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Suswatibasu (1701 KP) rated The Zookeeper's Wife (2017) in Movies
Nov 24, 2017 (Updated Nov 24, 2017)
Story is harrowing and essential but film could have been made better
As a massive fan of biopics, The Zookeeper's Wife is an incredibly important tale of a the real life Polish couple who sheltered Jews in their zoo during the Second World War, helping 300 people to escape from Warsaw.
Dr. Jan Zabinski was the director of the Warsaw Zoo in the 1930's, and along with his wife Antonina and young son, they ensured the safety and care of animals in the area. Their life came to an abrupt halt with the German invasion of Poland in 1939, when most of their animals and structures were destroyed in the bombings and siege of the city. The zoo was closed under German occupation, but the Zabinskis continued to occupy the villa, and the zoo itself was used first as a pig farm and subsequently as a fur farm. All the while, Dr Zabinski smuggled Jewish people out of the Warsaw Ghetto and aided their way out of city, not before allowing them to stay in their own house. He was injured while fighting in the Polish resistance, but the couple were given an honorary title by Yad Vashem (Israel's official memorial for Jewish victims of the Holocaust) for their brave efforts.
Similar in the vein of films such as @Schindler's List (1993), there is an element of a saviour complex in these films, but unlike Steven Spielberg's Oscar-winner, it is less extravagant and less well-made, as there was very little engagement with the Jewish characters - focusing more on Antonina, played by Jessica Chastain. It is definitely heart-wrenching watching films based on the holocaust, and there were scenes I had to turn away from, such as when an elderly woman and her mother were shot dead in the streets by soldiers. The script and cinematography weren't at a high standard, however, and as a result the film definitely fell short. I would suggest reading the book @The Zookeeper's Wife - it has far more detail than the film, in which there were glaringly obvious plot holes.
Dr. Jan Zabinski was the director of the Warsaw Zoo in the 1930's, and along with his wife Antonina and young son, they ensured the safety and care of animals in the area. Their life came to an abrupt halt with the German invasion of Poland in 1939, when most of their animals and structures were destroyed in the bombings and siege of the city. The zoo was closed under German occupation, but the Zabinskis continued to occupy the villa, and the zoo itself was used first as a pig farm and subsequently as a fur farm. All the while, Dr Zabinski smuggled Jewish people out of the Warsaw Ghetto and aided their way out of city, not before allowing them to stay in their own house. He was injured while fighting in the Polish resistance, but the couple were given an honorary title by Yad Vashem (Israel's official memorial for Jewish victims of the Holocaust) for their brave efforts.
Similar in the vein of films such as @Schindler's List (1993), there is an element of a saviour complex in these films, but unlike Steven Spielberg's Oscar-winner, it is less extravagant and less well-made, as there was very little engagement with the Jewish characters - focusing more on Antonina, played by Jessica Chastain. It is definitely heart-wrenching watching films based on the holocaust, and there were scenes I had to turn away from, such as when an elderly woman and her mother were shot dead in the streets by soldiers. The script and cinematography weren't at a high standard, however, and as a result the film definitely fell short. I would suggest reading the book @The Zookeeper's Wife - it has far more detail than the film, in which there were glaringly obvious plot holes.
Amy Christmas (170 KP) rated The Cruel Prince in Books
Dec 24, 2017 (Updated Dec 24, 2017)
Expansive and immersive world (3 more)
Doesn't constantly focus on love
Lies, deceit and betrayal
MC is human
Use of clichés for quick character building (2 more)
Abrupt climax
Unfulfilling ending
Can't wait for more
I received this for free for an honest review.
In The Cruel Prince we follow Jude a human in a fearie world along with her twin sister Taryn and her fearie sister Vivienne. Vivo is the son of the high kings general Madoc who had Vivi stolen from him by his ex-wife who he murdered in front of them.
Jude has grown up in this fearie world and has adapted to it's customs and seeks favour among one of the royal family courts by way of a knighthood. All in an effort to amass power to protect herself from people like Prince Cardan who bully and attack her.
We watch Jude struggle as she goes way in over her head and may be a little to bold and blunt when it comes to standing up to royalty and in some cases bending a knee to it.
I loved this book, there were times it had me grinding my teeth and sitting there talking to myself asking questions and complaining about people dying.
However I have to take marks away for Blacks use of clichés with some of the characters like Cardan and his cruel group for a quick character build. I understand that sometimes clichés are needed but Black could have made the characters more unique in their backstories.
The story is a good first book in a new series as it builds the world well and how the politics work. I do feel as though the climax was too short and could have been expanded on in an extra chapter as things seemed a little too rushed. The epilogue as well left me feeling a little underwhelmed after reading the last chapter, which left me wanting more.
Overall a good read if you enjoy YA fantasy, I've read better, but it's still good and I will be following up on this series.
In The Cruel Prince we follow Jude a human in a fearie world along with her twin sister Taryn and her fearie sister Vivienne. Vivo is the son of the high kings general Madoc who had Vivi stolen from him by his ex-wife who he murdered in front of them.
Jude has grown up in this fearie world and has adapted to it's customs and seeks favour among one of the royal family courts by way of a knighthood. All in an effort to amass power to protect herself from people like Prince Cardan who bully and attack her.
We watch Jude struggle as she goes way in over her head and may be a little to bold and blunt when it comes to standing up to royalty and in some cases bending a knee to it.
I loved this book, there were times it had me grinding my teeth and sitting there talking to myself asking questions and complaining about people dying.
However I have to take marks away for Blacks use of clichés with some of the characters like Cardan and his cruel group for a quick character build. I understand that sometimes clichés are needed but Black could have made the characters more unique in their backstories.
The story is a good first book in a new series as it builds the world well and how the politics work. I do feel as though the climax was too short and could have been expanded on in an extra chapter as things seemed a little too rushed. The epilogue as well left me feeling a little underwhelmed after reading the last chapter, which left me wanting more.
Overall a good read if you enjoy YA fantasy, I've read better, but it's still good and I will be following up on this series.
Haley Mathiot (9 KP) rated Glorious in Books
Apr 27, 2018
It's really hard to say if I liked Glorious or not. I liked it in some ways, in some ways it was good but I could not like it, and in other ways I disliked it.
One of the reasons I did like it, was the writing. McFadden has an interesting writing style: She writes like people think. You get asked a question and you have a million things you want to say, and a million thoughts go through your head at light speed, but all you say is a short quick answer that has no significance to the person who asked, but has monumental significance to you because of your thoughts behind all of it? That's what reading Glorious feels like, and that's how McFadden writes. It's beautiful and insightful.
Glorious is really hard to enjoy, even if you do like it, because of the things that happen. It's a tragic time period, and a lot of horrible things happen to poor Easter. She witnesses families being torn apart by abuse and rape, she sees people die, she commits sins, she gets wrapped up with the wrong people. There are good parts, wonderful parts that make you smile and sigh and say "thank God something good is finally happening to the poor girl." But then there are other parts that say "oh will it ever end for poor Easter?" It's hard to enjoy stuff like rape and murder and lynching. Glorious is a wakeup call, reminding us what life was like for Black Americans (respectively) after they got their freedom, but before they gained equality with Whites.
I got to Chapter 23, about 2/3 of the way through, when I stopped reading. It didn't feel like anything was happening. I mean, lots of things happened to Easter, but nothing was happening in the story. It was just her life written out, and it was too broad. There was no main plot, it was all subplot.
I "enjoyed" (or maybe appreciated is a better word) the part that I read, however I don't think I should read something unless I feel urged to continue.
Content: Adult content. Language, violence, rape, etc. Has some homosexuality
Recommendation: Ages 18+
One of the reasons I did like it, was the writing. McFadden has an interesting writing style: She writes like people think. You get asked a question and you have a million things you want to say, and a million thoughts go through your head at light speed, but all you say is a short quick answer that has no significance to the person who asked, but has monumental significance to you because of your thoughts behind all of it? That's what reading Glorious feels like, and that's how McFadden writes. It's beautiful and insightful.
Glorious is really hard to enjoy, even if you do like it, because of the things that happen. It's a tragic time period, and a lot of horrible things happen to poor Easter. She witnesses families being torn apart by abuse and rape, she sees people die, she commits sins, she gets wrapped up with the wrong people. There are good parts, wonderful parts that make you smile and sigh and say "thank God something good is finally happening to the poor girl." But then there are other parts that say "oh will it ever end for poor Easter?" It's hard to enjoy stuff like rape and murder and lynching. Glorious is a wakeup call, reminding us what life was like for Black Americans (respectively) after they got their freedom, but before they gained equality with Whites.
I got to Chapter 23, about 2/3 of the way through, when I stopped reading. It didn't feel like anything was happening. I mean, lots of things happened to Easter, but nothing was happening in the story. It was just her life written out, and it was too broad. There was no main plot, it was all subplot.
I "enjoyed" (or maybe appreciated is a better word) the part that I read, however I don't think I should read something unless I feel urged to continue.
Content: Adult content. Language, violence, rape, etc. Has some homosexuality
Recommendation: Ages 18+
Debbiereadsbook (1166 KP) rated Professional Courtesy in Books
Mar 7, 2019
kinda cute, for a holiday story!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Eric isn't having to best start to the college year. His mum showed up to live with him, and he's gotta share his office at work with the new guy in the English department. Now his mum wants Eric to immerse himself in all the Christmas traditions that she did as a child. But Eric is not a holiday person, Eric likes order and peace and calm so to appease his mother, and to get to know Mike, he invites Mike to dinner. His mum will be happy, Mike can talk to her in her native German, and Eric will have his peace and calm. So why does it feel like a storm is brewing inside him, one that might break his heart?
Too stinking cute and warm and fuzzies all wrapped up in some 70 odd pages and I rather enjoyed this!
It's very well told, from both Eric and Mike's point of view, and they both have distinctive voices, mostly due to their earlier experiences in life. Eric's life has been handed to him on a platter, but Mike had a difficult childhood. Sending your child across the world because you prefer your drug dealer is bad enough but what happened to Mike as a teenager is truly shocking.
The attraction between Mike and Eric grows steadily and they come together just the once, which is why I gave it the contemporary tag I did but it's a sexy book!
I'm not usually one for the holiday stories but while this one is set around Christmas, it's not shoved in your face on every page! I'm a bit of a Scrooge really!
This is only the second book I've read of Speyer and they've both been on the short side. I'd like to read something longer, something with more bite. She can write a lot into a few pages, so I'm curious what would happen in a longer book.
4 solid stars
**same worded review will appear elsewhere**
Eric isn't having to best start to the college year. His mum showed up to live with him, and he's gotta share his office at work with the new guy in the English department. Now his mum wants Eric to immerse himself in all the Christmas traditions that she did as a child. But Eric is not a holiday person, Eric likes order and peace and calm so to appease his mother, and to get to know Mike, he invites Mike to dinner. His mum will be happy, Mike can talk to her in her native German, and Eric will have his peace and calm. So why does it feel like a storm is brewing inside him, one that might break his heart?
Too stinking cute and warm and fuzzies all wrapped up in some 70 odd pages and I rather enjoyed this!
It's very well told, from both Eric and Mike's point of view, and they both have distinctive voices, mostly due to their earlier experiences in life. Eric's life has been handed to him on a platter, but Mike had a difficult childhood. Sending your child across the world because you prefer your drug dealer is bad enough but what happened to Mike as a teenager is truly shocking.
The attraction between Mike and Eric grows steadily and they come together just the once, which is why I gave it the contemporary tag I did but it's a sexy book!
I'm not usually one for the holiday stories but while this one is set around Christmas, it's not shoved in your face on every page! I'm a bit of a Scrooge really!
This is only the second book I've read of Speyer and they've both been on the short side. I'd like to read something longer, something with more bite. She can write a lot into a few pages, so I'm curious what would happen in a longer book.
4 solid stars
**same worded review will appear elsewhere**
Phillip McSween (751 KP) rated The Golem (2019) in Movies
Mar 8, 2019
Had Potential But Came Up Short
The more movies I watch, the more I want to find those hidden gems. You know, that movie you know no one else has seen that actually turns out to be really good. I was hoping The Golem would be one of those movies. Nope.
The Plot: Set in a Jewish community in the 1600’s, a woman invokes a powerful entity to help save her village from invaders.
Acting: 10
Despite other glaring issues with the film, performances was not one of them. I was impressed with Hani Furstenberg in her lead role as Hanna. Hani breathes pain and frustration into her character and really makes the audience sympathize with the character. She plays a character that’s seemingly dead inside because of the monotonous life she lives. I also enjoyed young Konstantin Anikienko as The Golem. Talk about creepy. I’m sure he spent a lot of time practicing his slow, deliberate movements and calculating gaze. Definitely gave me a shiver a time or two.
Beginning: 5
Characters: 6
Outside of Hanna and The Golem, there are not really any other characters to care about. There were even times where I found it hard to even care for Hanna. Some of the things that happened were out of her control, but some of it was totally her fault and I’m thinking, “Yeah, you kinda did this to yourself.” While her character was solid, it seemed like they dumped the full emotional load on her and I feel like more time could have been taken to develop other characters as well.
Cinematography/Visuals: 7
Conflict: 4
Genre: 5
Memorability: 3
Pace: 4
Plot: 6
Not the worst story but it definitely left me with a few questions. Unfortunately the plot didn’t leave room for much character development which left me unsatisfied. Sometimes linear can be good. Other times, that line is just a little bit too long…
Resolution: 5
Overall: 55
While some of the cinematic work is cool especially as it relates to the action sequences with the Golem, this movie left me entirely too underwhelmed. Guess I’ll have to look elsewhere for my sneaky good movie.
The Plot: Set in a Jewish community in the 1600’s, a woman invokes a powerful entity to help save her village from invaders.
Acting: 10
Despite other glaring issues with the film, performances was not one of them. I was impressed with Hani Furstenberg in her lead role as Hanna. Hani breathes pain and frustration into her character and really makes the audience sympathize with the character. She plays a character that’s seemingly dead inside because of the monotonous life she lives. I also enjoyed young Konstantin Anikienko as The Golem. Talk about creepy. I’m sure he spent a lot of time practicing his slow, deliberate movements and calculating gaze. Definitely gave me a shiver a time or two.
Beginning: 5
Characters: 6
Outside of Hanna and The Golem, there are not really any other characters to care about. There were even times where I found it hard to even care for Hanna. Some of the things that happened were out of her control, but some of it was totally her fault and I’m thinking, “Yeah, you kinda did this to yourself.” While her character was solid, it seemed like they dumped the full emotional load on her and I feel like more time could have been taken to develop other characters as well.
Cinematography/Visuals: 7
Conflict: 4
Genre: 5
Memorability: 3
Pace: 4
Plot: 6
Not the worst story but it definitely left me with a few questions. Unfortunately the plot didn’t leave room for much character development which left me unsatisfied. Sometimes linear can be good. Other times, that line is just a little bit too long…
Resolution: 5
Overall: 55
While some of the cinematic work is cool especially as it relates to the action sequences with the Golem, this movie left me entirely too underwhelmed. Guess I’ll have to look elsewhere for my sneaky good movie.
Andy K (10821 KP) rated The Tree of Life (2011) in Movies
Apr 19, 2019
Challenge yourself. Give this a watch!
I have to admit to not having seen many films directed by Terrence Malick. Not by choice, just hadn't gotten around to it. I watched The Thin Red Line when it was released, but thought it was inferior to Saving Private Ryan which was released around the same time. I will give a rewatch soon.
I saw another review which said to describe this film would be like trying to describe the color blue to someone who was blind. A basically impossible task.
The easiest way for me would be to mention other movies, so if you took parts of 2001: A Space Odyssey, Mother!, Revolutionary Road and Stand By Me you might start to come close to the interesting weave of imagery and story which conjoin this film.
Loosely speaking, it's about a family with 3 young boys in Texas in the 1950s. Their relationships, their troubles, their triumphs, the small insignificant moments in their lives combined with the very important ones. Throw in scenes of the creation of the universe, dinosaurs and unusual images of the Earth itself you'll finally start to maybe understand the complexity of this film.
Of course, this is a film like 2001 or Mother in which some will say it is crap or there is no meaning beyond what is displayed onscreen, but I would beg to differ. I respect everyone's opinions, but strive to seek out films that make me think a little and make me ponder during and after the end credits are complete and this film will do that for sure.
I am not a religious person, but you don't need to be to appreciate the vivid imagery in this film. I believe Malick supports differing views whether you believe in God or not.
In short, in a world of summer blockbusters just beyond the horizon, I would challenge you to enjoy those films as they have their place, but also challenge yourself with something rich.
I know I will be finding Days of Heaven and Badlands to get more Malick in the weeks ahead.
I saw another review which said to describe this film would be like trying to describe the color blue to someone who was blind. A basically impossible task.
The easiest way for me would be to mention other movies, so if you took parts of 2001: A Space Odyssey, Mother!, Revolutionary Road and Stand By Me you might start to come close to the interesting weave of imagery and story which conjoin this film.
Loosely speaking, it's about a family with 3 young boys in Texas in the 1950s. Their relationships, their troubles, their triumphs, the small insignificant moments in their lives combined with the very important ones. Throw in scenes of the creation of the universe, dinosaurs and unusual images of the Earth itself you'll finally start to maybe understand the complexity of this film.
Of course, this is a film like 2001 or Mother in which some will say it is crap or there is no meaning beyond what is displayed onscreen, but I would beg to differ. I respect everyone's opinions, but strive to seek out films that make me think a little and make me ponder during and after the end credits are complete and this film will do that for sure.
I am not a religious person, but you don't need to be to appreciate the vivid imagery in this film. I believe Malick supports differing views whether you believe in God or not.
In short, in a world of summer blockbusters just beyond the horizon, I would challenge you to enjoy those films as they have their place, but also challenge yourself with something rich.
I know I will be finding Days of Heaven and Badlands to get more Malick in the weeks ahead.
Phillip McSween (751 KP) rated Assassination Nation (2018) in Movies
May 3, 2019
Bad, but Could Have Been Worse
In a suburban town, four teenage girls find themselves fighting for their lives when some very private information about the townspeople gets posted online. I wanted to love this movie. I mean, it did enough to earn my respect. Unfortunately, it falls well short of being a movie I can recommend.
Acting; 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
Director Sam Levinson begins the film by capturing the essence of the daily lives of the four girls the story revolves around. You see them joking around, getting ready for a night out on the town, texting and doing all the social media stuff. It’s not long before the movie takes an extremely jarring turn. It’s a sharp curve and I appreciate the contrast. The movie maintains its bright vitality even as people are dying all over the place. Like it or not, it’s hard to look away.
Conflict: 7
Assassination Nation is slow in a number of spots. It’s like a sputtering car: hard to get going and once it does, it’s only a matter of time before it begins to stop again. There are a number of intense moments, but they are either few and far between or too little too late. From the title, I expected more.
Genre: 2
Memorability: 1
I am racking my brain trying to remember moments from this movie. It comes to me in pieces, but not spectacular pieces. The movie overall is missing a serious punch. It’s trying to succeed at being something it’s not and it shows. I mean, REALLY shows.
Pace: 8
Plot: 4
Resolution: 7
As messy as the movie can be at times, you are always hoping that the girls get a decent payoff. I won’t ruin what happens but I will say that, although it’s not perfect, it definitely beats the movie’s saggy middle.
Overall: 67
Assassination Nation is the kind of movie you watch once to say you did then move on forever. At best, it’s meh. Just when you get a glimpse of things improving, they fall below expectations. Again and again.
Acting; 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
Director Sam Levinson begins the film by capturing the essence of the daily lives of the four girls the story revolves around. You see them joking around, getting ready for a night out on the town, texting and doing all the social media stuff. It’s not long before the movie takes an extremely jarring turn. It’s a sharp curve and I appreciate the contrast. The movie maintains its bright vitality even as people are dying all over the place. Like it or not, it’s hard to look away.
Conflict: 7
Assassination Nation is slow in a number of spots. It’s like a sputtering car: hard to get going and once it does, it’s only a matter of time before it begins to stop again. There are a number of intense moments, but they are either few and far between or too little too late. From the title, I expected more.
Genre: 2
Memorability: 1
I am racking my brain trying to remember moments from this movie. It comes to me in pieces, but not spectacular pieces. The movie overall is missing a serious punch. It’s trying to succeed at being something it’s not and it shows. I mean, REALLY shows.
Pace: 8
Plot: 4
Resolution: 7
As messy as the movie can be at times, you are always hoping that the girls get a decent payoff. I won’t ruin what happens but I will say that, although it’s not perfect, it definitely beats the movie’s saggy middle.
Overall: 67
Assassination Nation is the kind of movie you watch once to say you did then move on forever. At best, it’s meh. Just when you get a glimpse of things improving, they fall below expectations. Again and again.
LeftSideCut (3778 KP) rated Avengers: Endgame (2019) in Movies
May 14, 2019 (Updated May 14, 2019)
A truly incredible end to the MCU Infinity Saga
SPOLIER FREE REVIEW
Avengers: Endgame is finally here after the shocking events of Infinity War.
First and foremost, a huge amount of respect is owed to the Russo brothers for managing to juggle so many characters across these two films (and Civil War) to a hugely satisfying degree.
But with a smaller cast to manage this time around, this is a film that is able to focus more on the original six Avengers from 2012.
The majority of the film is quite dialogue heavy, as the film focuses on a fun time travel plot, that takes us through a nostalgia filled trip through some of the past MCU films, filled with cameos galore.
The usual mix of thrilling set pieces, emotional beats (that scene set in 1970?), and comedy land just as well as they always have done, with Paul Rudd and Chris Hemsworth delivering most of the humour.
Robert Downey Jr and Scarlett Johansson shine as Tony Stark and Black Widow, as they always do, and I also enjoyed the amount of time they spent with characters like Hawkeye and Nebula, characters who would usually be considered secondary.
A concern I had going in was that they might use the recently added Captain Marvel, but thankfully isn't the case. She is used sparingly, and therefore effectively.
The only real gripe I have with Endgame, is that Thanos is forced more into a backseat role, after his incredible character arc throughout Infinity War, but is understandable, as mentioned above, this film is all about the original 6, and that's where the main focus lies. Saying that though, I did feel pretty unsatisfied with how they concluded the story arc for Black Widow...
As the movie approaches the inevitable big showdown, the ensuing battle is nothing short of thrilling, a pure scene of unobstructed comic book joy, that will have any Marvel fan trying not to shout at the screen.
All in all, it's a phenomenal ending to this chapter of the MCU, and I can't wait for what comes next (especially now that Marvel Studios have the Fox properties back)
Avengers: Endgame is finally here after the shocking events of Infinity War.
First and foremost, a huge amount of respect is owed to the Russo brothers for managing to juggle so many characters across these two films (and Civil War) to a hugely satisfying degree.
But with a smaller cast to manage this time around, this is a film that is able to focus more on the original six Avengers from 2012.
The majority of the film is quite dialogue heavy, as the film focuses on a fun time travel plot, that takes us through a nostalgia filled trip through some of the past MCU films, filled with cameos galore.
The usual mix of thrilling set pieces, emotional beats (that scene set in 1970?), and comedy land just as well as they always have done, with Paul Rudd and Chris Hemsworth delivering most of the humour.
Robert Downey Jr and Scarlett Johansson shine as Tony Stark and Black Widow, as they always do, and I also enjoyed the amount of time they spent with characters like Hawkeye and Nebula, characters who would usually be considered secondary.
A concern I had going in was that they might use the recently added Captain Marvel, but thankfully isn't the case. She is used sparingly, and therefore effectively.
The only real gripe I have with Endgame, is that Thanos is forced more into a backseat role, after his incredible character arc throughout Infinity War, but is understandable, as mentioned above, this film is all about the original 6, and that's where the main focus lies. Saying that though, I did feel pretty unsatisfied with how they concluded the story arc for Black Widow...
As the movie approaches the inevitable big showdown, the ensuing battle is nothing short of thrilling, a pure scene of unobstructed comic book joy, that will have any Marvel fan trying not to shout at the screen.
All in all, it's a phenomenal ending to this chapter of the MCU, and I can't wait for what comes next (especially now that Marvel Studios have the Fox properties back)
Lilyn G - Sci-Fi & Scary (91 KP) rated Gregory and the Grimbockle in Books
Feb 11, 2018
Such a fun, imaginative read!
Gregory and the Grimbockle was one of the funniest and cute books that I’ve read with my child in a long time. It was so imaginative and fantastical. We loved the adorable illustrations, but were very glad that the Grimbockle was never illustrated going into or out of his temporary home. The sheer grossness of how that happened was so at odds with the cuteness of everything else, but it worked really well together strangely.
Melanie Schubert has enormous talent that Abigail Kraft complemented perfectly. This story of a boy who doesn’t quite fit in, who is teased and sometimes bullied, and is from a home that is neither loving nor abusive will resonate with a lot of younger readers, I believe. His situation isn’t one of extremes and as a result he’s more easy to relate to. The adventures that he goes on with the Grimbockle are pure fiction, but the truth he learns along the way about the large impact that small gestures can have means is not. As a parent, that truth – that our actions have much more an impact that we might think – is one that I enjoyed having a chance to talk about with my child through the lens of Gregory and the Grimbockle.
The only thing we didn’t like about Gregory and the Grimbockle was the way it ended. It just felt like it ended too abruptly. The transition from childhood to “okay, he’s growing up now” happened so quickly that we had to re-read to make sure we hadn’t accidentally missed a few pages. While I can see why the author did it the way she did, by the time closed the book, we were both already mourning the exiting of the Bockles from our world.
Gregory and the Grimbockle is a book that any parent should delight in picking up to read with their children. It’s an easy read, a short one, and it helps reinforce an important lesson. You’ll be missing out if you don’t give it a try.
This review appeared first at Sci-Fi & Scary.
Melanie Schubert has enormous talent that Abigail Kraft complemented perfectly. This story of a boy who doesn’t quite fit in, who is teased and sometimes bullied, and is from a home that is neither loving nor abusive will resonate with a lot of younger readers, I believe. His situation isn’t one of extremes and as a result he’s more easy to relate to. The adventures that he goes on with the Grimbockle are pure fiction, but the truth he learns along the way about the large impact that small gestures can have means is not. As a parent, that truth – that our actions have much more an impact that we might think – is one that I enjoyed having a chance to talk about with my child through the lens of Gregory and the Grimbockle.
The only thing we didn’t like about Gregory and the Grimbockle was the way it ended. It just felt like it ended too abruptly. The transition from childhood to “okay, he’s growing up now” happened so quickly that we had to re-read to make sure we hadn’t accidentally missed a few pages. While I can see why the author did it the way she did, by the time closed the book, we were both already mourning the exiting of the Bockles from our world.
Gregory and the Grimbockle is a book that any parent should delight in picking up to read with their children. It’s an easy read, a short one, and it helps reinforce an important lesson. You’ll be missing out if you don’t give it a try.
This review appeared first at Sci-Fi & Scary.
Kristy H (1252 KP) rated Cruel Beautiful World in Books
Feb 13, 2018
As young girls, Lucy and Caroline come into the care of the older Iris. The girls' parents had died, and they wind up living with Iris, who becomes a sort of adopted mother to the two sisters. Both Lucy and Charlotte are extremely close until high school, when they find themselves drifting apart. Studious Charlotte is focused on getting into college, where she hopes to study to become a vet. Lucy, however, can never quite seem to live up to her sister's academic shadow. That is until she meets a vibrant teacher, William, at her high school. Lucy falls fast for her older English teacher and suddenly finds herself running away to a remote area of Pennsylvania to start over with her new love. Iris and Charlotte, however, are devastated, and cannot give up their search for Lucy. Even worse, Lucy's life of promise and happiness with William may be falling short.
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).