Jesters_folly (230 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 21, 2019
Scary Stories is one of those films that takes a mix of different horror elements, put’s them through a blender and sees what comes out; it is part Slasher, as a number of the children get attacked and killed in a variety of different ways, part J-Horror as the children have to find out what it will take to stop Sarah (in a similar style to the Ring or The Grudge), and part monster movie as a variety of creatures are set out after the children.
The one thing Scary Stories isn’t is a children’s film, the monsters are heavily based upon the art work from the original books and, after a slow beginning the tension and atmosphere are ramped up. There are a few jump scares but the film does not rely solely on these and the ones there are, are well crafted, you know something is going to happen but not when. Some of the children do died, although not in bloody ways.
For a film based on a series of stories ‘Scary Stories to tell in the dark’ doesn’t quite become an anthology movie which is a bit surprising, each monster has its own back story however, these back stories quickly become secondary as the hunt for the truth about Sarah takes over.
I think, at its heart, Scary Stories is mostly a classic ghost story, the book is a classic cursed item like the video tape in the ring or the mirror in mirror mirror (the horror film not the Disney one) which is fuelled by Sarah’s anger at the injustices she suffered when she was alive and which can be negated when something is put right. Of course anyone who has seen more than a few horror movies knows that a bad spirit can’t be kept down for long and Scary Stories to Tell in the Dark does leave the way open for a sequel.
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LeftSideCut (3778 KP) rated Bloodshot (2020) in Movies
Jul 27, 2020
The cast are mostly good (minus a couple of generic jumped-up-alpha-male-arseholes). Vin Diesel just being Vin Diesel (which I used to hate but these days kind of love-hate), Guy Pearce playing a typically shady villain, Eiza González representing the badass female quota nicely, and Lamorne Morris playing the sometimes amusing comic relief. They all gel well for the most part.
It also doesn't take itself to seriously - I was ready to hate Bloodshot within the first ten minutes due to some really on the nose dumbfuckery to do with Toby Kebbell's character, but later on, the movie references said scene and pokes fun at it, thankfully.
There's one particular great action set piece during the first third of the film (the one that made up a fair amount of the trailer) which earns Bloodshot more points than it otherwise would have, and the semi-Groundhog Day plot keeps the movie interesting for the most part.
However, and it's a big however, although Bloodshot is fairly good for a fair portion of the runtime, it absolutely shits the bed in the final third.
Opting for a big CGI blowout (of course), the big final sequence just looks horrible.
The character models used in the fight sequences reminded me of Neo from The Matrix Reloaded, and that looked bad 17 years ago!
It's a loud, ugly mess that unfortunately de-rails any good that came before.
It also doesn't make a lick of sense, but WHO CARES, EXPLOSIONS AND CGI VIN DIESEL, WOOOOAHHH. It sucks.
I get the feeling that the ending (after the shitty fight scene) was supposed to be deep and left open to interpretation, but it just felt thrown on and confusing, and I also, I didn't really care by this point.
Ultimately, I would like to see Bloodshot get a sequel. This first outing is truly an origin film, and it would be interesting to see how further entries could flesh out the story, and borrow more from the comics.
I just hope this crappy Coronavirus pandemic is taken into account by the suits when looking at the poor box office.
LeftSideCut (3778 KP) rated Alita: Battle Angel (2019) in Movies
May 26, 2020 (Updated Jun 18, 2020)
Based on a Manga series and subsequent Anime from the early nineties, Alita brings the signature Japanese comic style to life in style, as a whole heap of (mostly) decent digital effects collides with real-life.
The world of A:BA is really well realised, with the film taking place in the 26th Century, a future that sees man and cyborg live side by side. The plot takes place in The Iron City on the ground, eclipsed by the floating city of Zalem above. It's a striking aesthetic that reminded me of something from a Final Fantasy game. The main narrative follows Dr. Ido (Christoph Waltz) who finds the remains of a deactivated cyborg in a trash heap. He gives the cyborg a new body and a new life, and gives her the name Alita. She has no memory of who she was before, but as she begins to explore the world, her memories slowly return. Alita (Rosa Salazar) is a stupidly likable protagonist. She's a fiery, lethal weapon who has a child like innocence. The motion capture combined with Salazar's performance work really well. In fact, the whole cast is great. Christoph Waltz, Mahershala Ali, Jennifer Connelly, Jackie Earl-Hailey - it's a stellar line up. The only cast member I couldn't get on with was Hugo (Keean Johnson) who mainly serves as Alita's love interest. I didn't particularly like his character and as a result didn't fully buy their romance side plot.
The main issue I had was the pacing. The plot is trying to pack so much into 2 hours, that it moved forward at breakneck speed at times. Some plot points become a bit lost in the whole thing, and a few of the characters seemed inconsequential as a result.
It does go a bit CGI overload at times but that's to be expected by the very nature of what A:BA is. The effects on some of the other cyborg characters are ropey as well, but honestly, these are small gripes against a film that I found myself really enjoying.
I sincerely hope a sequel gets green lit as I for one want more of this world to be explored.
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