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Spy (2015)
Spy (2015)
2015 | Action, Comedy
Ever since Bridesmaids Melissa McCarthy’s film career and popularity has been growing. The success of The Heat made McCarthy the “hot” new Hollywood comic. Though this success has McCarthy in danger of oversaturation with films that feel like mostly unfunny adlib session connected around loosely uninteresting plots like Identity Theft or Tammy. Luckily, Spy is not one of these films.
McCarthy once again teams up with Director/Writer Paul Feig (Bridesmaids/The Heat) and the chemistry of their previous success shows.

To be clear, this film is not the greatest comedy ever, but the fact that there is a clear script and the story knows where it is headed helps keep the experience enjoyable throughout at it progresses. McCarthy is on point as a support agent who becomes field agent to find a nuclear weapon and catch the person responsible for the death of her agent/partner. This film makes fun of all the typical spy film tropes through the fact that our best agent is a large unassuming woman who keeps finding herself in the typical spy situations. She solves each of these situations in her own way which is nice and often hilarious to see.

Additionally, the rest of the cast offer up hilarious delivery across the board, including but not limited to Jason Statham. There are several scenes where Statham steals the show. It is great to see him play a super spy, a character we always see him play, but in a ridiculous over the top hilarious way. It was fun to watch and his chemistry with McCarthy is great. Additionally, Rose Byrne (Neighbors) plays well across from McCarthy as a villain who is sexy, dangerous bitch, who we cannot help like none the less. Her comedy timing works well with McCarthy and the two are great together on screen.

If you are looking to escape the summer heat and you are looking for a laugh, don’t skip out on Spy. So far it is the best of the comedy of the year and it is worth checking out, if not in the theater, then when it is out for home distribution.
  
Howling II: Your Sister Is a Werewolf (1985)
Howling II: Your Sister Is a Werewolf (1985)
1985 | Horror
5
6.5 (6 Ratings)
Movie Rating
One of my favourite parts is the bit where the creepy dude looks straight into the camera and say "Schnitzeeeel".
Honestly not sure if Howling II: Your Sister is a Werewolf (Stirba, Werewolf Bitch in some corners of the world) is a 5 star film, or a 1 star film.

I always have time for Christopher Lee, and here is no different, and Sybil Danning is a bonafide B-Movie icon, but everyone else is hamming it up to the max (not necessarily in a good way), spouting the terrible screenplay and making silly growling noises constantly.
The werewolf costumes look terrible (a bit of googling told me that the production was sent monkey suits by mistake, and they just had to roll with it) and the movie constantly attempts to force it's theme tune down your throat - I lost count of how many times it plays throughout the runtime, but it starts off well enough, but by the end of the film it's grating as fuck.

It's certainly a far cry from the genuinely good first movie but for all it's faults, I actually really enjoyed it.
The last review I wrote on here was for Species IV, where I commented on how it was so awful, and had no charm to it at all, which was in stark contrast to a lot of bad horror movies, especially a bunch from the 80s. Howling II is one of those movies.
It rarely gets boring, it's has some decent practical gore effects, and the terrible script is often so ludicrous, it ends up being unintentional comedy gold.
Not to mention that it's has the most unnecessarily gratuitous end credits roll I've ever seen - in fact, if you can't be bothered to watch the whole thing, just find the end credits and you'll get the vibe of this whole glorious mess of a film.

So yeah, is it a 1 star movie or 5 star movie? I still don't know but I know I low key love it, so 2 and a half stars with a love heart seems fair. I'd definitely recommend giving it a watch though, just to experience the sheer cheesy absurdity.
  
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Alex Kapranos recommended Kimono My House by Sparks in Music (curated)

 
Kimono My House by Sparks
Kimono My House by Sparks
2017 | Pop, Rock
7.5 (2 Ratings)
Album Favorite

"It was difficult to choose a Sparks record. I think Sparks are unique. Even though they’ve progressed through the early seventies ‘Visconti sound’ – it’s not glam rock, it’s something else. It’s of its time because it influenced so much of what came after it. I don’t think it was really like anything before it, but then they progressed and switched to Giorgio Moroder and those early 80s records like Angst In My Pants, and then they went Eurodisco in the nineties too. One of my favourite Sparks songs is 'When Do I Get To Sing ""My Way""'. That captures again that melancholy, it’s such a wonderful, wonderful song but wry with a sense of humour too. Lyrically I think it’s an incredible record because it was at odds with what was going around at the time. You had John Lennon doing the confessional ballad songwriting about 'this is the emotion I feel' and it’s very bare. And then you have the preposterous fantasy of prog rock. Whereas to me they approached lyrics more from the perspective of writing a film script or someone writing a novel, or even more from the Cole Porter type of lyric writing. It was based around characters and there’s extremes of emotion, like the song 'Equator' which ends the record. It’s about arranging to meet someone on a particular place on the equator at a particular time and it sets up this romantic premise, and the character gets there but the other lover isn’t waiting for him. You have this heartbreak and even though Russell is singing it in the first person, it seems to be written from a third person perspective. You have these characters created by Ron for Russell to articulate, in the way a scriptwriter would write to bring a character to life. It’s one of those records I literally wore the groove out to. Ron’s arrangements too, how he got a rock band into play how an orchestra would, but not in a pretentious way at all. The melodies are really direct and cool. It’s a real joy to listen to."

Source
  
The Hudsucker Proxy (1994)
The Hudsucker Proxy (1994)
1994 | Comedy
Terrific, under-rated gem
Coen Brother's films fall into 3 categories for me:

Terrific, well-known films: FARGO, NO COUNTRY FOR OLD MEN, THE BIG LEBOWSKI

Terrible, overly-indulgent films: HAIL CAESAR, A SERIOUS MAN, BURN AFTER READING

Under-rated gems: BARTON FINK, MILLER'S CROSSING, THE BALLAD OF BUSTER SCRUGGS

And this film, the 1994 homage to 1940's fast-talking comedies THE HUDSUCKER PROXY.

Set in the business world, THE HUDSUCKER PROXY tells the tale of a young, ambitious corporate ladder climber who is taken under the thumb of a conniving business exec who wants to use the young man as a patsy for the business.

Tim Robbins stars as the young, ambitious Norville Barnes who's "gee shucks" demeanor and the faithful belief in those around him anchors this film in a common decency that Robbins exudes in spades. Countering Robbins is a crafty film veteran - Paul Newman as evil, corrupt Corporate Executive Sidney J. Mussburger. Newman was winding down his career at this point, so must have seen something in the script that caught his eye, for Newman has a spark and a spring in his step that shows that the old man "still has it". He plays off of Robbins well and it is a joy to watch this veteran actor work. Equally interesting in this film is Jennifer Jason Leigh who channels her inner Rosalind Russell as fast-talking, hard-pushing reporter (and erstwhile girlfriend of Barnes), Amy Archer.

But this being a Coen Brothers film, this movie is just as strongly about the atmosphere and the dialogue as it is the characters - and what an atmosphere they create. Delivering a strong "1940's Art Deco meets Techno-Punk" theme, the Coens deliver a visually interesting world that is incorporated with intriguing characters.

In other words - it's a Coen Brothers comedy - and one that is well done.

To tell more about the story is to spoil the picture, but realize that this film is well made, well scripted and well acted (if a little slight on story). It is a very entertaining way to spend a few hours.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
Free Birds (2013)
Free Birds (2013)
2013 | Animation, Comedy
7
5.1 (8 Ratings)
Movie Rating
A Fun Thanksgiving Flick
When asked to list films worth watching that have a Thanksgiving theme, the BankofMarquis likes to pull out a little animated gem that came and went pretty quickly in 2013 - FREE BIRDS - starring the voices of Owen Wilson and Woody Harrelson as 2 turkeys that go back in time in an egg-shaped time machine named STEVE (voiced by George Takei - more on that later) to stop the first Thanksgiving. This film succeeds more than it doesn't.

The first full length animated feature film from REEL FX (one of only 2 they have put out thus far) FREE BIRDS suffers from that kiss of death - multiple writers revising the script over time. Directed by JImmy Hayward (HORTON HEARS A WHO), who is also credited with writing this film alongside long time Kevin Smith collaborator Scott Mosier,FREE BIRDS is actually a pretty fun film, despite the disjointedness of the plot.

Credit should go to the stellar voice cast, led by Owen Wilson and Woody Harrelson. They have tremendous chemistry together and are a fun pair to watch. Joining them is the always dependable Amy Poehler (who would shine as the voice of Joy years later in Pixar's INSIDE OUT). It was fun spending an hour and a half with these 3 - and the others in this cast: Colm Meaney, David Keith and Dan Fogler.

But, for me, the star of this film is Star Trek's George Takei as the voice of S.T.E.V.E (the egg-shaped time machine device). He understands what type of film he is in and delivers just the right blend of comedy and seriousness that helps elevate the proceedings. And that is good for, as I stated above, the plot is a bit disjointed, so I would recommend you just sit back, relax and enjoy the ride.

The critics panned this film, but it made over $110 million at the box office (more than doubling it's production cost), so many, many moviegoers had the same, fun experience that I did.

And...you will, too...if you give FREE BIRDS a try.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank(ofMarquis)