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Emma @ The Movies (1786 KP) rated Body Cam (2020) in Movies
Feb 20, 2021
I'd been seeing this floating around for a while and finally decided to give it a go, I was intrigued by the mix of genre with Mary J. Blige in the top spot.
An unexpected death on what should have been a routine traffic stop leads a cop down a dangerous path to uncover the truth within her own department.
Body Cam is where cop thriller meets horror... in an intriguing and slightly disappointing way... as I write that, disappointing doesn't feel like the right word. Maybe it is just unusual, I don't remember seeing anything like this combined before.
The combination of footage works very well, it added to the suspense for me and I liked the cuts between body cam/CCTV, real life and unexplained. It allowed for a lot to be held in reserve for later in the film.
If you combine that with the effects it gives quite a strong foundation for everything. The palette was dark, but that helped to make some of the effects shine with drama and suspense. The one scene that particularly liked was set in the convenience store, but I don't want to spoil that for you. As a warning, the film is rather gory and there's the appearance of bugs at one point, it doesn't feel like it holds back.
Normally I'd talk about the acting early in my reviews, but if I'm honest, this is where the film seems to be lacking. I can't really pick out anyone to mention as being standout. That and a slightly uninspiring script didn't do this story justice.
The one thing that I take away from Body Cam is the idea of it, and that one particular scene. It makes me think, but about what I would have liked to see rather than what I did see. I'd be interested to know what you think if you've seen this one... I would have liked to see the film in silence apart from the cam footage and music... but that's just the weird feeling in my head.
Body Cam has the basis of something great, and the execution of the technical aspects felt impressive, but it lacked a spark to elevate it above everything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/body-cam-movie-review.html
An unexpected death on what should have been a routine traffic stop leads a cop down a dangerous path to uncover the truth within her own department.
Body Cam is where cop thriller meets horror... in an intriguing and slightly disappointing way... as I write that, disappointing doesn't feel like the right word. Maybe it is just unusual, I don't remember seeing anything like this combined before.
The combination of footage works very well, it added to the suspense for me and I liked the cuts between body cam/CCTV, real life and unexplained. It allowed for a lot to be held in reserve for later in the film.
If you combine that with the effects it gives quite a strong foundation for everything. The palette was dark, but that helped to make some of the effects shine with drama and suspense. The one scene that particularly liked was set in the convenience store, but I don't want to spoil that for you. As a warning, the film is rather gory and there's the appearance of bugs at one point, it doesn't feel like it holds back.
Normally I'd talk about the acting early in my reviews, but if I'm honest, this is where the film seems to be lacking. I can't really pick out anyone to mention as being standout. That and a slightly uninspiring script didn't do this story justice.
The one thing that I take away from Body Cam is the idea of it, and that one particular scene. It makes me think, but about what I would have liked to see rather than what I did see. I'd be interested to know what you think if you've seen this one... I would have liked to see the film in silence apart from the cam footage and music... but that's just the weird feeling in my head.
Body Cam has the basis of something great, and the execution of the technical aspects felt impressive, but it lacked a spark to elevate it above everything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/body-cam-movie-review.html
Jesters_folly (230 KP) rated The Funhouse in Books
Nov 11, 2020
Contains spoilers, click to show
I'll start off by saying that this is a re release of the Funhouse which was originally written under the pseudonym of Owen West.
I found the Funhouse to be a little disappointing, the majority of the book spends it's time building up to a big confrontation between Conrad, the main antagonist and Amy. Over 200 something pages we switch between finding out how Conrad is searching for Amy and what he will do to her to get revenge on her mother and how the past has already affected Amy's mother only for the final confrontation to take around 10 pages, most of which Conrad is not involved in the action and, when he does show up he's dealt with in a couple of sentences.
In the edition I read there is an afterword by Dean Koontz where he explains the history of the book, it was to be a book based on a film and, he had hoped that it would be the fist of many which is why it was written under the pseudonym Owen West. One thing the author says is that, because he had to work form a film script there wasn't much in the way of character building and so he had to spend time working on the back story. And I think that's part of the problem, the book shows us how events in Amy's mother's past have affected her mothers out look on life and her children and we see how the same events led Conrad down his path of revenge but the book ends with Amy and her brother leaving the fun house after escaping Conrad, which is probably the films end, the protagonist deals with the bad guy, walks away and cut to credits. However, with all the time spent on the character building I felt like we, the reader could have done with a bit more, probably only one more chapter but I would have liked to know how Amy's mother would have reacted when she found out what Conrad had done (As the book ended she didn't even know Conrad was around) and how it would have changed her outlook on her family. Would she have found the peace and forgiveness she was looking for? and would she stop treating her own children as monsters?
Over all 'The Funhouse' had it's moments but the felt like a let down with its quick ending.
I found the Funhouse to be a little disappointing, the majority of the book spends it's time building up to a big confrontation between Conrad, the main antagonist and Amy. Over 200 something pages we switch between finding out how Conrad is searching for Amy and what he will do to her to get revenge on her mother and how the past has already affected Amy's mother only for the final confrontation to take around 10 pages, most of which Conrad is not involved in the action and, when he does show up he's dealt with in a couple of sentences.
In the edition I read there is an afterword by Dean Koontz where he explains the history of the book, it was to be a book based on a film and, he had hoped that it would be the fist of many which is why it was written under the pseudonym Owen West. One thing the author says is that, because he had to work form a film script there wasn't much in the way of character building and so he had to spend time working on the back story. And I think that's part of the problem, the book shows us how events in Amy's mother's past have affected her mothers out look on life and her children and we see how the same events led Conrad down his path of revenge but the book ends with Amy and her brother leaving the fun house after escaping Conrad, which is probably the films end, the protagonist deals with the bad guy, walks away and cut to credits. However, with all the time spent on the character building I felt like we, the reader could have done with a bit more, probably only one more chapter but I would have liked to know how Amy's mother would have reacted when she found out what Conrad had done (As the book ended she didn't even know Conrad was around) and how it would have changed her outlook on her family. Would she have found the peace and forgiveness she was looking for? and would she stop treating her own children as monsters?
Over all 'The Funhouse' had it's moments but the felt like a let down with its quick ending.
Emma @ The Movies (1786 KP) rated Out of Death (2021) in Movies
Jul 30, 2021
I got my hands on a preview of this one. Modern Bruce Willis is always a slight concern, but I like to give them the benefit of the doubt.
In this peaceful mountain town, a quiet hike turns to terror as a photographer witnesses a brutal crime by the very people who are supposed to protect against them.
On the scale of messed up plots, Out of Death isn't actually that bad. Corrupt law enforcement caught in the act is a strong idea to use in a crime thriller. The setting also gave them a lot of opportunities even though it's a fairly simple forest/wooded setting. Though that setting suffers a little from TARDIS-esque qualities, is it big, is it small, how does time work in and around it? I found myself wondering about those random things, which may have been down to not feeling massively engaged with anything happening.
From the small collection of characters, Billie and Tom probably came out the best. Though no one quite got out unscathed. They did at least have a bond that played out well in a few scenes.
Beyond them, the rest of the cast don't do so well with the script. There are points where it tries to give characters something a little extra, but it ultimately came out a little on the creepy side. I'm thinking in particular about one scene where two characters try to have a human conversation and build a little backstory... it was bad, and made me cringe. I haven't felt that way about a film interaction in a very long time.
As much as I love Bruce Willis, he basically wanders through this one without much effort. The whole affair felt rather lethargic, and as with his other recent films, it's a phoned-in effort. Without him, I doubt anyone would have come across Out of Death, there's nothing that's a particular hook, and with such a generic air to it, I can't see anyone picking it out of a line-up of similar films.
Out of Death might not be the worst film I've ever seen, but there's lots of room for improvement. As it is, it doesn't hold your attention enough to make it massively enjoyable. At the very least you can enjoy the scenery.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/out-of-death-movie-review.html
In this peaceful mountain town, a quiet hike turns to terror as a photographer witnesses a brutal crime by the very people who are supposed to protect against them.
On the scale of messed up plots, Out of Death isn't actually that bad. Corrupt law enforcement caught in the act is a strong idea to use in a crime thriller. The setting also gave them a lot of opportunities even though it's a fairly simple forest/wooded setting. Though that setting suffers a little from TARDIS-esque qualities, is it big, is it small, how does time work in and around it? I found myself wondering about those random things, which may have been down to not feeling massively engaged with anything happening.
From the small collection of characters, Billie and Tom probably came out the best. Though no one quite got out unscathed. They did at least have a bond that played out well in a few scenes.
Beyond them, the rest of the cast don't do so well with the script. There are points where it tries to give characters something a little extra, but it ultimately came out a little on the creepy side. I'm thinking in particular about one scene where two characters try to have a human conversation and build a little backstory... it was bad, and made me cringe. I haven't felt that way about a film interaction in a very long time.
As much as I love Bruce Willis, he basically wanders through this one without much effort. The whole affair felt rather lethargic, and as with his other recent films, it's a phoned-in effort. Without him, I doubt anyone would have come across Out of Death, there's nothing that's a particular hook, and with such a generic air to it, I can't see anyone picking it out of a line-up of similar films.
Out of Death might not be the worst film I've ever seen, but there's lots of room for improvement. As it is, it doesn't hold your attention enough to make it massively enjoyable. At the very least you can enjoy the scenery.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/out-of-death-movie-review.html
Emma @ The Movies (1786 KP) rated Those Who Wish Me Dead (2021) in Movies
Aug 7, 2021
Angie on the big screen? Can't turn that down.
Connor is on the run after witnessing a murder, he's on foot in the woods and desperately trying to find his way to the authorities. As he heads deeper into the wilderness he crosses paths with Hannah, a smokejumper who's out working. They have to quickly learn to trust each other as danger comes from both sides. Fire or assassins. Are there any good decisions?
Those Who Wish Me Dead might be a film out of its time. Reflecting on it after the fact, it's very reminiscent of thrillers you got maybe 10/20 years ago. While that's not a bad thing, it does mean that it didn't resonate for me as much as other current films.
Angelina gives her usual good performance, and the duo of Hannah and Connor (played by Finn Little) was an interesting balance for the film. Little did a great job, and the way they both attack the climax of the story made for a strong finish.
The cast in general is full of top notch talent, and it's reflected in their characters. What didn't quite match up for me was the script and character stories. At times there were potentially unnecessary bits of backstory, and I can see how this would work as a book, but in a film it seemed to not have enough detail to hit home.
Something that threw me slightly was the vastness of the location. You see people walking around various parts of the woods, and it's all the same, but different. And I know, they're woods Emma, of course the trees are going to look the same! But with little concept of time it's not easy to keep track of the actual danger of the situation, and that took away some of the edge of the seat action that really makes these sorts of films.
I didn't find myself getting bored while watching Those Who Wish Me Dead, but I also wasn't glued to the screen. Possibly a better read than a watch, as there's more chance to delve into things in a book, but I didn't mind watching it. I'm just not sure if that's much of a recommendation.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/those-who-wish-me-dead-movie-review.html
Connor is on the run after witnessing a murder, he's on foot in the woods and desperately trying to find his way to the authorities. As he heads deeper into the wilderness he crosses paths with Hannah, a smokejumper who's out working. They have to quickly learn to trust each other as danger comes from both sides. Fire or assassins. Are there any good decisions?
Those Who Wish Me Dead might be a film out of its time. Reflecting on it after the fact, it's very reminiscent of thrillers you got maybe 10/20 years ago. While that's not a bad thing, it does mean that it didn't resonate for me as much as other current films.
Angelina gives her usual good performance, and the duo of Hannah and Connor (played by Finn Little) was an interesting balance for the film. Little did a great job, and the way they both attack the climax of the story made for a strong finish.
The cast in general is full of top notch talent, and it's reflected in their characters. What didn't quite match up for me was the script and character stories. At times there were potentially unnecessary bits of backstory, and I can see how this would work as a book, but in a film it seemed to not have enough detail to hit home.
Something that threw me slightly was the vastness of the location. You see people walking around various parts of the woods, and it's all the same, but different. And I know, they're woods Emma, of course the trees are going to look the same! But with little concept of time it's not easy to keep track of the actual danger of the situation, and that took away some of the edge of the seat action that really makes these sorts of films.
I didn't find myself getting bored while watching Those Who Wish Me Dead, but I also wasn't glued to the screen. Possibly a better read than a watch, as there's more chance to delve into things in a book, but I didn't mind watching it. I'm just not sure if that's much of a recommendation.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/those-who-wish-me-dead-movie-review.html
Tommy Wiseau recommended A Streetcar Named Desire (1951) in Movies (curated)
LeftSideCut (3776 KP) rated Mortal Kombat (2021) in Movies
May 7, 2021
Contains spoilers, click to show
After all the hype I tried desperately hard not to buy into, Mortal Kombat turned out to be exactly what I expected...
The whole film suffers from an excruciatingly piss poor script (with the exception of Kano's anal bead comment at Lui Kang of course). Every character gets to announce their name unnecessarily at every opportunity, phrases from the game are shouted when the they don't really make sense in the moment, and the narrative is just about held together by bizarre edits and cuts. I can only assume that anyone not familiar with the source material may have a few issues following what the fuck is going on at certain points, even when the pacing takes a hard dip around the mid point.
Having Cole (a non-game character written for the movie) as the main lead is a shot in the foot - the character himself isn't unlikable by any stretch, but he's a little bland, and his inclusion means that a lot of familiar characters are sort of pushed to the side, and moulded around his story. Without naming names, unless they do some ret-conning in the inevitable sequels, I take issues with a few big characters being killed off so early in a proposed franchise. If these deaths stick, then there's some seriously wasted content being thrown away.
All of these negatives however are surrounded by a number of positives. For the most part, the fight scenes are entertaining enough, but the climactic duels are pretty damn awesome. The action is complimented with decent CG work (I kind of miss weird-puppet Goro but he did look pretty great in this one).
The gory moments are pretty full on as they should be and the cast are pretty solid. Some great turns from Hiroyuki Sanada, Max Huang, and Josh Lawson in particular. The film manages to pack in a tonne of references to the wider MK lore as well which is a nice touch for fans.
Overall, Mortal Kombat is dumb and trashy, but manages to be a whole heap of fun with some spectacular violence to boot. It might not be the best video game adaption out there, but it's a far cry from being a bad one.
Between this, Sonic, and Detective Pikachu, I truly, and possibly naively, hope that the era of shit video game films has passed - all eyes on Uncharted to carry on the trend.
The whole film suffers from an excruciatingly piss poor script (with the exception of Kano's anal bead comment at Lui Kang of course). Every character gets to announce their name unnecessarily at every opportunity, phrases from the game are shouted when the they don't really make sense in the moment, and the narrative is just about held together by bizarre edits and cuts. I can only assume that anyone not familiar with the source material may have a few issues following what the fuck is going on at certain points, even when the pacing takes a hard dip around the mid point.
Having Cole (a non-game character written for the movie) as the main lead is a shot in the foot - the character himself isn't unlikable by any stretch, but he's a little bland, and his inclusion means that a lot of familiar characters are sort of pushed to the side, and moulded around his story. Without naming names, unless they do some ret-conning in the inevitable sequels, I take issues with a few big characters being killed off so early in a proposed franchise. If these deaths stick, then there's some seriously wasted content being thrown away.
All of these negatives however are surrounded by a number of positives. For the most part, the fight scenes are entertaining enough, but the climactic duels are pretty damn awesome. The action is complimented with decent CG work (I kind of miss weird-puppet Goro but he did look pretty great in this one).
The gory moments are pretty full on as they should be and the cast are pretty solid. Some great turns from Hiroyuki Sanada, Max Huang, and Josh Lawson in particular. The film manages to pack in a tonne of references to the wider MK lore as well which is a nice touch for fans.
Overall, Mortal Kombat is dumb and trashy, but manages to be a whole heap of fun with some spectacular violence to boot. It might not be the best video game adaption out there, but it's a far cry from being a bad one.
Between this, Sonic, and Detective Pikachu, I truly, and possibly naively, hope that the era of shit video game films has passed - all eyes on Uncharted to carry on the trend.
LeftSideCut (3776 KP) rated Resident Evil (2002) in Movies
Oct 28, 2020
Let's just brush aside for a moment that this adaption of Resident Evil bares little resemblance to the video game it's based upon and instead take a look at it as its own film, how it's comes off as a horror, and what visionary director Paul WS Anderson has to offer to the zombie genre...
...it's a terrible film, it's a shitty horror, and Anderson should just keep away from beloved franchises forever. I actually actively hate most of his films (have I mentioned this before?).
The big gaping issue with Resident Evil is it's characters and screenplay. The characters are a collection of edgy shitbags who spout one liners every two seconds and are just ripped straight from the "cliché action bastard handbook". It's difficult to care about any of them. I understand that Alice (Milla Jovovich) goes on to lead the entire franchise, but in the first entry, she hardly does or says anything, and as such, the audience doesn't get much of a chance to bond with her before the credits roll.
The script is just eye rollingly cringey. Every single line is either a "witty" quip, or lazy exposition and it becomes tiresome very quickly.
Some of the effects are ok - the zombie dogs look pretty gnarly, but The Licker (one of the only concrete connections to the game series) is brought to life with some of the worst CGI I've ever seen. To say it's aged badly would be an understatement, as I remember it looking dodgy AF back in 2002 when I was a humble 14 year old. Other than that, the whole film has that awful early 2000s aesthetic (The Matrix truly has a lot to answer for) and the inclusion of obnoxious breakbeat music cues that everyone was obsessed with at the time is the cherry on the mouldy cake. Ugh.
It's not all terrible... There are a couple of memorable set pieces, and the film manages to be somewhat entertaining here and there, but overall, Resident Evil is another garbage pile video game adaption, and the fact that George Romero wrote an unused screenplay that was much closer to the first game (and was poised to direct!) just rubs salt in this horrible festering wound left behind by Paul WS Anderson's Resident Evil. Hate it.
...it's a terrible film, it's a shitty horror, and Anderson should just keep away from beloved franchises forever. I actually actively hate most of his films (have I mentioned this before?).
The big gaping issue with Resident Evil is it's characters and screenplay. The characters are a collection of edgy shitbags who spout one liners every two seconds and are just ripped straight from the "cliché action bastard handbook". It's difficult to care about any of them. I understand that Alice (Milla Jovovich) goes on to lead the entire franchise, but in the first entry, she hardly does or says anything, and as such, the audience doesn't get much of a chance to bond with her before the credits roll.
The script is just eye rollingly cringey. Every single line is either a "witty" quip, or lazy exposition and it becomes tiresome very quickly.
Some of the effects are ok - the zombie dogs look pretty gnarly, but The Licker (one of the only concrete connections to the game series) is brought to life with some of the worst CGI I've ever seen. To say it's aged badly would be an understatement, as I remember it looking dodgy AF back in 2002 when I was a humble 14 year old. Other than that, the whole film has that awful early 2000s aesthetic (The Matrix truly has a lot to answer for) and the inclusion of obnoxious breakbeat music cues that everyone was obsessed with at the time is the cherry on the mouldy cake. Ugh.
It's not all terrible... There are a couple of memorable set pieces, and the film manages to be somewhat entertaining here and there, but overall, Resident Evil is another garbage pile video game adaption, and the fact that George Romero wrote an unused screenplay that was much closer to the first game (and was poised to direct!) just rubs salt in this horrible festering wound left behind by Paul WS Anderson's Resident Evil. Hate it.
Phillip McSween (751 KP) rated Queen & Slim (2019) in Movies
Oct 29, 2020
Extremely Entertaining
In the first ten minutes, you have a good idea of how Queen & Slim is going to end. Two black people on a first date end up killing a cop during a traffic stop. In spite the dread of knowing where things are heading, the movie is so powerfully done that it gave me a bit of a chill as the credits were rolling.
Acting: 10
Daniel Kaluuya puts on yet another powerful performance, this time playing the role of the male love interest Slim. I love the way he chose to play this role as a man that doesn’t have it all together trying to figure things out on the fly. His counterpart Jodi Turner-Smith playing Queen is so on point as well carrying the strong emotional defensiveness of the lawyer that she is. Their chemistry drives this movie to heights I wasn’t expecting.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The movie is beautifully shot with a number of strong sequences and setpieces that keep things interesting. Director Melina Matsoukas is a master of capturing emotional moments with well-timed closeups and long pauses. She pushes the emotions out of the viewers with tender scenes and scenes that get your blood boiling.
Conflict: 10
Entertainment Value: 10
Memorability: 9
This movie sticks, it sticks with you. It’s hard to walk away from it and not feel some way or the other. It will challenge you emotionally and mentally. It’s not perfect as it does stick to a pretty linear script, but it’s extremely memorable nonethless.
Pace: 10
Because of the constant danger the two main characters are under, the movie moves quick even when they’re just sitting around awaiting their next piece of the plan. It’s heartpounding like knowing a car crash is coming, but you’re forced to watch it anyway. There is no standing still. They’re always on the run so the pace remains uptempo.
Plot: 8
Resolution: 10
Overall: 97
Yes Queen & Slim is pretty linear, but it works for the building of the relationship within the story. And yes you see the ending coming but there’s a true power that comes from it that makes it worth it. The conflict is great, but the dialogue solidifies it for me as a classic. See this movie.
Acting: 10
Daniel Kaluuya puts on yet another powerful performance, this time playing the role of the male love interest Slim. I love the way he chose to play this role as a man that doesn’t have it all together trying to figure things out on the fly. His counterpart Jodi Turner-Smith playing Queen is so on point as well carrying the strong emotional defensiveness of the lawyer that she is. Their chemistry drives this movie to heights I wasn’t expecting.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The movie is beautifully shot with a number of strong sequences and setpieces that keep things interesting. Director Melina Matsoukas is a master of capturing emotional moments with well-timed closeups and long pauses. She pushes the emotions out of the viewers with tender scenes and scenes that get your blood boiling.
Conflict: 10
Entertainment Value: 10
Memorability: 9
This movie sticks, it sticks with you. It’s hard to walk away from it and not feel some way or the other. It will challenge you emotionally and mentally. It’s not perfect as it does stick to a pretty linear script, but it’s extremely memorable nonethless.
Pace: 10
Because of the constant danger the two main characters are under, the movie moves quick even when they’re just sitting around awaiting their next piece of the plan. It’s heartpounding like knowing a car crash is coming, but you’re forced to watch it anyway. There is no standing still. They’re always on the run so the pace remains uptempo.
Plot: 8
Resolution: 10
Overall: 97
Yes Queen & Slim is pretty linear, but it works for the building of the relationship within the story. And yes you see the ending coming but there’s a true power that comes from it that makes it worth it. The conflict is great, but the dialogue solidifies it for me as a classic. See this movie.
James P. Sumner (65 KP) rated Gemini Man (2019) in Movies
Oct 11, 2019
Not even two Will Smiths can save it.
"Gemini Man (2019)" is a blend of action, drama, crime and sci-fi, and tells the story of Henry Brogan (portrayed by Will Smith), the world's most renowned assassin who is looking to retire from the government agency he's been working for.
When he finds out his last job wasn't all it seemed, he starts asking questions, which quickly prompts the agency to try and retire him themselves. We know from the trailers that a younger clone of himself is sent to kill him, and so begins a typical cat-and-mouse gunfight across the globe.
*sigh*
I was really disappointed with this film. It had so much potential - a strong lead with great support from Clive Owen (in fine antagonistic form), Benedict Wong (playing another Wong-esque character) and Mary Elizabeth Winstead (in a commanding, if at times a little bland, outing). But even a good turn from Mr. Smith can't stop it from ultimately becoming a victim of its own ambition.
The plot isn't especially original, but has a nice twist to it that sets it apart. However, it loses itself halfway through, becoming convoluted and indecipherable, seemingly even for the cast. Nothing feels like it has any meaning, and the promising start was soon forgotten in favour of one set piece after another.
And speaking of the set pieces, whilst the action and choreography is really good, the scenes with Will Smith vs. Will Smith (both fighting and talking) are ruined by poor CGI. It's too obviously computer-generated. To me, good CGI looks integrated into the real life scenes, but this stands out like a video game. The action scenes in particular are way too fast and unrealistic. It's like they're trying to recreate the gritty, hard-hitting pace and tone of the Bourne films, but end up with The Matrix being playing on fast forward.
Ang Lee is the kind of director who either wins big (see "Life Of Pi (2012)") or loses big (see "Hulk (2003)"). I don't know where the blame lies here. The script wasn't particularly bad. The direction was... okay. But nothing seemed to gel. It had all the right ingredients and should've been great, yet it fails in every aspect.
This could've been one of the year's best blockbusters... sadly, it's a forgettable tale that Will Smith will likely want wiping from his IMDB profile.
When he finds out his last job wasn't all it seemed, he starts asking questions, which quickly prompts the agency to try and retire him themselves. We know from the trailers that a younger clone of himself is sent to kill him, and so begins a typical cat-and-mouse gunfight across the globe.
*sigh*
I was really disappointed with this film. It had so much potential - a strong lead with great support from Clive Owen (in fine antagonistic form), Benedict Wong (playing another Wong-esque character) and Mary Elizabeth Winstead (in a commanding, if at times a little bland, outing). But even a good turn from Mr. Smith can't stop it from ultimately becoming a victim of its own ambition.
The plot isn't especially original, but has a nice twist to it that sets it apart. However, it loses itself halfway through, becoming convoluted and indecipherable, seemingly even for the cast. Nothing feels like it has any meaning, and the promising start was soon forgotten in favour of one set piece after another.
And speaking of the set pieces, whilst the action and choreography is really good, the scenes with Will Smith vs. Will Smith (both fighting and talking) are ruined by poor CGI. It's too obviously computer-generated. To me, good CGI looks integrated into the real life scenes, but this stands out like a video game. The action scenes in particular are way too fast and unrealistic. It's like they're trying to recreate the gritty, hard-hitting pace and tone of the Bourne films, but end up with The Matrix being playing on fast forward.
Ang Lee is the kind of director who either wins big (see "Life Of Pi (2012)") or loses big (see "Hulk (2003)"). I don't know where the blame lies here. The script wasn't particularly bad. The direction was... okay. But nothing seemed to gel. It had all the right ingredients and should've been great, yet it fails in every aspect.
This could've been one of the year's best blockbusters... sadly, it's a forgettable tale that Will Smith will likely want wiping from his IMDB profile.
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