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Gareth von Kallenbach (980 KP) rated Office Christmas Party (2016) in Movies
Jun 19, 2019
Josh Parker (Jason Bateman) is a man with many things on his mind. He has just finalized a divorce which has cost him his house, tons of money, and his confidence. Known for bunting instead of swinging away, Josh heads to his office to move on with his life as Christmas approaches.
His lead programmer Tracey (Olivia Munn) constantly reminds him of his playing it safe mentality to the point where she fed up with him and his ways.
Thankfully for Josh his boss Clay (T.J. Miller), values him and even though he is a goof who happened to be given the office by his late father who started the company, things are looking up.
That is until Interim CEO Carol (Jennifer Aniston) arrives and makes no effort to hide her disdain for her brother Clay, nor the company not meeting her expectations.
Carol quickly tells Josh and Clay that they will have to downsize if they want to stay open and in a very unpopular move, eliminates bonuses and the office Christmas Party.
Since the movie is called “Office Christmas Party”, you know that Carol’s request will fall on deaf ears as Clay convinces his sister that they are about to close a major client (Courtney B. Vance), and as such will have the deal set before she lands in London later that evening.
With nothing to go on aside from desperation, Clay puts the lovable but highly eccentric office into overdrive to create a party unlike any other so they can land the contract needed to stay in business.
When the party arrives one series of epic misadventures and mishaps after another arises which threatens to sink the company and everyone involved once and for all.
The film follows a fairly linear and somewhat predictable path but the strong cast does a great job and Kate McKinnon as the ultra-weird H.R. lead steals several of the scenes in which she is in. Bateman plays pretty much the same character that he has played in most of his recent work as the everyman that tries to make the best of the bad situation and Miller is pretty much recycling the same character he plays on Silicon Valley. That being said, there are plenty of laughs if you do not mind the very bawdy humor and Directors Josh Gordon and Will Speck keep things moving at a steady pace with laughs throughout the film.
While it is likely not going to be a holiday classic, “Office Christmas Party”, is a very fun and enjoyable diversion.
http://sknr.net/2016/12/09/office-christmas-party/
His lead programmer Tracey (Olivia Munn) constantly reminds him of his playing it safe mentality to the point where she fed up with him and his ways.
Thankfully for Josh his boss Clay (T.J. Miller), values him and even though he is a goof who happened to be given the office by his late father who started the company, things are looking up.
That is until Interim CEO Carol (Jennifer Aniston) arrives and makes no effort to hide her disdain for her brother Clay, nor the company not meeting her expectations.
Carol quickly tells Josh and Clay that they will have to downsize if they want to stay open and in a very unpopular move, eliminates bonuses and the office Christmas Party.
Since the movie is called “Office Christmas Party”, you know that Carol’s request will fall on deaf ears as Clay convinces his sister that they are about to close a major client (Courtney B. Vance), and as such will have the deal set before she lands in London later that evening.
With nothing to go on aside from desperation, Clay puts the lovable but highly eccentric office into overdrive to create a party unlike any other so they can land the contract needed to stay in business.
When the party arrives one series of epic misadventures and mishaps after another arises which threatens to sink the company and everyone involved once and for all.
The film follows a fairly linear and somewhat predictable path but the strong cast does a great job and Kate McKinnon as the ultra-weird H.R. lead steals several of the scenes in which she is in. Bateman plays pretty much the same character that he has played in most of his recent work as the everyman that tries to make the best of the bad situation and Miller is pretty much recycling the same character he plays on Silicon Valley. That being said, there are plenty of laughs if you do not mind the very bawdy humor and Directors Josh Gordon and Will Speck keep things moving at a steady pace with laughs throughout the film.
While it is likely not going to be a holiday classic, “Office Christmas Party”, is a very fun and enjoyable diversion.
http://sknr.net/2016/12/09/office-christmas-party/
Gareth von Kallenbach (980 KP) rated Mike and Dave Need Wedding Dates (2016) in Movies
Jun 19, 2019
Mike (Adam Devine), and his brother Dave (Zac Efron), are a couple of easy going and fun loving guys who make their living as liquor salesman, often using some elaborate schemes.
One evening their parents greet them with an ultimatum, they must bring dates to their sister’s wedding in Hawaii. The reason for this is that in their exuberance, Mike and Dave have been known to go overboard in trying to impress the ladies, which has resulted in some epic disasters at numerous family events.
Desperate to appease their Sister Jeanie (Sugar Lyn Beard), the duo turn to the internet to try to find nice girls who will go with them to Hawaii. Naturally they are flooded with thousands of e-mails from girls hoping to score a free trip and their efforts soon get them on a talk show, where they tell their story.
Enter Alice (Anna Kendrick) and Tatiana (Aubrey Plaza); two lifelong friends who have just lost their jobs after Alice was brutally left at the altar on her wedding day. The two see Mike and Dave on television and devise a plan to pass themselves off as decent ladies to score the free trip. The plan works and in no time they are in Hawaii and getting ready for the events.
Unfortunately for Mike and Dave, the two girls are not what they appear as they are actually foul mouthed party girls with a passion for wild and reckless behavior and who lack any sort of internal censor.
Combine this with the internal family tensions that can arise at such events it is no surprise that this wedding is on a fast path to disaster.
What follows is a series of crude, outrageous, and hilarious events as Mike and Dave clash with the girls, family, each other and learn more about life, love and family.
The cast works well with one another and there are some truly funny sequences such as the relaxing massage and musical number. The cast works very well with one another and you will want to watch the outtakes during the final credits as they add even more laughs to the film.
While it is mainly a comedy that uses every bit of its R rating, there are enough laughs for those who are willing to overlook some of the issues with the film’s pacing and basic premise, but remember it is a comedy, and if you do not mind this type of humor, you will find yourself laughing along frequently.
http://sknr.net/2016/07/07/mike-dave-need-wedding-dates/
One evening their parents greet them with an ultimatum, they must bring dates to their sister’s wedding in Hawaii. The reason for this is that in their exuberance, Mike and Dave have been known to go overboard in trying to impress the ladies, which has resulted in some epic disasters at numerous family events.
Desperate to appease their Sister Jeanie (Sugar Lyn Beard), the duo turn to the internet to try to find nice girls who will go with them to Hawaii. Naturally they are flooded with thousands of e-mails from girls hoping to score a free trip and their efforts soon get them on a talk show, where they tell their story.
Enter Alice (Anna Kendrick) and Tatiana (Aubrey Plaza); two lifelong friends who have just lost their jobs after Alice was brutally left at the altar on her wedding day. The two see Mike and Dave on television and devise a plan to pass themselves off as decent ladies to score the free trip. The plan works and in no time they are in Hawaii and getting ready for the events.
Unfortunately for Mike and Dave, the two girls are not what they appear as they are actually foul mouthed party girls with a passion for wild and reckless behavior and who lack any sort of internal censor.
Combine this with the internal family tensions that can arise at such events it is no surprise that this wedding is on a fast path to disaster.
What follows is a series of crude, outrageous, and hilarious events as Mike and Dave clash with the girls, family, each other and learn more about life, love and family.
The cast works well with one another and there are some truly funny sequences such as the relaxing massage and musical number. The cast works very well with one another and you will want to watch the outtakes during the final credits as they add even more laughs to the film.
While it is mainly a comedy that uses every bit of its R rating, there are enough laughs for those who are willing to overlook some of the issues with the film’s pacing and basic premise, but remember it is a comedy, and if you do not mind this type of humor, you will find yourself laughing along frequently.
http://sknr.net/2016/07/07/mike-dave-need-wedding-dates/
Darren (1599 KP) rated The 33 (2015) in Movies
Jun 20, 2019
Story: The 33 starts as we follow our Chilean miners including family man Mario Sepulveda (Banderas) and safety inspector Don Lucho (Phillips) who is reluctantly backs down from their boss about the conditions inside the mine, believing the mountain will start to collapse in on itself.
When the mine does collapse, it leaves all 33 miners trapped hoping they might get rescued, well that is inside the mine. Outside the mine the miner’s families led by Maria Segovia (Binoche) demanded answers and help from the government with Laurence Golborne (Santoro) calling the shots, doing the best he can to find a way to rescue the miners. This is the incredible story of how the Chilean miners survived and were rescued.
Thoughts on The 33
Characters/Performance – The film is based on the real people involved, Mario is the one that takes control inside the mine, the reluctant hero even against the odds. Laurence is the government man that must do the right thing while working with the experts as well as keep the families happy. Maria is the sister of one of the miners and leads the protest to find answers about her brother and other miners.
Performance wise, Banderas shows himself to be the biggest star within the mine, we do get strange casting choices up next because we have a French actress playing a Chilean lady, and Irish man as a Chilean. But away from this we have good performances all around from the whole cast.
Story – The story is one that we all followed on the news, it was one of the most must watch news stories of the 21st Century. Seeing the amazing story of how the men survived, the way a small town can together to bring a nation, then the world to see, beg and pray for these men is an incredible story of courage, strength and belief in the human race.
Biography/History – While we don’t truly get to know the men personally, we do see the 69 days that changed their lives. This will go down in history as one of our moments of greatness as a human race.
Settings – The film is set between the mine which shows us just how trapped the character will be but we also see how the family members are working towards rescue.
Final Thoughts – This is an incredible story that was one we followed and seeing this brings back the memories but in places this is slightly slow.
Overall: Great glimpse into history.
https://moviesreview101.com/2018/03/27/a-z-bonus-review-month-the-33-2015/
When the mine does collapse, it leaves all 33 miners trapped hoping they might get rescued, well that is inside the mine. Outside the mine the miner’s families led by Maria Segovia (Binoche) demanded answers and help from the government with Laurence Golborne (Santoro) calling the shots, doing the best he can to find a way to rescue the miners. This is the incredible story of how the Chilean miners survived and were rescued.
Thoughts on The 33
Characters/Performance – The film is based on the real people involved, Mario is the one that takes control inside the mine, the reluctant hero even against the odds. Laurence is the government man that must do the right thing while working with the experts as well as keep the families happy. Maria is the sister of one of the miners and leads the protest to find answers about her brother and other miners.
Performance wise, Banderas shows himself to be the biggest star within the mine, we do get strange casting choices up next because we have a French actress playing a Chilean lady, and Irish man as a Chilean. But away from this we have good performances all around from the whole cast.
Story – The story is one that we all followed on the news, it was one of the most must watch news stories of the 21st Century. Seeing the amazing story of how the men survived, the way a small town can together to bring a nation, then the world to see, beg and pray for these men is an incredible story of courage, strength and belief in the human race.
Biography/History – While we don’t truly get to know the men personally, we do see the 69 days that changed their lives. This will go down in history as one of our moments of greatness as a human race.
Settings – The film is set between the mine which shows us just how trapped the character will be but we also see how the family members are working towards rescue.
Final Thoughts – This is an incredible story that was one we followed and seeing this brings back the memories but in places this is slightly slow.
Overall: Great glimpse into history.
https://moviesreview101.com/2018/03/27/a-z-bonus-review-month-the-33-2015/
Darren (1599 KP) rated A Long Way Down (2014) in Movies
Jun 20, 2019
Story: A Long Way Down starts on New Year’s Eve as disgraced TV celebrity Martin (Brosnan) is planning to kill himself only to get interrupted by the lonely Maureen (Collette), heartbroken Jess (Poots) and cancer stricken JJ (Paul) who are also using the same rooftop to plan their suicide.
All going against the suicide the four make a pact to not kill themselves until at least Valentine’s day and support each other through the six weeks once the tabloids want to make a story of why they were together. The four become good friends exposing their own secrets to why they want to escape their lives.
Thoughts on A Long Way Down
Characters/Performance – Martin is the disgraced TV talk show host, his small mistake has ruined his career, his family and even finding himself in jail. Now out of jail he wants to kill himself to get away from the headlines. Maureen is a single mother spending everyday looking after her disabled son, not getting any real free time. Jess is the daughter of politician whose sister vanished a few years before, she is a lost soul in the world turning to the drinks and drugs. JJ is an American musician who can’t find his place in the world.
Performance wise, I feel all four of the main actors give brilliant performances, Paul and Poots both show that this could be one of their best of their careers in film, while Brosnan and Collette must have theirs put on their underrated performances of their careers.
Story – The story shows the struggles everyday people can have with depression, it shows that you can get support from people you didn’t even know. I think this film tackles the issues of depression on a brilliant level, and shows just how you can find light in the strangest places.
Settings – The settings are used to show just how different the location these four have come from, it shows just how important finding help outside your comfort zone can be.
Final Thoughts – This is a film I didn’t expect too much from and I can say I truly enjoyed the film, the characters all feel real, their problems feel real and most importantly the answers to the problems didn’t cure everything they helped them realizes how important they are.
Overall: This is a very underrated film I feel people should be seeing.
https://moviesreview101.com/2017/09/15/a-long-way-down-2014/
All going against the suicide the four make a pact to not kill themselves until at least Valentine’s day and support each other through the six weeks once the tabloids want to make a story of why they were together. The four become good friends exposing their own secrets to why they want to escape their lives.
Thoughts on A Long Way Down
Characters/Performance – Martin is the disgraced TV talk show host, his small mistake has ruined his career, his family and even finding himself in jail. Now out of jail he wants to kill himself to get away from the headlines. Maureen is a single mother spending everyday looking after her disabled son, not getting any real free time. Jess is the daughter of politician whose sister vanished a few years before, she is a lost soul in the world turning to the drinks and drugs. JJ is an American musician who can’t find his place in the world.
Performance wise, I feel all four of the main actors give brilliant performances, Paul and Poots both show that this could be one of their best of their careers in film, while Brosnan and Collette must have theirs put on their underrated performances of their careers.
Story – The story shows the struggles everyday people can have with depression, it shows that you can get support from people you didn’t even know. I think this film tackles the issues of depression on a brilliant level, and shows just how you can find light in the strangest places.
Settings – The settings are used to show just how different the location these four have come from, it shows just how important finding help outside your comfort zone can be.
Final Thoughts – This is a film I didn’t expect too much from and I can say I truly enjoyed the film, the characters all feel real, their problems feel real and most importantly the answers to the problems didn’t cure everything they helped them realizes how important they are.
Overall: This is a very underrated film I feel people should be seeing.
https://moviesreview101.com/2017/09/15/a-long-way-down-2014/
Hazel (1853 KP) rated Oh Dear Silvia in Books
Dec 14, 2018
<i>Oh Dear Silvia</i> is a contemporary, somewhat humorous, novel by British comedian, Dawn French. Set in England it focuses on a sixty-year-old woman, Silvia Shute, who has fallen from a balcony, sustaining a serious head injury that has left her in a coma.
Knowing this you cannot help wondering how you do write a book where the main character is unconscious and how would this affect the narrative? This is how. Although Silvia is indeed the main character, the tale is actually told through observing family members and friends when they visit her in hospital. The entire book plays out in Silvia’s hospital room, Suite 5, but each character brings something else to story through their thoughts, feelings and actions.
Ed, Silvia’s ex husband, provides details of what has happened since their divorce. Jo, her older sister, reminisces about their childhood whist trying and failing to use a number of New Age ideas to wake Silvia up. There is Cat, her best friend, through who we discover what actually happened to Silvia, whilst, Tia, her cleaner is bringing in her favourite foods and updating her on the various goings on in the celebrity world. Cassie, her daughter however, portrays Silvia in a different light that makes us question what kind of person Silvia really was. And finally there is Winnie, a nurse at the hospital. Winnie’s accounts provide the reader with an extra storyline that is nothing to do with Silvia and her accident.
The story being told in this way gives the reader a chance to learn about who Silvia was which causes us to think different things about her which we would not have had the opportunity to feel had Silvia been able to tell the story herself. Firstly we feel worry for her, but then we begin to hate her particularly with the help of Cassie as well as Ed, who admits that had Silvia been conscious he would not have been visiting. Finally we get to a stage of understanding. Understanding who Silvia was, understanding why she did what she did, understanding what has happened to her.
The book takes on many themes: drama, mystery… and humour. Well, it is meant to be humour. I can understand the funny parts but personally it was not my type of humour. Too much swearing in my opinion. But then if you enjoy that type of thing, <i>Oh Dear Silvia</i> has the potential to be a really funny book.
Knowing this you cannot help wondering how you do write a book where the main character is unconscious and how would this affect the narrative? This is how. Although Silvia is indeed the main character, the tale is actually told through observing family members and friends when they visit her in hospital. The entire book plays out in Silvia’s hospital room, Suite 5, but each character brings something else to story through their thoughts, feelings and actions.
Ed, Silvia’s ex husband, provides details of what has happened since their divorce. Jo, her older sister, reminisces about their childhood whist trying and failing to use a number of New Age ideas to wake Silvia up. There is Cat, her best friend, through who we discover what actually happened to Silvia, whilst, Tia, her cleaner is bringing in her favourite foods and updating her on the various goings on in the celebrity world. Cassie, her daughter however, portrays Silvia in a different light that makes us question what kind of person Silvia really was. And finally there is Winnie, a nurse at the hospital. Winnie’s accounts provide the reader with an extra storyline that is nothing to do with Silvia and her accident.
The story being told in this way gives the reader a chance to learn about who Silvia was which causes us to think different things about her which we would not have had the opportunity to feel had Silvia been able to tell the story herself. Firstly we feel worry for her, but then we begin to hate her particularly with the help of Cassie as well as Ed, who admits that had Silvia been conscious he would not have been visiting. Finally we get to a stage of understanding. Understanding who Silvia was, understanding why she did what she did, understanding what has happened to her.
The book takes on many themes: drama, mystery… and humour. Well, it is meant to be humour. I can understand the funny parts but personally it was not my type of humour. Too much swearing in my opinion. But then if you enjoy that type of thing, <i>Oh Dear Silvia</i> has the potential to be a really funny book.
Hazel (1853 KP) rated Into the Dim (Into the Dim, #1) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Into The Dim</i> by Janet B. Taylor begins with an empty coffin. Fragile sixteen year old Hope is at her mother’s memorial service after her mother’s body was unrecovered after a horrific earthquake. Despite the opinion of her stepfather’s family, Hope is convinced that her mother is still alive. However she has not time to convince anyone before she is shipped off to the Scottish Highlands to spend time with her mother’s sister, Lady Lucinda Carlyle.
Hope finds herself at Christopher Manor, a forbidding ancient mansion that reminds her of <i>Hogwarts</i> (I love that <i>Harry Potter</i> is easily mentioned in many contemporary novels these days! There is also a <i>Doctor Who</i> reference in this book). Despite the old-fashioned setting, the inhabitants are the complete opposite. Firstly there is Phoebe, a bubbly blue-haired girl who is excited about Hope’s arrival at the manor. Phoebe’s brother, Collum, on the other hand, has a contrasting personality. Then there is Lu, who, despite her title, is younger than some may initially imagine her to be.
Through these new characters, Hope learns that her mother is indeed still alive, but trapped somewhere beyond all logic and reason. What is worse, Hope, who is practically scared of her own shadow, along with Phoebe and Collum are the only people who can rescue her. So begins their dangerous but exciting adventure.
<i>Into The Dim</i> is both a contemporary and historical novel, with the science fiction element of time travel thrown in. Time travel is nothing new in fiction, and Taylor’s idea is even based upon the scientist, Nikola Tesla’s discoveries. The storyline itself is a bit of fun with witty characters and humorous banter, yet there is so much more to it than that. Taylor has concocted enough research to help readers to learn something new. Firstly there is Tesla, as already mentioned, and then there is the knowledge and detail of twelfth century London, in particularly involving Eleanor of Aquitaine.
Although the main characters are in their late teens, younger teenagers can also enjoy<i> Into The Dim</i>. There is the occasional reference to mature content, but this is within the context of a historical period, in which younger readers should probably be aware of already from their school history lessons. If you love this book, look out for the sequel next year!
Into The Dim</i> by Janet B. Taylor begins with an empty coffin. Fragile sixteen year old Hope is at her mother’s memorial service after her mother’s body was unrecovered after a horrific earthquake. Despite the opinion of her stepfather’s family, Hope is convinced that her mother is still alive. However she has not time to convince anyone before she is shipped off to the Scottish Highlands to spend time with her mother’s sister, Lady Lucinda Carlyle.
Hope finds herself at Christopher Manor, a forbidding ancient mansion that reminds her of <i>Hogwarts</i> (I love that <i>Harry Potter</i> is easily mentioned in many contemporary novels these days! There is also a <i>Doctor Who</i> reference in this book). Despite the old-fashioned setting, the inhabitants are the complete opposite. Firstly there is Phoebe, a bubbly blue-haired girl who is excited about Hope’s arrival at the manor. Phoebe’s brother, Collum, on the other hand, has a contrasting personality. Then there is Lu, who, despite her title, is younger than some may initially imagine her to be.
Through these new characters, Hope learns that her mother is indeed still alive, but trapped somewhere beyond all logic and reason. What is worse, Hope, who is practically scared of her own shadow, along with Phoebe and Collum are the only people who can rescue her. So begins their dangerous but exciting adventure.
<i>Into The Dim</i> is both a contemporary and historical novel, with the science fiction element of time travel thrown in. Time travel is nothing new in fiction, and Taylor’s idea is even based upon the scientist, Nikola Tesla’s discoveries. The storyline itself is a bit of fun with witty characters and humorous banter, yet there is so much more to it than that. Taylor has concocted enough research to help readers to learn something new. Firstly there is Tesla, as already mentioned, and then there is the knowledge and detail of twelfth century London, in particularly involving Eleanor of Aquitaine.
Although the main characters are in their late teens, younger teenagers can also enjoy<i> Into The Dim</i>. There is the occasional reference to mature content, but this is within the context of a historical period, in which younger readers should probably be aware of already from their school history lessons. If you love this book, look out for the sequel next year!
Hazel (1853 KP) rated Capturing Jasmina (India's Street Kids #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.
Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.
Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.
<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.
It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.
Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.
Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.
Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.
Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.
<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.
It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.
Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.
Sophia (Bookwyrming Thoughts) (530 KP) rated Death by the River in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
What the fuck did I read.
SERIOUSLY. What the fuck did I read. And why the fuck did I suffer for more pages than necessary?
<img class="aligncenter size-medium wp-image-2767" src="https://bookwyrmingthoughts.com/wp-content/uploads/sites/317/2017/08/what-the-fuck-300x149.gif"; alt="" width="300" height="149" />
<h2><strong>Contrary to all the raving reviews and praise for this book, <i>Death by the River</i> is boring as fuck (at least at the beginning). If any death occurred at the river, it was yours truly from pure boredom. 😴</strong></h2>
Beau Deveraux is the catch of a lifetime on the outside with his good looks and reputation. But on the inside, he's a psychopath, becoming obsessed with his girlfriend Dawn's twin sister, Leslie. She wants no association with Beau and warns Dawn to do the same.
<h2><strong>Good god, there is so much repetition.🙄</strong></h2>
The book nails this fact into our heads repeatedly, chapter after the chapter, and it's one of the main reasons why I couldn't stand <i>Death by the River</i>. I get it - Beau is nice and chummy but secretly evil and Leslie sees right through the facade. Everyone else is a lamb, all nice and innocent to Beau's ways.
<img class="aligncenter size-full wp-image-3903" src="https://bookwyrmingthoughts.com/wp-content/uploads/sites/317/2016/06/innocent.gif"; alt="" width="245" height="245" />
<h2><strong>Then there's pacing plus the repetition. 😣</strong></h2>
It was slowwwww. Maybe it's the writing style, but gosh, I made it to 52% and nothing really happened except:
~ Beau's obsession with Leslie
~ Leslie's uninterest in Beau
~ Everyone's awe of Beau
~ PARTAYYYYYYYY
<img class="aligncenter size-medium wp-image-4110" src="https://bookwyrmingthoughts.com/wp-content/uploads/sites/317/2016/03/1393884189450_gatsby--300x128.gif"; alt="" width="300" height="128" />
And two sexual assaults with no death actually happening except for the death of the victim's reputation, which is expected, considering the book <i>is</i> about sexual assault.
But ultimately, <i>Death by the River</i> fell flatter than a green onion pancake for me.
Just a side note, but green onion pancakes are delicious. I think I insulted them greatly. Green onion pancakes do not deserve this comparison.
<a href="https://bookwyrmingthoughts.com/death-by-the-river-by-alexandrea-weis-and-lucas-astor/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
What the fuck did I read.
SERIOUSLY. What the fuck did I read. And why the fuck did I suffer for more pages than necessary?
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<h2><strong>Contrary to all the raving reviews and praise for this book, <i>Death by the River</i> is boring as fuck (at least at the beginning). If any death occurred at the river, it was yours truly from pure boredom. 😴</strong></h2>
Beau Deveraux is the catch of a lifetime on the outside with his good looks and reputation. But on the inside, he's a psychopath, becoming obsessed with his girlfriend Dawn's twin sister, Leslie. She wants no association with Beau and warns Dawn to do the same.
<h2><strong>Good god, there is so much repetition.🙄</strong></h2>
The book nails this fact into our heads repeatedly, chapter after the chapter, and it's one of the main reasons why I couldn't stand <i>Death by the River</i>. I get it - Beau is nice and chummy but secretly evil and Leslie sees right through the facade. Everyone else is a lamb, all nice and innocent to Beau's ways.
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<h2><strong>Then there's pacing plus the repetition. 😣</strong></h2>
It was slowwwww. Maybe it's the writing style, but gosh, I made it to 52% and nothing really happened except:
~ Beau's obsession with Leslie
~ Leslie's uninterest in Beau
~ Everyone's awe of Beau
~ PARTAYYYYYYYY
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And two sexual assaults with no death actually happening except for the death of the victim's reputation, which is expected, considering the book <i>is</i> about sexual assault.
But ultimately, <i>Death by the River</i> fell flatter than a green onion pancake for me.
Just a side note, but green onion pancakes are delicious. I think I insulted them greatly. Green onion pancakes do not deserve this comparison.
<a href="https://bookwyrmingthoughts.com/death-by-the-river-by-alexandrea-weis-and-lucas-astor/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Shame (2012) in Movies
Mar 10, 2020
If you ever wondered what constitutes as a powerful piece of film making then Shame, directed by Steve McQueen, is it. Michael Fassbender plays Brandon a man who has an addiction for sex and all things surrounding it. From porn, webcams, fingering random girls in bars, it’s all covered here in gratuitous fashion that certainly delivers shock value.
When his sister, Sissy (Mulligan) turns up at his apartment unannounced it throws his life into turmoil as she carries with her problems of her own.Brandon’s sexual appetite is a massive part of his life, he doesn’t go in for long term relationships instead finding time to pay for sex and engage in dates and the occasional one night stand.
His hunger drifts into the work place as well, which proves a dangerous playground. As the film grows Brandon begins to realise that his addiction is slowly consuming him, unable to perform sexually in some cases he is gripped by emotional dilemmas while at the same time trying to orchestrate a normal existence.
Fassbender is brilliant, giving by far, one of his best performances. Strange that actors seem to do this in films that generally are not that well known, albeit only around film festivals as opposed to main stream cinema. Brandon is a character that is trying to escape his inner demons, like with any addiction the road to ridding the problem is a long journey.
We see Brandon having a clear out of his apartment, throwing porn mags, DVDs and even his entire laptop, casting it onto the street in bin bags like it was a quick fix solution, which it’s not.
The supporting cast, aside Mulligan, is limited. James Badge Dale as Brandon’s over excited and at times sleazy boss holds his own but it is a relatively small part so he doesn’t have a lot to chew on. Shame is graphic, if you’re the least bit prudish then this film is certainly not going to be for you. Fassbender is a hollow shell, but the emotion beneath him is bubbling and the final act shows Brandon on a night of careless sexual exploitation, which takes him on a painful journey of self loathing.
It’s a film that will be open to much debate, the last scenes will no doubt set tongues wagging. But through all the controversy lies a film that depicts an addiction just like any other, and tries to break through to the underlying causes behind it, as well as the people that it affects.
When his sister, Sissy (Mulligan) turns up at his apartment unannounced it throws his life into turmoil as she carries with her problems of her own.Brandon’s sexual appetite is a massive part of his life, he doesn’t go in for long term relationships instead finding time to pay for sex and engage in dates and the occasional one night stand.
His hunger drifts into the work place as well, which proves a dangerous playground. As the film grows Brandon begins to realise that his addiction is slowly consuming him, unable to perform sexually in some cases he is gripped by emotional dilemmas while at the same time trying to orchestrate a normal existence.
Fassbender is brilliant, giving by far, one of his best performances. Strange that actors seem to do this in films that generally are not that well known, albeit only around film festivals as opposed to main stream cinema. Brandon is a character that is trying to escape his inner demons, like with any addiction the road to ridding the problem is a long journey.
We see Brandon having a clear out of his apartment, throwing porn mags, DVDs and even his entire laptop, casting it onto the street in bin bags like it was a quick fix solution, which it’s not.
The supporting cast, aside Mulligan, is limited. James Badge Dale as Brandon’s over excited and at times sleazy boss holds his own but it is a relatively small part so he doesn’t have a lot to chew on. Shame is graphic, if you’re the least bit prudish then this film is certainly not going to be for you. Fassbender is a hollow shell, but the emotion beneath him is bubbling and the final act shows Brandon on a night of careless sexual exploitation, which takes him on a painful journey of self loathing.
It’s a film that will be open to much debate, the last scenes will no doubt set tongues wagging. But through all the controversy lies a film that depicts an addiction just like any other, and tries to break through to the underlying causes behind it, as well as the people that it affects.
JT (287 KP) rated Halloween (1978) in Movies
Mar 10, 2020
Without a doubt Halloween was one of the finest horror films ever made, John Carpenter was spot on with his portrayal of a serial killer descending on a small American town.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.