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Star-Crossed Negotiations

Tessa McFionn

10.0 (1 Ratings) Rate It

Book

In the Nexxus system, water is a scarce commodity. Vice Ambassador Kieran Phaetal has been given the...

Science Fiction Romance

BankofMarquis (1832 KP) rated Harriet (2019) in Movies

Nov 4, 2019

Harriet (2019)

2019 | Biography, Drama, History

6.9

(10 Ratings)

Movie Rating

Collapses under the weight of it's own earnestness

The filmmakers behind the true story of HARRIET, the film based on the remarkable actions of Harriet Tubman (the former slave who helped free others slaves via the Underground Railroad) were surprised to find that there had been no accurate film portrayal of this remarkable woman, so they set out to make one.

And the result, was a film that is very deep in accuracy and very slight everywhere else.

Starring Cynthia Erivo (WIDOWS), HARRIET tells the tale of Harriet Tubman from her time as a slave, through her escape to freedom and her return (many, many times) via the "Underground Railroad" to free many other slaves. Her story is astonishing, filled with heroes, villains, visions, successes and failures and should have lent itself to a film befitting of the great heights this woman achieved.

Unfortunately, Writer Director Kasi Lemmons (EVE'S BAYOU) spends a great deal of the film showing the actual, accurate events of Tubman's tale, so much so that it suffers one of the most deadly of sins in filmdom - it drags into boredom under the weight of it's own earnestness. Lemmons, obviously, has great respect for Tubman and shows her in a reverential light throughout this film, showing few (if any) warts and giving us a one-note character that is laser-focused on her purpose, and not much else. While this might have been true-to-life, it does not lend itself to an interesting film.

The same goes for the lead performance from Erivo. I have liked her previous work in films like WIDOWS and BAD TIMES AT THE EL ROYALE, so was excited to see her take the lead in an important film like this. But...her portrayal is one-note and slight and does not plumb the depths of a character that I am sure has many, many more layers than is portrayed on this screen.

The supporting cast (including Leslie Odom, Jr, Vondie Curtis-Hall and Clarke Peters) are also earnest and slight and don't really add anything to the proceedings. Only Janelle Monae, as a fictional free black woman who becomes a mentor of sorts to Tubman, seems to rise above this weak script.

Usually, in films about slavery, the evil (or conflicted) slave owners have a tendency to shine out because of their wickedness (or their confliction) - but in this film, and with this script, Joe Alwyn as Gideon Brodess (the fictional owner of Tubman who is obsessed with bringing her back to slavery) and Jennifer Nettles (as his mother) are...you guessed it...slight and underwritten and don't really bring anything to the proceedings.

What this film did do - and did do well - was make me want to find out more about this hero...and that is a good thing. So, if that is all this film does, then I applaud the attempt, I just wished it would have landed as a film in a much stronger way.

Letter Grade B-

6 stars (out of 10) and you can take that to the Bank(ofMarquis)

Kudos

Dana (24 KP) rated Beloved in Books

Mar 23, 2018

Beloved

A.S. Byatt, Toni Morrison | 2006 | Fiction & Poetry

6.9

(7 Ratings)

Book Rating

I had to read this book for my craft of fiction class. This was my first time reading it, but we were able to look at it as more than just plot, and more about how it was written and why it was written that way.

There are spoilers, so read at your own risk.

I very much enjoyed this book. I loved this view into a post slavery world filled of women who have to deal with the grief that has followed them throughout their lives. Sethe, though she has made her mistakes in her life, is still a sympathetic character who relies on her grief to survive through what she has done. Her daughters are strong women in their own rights. Beloved, being childlike and taking out her rage of her death on her mother and her family through stealing the attention and food for herself. She isolates, makes it so the others feel death hanging over themselves to understand her pain.

The format, being more stream of consciousness and not a cohesive, linear narrative, lends itself well to the magical realism of this book. This is nothing like a Harry Potter type of magical realism though. This is steeped in the tradition of former slaves, magical in their beliefs of the world and the afterlife. Not the people being able to control magic, but allowing it to be a real thing in their lives either way.

I really liked this book. If you want to understand why, check it out for yourself.