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A Confederacy of Dunces
8.0
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John Kennedy Toole's hilarious satire, A Confederacy of Dunces is a Don Quixote for the modern age,...
Humor Pulitzer
Kim Pook (101 KP) rated Yesterday (2019) in Movies
Jul 26, 2021
A part time musician and shop worker, Jack wants nothing more than to become a successful recording artist. He busks in the street and sings in various small venues with not much of an audience and soon realises he is getting nowhere and decides to quit performing. On his way home from his last gig, there's a blackout and Jack is hit by a bus ending up in hospital. Upon his release, he sings a beatles song for his friends and he comes to the realisation that the beatles have been wiped from existence as his friends had no idea who he was talking about. Jack sees this as the perfect opportunity to sing and perform their songs as if they were his own and he becomes an overnight success.
As someone who wasn't around when the beatles were around, I wasn't sure if I would like this movie, but I actually enjoyed it. I recognised many songs as I grew up with a dad who is a massive fan and even found myself singing along, though there were a few I had never heard of.
Ed sheeran is a surprisingly good actor too and makes a great addition to the cast, I did find it funny when his phones ringtone was one of his own songs.
The movie has a good mixture of drama and comedy, when it first started I expected it to be a slapstick comedy, but thankfully it wasn't that at all.
I quite liked the scene with John lennon, I've seen him in pictures and Documentaries and he looked so much like him. It was lovely to see what could have been.
The ending didn't end how I expected it to end, I won't spoil it but if you think of the ending of every movie where someone or something changes, for example switching bodies and you'll know what I mean.
Overall it was a good movie and I definitely recommend it, even if you're not a beatles fan.
As someone who wasn't around when the beatles were around, I wasn't sure if I would like this movie, but I actually enjoyed it. I recognised many songs as I grew up with a dad who is a massive fan and even found myself singing along, though there were a few I had never heard of.
Ed sheeran is a surprisingly good actor too and makes a great addition to the cast, I did find it funny when his phones ringtone was one of his own songs.
The movie has a good mixture of drama and comedy, when it first started I expected it to be a slapstick comedy, but thankfully it wasn't that at all.
I quite liked the scene with John lennon, I've seen him in pictures and Documentaries and he looked so much like him. It was lovely to see what could have been.
The ending didn't end how I expected it to end, I won't spoil it but if you think of the ending of every movie where someone or something changes, for example switching bodies and you'll know what I mean.
Overall it was a good movie and I definitely recommend it, even if you're not a beatles fan.
Sir Apropos of Nothing
10.0
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They were dark and stormy knights...and when they had their way with a helpless tavern wench one...
Neon's Nerd Nexus (360 KP) rated Venom (2018) in Movies
May 13, 2019
We arnt Venom
#venom is this years biggest flop. Inconsistent, #boring, generic & makes even #spiderman 3 look good in comparison. What wound me up most is the characters/the acting, every single person in this film underreacts not only to situations but to each others presence too. There's simply no #emotion towards anyone or anything, #sadness, shock, #horror & #panic all feel missing from everyone giving each of them a hollow & cartoonish feel. Characters also lack #motivation for any of their actions making a good chunk of them completely disposable. Tone wise its a mess with the sparce #horrific/#dark scenes edge taken away instantly because they are followed by such a #childish/out of place slapstick #comedy vibe. Infact Venoms tone felt more like watching #Jumanji rather than a 15 certificate #film with most of its runtime feeling like an over simplified dumbed down #family film. There's so many inconsistencies too like relationships going from hostile to fine with no explanation, characters figuring things out first time without having found evidence, people appear out of seemingly nowhere on multiple occasions & nobody ever notices any of the #death/destruction being caused around the city. Its all so obvious that it feels like either huge chunks of the film is either missing or someone was really bad at editing & keeping consistency. Action is poor, forgettable, generic & anticlimactic & the cgi #feels cheap, #lazy & unimaginative like a straight to dvd #movie. Plot is borderline offensive its that basic with so many early visual cues to whats going to happen that its really #inteligence insulting at times. #tomhardy is great as always & really seems like he's giving it his all but the bad writing & awful script kill what #charm & likability his character has completely & the interaction between him & Venom lacks punch & believability too. #Upgrade proved this year that you dont need a big budget to make a great film about losing control of yourself & yet Venom with all its backing doesnt even come close to doing anything right. Last years #life would of made a far better venom movie than this. #wednesdaywisdom #filmcritic #stanlee #mcu #comic #marvel
ClareR (5571 KP) rated Happy Family in Books
Oct 29, 2019
One to look out for next year!
Happy Family is set in the near future, where people game via glasses and one augmented reality game in particular is very popular: Happy Family. This game was invented by Tom Hannah, also an artist, who has hidden himself away with his suicidal thoughts in Spain in the middle of nowhere, after the death of his mother. Germaine Kiecke, an art academic, is a huge fan of Tom’s and wants to interview him for her new book. But Tom is guarded by a strange girl and three huge dogs who are named after the Marx brothers. Germaine has had a traumatic upbringing as an orphan in Belgium in a notorious orphanage called ‘Motherhood’. Thus she finds it impossible to express her feelings except through Tom’s game Happy Family. So when she finds out that something threatens this game for her and millions of others, she’s forced to take a look at how she lives her life.
Germaine was a difficult character to get an understanding of, but I think in view of her childhood that was reasonable. The other characters who also relied on Tom Hannah in some way were actually very amusing - whether they were supposed to be or not, I don’t know, but towards the end of the novel, their antics descended (or ascended!) into slapstick. For various reasons that I won’t go into (I don’t want to spoil it!), this was both sad and funny - there was a healthy dose of black humour throughout really.
I read this on The Pigeonhole, and the other readers had a real mix of opinions: it seems to have been a real ‘marmite’ book. Personally, I loved it. It ticked a lot of boxes for me, first and foremost being it’s quirkiness. There was some gaming talk, but it was relevant to the story and the characters, and I don’t actually think there was that much considering that it was set against the backdrop of the game (and lets face it, I have two teenage sons who are obsessed with the Xbox 🙄).
I really enjoyed this book, and thanks to The Pigeonhole for serialising it.
Germaine was a difficult character to get an understanding of, but I think in view of her childhood that was reasonable. The other characters who also relied on Tom Hannah in some way were actually very amusing - whether they were supposed to be or not, I don’t know, but towards the end of the novel, their antics descended (or ascended!) into slapstick. For various reasons that I won’t go into (I don’t want to spoil it!), this was both sad and funny - there was a healthy dose of black humour throughout really.
I read this on The Pigeonhole, and the other readers had a real mix of opinions: it seems to have been a real ‘marmite’ book. Personally, I loved it. It ticked a lot of boxes for me, first and foremost being it’s quirkiness. There was some gaming talk, but it was relevant to the story and the characters, and I don’t actually think there was that much considering that it was set against the backdrop of the game (and lets face it, I have two teenage sons who are obsessed with the Xbox 🙄).
I really enjoyed this book, and thanks to The Pigeonhole for serialising it.
The Birds and Other Plays
Aristophanes, Alan H. Sommerstein and David Barrett
Book
Offering a window into the world of ordinary Athenians, Aristophanes' The Birds and Other Plays is a...
Cat's Cradle
Kurt Vonnegut and Benjamin Kunkel
9.3
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Book
Kurt Vonnegut's Cat's Cradle is an irreverent and highly entertaining fantasy about the playful...
BankofMarquis (1832 KP) rated The Great Race (1965) in Movies
Jul 6, 2018
A fun throwback to 1920's Silent Film Farces
In a tribute to films of a bygone era, Director Blake Edwards pays homage to silent film farces of the 1920's - even dedicating this film to "Mr. Laurel and Mr. Hardy" - with the slapstick comedy THE GREAT RACE - and succeeds, mostly.
Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.
Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.
Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.
But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...
"They don't make 'em like this anymore".
8 out 10 stars and you can take that to the Bank (ofMarquis)
Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.
Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.
Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.
But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...
"They don't make 'em like this anymore".
8 out 10 stars and you can take that to the Bank (ofMarquis)
LeftSideCut (3778 KP) rated Jay and Silent Bob Reboot (2019) in Movies
Mar 7, 2020
To put it simply, if you're not too keen on anything related to Jay & Silent Bob or Kevin Smith, then this entry is not going to change your mind!
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?