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Emma @ The Movies (1786 KP) rated Don't Let Go (2019) in Movies
Nov 4, 2019
Don't Let Go nearly passed me by, last minute advertising popped it back onto my radar and I was still suitably intrigued by it and managed to catch it at my local. The idea seemed like an interesting one, it worked for Frequency so why not now too? After seeing the film though you realise that if you take the sci-fi out you could easily adapt the story into a regular thriller. I thought they handled the "time travel" between cuts in a very good way, but ultimately the lack of explanation felt like a letdown and the ending felt rather unfulfilling too.
They do some of my least favourite camera work, bouncy cameras and the opening gliding shot didn't sit well with me. Just once I'd like to see a camera in a car that only jumps when they hit a pothole or take a speed bump.
The majority of the film is following Jack, played by David Oyelowo, he does a good job of the mania that you'd expect from this situation. There's always the issue with situations that are more real than science fiction... how can you even begin to work out what you'd do? It felt believable and that was a fairly impressive feat.
I'd previously seen Storm Reid in A Wrinkle In Time which I loved, but in neither film did I find her easy to watch. She's got a talent for sure but sometimes things don't seem all that natural on screen.
As I said, the idea is intriguing, I'm hopeful that appeal will be enough for some people to find this film entertaining. I enjoyed it for the most part but the disappointing ending and too many points left to "it's a mystery" mean I won't be putting this very high on the list of things to rewatch.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/dont-let-go-movie-review.html
They do some of my least favourite camera work, bouncy cameras and the opening gliding shot didn't sit well with me. Just once I'd like to see a camera in a car that only jumps when they hit a pothole or take a speed bump.
The majority of the film is following Jack, played by David Oyelowo, he does a good job of the mania that you'd expect from this situation. There's always the issue with situations that are more real than science fiction... how can you even begin to work out what you'd do? It felt believable and that was a fairly impressive feat.
I'd previously seen Storm Reid in A Wrinkle In Time which I loved, but in neither film did I find her easy to watch. She's got a talent for sure but sometimes things don't seem all that natural on screen.
As I said, the idea is intriguing, I'm hopeful that appeal will be enough for some people to find this film entertaining. I enjoyed it for the most part but the disappointing ending and too many points left to "it's a mystery" mean I won't be putting this very high on the list of things to rewatch.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/dont-let-go-movie-review.html
Phil Leader (619 KP) rated The Long Earth in Books
Nov 20, 2019
Step Day. A day that changed the world. A day when the designs for a strange device went viral. Relatively simple to make with a few electronic components and a potato, this small device allowed most people to move sideways into a parallel dimension... and from there they could keep going exploring multiple copies of Earth, each different and all of them untouched and available for colonisation by the population of the overcrowded, overdeveloped and worn out original.
Joshua Valiente is an orphan who discovers that he doesn't actually need a box to move dimensions - to Step - he is a natural, like a few others before him that have already discovered what becomes known as the Long Earth and have kept it to themselves. Big business isn't slow to take advantage, particularly the huge, powerful and shadowy Black Corporation, whose distributed super computer Lobsang claims to be the reincarnation of a Tibetan mechanic. Together Joshua and Lobsang will discover a few of the secrets of the Long Earth, as well as witnessing the worst it brings out in humanity.
With this central idea, Pratchett and Baxter tell the tales of various people affected by the events of Step Day in very different ways. As with the rest of humanity, the narrative is restless, keen to both rush out and see how far along the Long Earth it can travel and to watch how it turns the Earth we all know on its head. This is a book of wonders, a little like Gulliver's Travels in finding interesting variations to explore.
Those expecting the usual slew of jokes, gags, footnotes and humorous characters that typify his Discworld novels will be disappointed. There are light touches to the situations and characters that betray his hand but this is straight science fiction by two great authors who between them manage to convey the huge scale of thousands - millions - of Earths while still being able to tell the story from a human perspective.
Joshua Valiente is an orphan who discovers that he doesn't actually need a box to move dimensions - to Step - he is a natural, like a few others before him that have already discovered what becomes known as the Long Earth and have kept it to themselves. Big business isn't slow to take advantage, particularly the huge, powerful and shadowy Black Corporation, whose distributed super computer Lobsang claims to be the reincarnation of a Tibetan mechanic. Together Joshua and Lobsang will discover a few of the secrets of the Long Earth, as well as witnessing the worst it brings out in humanity.
With this central idea, Pratchett and Baxter tell the tales of various people affected by the events of Step Day in very different ways. As with the rest of humanity, the narrative is restless, keen to both rush out and see how far along the Long Earth it can travel and to watch how it turns the Earth we all know on its head. This is a book of wonders, a little like Gulliver's Travels in finding interesting variations to explore.
Those expecting the usual slew of jokes, gags, footnotes and humorous characters that typify his Discworld novels will be disappointed. There are light touches to the situations and characters that betray his hand but this is straight science fiction by two great authors who between them manage to convey the huge scale of thousands - millions - of Earths while still being able to tell the story from a human perspective.
ClareR (5721 KP) rated Haven’t They Grown in Books
Jan 23, 2020
A compelling story, with an unguessable ending - well, for me, anyway!
Haven’t They Grown starts off with what can only be described as a bizarre incident. Beth decides to go and see what her rich ex-best friend’s house looks like before she drops her son off at his football match - after all, its kind-of on the way. What she is confronted with though, is unbelievable: her friend, Flora, with her two children. Her two SMALL children. Which sounds perfectly normal, but the children look exactly the same as they did 12 years ago.
Beth becomes obsessed by this conundrum, and is determined to find out what is going on. Honestly, at several points I thought I might have picked up a science fiction novel, and there was going to be some rational, clone-based explanation (of course these kinds of explanations are ALWAYS rational in my world!). But there wasn’t. There is a perfectly TWISTED reason behind all of this (and you’ll have to read it to find out!). I didn’t for one moment guess the reason behind the ageless children.
Beth is a determined woman - luckily she seems to have a husband who backs down, supports her and lets her get on with it. Her daughter seems as persistent and driven as her mother - except for when her GCSE revision is involved. Living with a teenager in his final year at school, I can empathise with Beth here - my son will do anything to avoid his revision as well! But Beth’s daughter is a good sounding board for her, and pushes her to do things and ask people questions that her character probably wouldn’t have done on her own.
I really very much enjoyed this. The big reveal at the end completely floored me, and I most definitely hadn’t seen it coming. This is a great, entertaining story, and had me gripped throughout.
Many thanks to Readers First for my copy of this book to read and honestly review.
Beth becomes obsessed by this conundrum, and is determined to find out what is going on. Honestly, at several points I thought I might have picked up a science fiction novel, and there was going to be some rational, clone-based explanation (of course these kinds of explanations are ALWAYS rational in my world!). But there wasn’t. There is a perfectly TWISTED reason behind all of this (and you’ll have to read it to find out!). I didn’t for one moment guess the reason behind the ageless children.
Beth is a determined woman - luckily she seems to have a husband who backs down, supports her and lets her get on with it. Her daughter seems as persistent and driven as her mother - except for when her GCSE revision is involved. Living with a teenager in his final year at school, I can empathise with Beth here - my son will do anything to avoid his revision as well! But Beth’s daughter is a good sounding board for her, and pushes her to do things and ask people questions that her character probably wouldn’t have done on her own.
I really very much enjoyed this. The big reveal at the end completely floored me, and I most definitely hadn’t seen it coming. This is a great, entertaining story, and had me gripped throughout.
Many thanks to Readers First for my copy of this book to read and honestly review.
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Heather Cranmer (2721 KP) created a post
Feb 6, 2021 (Updated Feb 6, 2021)
Matthew Krueger (10051 KP) rated Videodrome (1983) in Movies
Sep 8, 2020
First It Controls Your Mind Than It Destorys Your Body
Holy shit this movie is good. The effects, the psychological espect, the sci-fi, the horror, the suspense, the mystery and James Woods.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
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