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BackToTheMovies (56 KP) rated Fear Clinic (2014) in Movies
Jun 12, 2019 (Updated Jun 12, 2019)
A Horror Movie That Makes You Think!
The film revolves around a shooting that takes place in a diner that traumatizes a group of survivors who check themselves into the Fear Clinic, a clinic run by Dr.Andover a man who has created a unique way of treating phobia's using a revolutionary new technology called the fear chamber. The fear chamber works by re-animating your worst fears into hallucinations so you can combat your fear face to face. However within the story the fears start manifesting themselves in the real world and this new technology that Dr.Andover has created is slowly opening up a doorway to allow fear incarnate to wreak havoc on the patients of the clinic.
Fear Clinic has an incredibly strong cast line up with Robert Englund (Nightmare on Elm Street) reprising his role as Dr.Andover, Thomas Dekker (Heroes) as Blake, Fiona Dourif (Curse of Chucky) as Sara a survivor of the diner shooting, Angelina Armani (Chromeskull 2) as another survivor Caylee and Corey Taylor in his first ever acting role as Bauer a porter at the clinic. Joining this stellar cast are a whole host of other amazing talent including Brandon Beemer, Cleopatra Coleman, Kevin Gage and Felisha Tirrell.
The movie as a whole was incredibly strong, what started off as an incredibly slow build up actually built the story up rather nicely and gave us some in depth character building and information, it is rare to see a good character build in indy horrors but Fear Clinic did it maybe even too much at times. Either way the second half of the movie eclipses the first by a long shot, once the story is set the action begins and with Bob Kurtzman and Steve Johnson behind the SPFX team the excitement and effects do not disappoint. As fear incarnate slowly starts to develop in the real world the SPFX team has amazingly brought this character to life taking on a persona that was unsettling to watch (Minus the visible bald cap on Robert Englund's head). The intro to the movie however slow always had a creepy and uncomfortable vibe, almost putting you in the clinic itself, testing your nerves, straining your ability to relax and always putting you on edge for what is about to come. It was a great touch and full credit to the team for drawing it out over the films duration without letting go of that emotion.
The film contains deep undertones and emotional depth in terms of people's fears and phobia's but there are some points within the movie that need to be tightened up a bit. Certain scenes need explaining more and as fear incarnate starts to manifest itself the build up and gore is lacking within the story so even thou the creature looks amazing, it doesn't strike fear into the audience which is a shame as now the audience is isolated from the story. Never the less the movie flows nicely and as it stands its a great introduction to a franchise but it does feels quite rushed in places and action is scarce in places as the build up is painstakingly drawn out, hopefully this is tightened up for the DVD release version or Director's cut.
Convoluted in places but a movie that stands higher than most Horror's that are being released at the present, a new generation of cerebral Horror. A movie that will make you think rather than spaced out watching the screen, a movie that when finished you'll rewind to make the jigsaw pieces fit. A very smart movie.
If you're used to watching Horror movies with a vacant mind then you will be disappointed with Fear Clinic, it's time to engage your brain, the Fear Clinic is open for business.
FEAR ON!
Fear Clinic has an incredibly strong cast line up with Robert Englund (Nightmare on Elm Street) reprising his role as Dr.Andover, Thomas Dekker (Heroes) as Blake, Fiona Dourif (Curse of Chucky) as Sara a survivor of the diner shooting, Angelina Armani (Chromeskull 2) as another survivor Caylee and Corey Taylor in his first ever acting role as Bauer a porter at the clinic. Joining this stellar cast are a whole host of other amazing talent including Brandon Beemer, Cleopatra Coleman, Kevin Gage and Felisha Tirrell.
The movie as a whole was incredibly strong, what started off as an incredibly slow build up actually built the story up rather nicely and gave us some in depth character building and information, it is rare to see a good character build in indy horrors but Fear Clinic did it maybe even too much at times. Either way the second half of the movie eclipses the first by a long shot, once the story is set the action begins and with Bob Kurtzman and Steve Johnson behind the SPFX team the excitement and effects do not disappoint. As fear incarnate slowly starts to develop in the real world the SPFX team has amazingly brought this character to life taking on a persona that was unsettling to watch (Minus the visible bald cap on Robert Englund's head). The intro to the movie however slow always had a creepy and uncomfortable vibe, almost putting you in the clinic itself, testing your nerves, straining your ability to relax and always putting you on edge for what is about to come. It was a great touch and full credit to the team for drawing it out over the films duration without letting go of that emotion.
The film contains deep undertones and emotional depth in terms of people's fears and phobia's but there are some points within the movie that need to be tightened up a bit. Certain scenes need explaining more and as fear incarnate starts to manifest itself the build up and gore is lacking within the story so even thou the creature looks amazing, it doesn't strike fear into the audience which is a shame as now the audience is isolated from the story. Never the less the movie flows nicely and as it stands its a great introduction to a franchise but it does feels quite rushed in places and action is scarce in places as the build up is painstakingly drawn out, hopefully this is tightened up for the DVD release version or Director's cut.
Convoluted in places but a movie that stands higher than most Horror's that are being released at the present, a new generation of cerebral Horror. A movie that will make you think rather than spaced out watching the screen, a movie that when finished you'll rewind to make the jigsaw pieces fit. A very smart movie.
If you're used to watching Horror movies with a vacant mind then you will be disappointed with Fear Clinic, it's time to engage your brain, the Fear Clinic is open for business.
FEAR ON!
Phil Leader (619 KP) rated Asbury Park in Books
Nov 8, 2019
Virginia State Trooper Samuel 'Sailor' Doyle is recovering from his previous case, also trying to save his marriage and his job. Although he is a national hero he is suspended and under investigation for shooting a suspect while under the influence of prescription pain killers. To rehabilitate he takes his wife, young son and baby daughter to the beach near Asbury Park in New Jersey.
Doyle's problems are many: His wife has discovered that he had an affair, he is in withdrawal from his drug and alcohol abuse and he is still recovering from being shot. But far from getting away from it all his vacation just throws mysterious deaths at Doyle and strange things happen. He hears Pink Floyd's Wish You Were Here playing from what seems like every car that passes and every shop he goes into as well as an old callope fairground tune. He starts to persuade himself that events are connected and sets out to find out what is going on.
This book definitely follows its own path and refused to be pigeon- holed into one genre or another. In the main this is a police procedural with Doyle assisting the local police with a gang related shooting and his own investigations into events that occurred in the 1970s in Canada. But the weirdness of the Pink Floyd, scratches and greasepaint (to name just a few of the odd occurrences that Doyle encounters) takes it beyond this and into the realms of the paranormal with Doyle convinced he is being haunted by the ghost of a dead teenager - or that he is going insane.
All this means that it is going to divide opinion (and quick check of the scores given to the book confirm that). It is not a standard police procedural so will disappoint if that is what is expected. But neither is it a ghost or horror story in the classic sense and so will disappoint if that is what is expected as well. What it is is an exploration of despair, revenge and redemption set against the decaying backdrop of the faded glory of the towns between Asbury Park and Spring Lake. Take the story on its own merits and go where it leads is my advice. Live a little.
I really liked the writing. There is a very noir feel to the way Doyle narrates the events first person and a certain nihilism to a lot of his observations that can be quite amusing. The other characters are also good and his interations with them very well written. Hodges the local detective he both assists and irritates is great as is her right hand man, Ed Hess to name just two.
The pace is slow, giving the story time to unfold but never dull or boring. When events do occur they are almost jarring and some of the more supernatural experiences of Doyle did send shivers down my spine.
The revelations of the story behind everything does work (in the terms of the book) and closure is finally achieved at the end, I couldn't think of a loose end that wasn't tidied up. Yes there isn't a rational explanation for everything - at least not if filtered by Doyle's somewhat damaged perception - but there is an explanation.
I didn't hesitate to give this book 5 stars. It was one of those that I enjoyed reading hugely and didn't want to get to the end... but wanted to get to the end to find out what happened. Overall I rate this book very highly.
Rating: Lots of violence, language and dead bodies
Doyle's problems are many: His wife has discovered that he had an affair, he is in withdrawal from his drug and alcohol abuse and he is still recovering from being shot. But far from getting away from it all his vacation just throws mysterious deaths at Doyle and strange things happen. He hears Pink Floyd's Wish You Were Here playing from what seems like every car that passes and every shop he goes into as well as an old callope fairground tune. He starts to persuade himself that events are connected and sets out to find out what is going on.
This book definitely follows its own path and refused to be pigeon- holed into one genre or another. In the main this is a police procedural with Doyle assisting the local police with a gang related shooting and his own investigations into events that occurred in the 1970s in Canada. But the weirdness of the Pink Floyd, scratches and greasepaint (to name just a few of the odd occurrences that Doyle encounters) takes it beyond this and into the realms of the paranormal with Doyle convinced he is being haunted by the ghost of a dead teenager - or that he is going insane.
All this means that it is going to divide opinion (and quick check of the scores given to the book confirm that). It is not a standard police procedural so will disappoint if that is what is expected. But neither is it a ghost or horror story in the classic sense and so will disappoint if that is what is expected as well. What it is is an exploration of despair, revenge and redemption set against the decaying backdrop of the faded glory of the towns between Asbury Park and Spring Lake. Take the story on its own merits and go where it leads is my advice. Live a little.
I really liked the writing. There is a very noir feel to the way Doyle narrates the events first person and a certain nihilism to a lot of his observations that can be quite amusing. The other characters are also good and his interations with them very well written. Hodges the local detective he both assists and irritates is great as is her right hand man, Ed Hess to name just two.
The pace is slow, giving the story time to unfold but never dull or boring. When events do occur they are almost jarring and some of the more supernatural experiences of Doyle did send shivers down my spine.
The revelations of the story behind everything does work (in the terms of the book) and closure is finally achieved at the end, I couldn't think of a loose end that wasn't tidied up. Yes there isn't a rational explanation for everything - at least not if filtered by Doyle's somewhat damaged perception - but there is an explanation.
I didn't hesitate to give this book 5 stars. It was one of those that I enjoyed reading hugely and didn't want to get to the end... but wanted to get to the end to find out what happened. Overall I rate this book very highly.
Rating: Lots of violence, language and dead bodies
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Andy K (10821 KP) rated Back to the Future Part III (1990) in Movies
Apr 14, 2019
By the time you get to Back to the Future 3, you have seen Marty go "Back to the Future" twice, and Doc and Marty save us from the world of Biff Tannen the casino boss, Lorraine's very large breasts, and Marty's family going down a tumultuous bad trail to a life of disappointments.
Marty discovers Doc will be murdered within a week of him receiving a letter from his friend in 1885 and decides it is worth the risk to go "back" one more time to save him.
Marty finds more relatives in the Old West, as well as that time's version of Biff, now called "Mad Dog" Tannen before eventually reuniting with Doc.
Unlike Back to the Future 2, this film really takes its time and slows the pace down. This element really let's the relationship between lifelong friends develop as well as introduce Doc to the one mystery he has yet to conquer in the universe, Women! Mary Steenburgen was a welcome addition to the cast, although I wish Lea Thompson would have been in this one more.
The climactic scene with the steam locomotive trying to push the DeLorean up to 88 mph to get the duo back to their own time is one of my favorite endings of all time. It is executed with precision and great music and editing to achieve the desired effect.
It is funny, when I was listening to the audio commentary after viewing the film, director Robert Zemeckis said when they finished shooting the film, the land owners who let them use the property while filming asked if they could leave the western town they had built as an homage to the production an filmmakers agreed. Years later they found out the entire town had been destroyed when it had been struck by lightning during a storm.
I thought that was a good end to the story.
Marty discovers Doc will be murdered within a week of him receiving a letter from his friend in 1885 and decides it is worth the risk to go "back" one more time to save him.
Marty finds more relatives in the Old West, as well as that time's version of Biff, now called "Mad Dog" Tannen before eventually reuniting with Doc.
Unlike Back to the Future 2, this film really takes its time and slows the pace down. This element really let's the relationship between lifelong friends develop as well as introduce Doc to the one mystery he has yet to conquer in the universe, Women! Mary Steenburgen was a welcome addition to the cast, although I wish Lea Thompson would have been in this one more.
The climactic scene with the steam locomotive trying to push the DeLorean up to 88 mph to get the duo back to their own time is one of my favorite endings of all time. It is executed with precision and great music and editing to achieve the desired effect.
It is funny, when I was listening to the audio commentary after viewing the film, director Robert Zemeckis said when they finished shooting the film, the land owners who let them use the property while filming asked if they could leave the western town they had built as an homage to the production an filmmakers agreed. Years later they found out the entire town had been destroyed when it had been struck by lightning during a storm.
I thought that was a good end to the story.
Emma @ The Movies (1786 KP) rated The Favourite (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
We're at yet another point in history that I'm not familiar with, let's just take that as read for all historical films from now on. As such I don't know how accurately it portrays things.
Our leading ladies each give outstanding performances, Weisz being the stand out of the three. Lady Sarah was the only one who's character seemed consistently believable the whole way through. Coleman gave a strong performance of Queen Anne and her moods. Stone though was the only one that suffered from the quirks of her character, Abigail's change towards the end of the film to a much more grotesque demeanor was not enjoyable.
That wasn't the only thing that was troublesome to watch. The camera work and the transition pieces were some strange choices. Early on we have a scene set in a dark shadowed room that means we're just watching two silhouettes, we see other scenes that are shot in darkened rooms and they're all handled much better than this shot. The other two issues I came across feel very old fashioned. Firstly cross fading transitions, I can't say added anything. Secondly the random fish eye lens, again it doesn't add anything and would be more at home in a sci-fi film than a historical one.
I can't say I enjoyed the film overall. It's a rather bland tale punctuated by overdone lavish moments, unnecessary sex and nudity, and all punctuated with some gratuitous additions of the C word. I'm not even offended by any of these things but none of it felt like it needed to be in the film, I genuinely feel it would have been a better production without some of it.
What you should do
I wouldn't bother with this one, and I'm aware I'm in a minority on this point. Personally I feel like time would be better spent researching the real point in history than this account.
Movie thing you wish you could take home
Lady Sarah's shooting outfit.
Our leading ladies each give outstanding performances, Weisz being the stand out of the three. Lady Sarah was the only one who's character seemed consistently believable the whole way through. Coleman gave a strong performance of Queen Anne and her moods. Stone though was the only one that suffered from the quirks of her character, Abigail's change towards the end of the film to a much more grotesque demeanor was not enjoyable.
That wasn't the only thing that was troublesome to watch. The camera work and the transition pieces were some strange choices. Early on we have a scene set in a dark shadowed room that means we're just watching two silhouettes, we see other scenes that are shot in darkened rooms and they're all handled much better than this shot. The other two issues I came across feel very old fashioned. Firstly cross fading transitions, I can't say added anything. Secondly the random fish eye lens, again it doesn't add anything and would be more at home in a sci-fi film than a historical one.
I can't say I enjoyed the film overall. It's a rather bland tale punctuated by overdone lavish moments, unnecessary sex and nudity, and all punctuated with some gratuitous additions of the C word. I'm not even offended by any of these things but none of it felt like it needed to be in the film, I genuinely feel it would have been a better production without some of it.
What you should do
I wouldn't bother with this one, and I'm aware I'm in a minority on this point. Personally I feel like time would be better spent researching the real point in history than this account.
Movie thing you wish you could take home
Lady Sarah's shooting outfit.
Jordan Binkerd (567 KP) rated Zombicide: Black Plague in Tabletop Games
Jul 21, 2019 (Updated Jul 21, 2019)
Improved ruleset vs. the original game (3 more)
Fantasy theme
Excellent miniatures!
Improved components vs. the original game
Primarily a combat simulator (1 more)
Low complexity
Improved rules and components, plus the fantasy theme? I wish I discovered this before the original.....
My wife and I love the original Zombicide and have most of the content for the modern setting, minus Kickstarter exclusives and the guest artist characters. So when we found ourselves at the local ComicCon and there was a copy of Black Plague in the game library? We jumped all over that! Compared to the original game, they've fixed several of the rules that bugged us about the game, especially regarding shooting and resources. They've also upgraded the dashboard system to a plastic thing with pegs, which is so much better than the originals that we've seriously considered buying them on eBay and Photoshoping cards for the modern characters so that we can incorporate the upgraded dashboards. We did incorporate a lot of the rules changes into our own games. So if you want to get into Zombicide and can only pick one setting, make it this one.
Like I said, we love Zombicide. But there are a lot of people in the gaming community that feel it lacks something in the way of complexity and strategy. They're not necessarily wrong. It's primarily a tactics game: here's your mission and goal, here's the situation, go! Is it easy? Sometimes. Depends on how lucky you are. Sometimes the zombies spawn in ways and locations that play right into your hands. Sometimes the Abomination spawns right in front of you and you either die immediately or the game bogs down while you scramble to outmaneuver him or find the (scarce) resources to defeat him. It can be pretty random and frustrating at times, and there are people who avoid randomness like the plague in their gaming. But like I said, my wife and I love the system, and this is the best version of it that I've seen.
Like I said, we love Zombicide. But there are a lot of people in the gaming community that feel it lacks something in the way of complexity and strategy. They're not necessarily wrong. It's primarily a tactics game: here's your mission and goal, here's the situation, go! Is it easy? Sometimes. Depends on how lucky you are. Sometimes the zombies spawn in ways and locations that play right into your hands. Sometimes the Abomination spawns right in front of you and you either die immediately or the game bogs down while you scramble to outmaneuver him or find the (scarce) resources to defeat him. It can be pretty random and frustrating at times, and there are people who avoid randomness like the plague in their gaming. But like I said, my wife and I love the system, and this is the best version of it that I've seen.
JT (287 KP) rated The Losers (2010) in Movies
Mar 10, 2020
If you want an action film that does precisely what it says on the tin, then this is clearly going to be the film of choice for you.
It’s thoroughly enjoyable without taking itself too seriously as other films of this genre do, and includes one of the funniest scenes I have seen for sometime. Hats off to the talented Chris Evans for that one.
The story is as straight forward as it could be, a group of CIA black ops narrowly miss being assassinated after a smash and grab rescue mission in the Bolivian jungle. So of course they want pay back, who wouldn’t, and they link up with the beautiful Aisha (Saldana) who has motives of her own.
The group are a somewhat mismatched bunch, but then any good special ops team is a mixed bag of personalities, just look at the A-Team.
It’s thoroughly enjoyable without taking itself too seriously as other films of this genre do
Jeffrey Dean Morgan leads the way as Clay a straight talking no nonsense commander, Jensen (Evans) a wise cracking tech, Idris Elba as the not to be believed Roque, Pooch (Columbus Short) whose handy at the wheel of anything with a motor and Cougar (Óscar Jaenada) who is deadly at long range with the sniper rifle.
The villain of the piece is Max (Jason Patric) a billionaire with plans for world domination, he dresses smartly and even has a villains affliction in the form of a damaged hand which he covers up with a variety of classy gloves. There are times though in a plot that is loosely built around a sonic bomb, that they better developed an ending worthy of a film that had everything in it.
Still, you won’t be overly bothered too much and when the adrenalin levels increase and the sharp shooting beings you’ll be keeping your fingers crossed for any signs of a possible sequel.
It’s thoroughly enjoyable without taking itself too seriously as other films of this genre do, and includes one of the funniest scenes I have seen for sometime. Hats off to the talented Chris Evans for that one.
The story is as straight forward as it could be, a group of CIA black ops narrowly miss being assassinated after a smash and grab rescue mission in the Bolivian jungle. So of course they want pay back, who wouldn’t, and they link up with the beautiful Aisha (Saldana) who has motives of her own.
The group are a somewhat mismatched bunch, but then any good special ops team is a mixed bag of personalities, just look at the A-Team.
It’s thoroughly enjoyable without taking itself too seriously as other films of this genre do
Jeffrey Dean Morgan leads the way as Clay a straight talking no nonsense commander, Jensen (Evans) a wise cracking tech, Idris Elba as the not to be believed Roque, Pooch (Columbus Short) whose handy at the wheel of anything with a motor and Cougar (Óscar Jaenada) who is deadly at long range with the sniper rifle.
The villain of the piece is Max (Jason Patric) a billionaire with plans for world domination, he dresses smartly and even has a villains affliction in the form of a damaged hand which he covers up with a variety of classy gloves. There are times though in a plot that is loosely built around a sonic bomb, that they better developed an ending worthy of a film that had everything in it.
Still, you won’t be overly bothered too much and when the adrenalin levels increase and the sharp shooting beings you’ll be keeping your fingers crossed for any signs of a possible sequel.
JT (287 KP) rated The Fall Of The Essex Boys (2013) in Movies
Mar 23, 2020
Violent (1 more)
Acting is OK
British grit
Loosely based on a true story surrounding the brutal shooting of three infamous drug dealers from Essex in December 1995, it’s a surprise that this is the fourth film to tell the tale.
After films such as Essex Boys, Rise of the Footsoldier and most recently Bonded by Blood you’d wonder why director Paul Tanter chose to helm this version, had this not already been done? Then you sit down to watch it and you realise that it’s a film in its own right, with powerful performances from British actors that need to be seen and heard in their delivery.
If you don’t know the story by now, and it’s one of underworld folk law, it follows three of Essex’s toughest and hardest drug-dealing criminals, who came to a gruesome end when they wanted to go one step too far.
Pat Tate, Tony Tucker and Craig Rolfe want to corner the drug trafficking market, they’re in it for the long haul and to make serious cash. The trio is vicious to the point of no return and will stop at nothing to get what they want and no one will stand in their way.
The film is told by Darren Nicholls (Nick Nevern) who himself narrates for a portion of the film, giving us the story as it unfolds before us. He’s up to his neck in it, and he wants a way out, seemingly with nowhere to turn he has to go into the lion’s den while keeping himself close to a friend on the outside that is looking for a similar end game.
It’s violent but then you have to expect that, the acting is genuinely disturbing and Tanter’s sharp direction keeps the viewer on tenterhooks. It’s a film that is not going to be for everyone, but fans of the director as well as the genre will love it.
After films such as Essex Boys, Rise of the Footsoldier and most recently Bonded by Blood you’d wonder why director Paul Tanter chose to helm this version, had this not already been done? Then you sit down to watch it and you realise that it’s a film in its own right, with powerful performances from British actors that need to be seen and heard in their delivery.
If you don’t know the story by now, and it’s one of underworld folk law, it follows three of Essex’s toughest and hardest drug-dealing criminals, who came to a gruesome end when they wanted to go one step too far.
Pat Tate, Tony Tucker and Craig Rolfe want to corner the drug trafficking market, they’re in it for the long haul and to make serious cash. The trio is vicious to the point of no return and will stop at nothing to get what they want and no one will stand in their way.
The film is told by Darren Nicholls (Nick Nevern) who himself narrates for a portion of the film, giving us the story as it unfolds before us. He’s up to his neck in it, and he wants a way out, seemingly with nowhere to turn he has to go into the lion’s den while keeping himself close to a friend on the outside that is looking for a similar end game.
It’s violent but then you have to expect that, the acting is genuinely disturbing and Tanter’s sharp direction keeps the viewer on tenterhooks. It’s a film that is not going to be for everyone, but fans of the director as well as the genre will love it.
