Search
Search results

Phil Leader (619 KP) rated The Moonstone in Books
Nov 20, 2019
Of all the books I had to read at school, The Moonstone was probably the only novel I really enjoyed. It is one of the first 'whodunnit' type of books and, remarkably, it manages to hit virtually every requirement of the genre dead centre. If this book was written today, it would still be a classic.
The Moonstone of the title is a rare yellow diamond, stolen from an Indian shrine by colonialists. Thought to be unlucky it is left to the young Rachel Verinder. The night after her 18th birthday party the stone is stolen from her rooms, and the rest of the novel describes how the various players eventually manage to solve the crime.
The plot features twists and turns galore, false trails and red herrings enough for two detective stories. Although the crime involved is 'only' theft rather than the more usual murder it is no less engaging as a story. The characters are well drawn and - social reformer that Collins was - there are strong women and intelligent and interesting servants as well as the landed gentry and philanthropists that inhabit the world of country estates in the mid 19th century that the novel is set in.
One feature of the book is that the story is told from the viewpoint of a number of the players. Firstly (and for nearly half the book) we are introduced to the Verinders and the theft by Gabriel Betteredge, a long serving family retainer who is head of the staff and a sort of de facto butler. Betteredge's narrative is charming and witty, full of dry asides and observations. His habit of picking passages from Robinson Crusoe and applying them to daily life is a quirk that is completely in keeping with his character.
Once the story moves to London, the narrative is taken up by various other characters, sometimes just for a short journal entry, sometimes for extended periods of time. Collins imbues each of these parts with a different voice really skillfully, keeping each character very separate.
The solution to the mystery of who stole the diamond and why is convoluted but also very simple. The whole story is well crafted and fits together really well.
The only negative points really are those imposed on Collins by the time he was writing this. There is an overlong introduction about the diamond in India (it seems that in Victorian novels the long winded introduction is somehow expected by the reader) and the pace slows somewhat in London as there is a lot of description about the character's social standings and financial affairs that just aren't as relevant today.
Nevertheless this really is as good a book as I remember. I certainly rate Collins a lot higher than Charles Dickens as a writer. Definitely recommended for anyone who likes a detective mystery which will keep the reader guessing until the very end.
The Moonstone of the title is a rare yellow diamond, stolen from an Indian shrine by colonialists. Thought to be unlucky it is left to the young Rachel Verinder. The night after her 18th birthday party the stone is stolen from her rooms, and the rest of the novel describes how the various players eventually manage to solve the crime.
The plot features twists and turns galore, false trails and red herrings enough for two detective stories. Although the crime involved is 'only' theft rather than the more usual murder it is no less engaging as a story. The characters are well drawn and - social reformer that Collins was - there are strong women and intelligent and interesting servants as well as the landed gentry and philanthropists that inhabit the world of country estates in the mid 19th century that the novel is set in.
One feature of the book is that the story is told from the viewpoint of a number of the players. Firstly (and for nearly half the book) we are introduced to the Verinders and the theft by Gabriel Betteredge, a long serving family retainer who is head of the staff and a sort of de facto butler. Betteredge's narrative is charming and witty, full of dry asides and observations. His habit of picking passages from Robinson Crusoe and applying them to daily life is a quirk that is completely in keeping with his character.
Once the story moves to London, the narrative is taken up by various other characters, sometimes just for a short journal entry, sometimes for extended periods of time. Collins imbues each of these parts with a different voice really skillfully, keeping each character very separate.
The solution to the mystery of who stole the diamond and why is convoluted but also very simple. The whole story is well crafted and fits together really well.
The only negative points really are those imposed on Collins by the time he was writing this. There is an overlong introduction about the diamond in India (it seems that in Victorian novels the long winded introduction is somehow expected by the reader) and the pace slows somewhat in London as there is a lot of description about the character's social standings and financial affairs that just aren't as relevant today.
Nevertheless this really is as good a book as I remember. I certainly rate Collins a lot higher than Charles Dickens as a writer. Definitely recommended for anyone who likes a detective mystery which will keep the reader guessing until the very end.

Gareth von Kallenbach (980 KP) rated Dracula Untold (2014) in Movies
Aug 6, 2019
The latest Dracula movie attempts to honor an ancient story while adding some new spice and bringing the usual graphics flair we’ve come to expect from Hollywood, but falls short.
Dracula Untold, as the name implies, is an origin story for the pop culture father-of-all-vampires. Luke Evans bears the mantle of Prince Vlad Tepes of the Dracula Clan. (Not Count, but Prince.) What about the King, you ask? Well, they didn’t cover this, but there is no King.
Luke Evans is one of my favorite actors in Hollywood right now, and he does this role justice. The rest of the cast contributed solid performances as well, as best they could with sub par script, and poor direction. Charles Dance was a particular pleasure to witness.
This film is Gary Shore’s directorial debut, and it’s easy to see the marks of a neophyte director. Had it been in the hands of someone more experienced, it would have been a juggernaut of a Fall film. Even so, he did pretty well enough, all things considered. According to his work history, Shore was an electrician until 1998, then disappeared until 2014. This is his second film so far this year.
Dracula Untold opens with the story of Vlad the Impaler, as told by his son. Vlad was shipped off to the Turks to become a trained and conditioned weapon. He earned his title by impaling an entire village for the Turkish army. Vlad was a deadly force on the battlefield, but they eventually allowed him to go home, where he could start a family and rule Transylvania. It is painfully obvious that the usual blood-thirsty character was meant to become a hero for this new tale.
The Turks return to take more boys, like they did him, but he refuses. This draws the Turks’ ire, and they demand retribution for the insult and insubordination. Desperate, he seeks out a monster in the mountains who was the REAL first vampire — a man who made a deal with a demon.
Vlad is granted temporary powers, paying a heavy price in the process. After this, the story really ramps up.
This film left me feeling as if something was missing. I attribute this to missing explanations, plot holes (like the lack of King), and several other missteps. Normally, I can look past plot holes. A strong enough movie will keep me from noticing them until I’m rethinking it later. In this case, they were too distracting. The music was unimpressive and not at all memorable. The one liners were forced and distracting, instead of powerful and emotional.
This movie is worth seeing if you’re a fan of vampires in general or Dracula in particular. That said, I wouldn’t advise high expectations. Great aspects were abundant, but there were just as many failings. If you feel compelled to see it, wait until you can see it at home, and save the money.
Dracula Untold, as the name implies, is an origin story for the pop culture father-of-all-vampires. Luke Evans bears the mantle of Prince Vlad Tepes of the Dracula Clan. (Not Count, but Prince.) What about the King, you ask? Well, they didn’t cover this, but there is no King.
Luke Evans is one of my favorite actors in Hollywood right now, and he does this role justice. The rest of the cast contributed solid performances as well, as best they could with sub par script, and poor direction. Charles Dance was a particular pleasure to witness.
This film is Gary Shore’s directorial debut, and it’s easy to see the marks of a neophyte director. Had it been in the hands of someone more experienced, it would have been a juggernaut of a Fall film. Even so, he did pretty well enough, all things considered. According to his work history, Shore was an electrician until 1998, then disappeared until 2014. This is his second film so far this year.
Dracula Untold opens with the story of Vlad the Impaler, as told by his son. Vlad was shipped off to the Turks to become a trained and conditioned weapon. He earned his title by impaling an entire village for the Turkish army. Vlad was a deadly force on the battlefield, but they eventually allowed him to go home, where he could start a family and rule Transylvania. It is painfully obvious that the usual blood-thirsty character was meant to become a hero for this new tale.
The Turks return to take more boys, like they did him, but he refuses. This draws the Turks’ ire, and they demand retribution for the insult and insubordination. Desperate, he seeks out a monster in the mountains who was the REAL first vampire — a man who made a deal with a demon.
Vlad is granted temporary powers, paying a heavy price in the process. After this, the story really ramps up.
This film left me feeling as if something was missing. I attribute this to missing explanations, plot holes (like the lack of King), and several other missteps. Normally, I can look past plot holes. A strong enough movie will keep me from noticing them until I’m rethinking it later. In this case, they were too distracting. The music was unimpressive and not at all memorable. The one liners were forced and distracting, instead of powerful and emotional.
This movie is worth seeing if you’re a fan of vampires in general or Dracula in particular. That said, I wouldn’t advise high expectations. Great aspects were abundant, but there were just as many failings. If you feel compelled to see it, wait until you can see it at home, and save the money.

Hadley (567 KP) rated Heart-Shaped Box in Books
Jun 18, 2019
Unlikable characters (1 more)
Parts that weren't needed
Which one of us hasn't imagined being a successful rock star? The main character of this novel is an aging one, who has become the stereo-typical hard-ass that is expected of a death metal rock star. We begin with Judas Coyne, who hasn't made an album in years, and who is constantly running from his past- - -a habit he acquired when he ran away from home in Louisiana at the age of 19, and this is the problem that permeates Hill's 'Heart-Shaped Box.'
'Heart-Shaped Box' does a successful job of not only painting a picture of ghosts, but also of the spirits that reside in animals (like a witch's familiar), but the likable characters in this book are few and far between. Coyne treats women as objects(he literally only calls them by the State name they are from,such as Florida), and also ended his own marriage by refusing to throw away a snuff film he had obtained from a police. When the story begins, Coyne is shacked up with a young woman (nearly 30 years younger) he calls Georgia; she is described as a stereo-typical goth: black hair, black nail polish, pale white skin. This description of the women Coyne has been with seem to be about the same, but maybe a different hair color, but any other woman that is ever mentioned in the book is either very old or very overweight.
Coyne, a collector of all things dark, buys a dead man's suit that is supposedly haunted by a woman's deceased stepfather. Quite quickly things begin to happen after the suit arrives, including a decaying smell, first noticed by Coyne's 'girlfriend,' Georgia: " I know. I was wondering if there was something in one of the pockets. Something going bad. Old food." She makes Coyne take a look at the suit to see if there is something dead inside of it, but he never finds the source of the smell. Instead, he finds a picture of a young girl in one of the pockets, a girl that is very familiar to Coyne, a girl he once called 'Florida.'
Coyne doesn't seem to take any of the signs seriously that he may be haunted by a ghost that wants to harm him and anyone who comes in contact with him. Until Coyne finds himself sitting inside his restored vintage Mustang in a closed-off barn: " He snorted softly to himself. It wasn't selling souls that got you into trouble, it was buying them. Next time he would have to make sure there was a return policy. He laughed, opened his eyes a little. The dead man, Craddock, sat in the passenger seat next to him. He smiled at Jude, to show stained teeth and a black tongue. He smelled of death, also of car exhaust. His eyes were hidden behind those odd, continuously moving black brushstrokes."
Craddock turns out to be, without giving too much away, a man who was a spiritualist in his living life. He wants nothing but pain and misery for Coyne, who happened to kick his young step daughter to the curb a year before. The parts of the story that deal with both Coyne and Craddock interacting are the most interesting ones. Without these interactions, the story would have fallen very short.
That said, 'Heart-Shaped Box' had quite a few faults to it. Readers may notice that some pages contradict themselves on the very next page, Hill's overuse of Georgia's bangs (hair) as a description for all of her facial expressions, also Hill's habit of being repetitive with words that he uses to describe most things, the unbelievable part where Coyne- - - a collector of occult items- - - claims he has never used a Ouija board before (and lacks the knowledge of how to use one), and last but not least, chapter 34, a chapter that was not needed and completely stopped the story in it's tracks.
And speaking of things that were not needed in the story- - - a part where Georgia has a gun in her mouth, ready to commit suicide, Coyne can only think to remove the gun and replace it with his penis. I understand that Hill may have been going for unlikable characters from the beginning, to really have Coyne play the part of a jaded man, but sometimes Hill seems to go too far. Every book has to have a character to root for, otherwise your readers will put the book down, luckily, this book has Bammy; she is Georgia's grandmother, unfortunately, in less than 15 pages, she never appears in the story again. "You strung out? Christ. You smell like a dog." Bammy says to Georgia after she and Coyne show up at her home.
Is this book a good ghost story, yes, is this story a great horror story, no. Hill lacks on likable characters enough that I don't think a lot of people could enjoy this book. If I were to recommend it, I wouldn't recommend it to teenagers because of a much talked about snuff film, drugs and suicide. I don't think I would read this again.
'Heart-Shaped Box' does a successful job of not only painting a picture of ghosts, but also of the spirits that reside in animals (like a witch's familiar), but the likable characters in this book are few and far between. Coyne treats women as objects(he literally only calls them by the State name they are from,such as Florida), and also ended his own marriage by refusing to throw away a snuff film he had obtained from a police. When the story begins, Coyne is shacked up with a young woman (nearly 30 years younger) he calls Georgia; she is described as a stereo-typical goth: black hair, black nail polish, pale white skin. This description of the women Coyne has been with seem to be about the same, but maybe a different hair color, but any other woman that is ever mentioned in the book is either very old or very overweight.
Coyne, a collector of all things dark, buys a dead man's suit that is supposedly haunted by a woman's deceased stepfather. Quite quickly things begin to happen after the suit arrives, including a decaying smell, first noticed by Coyne's 'girlfriend,' Georgia: " I know. I was wondering if there was something in one of the pockets. Something going bad. Old food." She makes Coyne take a look at the suit to see if there is something dead inside of it, but he never finds the source of the smell. Instead, he finds a picture of a young girl in one of the pockets, a girl that is very familiar to Coyne, a girl he once called 'Florida.'
Coyne doesn't seem to take any of the signs seriously that he may be haunted by a ghost that wants to harm him and anyone who comes in contact with him. Until Coyne finds himself sitting inside his restored vintage Mustang in a closed-off barn: " He snorted softly to himself. It wasn't selling souls that got you into trouble, it was buying them. Next time he would have to make sure there was a return policy. He laughed, opened his eyes a little. The dead man, Craddock, sat in the passenger seat next to him. He smiled at Jude, to show stained teeth and a black tongue. He smelled of death, also of car exhaust. His eyes were hidden behind those odd, continuously moving black brushstrokes."
Craddock turns out to be, without giving too much away, a man who was a spiritualist in his living life. He wants nothing but pain and misery for Coyne, who happened to kick his young step daughter to the curb a year before. The parts of the story that deal with both Coyne and Craddock interacting are the most interesting ones. Without these interactions, the story would have fallen very short.
That said, 'Heart-Shaped Box' had quite a few faults to it. Readers may notice that some pages contradict themselves on the very next page, Hill's overuse of Georgia's bangs (hair) as a description for all of her facial expressions, also Hill's habit of being repetitive with words that he uses to describe most things, the unbelievable part where Coyne- - - a collector of occult items- - - claims he has never used a Ouija board before (and lacks the knowledge of how to use one), and last but not least, chapter 34, a chapter that was not needed and completely stopped the story in it's tracks.
And speaking of things that were not needed in the story- - - a part where Georgia has a gun in her mouth, ready to commit suicide, Coyne can only think to remove the gun and replace it with his penis. I understand that Hill may have been going for unlikable characters from the beginning, to really have Coyne play the part of a jaded man, but sometimes Hill seems to go too far. Every book has to have a character to root for, otherwise your readers will put the book down, luckily, this book has Bammy; she is Georgia's grandmother, unfortunately, in less than 15 pages, she never appears in the story again. "You strung out? Christ. You smell like a dog." Bammy says to Georgia after she and Coyne show up at her home.
Is this book a good ghost story, yes, is this story a great horror story, no. Hill lacks on likable characters enough that I don't think a lot of people could enjoy this book. If I were to recommend it, I wouldn't recommend it to teenagers because of a much talked about snuff film, drugs and suicide. I don't think I would read this again.

Goddess in the Stacks (553 KP) rated An American Family in Books
Jan 11, 2018
Amazing memoir
Like many people, I was inspired by the Khizr Khan's speech at the Democratic Convention last year, and appalled by Trump's reaction. As a Marine wife, the family members left behind when a service member dies get my utmost sympathy and compassion. That was my biggest fear while my husband was in the Marines, and it's still a very emotional memory to look back on. So when I heard that Khan was writing a book, I knew I HAD to read it. I put a hold request in at the library before the book was published, and I'm glad I did. The book is definitely one of my favorites of 2017. (One of my next posts will be a round up of my favorites from this year.)
An American Family follows the Khans' journey from Pakistan, to Dubai, to Texas, Maryland, and finally Virginia. And it's fascinating. He says in the beginning of the book that he wrote it to answer the question he's constantly asked: why do you love America? Why are you a Patriot? He couldn't answer it in a few short sentences. This book is his answer, and what an answer it is. It's impossible to summarize this book - it must be read.
It's a very easy read - it flows beautifully, and Khan tells a story well. It's easy, at least, until you get to the point where their son dies in action. Perhaps it wouldn't have such an emotional effect on someone else, but that, and its aftermath, was pretty hard for me to read about. The event is important, however. Its repercussions ripple out through the Khans' lives and affect everything they touch.
I can't recommend this book highly enough. Especially if you're American, and no matter where on the political spectrum you fall, this book is important. It might give you a different view on immigrants.
You can find all of my reviews at http://goddessinthestacks.wordpress.com
An American Family follows the Khans' journey from Pakistan, to Dubai, to Texas, Maryland, and finally Virginia. And it's fascinating. He says in the beginning of the book that he wrote it to answer the question he's constantly asked: why do you love America? Why are you a Patriot? He couldn't answer it in a few short sentences. This book is his answer, and what an answer it is. It's impossible to summarize this book - it must be read.
It's a very easy read - it flows beautifully, and Khan tells a story well. It's easy, at least, until you get to the point where their son dies in action. Perhaps it wouldn't have such an emotional effect on someone else, but that, and its aftermath, was pretty hard for me to read about. The event is important, however. Its repercussions ripple out through the Khans' lives and affect everything they touch.
I can't recommend this book highly enough. Especially if you're American, and no matter where on the political spectrum you fall, this book is important. It might give you a different view on immigrants.
You can find all of my reviews at http://goddessinthestacks.wordpress.com

Haley Mathiot (9 KP) rated Possession (Possession, #1) in Books
Apr 27, 2018
I haven't figured out how I feel about Possession. I'm not sure if it's a 5 star book or a 1 star book.
Short story: It's really good.
Long story: well, that's a bit more involved.
Reasons this book was really good:
1. Pacing: Excellent. One thing leads to another, it's almost impossible to put down, and the tension never really goes away.
2. Good dialogue, good but concise descriptions, catchy interior monologue.
3. Good characters.
4. Jag is really sexy.
Reasons I wanted to slam my head against a wall while I was reading it:
1. Jag is awesome. Vi is awesome. Their relationship? Extremely dysfunctional. They are freaking bi-polar. One minute they're having a decent conversation, the next someone jumps to a conclusion and gets emotionally hurt and storms off, twenty-four hours and a hot shower later, they're sorry and cuddling and making out. THIS IS NOT A GOOD EXAMPLE OF A RELATIONSHIP. Oh my word.
2. I got lost around Chapter 30. Stuff started happening, I could never tell if Vi was Vi or if she was dreaming, sometimes something would happen and it was a little cryptic, and confusing, and one thing stacked on top of another until by chapter 40 I was like "what the crap is going on?" I seriously closed the book and wasn't going to finish but I just HAD to know what happened. (I really should have quit while I was ahead.)
3. I got to the point where I couldn't tell who was the good guy and who was the bad guy, and I kind of stopped caring.
Reasons why the ending pissed me off:
1. The only bad guy who could have become good, didn't.
2. Then, the bad guys won.
Honestly, now that I've finished it, I really wish I hadn't. Luckily I checked Goodreads and found out it was book 1 in a series. Because THAT'S NOT AN ENDING. That was worse than The Hunger Games and Catching Fire endings!!!
Content/Recommendation: Some language and kissing, ages 16+
Short story: It's really good.
Long story: well, that's a bit more involved.
Reasons this book was really good:
1. Pacing: Excellent. One thing leads to another, it's almost impossible to put down, and the tension never really goes away.
2. Good dialogue, good but concise descriptions, catchy interior monologue.
3. Good characters.
4. Jag is really sexy.
Reasons I wanted to slam my head against a wall while I was reading it:
1. Jag is awesome. Vi is awesome. Their relationship? Extremely dysfunctional. They are freaking bi-polar. One minute they're having a decent conversation, the next someone jumps to a conclusion and gets emotionally hurt and storms off, twenty-four hours and a hot shower later, they're sorry and cuddling and making out. THIS IS NOT A GOOD EXAMPLE OF A RELATIONSHIP. Oh my word.
2. I got lost around Chapter 30. Stuff started happening, I could never tell if Vi was Vi or if she was dreaming, sometimes something would happen and it was a little cryptic, and confusing, and one thing stacked on top of another until by chapter 40 I was like "what the crap is going on?" I seriously closed the book and wasn't going to finish but I just HAD to know what happened. (I really should have quit while I was ahead.)
3. I got to the point where I couldn't tell who was the good guy and who was the bad guy, and I kind of stopped caring.
Reasons why the ending pissed me off:
1. The only bad guy who could have become good, didn't.
2. Then, the bad guys won.
Honestly, now that I've finished it, I really wish I hadn't. Luckily I checked Goodreads and found out it was book 1 in a series. Because THAT'S NOT AN ENDING. That was worse than The Hunger Games and Catching Fire endings!!!
Content/Recommendation: Some language and kissing, ages 16+

Christina Haynes (148 KP) rated The Princess Bride in Books
Apr 24, 2018
The Princess Bride
By William Goldman
Review: Christina Haynes
In a place called Florin there lives a woman called Buttercup. Although I say 'lives' Buttercup actually died. She died on the day her true love Westley was killed on his ship after the Dread Pirate Roberts attacked.
So when I say lived, she is alive of course. But she cannot love another nor does she want too. In fact she doesn't really want to do anything. She doesnt even want to marry Prince Humberdink, who proposes to her, to which she only accepts because the Prince threatens her with death.
After Buttercup learns how to be a Princess, like the correct way to walk and talk, and eat and what to wear. She becomes a Princess, Princess Buttercup. Her engagement is announced to the public and the date it set. All sounds okay? Well not, because she gets kidnapped by a Sicilian, a Turk and a Spaniard.
Her kidnapping, though it's not the beginning of the book, it is the start of the story. If that makes sense? You see if she wasn't kidnapped and the Dread Pirate Roberts [SPOILER Westley] didn't rescue her, then there wouldn't be a story.
There is sword fighting, love, revenge, humor, a battle of the wits, Princesses, Princes, Kings and Queens and a Miracle Man called Max. This book is full of fun, comical writing. There are morons and fools in the book. It's a truly great and funny book to read.
I first watched the Princess Bride on the TV when I was younger (you see it's a film too) and I loved it, it quickly became one of my favourites. This book although extremely long. (It does make the film seem really short) it's really good.
In the book, each character has a background, some sad, some happy and some just okay. I loved the one about the Spaniard the best. This book has everything you would want.
Love, Christina
3.5 / 4 ☕ – NOT A BAD BOOK / BUT I REALLY LIKED IT
By William Goldman
Review: Christina Haynes
In a place called Florin there lives a woman called Buttercup. Although I say 'lives' Buttercup actually died. She died on the day her true love Westley was killed on his ship after the Dread Pirate Roberts attacked.
So when I say lived, she is alive of course. But she cannot love another nor does she want too. In fact she doesn't really want to do anything. She doesnt even want to marry Prince Humberdink, who proposes to her, to which she only accepts because the Prince threatens her with death.
After Buttercup learns how to be a Princess, like the correct way to walk and talk, and eat and what to wear. She becomes a Princess, Princess Buttercup. Her engagement is announced to the public and the date it set. All sounds okay? Well not, because she gets kidnapped by a Sicilian, a Turk and a Spaniard.
Her kidnapping, though it's not the beginning of the book, it is the start of the story. If that makes sense? You see if she wasn't kidnapped and the Dread Pirate Roberts [SPOILER Westley] didn't rescue her, then there wouldn't be a story.
There is sword fighting, love, revenge, humor, a battle of the wits, Princesses, Princes, Kings and Queens and a Miracle Man called Max. This book is full of fun, comical writing. There are morons and fools in the book. It's a truly great and funny book to read.
I first watched the Princess Bride on the TV when I was younger (you see it's a film too) and I loved it, it quickly became one of my favourites. This book although extremely long. (It does make the film seem really short) it's really good.
In the book, each character has a background, some sad, some happy and some just okay. I loved the one about the Spaniard the best. This book has everything you would want.
Love, Christina
3.5 / 4 ☕ – NOT A BAD BOOK / BUT I REALLY LIKED IT

graveyardgremlin (7194 KP) rated Sleeping with the Fishes (Fred the Mermaid, #1) in Books
Feb 15, 2019
While I'm not a big fan of MaryJanice Davidson's work, I've still semi-enjoyed a few of her other books, although there was the case of an exceptionally horrendous short story, but this book was pretty bad - nay, terrible. The book was disjointed and had very underdeveloped characters. Supposedly it's a romance, but the only romance it has is between Dr. Barb and Jonas, who were actually the best characters in the book, which is saying a lot. Although really, Jonas seemed gay; is there any straight man that acts like that? Even metrosexuals? There was just much. I doubt the average gay guy acts this way. It's just insulting...to everyone! Fred was a horrible character and had no redeeming features what-so-ever. I mean it's nice to have a different heroine who isn't the typical cookie-cutter image but this is ridiculous. I could not even fathom (heehee, get it? Fathom? The ocean? Water? Oh, forget it. ;P) what Thomas or Artur could see in her, or why they would like her, especially since they didn't know her except for her surly nature. Honestly, this is a horrible start to this series. I thought it would be a fun and interesting take on mermaids, but I could have written something better, which is sad. The more I think about it the more upset I am. I mean, yes I had a chuckle here and there, yes there were some interesting aspects, but there really wasn't a story and I can't imagine anyone actually caring for these characters. How dare Ms. Davidson maim poor mermaids, undersea folk, or whatever; I've always had a fondness for these mythical(?) creatures. I'm sorry this was such a travesty when there aren't very many books that feature merpeople. Luckily, it's a very quick read and I didn't pay eight bucks for this...this--well you get the drift. Thank you BookMooch! ;D

Midge (525 KP) rated The Next to Die in Books
Feb 17, 2019
Original And Very Unique
Five well deserved stars! This is such a good book for me - the witticisms, the sarcastic put-downs, as well as the hilarious musings and anecdotes, all help this book along for me. It’s nothing like any other novel that I can recall reading before and it is especially refreshing for a crime novel.
I love novels that feature out of the ordinary protagonists, so this one fitted right into that category. The story is actually told from the points of view of two people - stand up comedian, Kim Tribbeck & DC Simon Waterhouse.
Quirky Kim Tribbeck has a dark side, and I really enjoyed the insight into her world as told through her POV. Her contribution is told through an autobiographical book called “Origami.” DC Simon Waterhouse, the other protagonist, is inspired, well respected, and talented as a detective and he doesn’t like public speaking. The story is also told via a number of newspaper articles and random emails.
The chapters vary between different characters, excerpts from “Origami”, the emails, newspaper columns, short stories, and letters. In addition to the burning question, “Who Is Billy Dead Mates?” (the nickname of the killer who appears to be targeting pairs of best friends), there is an obsessed journalist who claims the victims have been murdered by a mad misogynist. Before they die, each of the victims is given a small white book.
I particularly loved the chapters that were told from Kim’s point-of-view. For me, Sophie Hannah’s portrayal of Kim was brilliant. She turned this novel into something much more than a police procedural. In THE NEXT TO DIE, Hannah managed to combine a wonderfully clever and complex plot with some extremely unforgettable characters.
THE NEXT TO DIE by Sophie Hannah is a highly recommended, layered mystery with a surprising and fulfilling ending.
{Thank you to Edelweiss and William Morrow for the free copy of this novel and for giving me the opportunity to provide an honest review.}
I love novels that feature out of the ordinary protagonists, so this one fitted right into that category. The story is actually told from the points of view of two people - stand up comedian, Kim Tribbeck & DC Simon Waterhouse.
Quirky Kim Tribbeck has a dark side, and I really enjoyed the insight into her world as told through her POV. Her contribution is told through an autobiographical book called “Origami.” DC Simon Waterhouse, the other protagonist, is inspired, well respected, and talented as a detective and he doesn’t like public speaking. The story is also told via a number of newspaper articles and random emails.
The chapters vary between different characters, excerpts from “Origami”, the emails, newspaper columns, short stories, and letters. In addition to the burning question, “Who Is Billy Dead Mates?” (the nickname of the killer who appears to be targeting pairs of best friends), there is an obsessed journalist who claims the victims have been murdered by a mad misogynist. Before they die, each of the victims is given a small white book.
I particularly loved the chapters that were told from Kim’s point-of-view. For me, Sophie Hannah’s portrayal of Kim was brilliant. She turned this novel into something much more than a police procedural. In THE NEXT TO DIE, Hannah managed to combine a wonderfully clever and complex plot with some extremely unforgettable characters.
THE NEXT TO DIE by Sophie Hannah is a highly recommended, layered mystery with a surprising and fulfilling ending.
{Thank you to Edelweiss and William Morrow for the free copy of this novel and for giving me the opportunity to provide an honest review.}

Ross (3284 KP) rated Bohemian Rhapsody (2018) in Movies
Mar 18, 2019
Missed the mark by some way
Given the length of the film, there was a real chance to tell the compelling story of one of the biggest rock bands in history.
However, so much of the band's story is missed out in favour of portraying Mercury as a troubled man. The opening 10 minutes of the film basically covers the band's formation, first gigs and name change and within 15 minutes they are pretty much world famous. For me, this would have been the most interesting aspect of their fame. Instead it all just happens in some very short, throwaway scenes where the editing is so abrupt as to make you queasy.
There then follows an over-indulgent, though enjoyable, section showing how the recording of Bohemian Rhapsody came about. Very little about where the inspiration came from, just how it was recorded. Again, this felt like a missed mark.
There were some amusing scenes - arguing over the artistic merit of songs like "I'm in love with my car" for example, and Mike Myers' character saying he couldn't see a group of teenagers listening to Bo-Rap in their car (Wayne's World reference).
The film then spirals into misery, with Freddie's coming out, isolation from friends and family, the band's split and his solo career (with none of the highs of that material, just that it was hard work and the band hated it). His eventual realisation that he'd been lead astray by a negative influence and came back was pretty badly handled.
The culmination of the film, the Band Aid scenes, was excellent and thoroughly enjoyable.
I think the film was trying to show Freddie as being a troubled genius. Instead I found it to show him as being an irritating gullible drama queen.
Malek's portrayal of Freddie was mostly fine, but not Oscar-worthy.
All in all, a boring over-dramatized telling of the worst parts of Mercury's life, and by no means a celebration of his career and talent.
However, so much of the band's story is missed out in favour of portraying Mercury as a troubled man. The opening 10 minutes of the film basically covers the band's formation, first gigs and name change and within 15 minutes they are pretty much world famous. For me, this would have been the most interesting aspect of their fame. Instead it all just happens in some very short, throwaway scenes where the editing is so abrupt as to make you queasy.
There then follows an over-indulgent, though enjoyable, section showing how the recording of Bohemian Rhapsody came about. Very little about where the inspiration came from, just how it was recorded. Again, this felt like a missed mark.
There were some amusing scenes - arguing over the artistic merit of songs like "I'm in love with my car" for example, and Mike Myers' character saying he couldn't see a group of teenagers listening to Bo-Rap in their car (Wayne's World reference).
The film then spirals into misery, with Freddie's coming out, isolation from friends and family, the band's split and his solo career (with none of the highs of that material, just that it was hard work and the band hated it). His eventual realisation that he'd been lead astray by a negative influence and came back was pretty badly handled.
The culmination of the film, the Band Aid scenes, was excellent and thoroughly enjoyable.
I think the film was trying to show Freddie as being a troubled genius. Instead I found it to show him as being an irritating gullible drama queen.
Malek's portrayal of Freddie was mostly fine, but not Oscar-worthy.
All in all, a boring over-dramatized telling of the worst parts of Mercury's life, and by no means a celebration of his career and talent.

Sassy Brit (97 KP) rated The Wife's Shadow in Books
Jun 5, 2019
The Wife’s Shadow by Cath Weeks is one of those reads where a perfect life (or should that be wife?), plunders into chaos and snowballs out of control within a short matter of time. It’s a tense, fulfilling read and I raced through it!
Suzy is being harassed and there is apparently nothing she can do about it. She doesn’t know who it is, or why they are doing it. So, how the hell can anyone stop him then? The police are clueless, and her husband has only so much patience before he starts to lose sympathy. Is someone really out to get her, or is it just down to a vivid imagination and the stress of losing her mother very recently? In her husband’s eyes its a case of ‘come on luv, pull your socks up!’
And yes, I do have quite a lot to say about darling husband and stay-at-home dad, Mike. At first he’s very understanding, and quite rightly so, but there is only so much he can take when his paranoid wife keeps going on and insisting someone is watching her. What he does, during her worst moments, had me practically screaming at the book in anger! (In a good way!) Honestly, I became so involved in this story I felt worn out by the end of it, which I loved.
This is a well-written, tense read, and one I found myself trying to guess who the culprit was all the way through. The final revelation was just as much as a shock to me as it was to Suzy! I did not see THAT coming, and I’m one of those people who always thinks I know who’s done it. lol (Yeah, one of THOSE readers!) But it’s the final act that Suzy puts into action, which really rounds this story off well. Thankfully, I could breathe again when I closed the last page.
Imagine a small dream snowballing into an even bigger nightmare! That’s what Cath Weeks made happen to Suzy Taylor. Big time!
Suzy is being harassed and there is apparently nothing she can do about it. She doesn’t know who it is, or why they are doing it. So, how the hell can anyone stop him then? The police are clueless, and her husband has only so much patience before he starts to lose sympathy. Is someone really out to get her, or is it just down to a vivid imagination and the stress of losing her mother very recently? In her husband’s eyes its a case of ‘come on luv, pull your socks up!’
And yes, I do have quite a lot to say about darling husband and stay-at-home dad, Mike. At first he’s very understanding, and quite rightly so, but there is only so much he can take when his paranoid wife keeps going on and insisting someone is watching her. What he does, during her worst moments, had me practically screaming at the book in anger! (In a good way!) Honestly, I became so involved in this story I felt worn out by the end of it, which I loved.
This is a well-written, tense read, and one I found myself trying to guess who the culprit was all the way through. The final revelation was just as much as a shock to me as it was to Suzy! I did not see THAT coming, and I’m one of those people who always thinks I know who’s done it. lol (Yeah, one of THOSE readers!) But it’s the final act that Suzy puts into action, which really rounds this story off well. Thankfully, I could breathe again when I closed the last page.
Imagine a small dream snowballing into an even bigger nightmare! That’s what Cath Weeks made happen to Suzy Taylor. Big time!