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Assault on Precinct 13 (1976)
Assault on Precinct 13 (1976)
1976 | Action, Crime, Thriller
'Why would someone shoot at a police station?' John Carpenter's exemplary action exploitation movie is set in mid-70s Los Angeles but is basically a mash-up of a western and a zombie movie. Two convicts, a secretary and a highway patrol officer find themselves besieged in a soon-to-be-derelict police precinct by hordes of psychopathic street gang members.

One of those examples of a virtually perfect movie: an incredibly economical script with immaculate storytelling is brought to the screen with immensely charismatic performances by the three leads (you watch it now and it's genuinely baffling that none of them had more substantial movie careers). Also a fascinating mixture of old-style and new Hollywood - scenes pastiching the style of Howard Hawks movies sit alongside genuinely provocative moments like the ice cream scene. Overall, though, just a tremendously enjoyable action film, and exhibit A for the case that John Carpenter did his career backwards.
  
On the Waterfront (1954)
On the Waterfront (1954)
1954 | Classics, Drama, Romance

"Every aspect of the movie is excellent. There isn’t one wrong move — from the script, to the acting, to the music. It’s such a beautiful human story about an individual struggle set against the corrupt unions screwing over the dock workers. So, you have this social background for the situation, and then you have the personal human journey of the brother of one of these union mobsters, who has to sort of turn on his own people. Marlon Brando pretty much rocked the cinema with this new style of acting, and you can never go back to Cary Grant. As wonderful as Cary Grant is, Marlon Brando changed the game. Karl Malden has one of the greatest movie monologues of all time as the priest in the docks, encouraging everyone to take a stand. He was like the first Norma Rae. I have the soundtrack on my iPod. I love great movie soundtracks, and I consider that one of those."

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