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Clash of Angry Navy Sniper 3D: Shooting Game
Games
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Chosen for a covert clean out mission right at shores of Somalia, an Assassin Sniper shooter with...
Regret (Under My Skin #1)
8.0
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When Brian “Brin” Schubert’s condo floods, he takes his co-worker up on the offer to stay on...
M_M Contemporary Romance
Lee (2222 KP) rated The Meg (2018) in Movies
Aug 14, 2018
The acting is awful - from everyone (1 more)
The script is terrible
Fun action movie
If you've seen any of the posters or trailers for The Meg, you know exactly what you're in for. It's basically Jason Statham versus a big ass prehistoric shark, and that's pretty much all you need to know. If you're expecting a decent script, without any clichés, or any kind of decent acting for that matter, then you're likely to be disappointed. This movie pretty much does what it says on the tin.
Jason Statham stars as Jonas Taylor, currently retired from deep sea diving hero work and living a chilled life in Thailand, beer permanently in his hand. Five years earlier, Jonas was involved in an underwater operation which ended badly - a mysterious sea creature put a huge dent in the side of a submersible and Jonas had to make the painful decision to leave some men behind in order to save the rest. But when a hi-tech marine research station sends a crew down more than 10,000 metres into the ocean, beyond an icy barrier of hydrogen sulphide and into unexplored waters, they encounter a 70ft megalodon and find themselves trapped. Time for Jonas, the only man capable of rescuing them, to be lured out out of retirement. Unfortunately though, as the submersibles return to the surface, they unknowingly create a thermal pathway through the icy cold layer, and the meg follows them back up.
By this point we're nearly half way through the movie, and we've so far only caught a couple of glimpses of the meg and the kind of damage it can cause. The rest of the time up until now has been filled with introducing us to a large number of dull characters, both on the research station and the submersible. To be fair though, the script is terrible - full of clichés and failed attempts at humour and one-liners, but even then the delivery from literally everyone involved is pretty awful, the acting on show here is shocking. When things do kick off with the shark though, it's less talk more action, and that's when the film is at its most enjoyable.
Many of the action scenes are, as you'd expect, ridiculous, over the top and wildly enjoyable. Jonas tries 'sneaking up' on the meg in order to fire it with a tracking dart, only for the meg to give chase as Jonas is rapidly winched back in, swerving to avoid the huge jaws. Later on, the meg finds its way to a densely populated beach. Hundreds of nicely arranged bathers in their rubber rings, men rolling around in zorbs, people on jet skis - the perfect scenario for mass panic and carnage.
Overall, this is a good fun action movie which really should have focused a little more on a tighter script. Still worth a watch though.
Jason Statham stars as Jonas Taylor, currently retired from deep sea diving hero work and living a chilled life in Thailand, beer permanently in his hand. Five years earlier, Jonas was involved in an underwater operation which ended badly - a mysterious sea creature put a huge dent in the side of a submersible and Jonas had to make the painful decision to leave some men behind in order to save the rest. But when a hi-tech marine research station sends a crew down more than 10,000 metres into the ocean, beyond an icy barrier of hydrogen sulphide and into unexplored waters, they encounter a 70ft megalodon and find themselves trapped. Time for Jonas, the only man capable of rescuing them, to be lured out out of retirement. Unfortunately though, as the submersibles return to the surface, they unknowingly create a thermal pathway through the icy cold layer, and the meg follows them back up.
By this point we're nearly half way through the movie, and we've so far only caught a couple of glimpses of the meg and the kind of damage it can cause. The rest of the time up until now has been filled with introducing us to a large number of dull characters, both on the research station and the submersible. To be fair though, the script is terrible - full of clichés and failed attempts at humour and one-liners, but even then the delivery from literally everyone involved is pretty awful, the acting on show here is shocking. When things do kick off with the shark though, it's less talk more action, and that's when the film is at its most enjoyable.
Many of the action scenes are, as you'd expect, ridiculous, over the top and wildly enjoyable. Jonas tries 'sneaking up' on the meg in order to fire it with a tracking dart, only for the meg to give chase as Jonas is rapidly winched back in, swerving to avoid the huge jaws. Later on, the meg finds its way to a densely populated beach. Hundreds of nicely arranged bathers in their rubber rings, men rolling around in zorbs, people on jet skis - the perfect scenario for mass panic and carnage.
Overall, this is a good fun action movie which really should have focused a little more on a tighter script. Still worth a watch though.
Transport Tycoon
Games and Entertainment
7.0
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Build the ultimate transport empire! Take control of your own fledgling transport company, and use...
Lottie disney bookworm (1056 KP) rated Poor Unfortunate Soul: A Tale of the Sea Witch (Villains #3) in Books
Sep 7, 2019
Contains spoilers, click to show
A review by The Disney Bookworm:
The third instalment in Serena Valentino’s villain’s tales is the story of Ursula. I was really looking forward to this: after scaring the beejeeeesus out of me as a kid, Ursula has become my favourite villain as an adult. She definitely projects the body confidence I lack that’s for sure!
Regular readers will know I was left a little disappointed by The Beast Within and so it was with some trepidation that I ventured onto the next novel in the series. However, I was too tempted by the promise of a backstory to my favourite sassy octopus.
Poor Unfortunate Soul starts off really well, as is the case with all Valentino’s books. We meet Ursula as an orphaned human girl, raised by a loving adoptive father but never accepted by the villagers around her. She is acutely aware that she is different and is constantly drawn to the sea. However, when the villagers realise Ursula’s true form and start a literal witch hunt, her father tries to protect her and it ends tragically.
Vengeful and alone, Ursula returns to the sea and discovers her family isn’t lost to her after all: she has a brother, Triton.
Unfortunately, but not surprisingly, Triton and Ursula are not destined for an emotional reunion and a game of happy families. Instead, Triton wants Ursula to conform to his idea of beauty and live in his kingdom as a mermaid. He also refuses to share his throne with Ursula: something their parents aspired to.
The siblings also disagree over the treatment of humans. Although both despise the race, the sea king disapproves of his sister’s vengeful ways and eventually banishes her from his kingdom. This only adds fuel to Ursula’s rage, causing her to plot to destroy her tyrant brother by using his youngest daughter: Ariel.
We all know how that story goes!
I really enjoyed this backstory to Ursula and the twist that her and Triton were related but separated when they were young. In my opinion it gave me what I wanted from the villains series: empathy for the villain.
However, as was the case in The Beast Within, I was willing for this to be fleshed out more. How were Triton and Ursula separated? What was the kingdom like when the siblings attempted to cohabitate? Ariel’s mother is briefly mentioned as a friend to Ursula – was it her death that permanently severed Triton and Ursula’s relationship? In my opinion, Ursula’s brief relationship with her brother is the lynch pin in her demise but the details are glossed over as an almost appendix in the story. I wanted more of this and less of Tulip!
Ah yes, Tulip is back! Although for the life of me I’m not sure why!
Yes, she was in the last book and we know she made a deal with Ursula.
Yes, she links the books together, particularly with the references to Maleficent’s evil doings in a neighbouring kingdom.
Yes, she has a friendship with Circe and Pflanze: allowing the odd sisters to locate their beloved sister.
Yes, she has a weird nanny who feels like she should be someone but I’m not entirely sure whom.
But dear god she takes up too much of these books. She clearly regained her beauty for a reason and I’m sure her royal suitor has a future role but she just doesn’t interest me as a character. She’s an extra: popping up now and again to make some link in the storyline.
I can’t delve much further into this book without completely ruining the story for you so let me just say that I enjoyed the book more than The Beast Within. Poor Unfortunate Soul gave me the backstory of Ursula and allowed me to witness how her hate and thirst for power consumed her, as well as the consequences of this.
The novel was less heavily involved with the Odd Sisters than The Beast Within. It seemed that the villain was the main focus which was in keeping with Fairest of All and greatly appreciated. However, I was still left wanting more: these are thin books and a quick read; I just feel that the opportunities for developing real, complex villains are being missed.
The third instalment in Serena Valentino’s villain’s tales is the story of Ursula. I was really looking forward to this: after scaring the beejeeeesus out of me as a kid, Ursula has become my favourite villain as an adult. She definitely projects the body confidence I lack that’s for sure!
Regular readers will know I was left a little disappointed by The Beast Within and so it was with some trepidation that I ventured onto the next novel in the series. However, I was too tempted by the promise of a backstory to my favourite sassy octopus.
Poor Unfortunate Soul starts off really well, as is the case with all Valentino’s books. We meet Ursula as an orphaned human girl, raised by a loving adoptive father but never accepted by the villagers around her. She is acutely aware that she is different and is constantly drawn to the sea. However, when the villagers realise Ursula’s true form and start a literal witch hunt, her father tries to protect her and it ends tragically.
Vengeful and alone, Ursula returns to the sea and discovers her family isn’t lost to her after all: she has a brother, Triton.
Unfortunately, but not surprisingly, Triton and Ursula are not destined for an emotional reunion and a game of happy families. Instead, Triton wants Ursula to conform to his idea of beauty and live in his kingdom as a mermaid. He also refuses to share his throne with Ursula: something their parents aspired to.
The siblings also disagree over the treatment of humans. Although both despise the race, the sea king disapproves of his sister’s vengeful ways and eventually banishes her from his kingdom. This only adds fuel to Ursula’s rage, causing her to plot to destroy her tyrant brother by using his youngest daughter: Ariel.
We all know how that story goes!
I really enjoyed this backstory to Ursula and the twist that her and Triton were related but separated when they were young. In my opinion it gave me what I wanted from the villains series: empathy for the villain.
However, as was the case in The Beast Within, I was willing for this to be fleshed out more. How were Triton and Ursula separated? What was the kingdom like when the siblings attempted to cohabitate? Ariel’s mother is briefly mentioned as a friend to Ursula – was it her death that permanently severed Triton and Ursula’s relationship? In my opinion, Ursula’s brief relationship with her brother is the lynch pin in her demise but the details are glossed over as an almost appendix in the story. I wanted more of this and less of Tulip!
Ah yes, Tulip is back! Although for the life of me I’m not sure why!
Yes, she was in the last book and we know she made a deal with Ursula.
Yes, she links the books together, particularly with the references to Maleficent’s evil doings in a neighbouring kingdom.
Yes, she has a friendship with Circe and Pflanze: allowing the odd sisters to locate their beloved sister.
Yes, she has a weird nanny who feels like she should be someone but I’m not entirely sure whom.
But dear god she takes up too much of these books. She clearly regained her beauty for a reason and I’m sure her royal suitor has a future role but she just doesn’t interest me as a character. She’s an extra: popping up now and again to make some link in the storyline.
I can’t delve much further into this book without completely ruining the story for you so let me just say that I enjoyed the book more than The Beast Within. Poor Unfortunate Soul gave me the backstory of Ursula and allowed me to witness how her hate and thirst for power consumed her, as well as the consequences of this.
The novel was less heavily involved with the Odd Sisters than The Beast Within. It seemed that the villain was the main focus which was in keeping with Fairest of All and greatly appreciated. However, I was still left wanting more: these are thin books and a quick read; I just feel that the opportunities for developing real, complex villains are being missed.
Pocket Universe - 3D Gravity Sandbox
Games and Education
9.0
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If you had the power, how would you create the solar system? What would be the size of each planet...
JT (287 KP) rated Where the Wild Things Are (2009) in Movies
Mar 10, 2020
Let’s face it, as children we have all been there, we went a bit wild at some point in our life! We made up our own games and talked to people that we knew were not there, but for us it felt like another world.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
Records of Shelley, Byron and the Author
Rosemary Ashton and Edward John Trelawny
Book
In February 1822 the writer and adventurer Edward John Trelawny arrived in Pisa to make the...
Sheridan (209 KP) rated Slime Rancher in Video Games
Oct 9, 2018
Fun & Creative (4 more)
Colourful Graphics
Leisurely Gameplay
Relaxing to Play
Beautiful Worlds
Game Mechanics are sometimes a little screwy (2 more)
Lose Inventory when you get 'Knocked Out'
Only 4 Inventory Slots & can only carry one stack of a particular item
An Adorable Adventure
The playing of this game came about when my 8 yr old wanted to watch me play a game on the Xbox, my usual FPS range of games obviously not being suitable for her to watch, I dug this one out of my digital game pile. I've got to say, this is a pretty awesome game. It's cute, it's fun and it allows you to get creative. As you play you open up new areas using Slime Keys, and each one is just - *so* pretty. In each of these areas you have the opportunity to catch new slime breeds, work through new challenges, and find treasure. I recommend opening up the Slime Science area of the map as soon as you can because this allows you to make gadgets that make your Ranching life tons easier. As it's not an overly expensive game, the mechanics are a little screwy sometimes, especially with the jet pack and that can become frustrating, and if you get knocked out by falling in the Slime Sea or being attacked by Feral Slimes you lose everything in your inventory and you lose a day (which means the slimes in your Ranch get grumpy if they run out of food). The only other thing I found super annoying was you only have 4 inventory slots and can only carry one stack of a particular item (so if you have 50 Carrots, you can't carry any more even if you have open slots), if you're exploring away from your Ranch you run out of space *really* fast. Overall, the game is fun and relaxing to play - with the exception of a few minor issues. I would recommend if you enjoy chilled out games or just want a break from your regular playing style :)
Great Irish Reportage
Book
Reports and dispatches from Ireland's finest writers: the first-ever anthology of Irish reportage....