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The Woman on the Bridge
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Dublin. The 1920s. As war tears Ireland apart, two young people are caught up in events that will...
Historical fiction Ireland
Mark @ Carstairs Considers (2204 KP) rated A Scape Goat for Murder in Books
Sep 7, 2024
Frankie Butts Heads with a Four-Legged Witness
Frankie Chandler’s wedding to Detective Martin Bowers is just weeks again when he is involved in an accident. His colleagues won’t tell Frankie anything about what happened, and the doctor is being vague about his condition. So, Frankie sets out to figure things out on her own. When she finds the accident site, she determines that there was a witness – a goat. Can she make sense of the visions she is getting from the goat to solve the case?
Quite obviously, there is a lot of fun to be had here, and I laughed many times as I was reading. Some of that came from Martin’s two sisters who show up in Frankie’s life. However, I found that this subplot didn’t quite develop in a satisfactory way. The mystery started out strongly and kept me engaged, but the ending was so rushed that some whys for a major part of the plot got overlooked. I did enjoy spending time with Frankie again and watching her growth. Fans of the series will enjoy this one, but it is a weaker entry in the series.
Quite obviously, there is a lot of fun to be had here, and I laughed many times as I was reading. Some of that came from Martin’s two sisters who show up in Frankie’s life. However, I found that this subplot didn’t quite develop in a satisfactory way. The mystery started out strongly and kept me engaged, but the ending was so rushed that some whys for a major part of the plot got overlooked. I did enjoy spending time with Frankie again and watching her growth. Fans of the series will enjoy this one, but it is a weaker entry in the series.
graveyardgremlin (7194 KP) rated Magic in the Wind (Drake Sisters, #1) in Books
Feb 15, 2019
The first few chapters of MItW started off well enough, the author captured the coastal town atmosphere perfectly, however, after that it got a little, okay at times a lot, cheesy and eye-roll-inducing. Romances don't have to be that sticky-sweet. What was different and interesting is that the narration was mainly told through the male lead instead of the female; there's not too much of that in romances. The only downfall to the story being told this way was Damon waxing poetic about Sarah the Mysterious, Sarah the Magical, Sarah the Magnificent, Sarah, She Who Walks on Water - seriously, what a Mary-Sue. I'm surprised people didn't address her as Saint Sarah. Everyone in town follows her "advice" (basically she tells them what to do in a roundabout way and they listen), seeks her out to magically fix all their problems, act like she's a goddess, combined, this all made it ten times worse. They just follow her like brainless zombies and never get upset at her poking her nose in their business (not that they all don't do the same in everybody else's). Even though all of that was nauseating, she wasn't the worst Mary-Sue I've run across (Why o' why are there so many of them? Is there a writer's manual on how to write a paragon so that everything they touch, everywhere they go, everyone they meet, they're held up as a supreme being? I wish I was perfect too. :P) and she had magic, so that makes it all the more unfair. Although, who is Sarah besides the saint of this small coastal town? I have no clue, she was never made real, I actually envisioned a golden aura around her like she's some sort of angelic being or something, which is at total odds with her tough defender super hero side. Some girls have all the luck. She has magic, she's as kind as can be, she's perfect in every way (except she's not conventionally beautiful or something, the description was kind of unclear), so of course everyone loves her, she's peaceful and she gets to kick a** like she's Buffy? No freaking way. Where can I sign up?
Another annoyance was "painfully shy" Hannah, one of Sarah's six sisters. Hannah is apparently a model who travels the world, is on magazines, goes on talk shows, etc., even though she is painfully shy. Hey, I can believe someone famous has trouble like that, my problem comes from her "condition" being described as "painfully shy" all the time. It is mentioned in that exact same way, it's never really shy, very shy, extremely shy, or even just plain old shy, no it has to be "painfully shy." In truth, it was only said three times (that I noticed), but in a story that is only around ninety pages, it really sticks out, especially since it was awkwardly brought into the plot. I have a hard time believing this is only shyness, try social phobia or at the very least, some anxiety disorder. Why hasn't she had psychological care? The only remedies mentioned are magical spells and whatnot. While I'm on the subject of Hannah, of whom I know more about personality-wise than Sarah, I might as well mention the jeering and taunting between Jona, the town sheriff, and herself. These interactions are so over-the-top and obvious; we all know where this is going to lead in a future book. And not one of the sisters or Damon notices what is right in front of them. How can they be so imperceptive? What are they, seven? Although I have to admit I'd hate to be called "Baby" or "Barbie" doll too, but then again, I don't look like a Victoria's Secret model, Hannah does.
As for the plot, it was barely there, more time was spent on introducing the sisters, their legacy, characters that went nowhere, and having Sarah sit on a pedestal. Damon would have been more interesting if this had been made into a full-length book - I like the idea of a scientist being confronted with magic - but there just wasn't enough there for a cohesive story. I usually don't write much about short stories but had a lot to say about this one. Obviously. I'm interested in the sisters' stories, I try not to judge authors solely based on a short story, so I will check them out, especially Hannah's. As someone who's been "painfully shy" (couldn't resist) her whole life, my interest has been piqued to see how the author develops Hannah and her shyness in that installment of the series.
I was thinking of giving this an average rating but after writing my review and thinking back on the story, it's just not that good.
2/5 stars
Another annoyance was "painfully shy" Hannah, one of Sarah's six sisters. Hannah is apparently a model who travels the world, is on magazines, goes on talk shows, etc., even though she is painfully shy. Hey, I can believe someone famous has trouble like that, my problem comes from her "condition" being described as "painfully shy" all the time. It is mentioned in that exact same way, it's never really shy, very shy, extremely shy, or even just plain old shy, no it has to be "painfully shy." In truth, it was only said three times (that I noticed), but in a story that is only around ninety pages, it really sticks out, especially since it was awkwardly brought into the plot. I have a hard time believing this is only shyness, try social phobia or at the very least, some anxiety disorder. Why hasn't she had psychological care? The only remedies mentioned are magical spells and whatnot. While I'm on the subject of Hannah, of whom I know more about personality-wise than Sarah, I might as well mention the jeering and taunting between Jona, the town sheriff, and herself. These interactions are so over-the-top and obvious; we all know where this is going to lead in a future book. And not one of the sisters or Damon notices what is right in front of them. How can they be so imperceptive? What are they, seven? Although I have to admit I'd hate to be called "Baby" or "Barbie" doll too, but then again, I don't look like a Victoria's Secret model, Hannah does.
As for the plot, it was barely there, more time was spent on introducing the sisters, their legacy, characters that went nowhere, and having Sarah sit on a pedestal. Damon would have been more interesting if this had been made into a full-length book - I like the idea of a scientist being confronted with magic - but there just wasn't enough there for a cohesive story. I usually don't write much about short stories but had a lot to say about this one. Obviously. I'm interested in the sisters' stories, I try not to judge authors solely based on a short story, so I will check them out, especially Hannah's. As someone who's been "painfully shy" (couldn't resist) her whole life, my interest has been piqued to see how the author develops Hannah and her shyness in that installment of the series.
I was thinking of giving this an average rating but after writing my review and thinking back on the story, it's just not that good.
2/5 stars
Kristy H (1252 KP) rated The Sunshine Sisters in Books
Jan 21, 2018
Good beach read
Ronni Sunshine has summoned her daughters home. The aging actress is ill, and she wants her daughters by her side. This, however, will be easier said than done, as her three children--Nell, Meredith, and Lizzy--are estranged, both from each other and their mother: the result of a traumatic childhood. Even Ronni will now readily admit she focused on her acting career and beauty rather than her daughters. Her constant belittlement and pressure on the girls made them turn on each other as well. Nell lives the closest to her mother, on a nearby farm, and her son River is in grad school. Middle child Meredith spent her childhood struggling with her weight, thanks to endless biting comments from Ronni; she fled to England and is now engaged. Youngest Lizzie escaped most of her mother's wrath and appears to be the "golden child": she's a successful chef and celebrity, with a TV show and line of related products, but her marriage and personal life aren't all that they seem. Frustrated by their mother's long history of hypochondria, the girls reluctantly return home, excepting to find her fine. However, it seems this time Ronni may be telling the truth: she's really sick. Can the Sunshine sisters set aside their differences? And can they ever forgive their mother?
In some ways, I'm not sure why I keep giving Jane Green books a chance. I liked Summer Secrets well-enough, but was really let down by Saving Grace and Falling. I was intrigued that in her acknowledgements, Green mentions that this is the first book in while where she's felt like herself. I went in hoping that this was true, but still wary, and truthfully, this wariness may have clouded some of my thoughts and feelings about the book.
Overall, this is a summery read, though it does deal with some serious subject matter. If you're looking for a book that will surprise you, this isn't it. Most of these plot points I saw coming from a few miles away; I predicted the majority of the twists and turns before they happened. And, truly, I think the ending is a foregone conclusion. Green relies a bit to heavily on some tropes, as well. Serious older sister? Check. Insecure middle sister? Check. Flighty younger sister? She's here, too, don't worry.
Still, this was a fun book--despite the dark topic at its core--and I found myself compelled to read through the second half in nearly one sitting. Despite some of the transparency of the characters, I was oddly invested in their lives. The novel starts out with a brief glimpse of Ronni summoning her daughters home, then goes back in the past, allowing us to learn about the Sunshine family via various snippets from the sisters at different points in time. In this way, we sort of catch up with the family fast-forward style--it's like a cheat sheet of sorts. It also allows us to get to know each sister a bit better and explore their relationship with their mother (and other sisters). It's easy to see how much influence Ronni had on their lives and how she shaped them into the women they are today.
The girls can certainly be frustrating at times. Poor, needy Meredith drove me nearly mad, with her insecurities and inability to stand up for herself. There's also a point in the book where Meredith magically cleans up after a party (everything is fixed) and later loses a large amount of weight (everything is fixed, again!). I would have liked to have seen a little more plot realism. It was also hard to see how anyone could be quite as big of a doormat as Meredith, even with her mother's influence. And, truly, Ronni is pretty bad. It's an interesting technique--learning how terrible of a mother she is after we're told in the beginning of the novel that she's sick. But, in this way, we're allowed to see how the sisters were alienated by their poor upbringing and how everyone has reached the point we are at today.
Eventually, we reach the present day, with the girls learning about their mother's illness and coming to grips with reality. And, Ronni, of course, must grapple with the kind of mother she was to her children. She's a surprisingly compelling character considering how awful she was to her children, so that's a testament to Green's characterization. To me, the novel picked up a bit more in the present day time period. There were still some silly, unbelievable moments, but I truly did find myself invested in Meredith, Nell, and Lizzy (and Ronni).
The book does wrap things up too easily, as I stated. It's often quite trite and cliche, so you have to go in prepared. Think Lifetime movie, wrapped up in a bow. Still, it's fun at times and certainly a quick read. Well-suited for the beach or a vacation.
I received a copy of this novel from the publisher and Netgalley (thank you!).
In some ways, I'm not sure why I keep giving Jane Green books a chance. I liked Summer Secrets well-enough, but was really let down by Saving Grace and Falling. I was intrigued that in her acknowledgements, Green mentions that this is the first book in while where she's felt like herself. I went in hoping that this was true, but still wary, and truthfully, this wariness may have clouded some of my thoughts and feelings about the book.
Overall, this is a summery read, though it does deal with some serious subject matter. If you're looking for a book that will surprise you, this isn't it. Most of these plot points I saw coming from a few miles away; I predicted the majority of the twists and turns before they happened. And, truly, I think the ending is a foregone conclusion. Green relies a bit to heavily on some tropes, as well. Serious older sister? Check. Insecure middle sister? Check. Flighty younger sister? She's here, too, don't worry.
Still, this was a fun book--despite the dark topic at its core--and I found myself compelled to read through the second half in nearly one sitting. Despite some of the transparency of the characters, I was oddly invested in their lives. The novel starts out with a brief glimpse of Ronni summoning her daughters home, then goes back in the past, allowing us to learn about the Sunshine family via various snippets from the sisters at different points in time. In this way, we sort of catch up with the family fast-forward style--it's like a cheat sheet of sorts. It also allows us to get to know each sister a bit better and explore their relationship with their mother (and other sisters). It's easy to see how much influence Ronni had on their lives and how she shaped them into the women they are today.
The girls can certainly be frustrating at times. Poor, needy Meredith drove me nearly mad, with her insecurities and inability to stand up for herself. There's also a point in the book where Meredith magically cleans up after a party (everything is fixed) and later loses a large amount of weight (everything is fixed, again!). I would have liked to have seen a little more plot realism. It was also hard to see how anyone could be quite as big of a doormat as Meredith, even with her mother's influence. And, truly, Ronni is pretty bad. It's an interesting technique--learning how terrible of a mother she is after we're told in the beginning of the novel that she's sick. But, in this way, we're allowed to see how the sisters were alienated by their poor upbringing and how everyone has reached the point we are at today.
Eventually, we reach the present day, with the girls learning about their mother's illness and coming to grips with reality. And, Ronni, of course, must grapple with the kind of mother she was to her children. She's a surprisingly compelling character considering how awful she was to her children, so that's a testament to Green's characterization. To me, the novel picked up a bit more in the present day time period. There were still some silly, unbelievable moments, but I truly did find myself invested in Meredith, Nell, and Lizzy (and Ronni).
The book does wrap things up too easily, as I stated. It's often quite trite and cliche, so you have to go in prepared. Think Lifetime movie, wrapped up in a bow. Still, it's fun at times and certainly a quick read. Well-suited for the beach or a vacation.
I received a copy of this novel from the publisher and Netgalley (thank you!).
Kristy H (1252 KP) rated Sailing Lessons in Books
Mar 18, 2019
Interesting characters & enjoyable read
The Bailey sisters grew up on Cape Cod--and overall, they are fairly close. The sisters are particularly bonded by the fact that their father, Caleb, left when they were small, after a traumatic incident that affected each sister in their own way. Wren remained on the island and is now raising her daughter, Lucy, while juggling an attempt to open a small business. Her older sister, Shannon, is a perfectionist leading a picture-perfect Cape life with her husband and three children: at least that's how it appears. As for the youngest, Piper, who barely even remembers her father: she fled to Boston, where she's spent years pursuing educational degrees she isn't sure she wants. And her love life? Don't ask. The girls' mother, Lindy, has settled down on the island with her second husband, Hank. All in all, everyone has a routine. But Caleb disturbs all that when he sends a letter, asking to return and see the girls again. Each sister responds differently to his return, and each much confront their own past--and present--in light of Caleb's presence.
I really enjoyed this book, and I found myself quite enraptured by its characters. I'm a sucker for some island-themed fiction (I'd love to go to the Cape or Nantucket someday, though I'll be so sad when everyone there isn't grappling with family issues and/or falling in love at first sight!). This was one of the books that I read at the right time, as I needed a story I could escape into. I started it while I was on "vacation" (a trip to Great Wolf Lodge with six-year-old twins - you determine if this counts as a vacation), and I found myself wishing I could transport myself to a beach somewhere to finish it.
The characters in this tale are simply interesting and fascinating. I don't know how else to say it, except I liked them, you know? OK, it took a little while to warm up to Shannon, but I could definitely relate to bits of her anxious characteristics. But I especially loved Wren and Hank. I could just picture them so easily, and I was rooting for them the entire way. (I sort of want Hank to be my Dad now.) Even Caleb was an intriguing sort of guy in his own way.
"He'd been given a talent for capturing images and a woman whom he'd loved with a fierceness that he could never seem to capture. And he'd lost it all."
So, yes, there's a bit of predictability to this one, but there's a comfortableness to it that I really liked (and needed). And there were definitely some pieces I didn't always see coming, too. Plus, I was so caught up in the characters that I was along for the ride, no matter what. They were well-written, and I was invested in their lives, which is a sign of good women's fiction, in my opinion. I had a bit of a dysfunctional childhood myself, so maybe I could relate well to this one; it just worked well for me.
"'Memory has weight. We carry it around with us in our baskets.' It had sounded lovely to her ears as a kid, this bountiful collection: a bushel of fruit, a bouquet of flowers. But as she grew, it took on a new meaning. There were days Shannon wished to set her basket of memories down; days she wished to abandon it altogether."
Overall, I really enjoyed this book. Interesting characters, easy-moving plot--it was just a good read. I was actually a little sad to say goodbye to the sisters and their clan by the end.
I really enjoyed this book, and I found myself quite enraptured by its characters. I'm a sucker for some island-themed fiction (I'd love to go to the Cape or Nantucket someday, though I'll be so sad when everyone there isn't grappling with family issues and/or falling in love at first sight!). This was one of the books that I read at the right time, as I needed a story I could escape into. I started it while I was on "vacation" (a trip to Great Wolf Lodge with six-year-old twins - you determine if this counts as a vacation), and I found myself wishing I could transport myself to a beach somewhere to finish it.
The characters in this tale are simply interesting and fascinating. I don't know how else to say it, except I liked them, you know? OK, it took a little while to warm up to Shannon, but I could definitely relate to bits of her anxious characteristics. But I especially loved Wren and Hank. I could just picture them so easily, and I was rooting for them the entire way. (I sort of want Hank to be my Dad now.) Even Caleb was an intriguing sort of guy in his own way.
"He'd been given a talent for capturing images and a woman whom he'd loved with a fierceness that he could never seem to capture. And he'd lost it all."
So, yes, there's a bit of predictability to this one, but there's a comfortableness to it that I really liked (and needed). And there were definitely some pieces I didn't always see coming, too. Plus, I was so caught up in the characters that I was along for the ride, no matter what. They were well-written, and I was invested in their lives, which is a sign of good women's fiction, in my opinion. I had a bit of a dysfunctional childhood myself, so maybe I could relate well to this one; it just worked well for me.
"'Memory has weight. We carry it around with us in our baskets.' It had sounded lovely to her ears as a kid, this bountiful collection: a bushel of fruit, a bouquet of flowers. But as she grew, it took on a new meaning. There were days Shannon wished to set her basket of memories down; days she wished to abandon it altogether."
Overall, I really enjoyed this book. Interesting characters, easy-moving plot--it was just a good read. I was actually a little sad to say goodbye to the sisters and their clan by the end.
This is both a very unique and fairly faithful retelling of the classic Beauty and the Beast fairytale. Hunted takes place in Russia and our main character Yeva (Beauty) is a huntress. She is headstrong, kind, caring, has a bit of a temper and can be vengeful - but overall I quite liked her character.
Like the classic tale, Beauty is the youngest of three sisters and daughter of a merchant. In some versions, she also has three brothers and her sisters are unkind - but that is not the case in this retelling. They live in a nice house until a shipping gamble costs them everything. They are forced to move to their father's old hunting cabin, which is a three-day walk from their current home. Her father used to be a hunter, but his wife believed that it was too dangerous and asked him to stop. Despite that, as a child Beauty was allowed to go hunting with her father and learned to love it. Unfortunately, as she grew her father decided that it was not the way a lady should purport herself and no longer allowed her to hunt.
After the loss of their fortune, Yeva and her family must learn to make due with less. Her father takes up hunting again and goes off to catch game for them to store for the winter. Unfortunately, when he returns he is distraught and swears that the Beast he saw when he was younger is stalking him. When he doesn't return from his second trip, Yeva sets out to find him and this is where the story adopts some significantly different elements from the original tale.
In the original, the father enters a castle and accepts his host's hospitality, but upon leaving takes a single rose for his daughter Beauty and is told he has a choice. He shall either be condemned to death for it or he must stay in the castle. While these are not the events that lead to Yeva's time in the castle, nevertheless she ends up imprisoned there. Over time, she and the Beast grow to know one another - but her treatment isn't as kind overall as the original.
I really enjoyed the tales that Yeva told while she was in captivity because they built the lore of the world and gave us a look into what the characters had grown up listening to. Although Yeva spent most of her time as the castle, I do wish that we were able to get to know the other characters like her sisters a little better. They seem very kind, but relatively one-dimensional. As a result of the Beast's curse, I don't feel like we got to know him as well as we could have. I would have loved to watch him grow and connect with him as Yeva does so that I could feel that </i>yes, they could fall in love.</i> I liked Yeva, but her dog Doe-Eyes was probably my favourite character. The dog was so cheerful and loyal that you couldn't help but love her.
The world that Yeva knows is not one we get to see very often in young adult literature. It is a melding of Russia, with its unique environment and folklore, with a more fantastical world. Yeva tells tales of the Firebird, sees a creature that is half dragon and half woman, and learns to listen to the music of that other world. The world itself reminds me a lot of the Grisha trilogy, although the plots and characters are nothing alike. I would love to experience more of the lore that built this enchanted world in the form of novellas.
I would highly recommend this to young adult/teen readers who enjoy fairytales and retellings, especially ones with a unique take on the tale that includes a lot of culture and lore.
Like the classic tale, Beauty is the youngest of three sisters and daughter of a merchant. In some versions, she also has three brothers and her sisters are unkind - but that is not the case in this retelling. They live in a nice house until a shipping gamble costs them everything. They are forced to move to their father's old hunting cabin, which is a three-day walk from their current home. Her father used to be a hunter, but his wife believed that it was too dangerous and asked him to stop. Despite that, as a child Beauty was allowed to go hunting with her father and learned to love it. Unfortunately, as she grew her father decided that it was not the way a lady should purport herself and no longer allowed her to hunt.
After the loss of their fortune, Yeva and her family must learn to make due with less. Her father takes up hunting again and goes off to catch game for them to store for the winter. Unfortunately, when he returns he is distraught and swears that the Beast he saw when he was younger is stalking him. When he doesn't return from his second trip, Yeva sets out to find him and this is where the story adopts some significantly different elements from the original tale.
In the original, the father enters a castle and accepts his host's hospitality, but upon leaving takes a single rose for his daughter Beauty and is told he has a choice. He shall either be condemned to death for it or he must stay in the castle. While these are not the events that lead to Yeva's time in the castle, nevertheless she ends up imprisoned there. Over time, she and the Beast grow to know one another - but her treatment isn't as kind overall as the original.
I really enjoyed the tales that Yeva told while she was in captivity because they built the lore of the world and gave us a look into what the characters had grown up listening to. Although Yeva spent most of her time as the castle, I do wish that we were able to get to know the other characters like her sisters a little better. They seem very kind, but relatively one-dimensional. As a result of the Beast's curse, I don't feel like we got to know him as well as we could have. I would have loved to watch him grow and connect with him as Yeva does so that I could feel that </i>yes, they could fall in love.</i> I liked Yeva, but her dog Doe-Eyes was probably my favourite character. The dog was so cheerful and loyal that you couldn't help but love her.
The world that Yeva knows is not one we get to see very often in young adult literature. It is a melding of Russia, with its unique environment and folklore, with a more fantastical world. Yeva tells tales of the Firebird, sees a creature that is half dragon and half woman, and learns to listen to the music of that other world. The world itself reminds me a lot of the Grisha trilogy, although the plots and characters are nothing alike. I would love to experience more of the lore that built this enchanted world in the form of novellas.
I would highly recommend this to young adult/teen readers who enjoy fairytales and retellings, especially ones with a unique take on the tale that includes a lot of culture and lore.
BankofMarquis (1832 KP) rated Little Women (2019) in Movies
Feb 5, 2020
A Worthy Adaptation
There have been many adaptations of Louisa May Alcott's 19th Century Classic novel LITTLE WOMEN following the adventures, loves and losses of the 4 March sisters - Jo, Meg, Amy and Beth.. My favorite is the Orono High School's production of the musical version of LITTLE WOMEN (starring my daughter as Jo), but coming in a close second is the 1933 version with Katherine Hepburn starring as Jo (the quintessential Jo, in my book). So was there really a need for ANOTHER version of this?
Well...yes...and...no.
As adapted and directed by Greta Gerwig, this version of LITTLE WOMEN stars Saoirse Ronan as Jo, Emma Watson as Meg, Florence Pugh as Amy and Eliza Scanlen as Beth and has a strong "2019" female empowerment vibe to it (this is intended to be a compliment). I've seen this called a "Little Women for the #metoo era" and I think this is misguided branding - for it does disservice to the #metoo movement - and to this film.
Ronan - as expected - was Oscar nominated for her strong, independent turn as the strong and independent Jo. This is a perfect marriage of performer and material (almost as good as the Hepburn turn) and Ronan lands this character strongly (and correctly) at every turn. Timothee Chalamet matches her beat for beat as her erstwhile love, Laurie. This is the 2nd time that these two have played opposite each other (LADYBIRD was the other time) and there is a strong chemistry between these two - I look forward to many, many more pairings of Ronan and Chalamet in the future.
Famously (or maybe, it's infamously) Greta Gerwig did NOT receive and Oscar nomination for her Direction - and I think that is a shame (there are at least 2 nominated Directors that I would take off the list in favor of her). Because she adapted the screen play (a piece of work that she WAS Oscar nominated for - and will win in an effort to make up for the Directing snub), her Direction is sure-handed and strong throughout. She has a very good feel for the material and knows what she wants to do throughout, to interesting results.
This is because Gerwig chooses to focus much of this version on the relationship between Jo and Amy - a relationship that gets short shrift in most of the other adaptations. By casting Florence Pugh (also Oscar nominated) in the Amy role, Gerwig has a strong antagonist to Ronan's protagonist - with shades of both being grey. Neither character (or performance) is black and white they are both interacting with each other as realistic sisters would, both taking turns being "in the right"....and "the wrong".
Because of the focus on the Jo and Amy characters, the other 2 sisters - Meg and (especially) Beth - get short changed and even though both Watson and Scanlen are "game", they have precious little to do. The same goes with Meryl Streep (Aunt March), Laura Dern (Marmie), Tracy Letts (who seems to be in EVERYTHING right now) and Bob Odenkirk (of all people). They are all strong - and earnest - in their limited time on screen, but NONE of them have that much to do. Only Chris Cooper shines brightly in his small, supporting role.
I have to admit that because I've seen this story many, many times, I found my mind wandering a bit - especially at the beginning. But by the time Ronan/Chalamet/Pugh started working off of each other, the film - and my interest - rose.
So...is another version of LITTLE WOMEN necessary? I'd say no. But...if this version of LITTLE WOMEN is the one that the Little Women of today see - and can identify with - then I say "bring it on."
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Well...yes...and...no.
As adapted and directed by Greta Gerwig, this version of LITTLE WOMEN stars Saoirse Ronan as Jo, Emma Watson as Meg, Florence Pugh as Amy and Eliza Scanlen as Beth and has a strong "2019" female empowerment vibe to it (this is intended to be a compliment). I've seen this called a "Little Women for the #metoo era" and I think this is misguided branding - for it does disservice to the #metoo movement - and to this film.
Ronan - as expected - was Oscar nominated for her strong, independent turn as the strong and independent Jo. This is a perfect marriage of performer and material (almost as good as the Hepburn turn) and Ronan lands this character strongly (and correctly) at every turn. Timothee Chalamet matches her beat for beat as her erstwhile love, Laurie. This is the 2nd time that these two have played opposite each other (LADYBIRD was the other time) and there is a strong chemistry between these two - I look forward to many, many more pairings of Ronan and Chalamet in the future.
Famously (or maybe, it's infamously) Greta Gerwig did NOT receive and Oscar nomination for her Direction - and I think that is a shame (there are at least 2 nominated Directors that I would take off the list in favor of her). Because she adapted the screen play (a piece of work that she WAS Oscar nominated for - and will win in an effort to make up for the Directing snub), her Direction is sure-handed and strong throughout. She has a very good feel for the material and knows what she wants to do throughout, to interesting results.
This is because Gerwig chooses to focus much of this version on the relationship between Jo and Amy - a relationship that gets short shrift in most of the other adaptations. By casting Florence Pugh (also Oscar nominated) in the Amy role, Gerwig has a strong antagonist to Ronan's protagonist - with shades of both being grey. Neither character (or performance) is black and white they are both interacting with each other as realistic sisters would, both taking turns being "in the right"....and "the wrong".
Because of the focus on the Jo and Amy characters, the other 2 sisters - Meg and (especially) Beth - get short changed and even though both Watson and Scanlen are "game", they have precious little to do. The same goes with Meryl Streep (Aunt March), Laura Dern (Marmie), Tracy Letts (who seems to be in EVERYTHING right now) and Bob Odenkirk (of all people). They are all strong - and earnest - in their limited time on screen, but NONE of them have that much to do. Only Chris Cooper shines brightly in his small, supporting role.
I have to admit that because I've seen this story many, many times, I found my mind wandering a bit - especially at the beginning. But by the time Ronan/Chalamet/Pugh started working off of each other, the film - and my interest - rose.
So...is another version of LITTLE WOMEN necessary? I'd say no. But...if this version of LITTLE WOMEN is the one that the Little Women of today see - and can identify with - then I say "bring it on."
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
BookwormMama14 (18 KP) rated Luther and Katharina: A Novel of Love and Rebellion in Books
Jan 2, 2019
Amidst the flames of the Reformation, the bonds of love become an overpowering force.
The year is 1523, Martin Luther's teaching have slipped into the abbey were Sister Katharina von Bora resides. His words are powerful and awakens the desire for marriage and a family in Katharina. She leads a handful of nuns in an escape from the abbey, to forsake their vows and follow Doctor Luther. Danger follows the sisters and Abbott Baltazar will stop at nothing to see the nuns returned and punished for their sinful ways. Doctor Luther protects the sisters and finds them husbands and homes to begin a new life. All the while steadfast in his vow to remain single. Katharina and Martin are as opposite as can be, yet they are drawn together despite the never ending tension. Little does he know that the fiery sister who led these brave nuns to freedom would steal his heart. Katharina is of noble birth however, and longs to return to her social class and regal way of life. Will she be able to put aside her stubborn desires for true love? Will Doctor Luther be able to forsake his vow of isolation? When life is at its darkest, love triumphs through it all.
I will begin by saying that I can not believe the historical accuracy of this book. I was eager to read the author's note and was surprised to find that most of the events highlighted actually happened! I was shocked to learn about the workings of the church of the time. And understand a little better why Martin Luther was so passionate about the Reformation. Luther and Katharina is a story of true and passionate love (details are heated but remain tasteful as in all of Jody's books). My interest has been piqued to learn more about this time period. Doctor Luther and Katharina are two people to be admired and honored. In the face of adversity they lived by their convictions and I believe the world is a better place because of them. This is a work of fiction and creative liberties were taken, but the overall story remains true to history. Jody Hedlund earned my complete admiration a long time ago, and she continues to deliver incredible books! Order pizza for the family and take a break from the housework, this one will have you reading late into the night.
I received a free Advanced Reading Copy of Luther and Katharina from Blogging for Books in exchange form my honest review. Published by Waterbrook Press.
The year is 1523, Martin Luther's teaching have slipped into the abbey were Sister Katharina von Bora resides. His words are powerful and awakens the desire for marriage and a family in Katharina. She leads a handful of nuns in an escape from the abbey, to forsake their vows and follow Doctor Luther. Danger follows the sisters and Abbott Baltazar will stop at nothing to see the nuns returned and punished for their sinful ways. Doctor Luther protects the sisters and finds them husbands and homes to begin a new life. All the while steadfast in his vow to remain single. Katharina and Martin are as opposite as can be, yet they are drawn together despite the never ending tension. Little does he know that the fiery sister who led these brave nuns to freedom would steal his heart. Katharina is of noble birth however, and longs to return to her social class and regal way of life. Will she be able to put aside her stubborn desires for true love? Will Doctor Luther be able to forsake his vow of isolation? When life is at its darkest, love triumphs through it all.
I will begin by saying that I can not believe the historical accuracy of this book. I was eager to read the author's note and was surprised to find that most of the events highlighted actually happened! I was shocked to learn about the workings of the church of the time. And understand a little better why Martin Luther was so passionate about the Reformation. Luther and Katharina is a story of true and passionate love (details are heated but remain tasteful as in all of Jody's books). My interest has been piqued to learn more about this time period. Doctor Luther and Katharina are two people to be admired and honored. In the face of adversity they lived by their convictions and I believe the world is a better place because of them. This is a work of fiction and creative liberties were taken, but the overall story remains true to history. Jody Hedlund earned my complete admiration a long time ago, and she continues to deliver incredible books! Order pizza for the family and take a break from the housework, this one will have you reading late into the night.
I received a free Advanced Reading Copy of Luther and Katharina from Blogging for Books in exchange form my honest review. Published by Waterbrook Press.
Whatchareadin (174 KP) rated Promises to Keep in Books
Jun 21, 2019
Callie and Steffi are sisters and they could not be more different. Callie is a mother of two, a wife and a photographer, living in the New York suburbs. Callie is a city girl through and through and is enjoying her life with her rock star boyfriend and cooking at a vegan restaurant. At some point in life, things change, and things for this family are about to change in a very big way. Will Steffi see the light at the end of the tunnel and finally decide to settle down her life, or will she continue to live by the seat of her pants? Will Callie continue to live her life with her husband always gone and bearing most of the responsibility of the children?
I love Jane Green's books, they always make me shed a tear or two and this one was no different.
This is a story about love and family. Not the just family that is related to you by blood, but the friends that become your family. Another awesome thing about this book, are the amazing recipes that are in it. Need to go and purchase Good Taste: Simple Delicious Recipes for Family and Friends.
A few years back Callie was diagnosed with breast cancer. She fought hard and she beat it. But now, she's having some weird pains and her biggest fear is that the cancer may come back. Dealing with this in my family right now, it's always hard to hear when someone you love is sick, especially when there is nothing you can do to help.
Steffi is a drifter, drifting from job to job and man to man never quite landing on the right spot. When an opportunity comes along for her to make a major change in her life, she has to decide whether or not to take the leap. I think we've all been in that situation, where you feel like you're on the hamster wheel of life and it's impossible to get off. Stepping out of your comfort zone and trying something new is not easy for most of us. But the satisfaction you get when it all works out is the best feeling in the world.
These sisters along with their family and friends embark on a part of their life that is completely unexpected and changes them both. Full of love and warmth, this is a great book for all to enjoy. Make sure you have your box of tissues handy while reading.
I love Jane Green's books, they always make me shed a tear or two and this one was no different.
This is a story about love and family. Not the just family that is related to you by blood, but the friends that become your family. Another awesome thing about this book, are the amazing recipes that are in it. Need to go and purchase Good Taste: Simple Delicious Recipes for Family and Friends.
A few years back Callie was diagnosed with breast cancer. She fought hard and she beat it. But now, she's having some weird pains and her biggest fear is that the cancer may come back. Dealing with this in my family right now, it's always hard to hear when someone you love is sick, especially when there is nothing you can do to help.
Steffi is a drifter, drifting from job to job and man to man never quite landing on the right spot. When an opportunity comes along for her to make a major change in her life, she has to decide whether or not to take the leap. I think we've all been in that situation, where you feel like you're on the hamster wheel of life and it's impossible to get off. Stepping out of your comfort zone and trying something new is not easy for most of us. But the satisfaction you get when it all works out is the best feeling in the world.
These sisters along with their family and friends embark on a part of their life that is completely unexpected and changes them both. Full of love and warmth, this is a great book for all to enjoy. Make sure you have your box of tissues handy while reading.
Midsummer Mischief: Four Radical Plays
Timberlake Wertenbaker, Alice Birch, E.V. Crowe and Abi Zakarian
Book
A volume of four new plays as part of the RSC's Midsummer Mischief by Alice Birch, E. V. Crowe,...