galaxy!
You play as a member of the Tenno, a race of ancient warriors who have awoken from cryosleep and find themselves at war with a race known as the Grineer who appear to be human clones with metal mods and the Corpus a corporation with robots and laser technology. I found that concept pretty intriguing and decided to check it out on my computer.
There are three starter warframes to choose from; Mag, Volt, and Excalibur. I decided to go with Mag and started my adventure in Warframe and named her Pirotess Dragontamer like my Final Fantasy XIV character. The introductory tutorial is quite helpful which gave me a chance to get used to the battle controls. I also liked that you can change the colors of your warframe and customize it to your tastes.
My Mag warframe is pretty cool.
There are so many missions you can do on each planet ranging from rescue missions to spy missions. You can do these missions solo, but it's definitely easier to do them with friends. The max number of people on a team is four and it does make a mission go a lot faster when you have a full team. Finding a team is fairly easy as you can make your match settings public and the game will match you with people who are doing the same mission.
Pirotess doing a mission with her friends.
I'm glad I tried Warframe out because I love it. It's a lot of fun to play and the story is very interesting. The graphics for the game look great and the voice acting and music is really good as well. It's hard to believe it's a free to play online game because there is so much content and so many great areas to explore.
You can also do crafting in the game and it isn't boring. In many of the missions you get blueprints for weapons and different warframes which you can build in your ship. Level grinding is not boring at all because of the variety of the missions. You also have solo missions for ranking up your warframe. The max level for a warframe is 30 and you can level up your weapons and pets as well.
Pirotess on her Frost warframe.
My husband Ron plays Warframe with me as well and he's really enjoying it also. It's a lot of fun playing the game together and with our friends. Having a good clan helps too because they can help you get missions done as well as helping with getting blueprints and items you need for crafting and modding equipment.
I'm also looking forward to the new expansion for the game, Plains of Eidolon because it looks fantastic and there's going to be even more things added including a new warframe. Warframe is so much fun and I love just exploring and doing all the events and missions with everyone. It's fast paced and fits in my wheel house for sci-fi space games. Now, I'm off to explore more of the galaxy!
My rating 2.5
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
Night Reader Reviews (683 KP) rated Three Black Boys: The Hotep Brother Manuscript in Books
Apr 9, 2020
Honest Review for Free Copy of Book
Three Black Boys: The Hotep Brother Manuscript Volume 2 by Zangba Thomson is a wonderful continuation of the Three Black Boys series and I truly hope to see at least one more book in the future. It has elements that reminded me of the movie The Mummy Returns with its reanimated corpses.
Ego is back only this time he is calling himself Egor and has partnered up with Deadra whom he brought back from the dead, and her ‘pet’ Crow. The two of them along with Egor’s mindlessly enslaved Egomaniacs are have murdered the king of Monomotapa and are taking it over. Their goal is to stop the gold shipments to Planet Black, home of Father Time and Mother Nature. These gold shipments provide Planet Black with the necessary materials to protect it from asteroids and other dangers. Sadly a bunch of asteroids are headed straight for the planet and they do not have enough supplies to defend themselves.
With the looming threat of destruction Father Time and Mother Nature call on the Three Black Boys; Barnes, Demus, and Baker for help once again. The three boys are sent down to Monomotapa to discover what Egor and Deadra are up to and to put a stop to it before Planet Black is destroyed.
What I liked best about this book was the ending. This is not because the book was over (I for one wanted more) but because of the feelings, the book left me with. I was both happy and excited for the Three Black Boys as well as filled with hope that they can make better choices this time around. I can not say much else about what I liked without giving away some major spoilers. It was hard to choose something that I did not like about this book. If anything it was Barnes’ ring that felt off to me. The ring was supposed to give Barnes the ability to make any sound he wanted but it also gave him the ability to shoot laser beams out of it, though I am not sure why.
This book is ideal for adults and those mature enough to handle sex as it is not quite as family-friendly as the first volume. It is ideal for those who like dystopian fantasy with a bit of science fiction mixed in. I rate this book 3 out 4, just like volume one. It kept the style of the first book and had a nice flow to it that allowed me to read it in just two days. The symbolic theme of the destructive Ego carried over nicely as well, though I wish I could figure out what (if anything) Deadra symbolized. The idea of redemption and starting over after a troubled time was well depicted also. If it wasn’t for the ring’s unexplained power this book would have gotten a perfect score.
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Ego is back only this time he is calling himself Egor and has partnered up with Deadra whom he brought back from the dead, and her ‘pet’ Crow. The two of them along with Egor’s mindlessly enslaved Egomaniacs are have murdered the king of Monomotapa and are taking it over. Their goal is to stop the gold shipments to Planet Black, home of Father Time and Mother Nature. These gold shipments provide Planet Black with the necessary materials to protect it from asteroids and other dangers. Sadly a bunch of asteroids are headed straight for the planet and they do not have enough supplies to defend themselves.
With the looming threat of destruction Father Time and Mother Nature call on the Three Black Boys; Barnes, Demus, and Baker for help once again. The three boys are sent down to Monomotapa to discover what Egor and Deadra are up to and to put a stop to it before Planet Black is destroyed.
What I liked best about this book was the ending. This is not because the book was over (I for one wanted more) but because of the feelings, the book left me with. I was both happy and excited for the Three Black Boys as well as filled with hope that they can make better choices this time around. I can not say much else about what I liked without giving away some major spoilers. It was hard to choose something that I did not like about this book. If anything it was Barnes’ ring that felt off to me. The ring was supposed to give Barnes the ability to make any sound he wanted but it also gave him the ability to shoot laser beams out of it, though I am not sure why.
This book is ideal for adults and those mature enough to handle sex as it is not quite as family-friendly as the first volume. It is ideal for those who like dystopian fantasy with a bit of science fiction mixed in. I rate this book 3 out 4, just like volume one. It kept the style of the first book and had a nice flow to it that allowed me to read it in just two days. The symbolic theme of the destructive Ego carried over nicely as well, though I wish I could figure out what (if anything) Deadra symbolized. The idea of redemption and starting over after a troubled time was well depicted also. If it wasn’t for the ring’s unexplained power this book would have gotten a perfect score.
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Terraforming Mars
8.7
Rate It
Tabletop Game
In the 2400s, mankind begins to terraform the planet Mars. Giant corporations, sponsored by the...
Boardgame TerraformThis MeeplesChoice
Abandoned Things
10.0
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Book
Frankie is a fifth-year college student with a secret. He's the writer and creator of the popular...
MM Science Fiction Fantasy Enemies to Lovers Romance
Ivana A. | Diary of Difference (1171 KP) rated The Toll (Arc of a Scythe, #3) in Books
Feb 3, 2020
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2656699288">Scythe</a>; - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2998629500">Thunderhead</a>; - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3080800725">The Toll</a> - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/01/Book-Review-Banner-20.png"/>;
And here is my review of The Toll. We have reached the end of the series, guys.
It’s been three years since Rowan and Citra disappeared; since Scythe Goddard came into power; since the Thunderhead closed itself off to everyone but Grayson Tolliver.
In this pulse-pounding conclusion to New York Times bestselling author Neal Shusterman’s Arc of a Scythe trilogy, constitutions are tested and old friends are brought back from the dead.
I don’t know how to even start this review, because I have so many emotions still! I am so in love with this series. With this finale. I am also so sad that the journey ends here and I have to part ways, re-visiting these books but never reading new ones.
A wonderful world, where death is no more, and two scythe apprentices, with the willpower to be great - they stuck to me, and they grew on me, and they did capture my heart.
<b><i>Rowan - a hero never understood.</i></b>
Fighting for the good in a bad way. Himself against the world, not afraid to give his life for the people he cares about. I salute you, Scythe Lucifer!
<b><i>Citra - a woman born to be a leader.</i></b>
A powerful force that moves the Earth she walks upon. A compassion and kindness mixed with the force of unfairness. Ready to stand up when no one else does and not afraid to do things differently. I salute you, Scythe Anastasia.
And to all the rest of the characters, and believe me, there are so many that are just as important, I also bow to you. For fighting for what you believe in, for being better humans than most and for helping a person in need. You will never be forgotten.
<b><i>Neal Shusterman, the hero of this book.</i></b>
The creator of wonderful worlds. I bow to you and I thank you for giving me a world worth remembering. For creating the Thunderhead to lead us into the future, and for giving us a glimpse of possibilities and opportunities of the “what might be”. I have endless love for your writing and will continue to be excited and read every new book you write.
I have noticed, when I really love a book and want to shout about it to everyone I know, it is quite hard to do so without spilling any spoilers. How do you write a review of mentioning all the things you loved, without ruining the story for someone else?
<b><i>Let’s try it this way:</i></b>
Guys, have a look at my review of Scythe, the first book in the series. Then read the book. Then read my review of Thunderhead. Read that book as well. And then come here, read this blurb, finish the series and find me either here, or on Instagram and Twitter, so I can tell you all the spoilers! :)
No, honestly, if you love science-fiction with a twist of fantasy and dystopia, this will be a book you will cherish forever.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2656699288">Scythe</a>; - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2998629500">Thunderhead</a>; - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3080800725">The Toll</a> - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/01/Book-Review-Banner-20.png"/>;
And here is my review of The Toll. We have reached the end of the series, guys.
It’s been three years since Rowan and Citra disappeared; since Scythe Goddard came into power; since the Thunderhead closed itself off to everyone but Grayson Tolliver.
In this pulse-pounding conclusion to New York Times bestselling author Neal Shusterman’s Arc of a Scythe trilogy, constitutions are tested and old friends are brought back from the dead.
I don’t know how to even start this review, because I have so many emotions still! I am so in love with this series. With this finale. I am also so sad that the journey ends here and I have to part ways, re-visiting these books but never reading new ones.
A wonderful world, where death is no more, and two scythe apprentices, with the willpower to be great - they stuck to me, and they grew on me, and they did capture my heart.
<b><i>Rowan - a hero never understood.</i></b>
Fighting for the good in a bad way. Himself against the world, not afraid to give his life for the people he cares about. I salute you, Scythe Lucifer!
<b><i>Citra - a woman born to be a leader.</i></b>
A powerful force that moves the Earth she walks upon. A compassion and kindness mixed with the force of unfairness. Ready to stand up when no one else does and not afraid to do things differently. I salute you, Scythe Anastasia.
And to all the rest of the characters, and believe me, there are so many that are just as important, I also bow to you. For fighting for what you believe in, for being better humans than most and for helping a person in need. You will never be forgotten.
<b><i>Neal Shusterman, the hero of this book.</i></b>
The creator of wonderful worlds. I bow to you and I thank you for giving me a world worth remembering. For creating the Thunderhead to lead us into the future, and for giving us a glimpse of possibilities and opportunities of the “what might be”. I have endless love for your writing and will continue to be excited and read every new book you write.
I have noticed, when I really love a book and want to shout about it to everyone I know, it is quite hard to do so without spilling any spoilers. How do you write a review of mentioning all the things you loved, without ruining the story for someone else?
<b><i>Let’s try it this way:</i></b>
Guys, have a look at my review of Scythe, the first book in the series. Then read the book. Then read my review of Thunderhead. Read that book as well. And then come here, read this blurb, finish the series and find me either here, or on Instagram and Twitter, so I can tell you all the spoilers! :)
No, honestly, if you love science-fiction with a twist of fantasy and dystopia, this will be a book you will cherish forever.
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Night Reader Reviews (683 KP) rated Lithium in Books
Jan 9, 2020
Lithium by Asina C is not the typical book style that comes to mind when I think about a fiction book based in Chernobyl. Normally I would expect such a book to be full of zombies or mutants who go around terrorizing a group of tourist that get lost but that is not the case with Lithium. Instead, this book mixes truth with science and a little bit of fantasy and gives readers a different type of story altogether. This book also talks about the Red Forest in Chernobyl and it sparked an interest in me to look up some pictures of the forest. I also did not notice too much that widely away from the actual facts about Chernobyl, though I would by no means consider myself to be well informed on the subject.
Zurin has lived with her mother for all of her twelve years in a small shack in Pripyat. Her mother has always kept Zurin inside her home for fear of radiation sickness and being seen. This is in part because the area in which they live is believed to be uninhabitable because of all the radiation still in everything following the explosion. Zurin has always been obedient to her mothers rules until one day when her mother goes to get supplies and Zurin decides to step outside for the first time but may have been seen by someone.
Then one day, shortly after her birthday Zurin wakes up to find her mother gone and blood on the floor. Zurin then ventures out into the Red Forest in search of her mother but gets extremely lost and succumbs to radiation sickness. Luckily she is found by a young couple who work for a travel company and snuck into a restricted area of Chernobyl to take pictures for their website. The couple takes Zurin to the hospital and adopts her once she gets better. As fate would have it months later Zurin returns to Pripyat in search of her mother yet again and finds herself in an abandoned hospital. It is in this hospital that she learns the truth about her mother and her life up to this point. Her only hope is to team up with a doctor she is not completely trusting of, the young couple, and a man she has never met before.
What I liked best was the idea of people still being able to live in a highly irradiated area such as Pripyat with few side effects was interesting. The book also offered some mystery as to who Zurin and her mother are and why they chose to continue to live in an isolated area such a Pripyat. What I liked least was a little more complicated. I understand the fact that people exposed to nuclear radiation and or uranium may mutate both physically and/or mentally if they survive. What I did not understand was Nikolavs goal by purposefully mutating the patients who survived the explosion but were trapped in the mental ward of the hospital.
This is definitely a young adult book, but for many, after high school, I feel like it would quickly lose its strong appeal. It is a good book but I feel like it would need to be a little more detailed, making the book a bit longer in order for it to have more of an appeal to adults. I ended up rating this book a 2 out of 4. This is because while I enjoy books set around Chernobyl (especially if mutated people or zombies are involved because it offers a plausible explanation for it) this book fell short of my expectations. One of the main issues I had was how the book fails to give solid reasoning and jumps from one topic to another.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/lithium
Zurin has lived with her mother for all of her twelve years in a small shack in Pripyat. Her mother has always kept Zurin inside her home for fear of radiation sickness and being seen. This is in part because the area in which they live is believed to be uninhabitable because of all the radiation still in everything following the explosion. Zurin has always been obedient to her mothers rules until one day when her mother goes to get supplies and Zurin decides to step outside for the first time but may have been seen by someone.
Then one day, shortly after her birthday Zurin wakes up to find her mother gone and blood on the floor. Zurin then ventures out into the Red Forest in search of her mother but gets extremely lost and succumbs to radiation sickness. Luckily she is found by a young couple who work for a travel company and snuck into a restricted area of Chernobyl to take pictures for their website. The couple takes Zurin to the hospital and adopts her once she gets better. As fate would have it months later Zurin returns to Pripyat in search of her mother yet again and finds herself in an abandoned hospital. It is in this hospital that she learns the truth about her mother and her life up to this point. Her only hope is to team up with a doctor she is not completely trusting of, the young couple, and a man she has never met before.
What I liked best was the idea of people still being able to live in a highly irradiated area such as Pripyat with few side effects was interesting. The book also offered some mystery as to who Zurin and her mother are and why they chose to continue to live in an isolated area such a Pripyat. What I liked least was a little more complicated. I understand the fact that people exposed to nuclear radiation and or uranium may mutate both physically and/or mentally if they survive. What I did not understand was Nikolavs goal by purposefully mutating the patients who survived the explosion but were trapped in the mental ward of the hospital.
This is definitely a young adult book, but for many, after high school, I feel like it would quickly lose its strong appeal. It is a good book but I feel like it would need to be a little more detailed, making the book a bit longer in order for it to have more of an appeal to adults. I ended up rating this book a 2 out of 4. This is because while I enjoy books set around Chernobyl (especially if mutated people or zombies are involved because it offers a plausible explanation for it) this book fell short of my expectations. One of the main issues I had was how the book fails to give solid reasoning and jumps from one topic to another.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/lithium
Gareth von Kallenbach (965 KP) rated Snow White and the Huntsman (2012) in Movies
Aug 7, 2019
It is easy to be cynical or dismissive regarding the trend in Hollywood to take up beloved gems of the past – namely our childhoods – and adapt them to the big screen with all of the flare and clichés of a summer blockbuster. Yet, what happens when it actually ends up winning you over? There’s a moment in movies like “Snow White and the Huntsman” in which you realize you have let go of those prejudices and notions of incorruptible nostalgia and you’ve actually started to enjoy a new rendition of something old. It’s the directorial debut for the film’s helmer, Rupert Sanders; and to be honest he’s the star of the show. As shallow as it is to say, the visual effects and action overshadow most flaws with characters, acting, or uneven pacing. Not only because his directing ability is well done, but because any flaws with the movie are relatively minor.
The movie retells the familiar story of Snow White (Kristen Stewart), likely popularized by Disney’s adaptation for most of us. Yet, the film takes more influence from the original fairy tale with the additional focus on the Huntsman (Chris Hemsworth). Snow White grows up in a kingdom under the rule of her wicked step-mother, Queen Ravenna (Charlize Theron). The Queen is a narcissistic tyrant obsessed with preserving her physical beauty – at the behest of the entire land and its people. One day, the Queen’s mirror warns that Snow White is fairer than her which leads her to order Snow White’s death. Snow White escapes, and goes on an adventure to save herself and her kingdom with the help of the Huntsman, seven dwarves, and other fantastical allies.
The movie’s framework holds up fairly well. To be honest it was my biggest worry going into the movie – that its plot would break under bloating or simply feeling uninspired. Neither was the case, yet if it were to tip in one side or the other it definitely tips in the direction of a bloated plot. Some characters simply do not get the screentime they require, and with so many characters already it feels like some of them could have been taken out entirely without much effect. Trimming down of characters and irrelevant plot threads could have benefitted the movie greatly. It does, however, do a serviceable job establishing its own identity among fantasy epics. It’s refreshing to see a movie fully embrace two extremes – full-on hard fantasy and the more gritty, realistic and perhaps minimalist fantasy. It strikes a balance with both, so you will see great effects for trolls and fairies while still maintaining a gothic medieval feel. The plot moves forward at a mostly well-paced format, but unfortunately wavers here and there. Sometimes I wished the movie would linger on certain scenes longer – as it can help to have us dwell on great character moments or moments of visual beauty – an unfortunate side effect of a bloated script. While not a problem for the overall plot, the uneven pacing in some scenes can feel a bit rushed. Some questions in the plot went unanswered, but fortunately they aren’t important to the overall understanding of the story.
The only other major issue with the movie is acting. Kristen Stewart as Snow White was an odd choice. Not to say her performance is bad in this film, but it is awkward at points. In some moments she does very well but in others she seems uninspired. It is hard to see her as the titular character instead of just Kristen Stewart in those instances; and in those scenes it feels like she’s as much part of the audience as we are – just with more of a one-note “concerned” facial expression for every instance. While not a breaking element, it leaves more to be desired from her, especially in interactions with others. Chris Hemsworth was much more enjoyable as the Huntsman, and honestly I think his performance along with Theron’s far outbalance any flaws in Kristen Stewart’s acting. The chemistry between the two protagonists seems one sided, as Chris Hemsworth acts well on his side of the equation, but Stewart unfortunately does not reciprocate. Essentially this makes a potential major relationship fall flat. However, Theron completely inhibits the role as the evil Queen. While she may overact in some scenes, she does an excellent job playing a sinister, abusive, powerful and surprisingly tragic villain.
The highlight of the movie is definitely its visual design, cinematography, and action. The only downside in this area is that this movie will definitely remind you of other great movies from long ago. Obvious inspiration from “The Lord of the Rings” echoes while watching, as it even features the same faraway montage shots of the group traversing grand vistas. If you can get passed these obvious influences, it does establish a vibrant and inspired design. That is one of the greatest aspects of the movie – the fact that the director can do so much in a single scene to really draw you in. He does an excellent job using color and pattern contrasts to a striking and awesome effect. There are some great moments that have no action yet are just as enthralling to watch, something difficult to do with just visual style. A great use of color really brings out the themes of the movie – the grey monotones and gothic style bring out a sense of dread and annihilation throughout the Queen’s empire. She truly is a force of parasitism – entirely vampiric in the way she sucks the life out of the entire land around her. She is the embodiment of self-obsession with physical beauty – a force so vain and narcissistic that she acts as a black hole absorbing all beauty around her. Sanders plays this against the vibrant designs of the forest in which Snow White spends most of her time. Alive, colorful, and natural – she embodies natural beauty – and in doing so she seemingly commands nature itself.
Sanders’ directing ability really shines in scenes of action. Instead of lazy overuse of “shaky-cam” to get the effect, he balances it with just enough on-screen choreography so you get intensity without confusion. The movie is truly action packed with familiar medieval-esque battles throughout, but highlighted by truly amazing shots of action and use of fantastical effects. There were a couple instances of eye-rolling wonder at battlefield tactics, but that gets into too much of an area of nitpicking. The action really is one of the best aspects of the movie, and these scenes by themselves outweigh many already mentioned issues.
Overall, “Snow White and the Huntsman” has proven to be a great initial outing for director Rupert Sanders. There are some issues in the flick – namely some instances of uneven pacing and acting issues which leaves some potential to be desired. But even these seemingly huge issues are overshadowed by an excellent use of visual design, cinematography, and action. The plot may be merely serviceable overall, and the movie will remind you of great films long past; yet it still happens to triumph in its main goal – to retell the classic fairly tale of Snow White in the modern Blockbuster sense. In a summer packed with science fiction and superheroes, an entertaining fantasy movie fits in quite nicely.
The movie retells the familiar story of Snow White (Kristen Stewart), likely popularized by Disney’s adaptation for most of us. Yet, the film takes more influence from the original fairy tale with the additional focus on the Huntsman (Chris Hemsworth). Snow White grows up in a kingdom under the rule of her wicked step-mother, Queen Ravenna (Charlize Theron). The Queen is a narcissistic tyrant obsessed with preserving her physical beauty – at the behest of the entire land and its people. One day, the Queen’s mirror warns that Snow White is fairer than her which leads her to order Snow White’s death. Snow White escapes, and goes on an adventure to save herself and her kingdom with the help of the Huntsman, seven dwarves, and other fantastical allies.
The movie’s framework holds up fairly well. To be honest it was my biggest worry going into the movie – that its plot would break under bloating or simply feeling uninspired. Neither was the case, yet if it were to tip in one side or the other it definitely tips in the direction of a bloated plot. Some characters simply do not get the screentime they require, and with so many characters already it feels like some of them could have been taken out entirely without much effect. Trimming down of characters and irrelevant plot threads could have benefitted the movie greatly. It does, however, do a serviceable job establishing its own identity among fantasy epics. It’s refreshing to see a movie fully embrace two extremes – full-on hard fantasy and the more gritty, realistic and perhaps minimalist fantasy. It strikes a balance with both, so you will see great effects for trolls and fairies while still maintaining a gothic medieval feel. The plot moves forward at a mostly well-paced format, but unfortunately wavers here and there. Sometimes I wished the movie would linger on certain scenes longer – as it can help to have us dwell on great character moments or moments of visual beauty – an unfortunate side effect of a bloated script. While not a problem for the overall plot, the uneven pacing in some scenes can feel a bit rushed. Some questions in the plot went unanswered, but fortunately they aren’t important to the overall understanding of the story.
The only other major issue with the movie is acting. Kristen Stewart as Snow White was an odd choice. Not to say her performance is bad in this film, but it is awkward at points. In some moments she does very well but in others she seems uninspired. It is hard to see her as the titular character instead of just Kristen Stewart in those instances; and in those scenes it feels like she’s as much part of the audience as we are – just with more of a one-note “concerned” facial expression for every instance. While not a breaking element, it leaves more to be desired from her, especially in interactions with others. Chris Hemsworth was much more enjoyable as the Huntsman, and honestly I think his performance along with Theron’s far outbalance any flaws in Kristen Stewart’s acting. The chemistry between the two protagonists seems one sided, as Chris Hemsworth acts well on his side of the equation, but Stewart unfortunately does not reciprocate. Essentially this makes a potential major relationship fall flat. However, Theron completely inhibits the role as the evil Queen. While she may overact in some scenes, she does an excellent job playing a sinister, abusive, powerful and surprisingly tragic villain.
The highlight of the movie is definitely its visual design, cinematography, and action. The only downside in this area is that this movie will definitely remind you of other great movies from long ago. Obvious inspiration from “The Lord of the Rings” echoes while watching, as it even features the same faraway montage shots of the group traversing grand vistas. If you can get passed these obvious influences, it does establish a vibrant and inspired design. That is one of the greatest aspects of the movie – the fact that the director can do so much in a single scene to really draw you in. He does an excellent job using color and pattern contrasts to a striking and awesome effect. There are some great moments that have no action yet are just as enthralling to watch, something difficult to do with just visual style. A great use of color really brings out the themes of the movie – the grey monotones and gothic style bring out a sense of dread and annihilation throughout the Queen’s empire. She truly is a force of parasitism – entirely vampiric in the way she sucks the life out of the entire land around her. She is the embodiment of self-obsession with physical beauty – a force so vain and narcissistic that she acts as a black hole absorbing all beauty around her. Sanders plays this against the vibrant designs of the forest in which Snow White spends most of her time. Alive, colorful, and natural – she embodies natural beauty – and in doing so she seemingly commands nature itself.
Sanders’ directing ability really shines in scenes of action. Instead of lazy overuse of “shaky-cam” to get the effect, he balances it with just enough on-screen choreography so you get intensity without confusion. The movie is truly action packed with familiar medieval-esque battles throughout, but highlighted by truly amazing shots of action and use of fantastical effects. There were a couple instances of eye-rolling wonder at battlefield tactics, but that gets into too much of an area of nitpicking. The action really is one of the best aspects of the movie, and these scenes by themselves outweigh many already mentioned issues.
Overall, “Snow White and the Huntsman” has proven to be a great initial outing for director Rupert Sanders. There are some issues in the flick – namely some instances of uneven pacing and acting issues which leaves some potential to be desired. But even these seemingly huge issues are overshadowed by an excellent use of visual design, cinematography, and action. The plot may be merely serviceable overall, and the movie will remind you of great films long past; yet it still happens to triumph in its main goal – to retell the classic fairly tale of Snow White in the modern Blockbuster sense. In a summer packed with science fiction and superheroes, an entertaining fantasy movie fits in quite nicely.