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ClareR (5603 KP) rated The Ghost of Hollow House in Books
Jun 9, 2019 (Updated Jun 9, 2019)
A Victorian ghostly mystery.
This is a mystery set in Victorian England (1872), a time when women were the weaker sex and unable to tolerate anything vaguely ‘upsetting’. Mina Scarletti clearly hasn’t seen the memo about this. She’s intelligent, witty and brave - she’s also 4 feet 8 inches tall, and she has what appears to be a severe scoliosis. So those who don’t know her are surprised by her outlook on life and her independence. Mina is a great character, as are Dr Hamid, who is her physician and travels with her, and Nellie, her friend.
Nellie is invited to stay with an old friend, Kitty, from her stage days, and her wealthy husband. They have a large house in the country and it appears to be haunted. The maids won’t stay overnight, and Mrs Honeyacre (Kitty) is beside herself. Her husband is a big follower of spiritualism and the occult(it was very fashionable at this time), but just not in his house.
It’s a slow burner, but when the action gets going, it really does go for it. I’m no expert on Victorians, but the attitudes and daily routines rang true, and the characters were all interesting and on the whole, likeable - especially Mina. I loved how she consistently surprised the male characters: they expected a meek and mild, sickly girl, and got an outspoken and independent woman instead.
I hadn’t realised when I began to read this, that it was the fourth in a series. I didn’t feel that I missed anything by not reading the first three, and it definitely could be read as a stand-alone. However, based on this novel, I would think that books 1-3 will be going on to my ‘to read’ pile!
If you like Victorians, mysteries and possibly ghosts, then this is a book that you’ll enjoy. I did!
Many thanks to Sapere books for my copy of this to read and honestly review.
Nellie is invited to stay with an old friend, Kitty, from her stage days, and her wealthy husband. They have a large house in the country and it appears to be haunted. The maids won’t stay overnight, and Mrs Honeyacre (Kitty) is beside herself. Her husband is a big follower of spiritualism and the occult(it was very fashionable at this time), but just not in his house.
It’s a slow burner, but when the action gets going, it really does go for it. I’m no expert on Victorians, but the attitudes and daily routines rang true, and the characters were all interesting and on the whole, likeable - especially Mina. I loved how she consistently surprised the male characters: they expected a meek and mild, sickly girl, and got an outspoken and independent woman instead.
I hadn’t realised when I began to read this, that it was the fourth in a series. I didn’t feel that I missed anything by not reading the first three, and it definitely could be read as a stand-alone. However, based on this novel, I would think that books 1-3 will be going on to my ‘to read’ pile!
If you like Victorians, mysteries and possibly ghosts, then this is a book that you’ll enjoy. I did!
Many thanks to Sapere books for my copy of this to read and honestly review.
Merissa (11794 KP) rated Unleashing Sin (Revive #0.5) in Books
Apr 15, 2020
Unleashing Sin is the prequel novel in the Revive series and I loved every word. Now, as with Redesigning Fate, it's dark and nasty in places but it needs to be, it really does. A.M. Wilson gives you a view that is sometimes skipped over or ignored in favour of the light and fluffy story. Trust me, if you want light and fluffy you need to grab yourself a different book. However, if you are prepared to take a walk on the dark side, then you are in for one helluva ride.
Sin has to be one of the most anti-heroes I've ever read about and he was simply perfect. His life hasn't been easy, in any way but things go horribly wrong when his father is murdered before his eyes. This leads him to having a break down and things only get worse when he thinks he has 'miraculously' found Molly when he actually hasn't. His reactions and grief are horrible to read about as they tore me up inside.
Shelby has been through what no person should ever go through. Although she sees herself as weak, she is incredibly strong and has the willpower to move forward. She is there for Sin as much as he is there for her, but make no mistake, she isn't prepared to take his sh*t either!
A slow-burner as it wouldn't be right any other way. So much here that I loved, so much so that as soon as I finished this book, I simply had to re-read Redesigning Fate!
If you like darkness in with your romance, then I simply can't recommend this one highly enough!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sin has to be one of the most anti-heroes I've ever read about and he was simply perfect. His life hasn't been easy, in any way but things go horribly wrong when his father is murdered before his eyes. This leads him to having a break down and things only get worse when he thinks he has 'miraculously' found Molly when he actually hasn't. His reactions and grief are horrible to read about as they tore me up inside.
Shelby has been through what no person should ever go through. Although she sees herself as weak, she is incredibly strong and has the willpower to move forward. She is there for Sin as much as he is there for her, but make no mistake, she isn't prepared to take his sh*t either!
A slow-burner as it wouldn't be right any other way. So much here that I loved, so much so that as soon as I finished this book, I simply had to re-read Redesigning Fate!
If you like darkness in with your romance, then I simply can't recommend this one highly enough!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
LeftSideCut (3778 KP) rated Mandy (2018) in Movies
Oct 30, 2019 (Updated Oct 30, 2019)
A ride from start to finish
Mandy is an utterly bizarre experience, but it's one that kept me absolutely enthralled from beginning to end.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
ClareR (5603 KP) rated The Searcher in Books
Nov 15, 2020
The Searcher is, much like the Wych Elm, a slow burner. This is always a positive where I’m concerned. It gave me the opportunity to look around the Irish village of Ardnekalty, get to know the inhabitants, what the countryside and the landscape looked like (beautiful, by the way)and above all, to build a full picture of Cal Hooper and Trey.
As in most small villages, word of a new, exotic inhabitant spreads fast, and this is why Trey turns up on Cal’s doorstep. He wants Cal to help him find his older brother, Brendan, who has disappeared. The local police seem to be completely disinterested - mainly due to the family’s reputation. It seems to be no surprise to people that Trey’s 19 year old brother would want to leave the small village. With the family’s reputation being that of ‘wasters’ who live on the poverty line (or probably below it), it strikes people as unremarkable that he would leave to try and make his life better elsewhere. But Trey doesn’t believe this. He believes that he has been kidnapped, and he wants Cal to find him. The problem is that Cal just doesn’t want to get involved. He has left the Chicago police force because of the frustration he feels at not making a difference. And this decency is what ends up drawing him in to helping Trey.
It did surprise me that Cal becomes involved with Trey, and he clearly realises that such a relationship could be seen as problematic. He makes the effort to keep Trey’s presence a secret from his nosy neighbour, Mart. The fact that everyone seemed to know everyone else’s business did create a claustrophobic atmosphere, almost a touch of horror especially as the book progresses.
This also touches on some of the current issues in the USA surrounding policing and BLM protests, so it does make this a very current novel. I have to say though, that the end of the book came as a complete surprise to me, and left me feeling ultimately disappointed in the characters. It didn’t make me like the book any less though!
Many thanks to Penguin UK and NetGalley for my copy of this book to read and review.
As in most small villages, word of a new, exotic inhabitant spreads fast, and this is why Trey turns up on Cal’s doorstep. He wants Cal to help him find his older brother, Brendan, who has disappeared. The local police seem to be completely disinterested - mainly due to the family’s reputation. It seems to be no surprise to people that Trey’s 19 year old brother would want to leave the small village. With the family’s reputation being that of ‘wasters’ who live on the poverty line (or probably below it), it strikes people as unremarkable that he would leave to try and make his life better elsewhere. But Trey doesn’t believe this. He believes that he has been kidnapped, and he wants Cal to find him. The problem is that Cal just doesn’t want to get involved. He has left the Chicago police force because of the frustration he feels at not making a difference. And this decency is what ends up drawing him in to helping Trey.
It did surprise me that Cal becomes involved with Trey, and he clearly realises that such a relationship could be seen as problematic. He makes the effort to keep Trey’s presence a secret from his nosy neighbour, Mart. The fact that everyone seemed to know everyone else’s business did create a claustrophobic atmosphere, almost a touch of horror especially as the book progresses.
This also touches on some of the current issues in the USA surrounding policing and BLM protests, so it does make this a very current novel. I have to say though, that the end of the book came as a complete surprise to me, and left me feeling ultimately disappointed in the characters. It didn’t make me like the book any less though!
Many thanks to Penguin UK and NetGalley for my copy of this book to read and review.
Lottie disney bookworm (1056 KP) rated Slumber in Books
Sep 9, 2019
Thank you to NetGalley and Becky Bird for providing an e-copy of Slumber in exchange for an honest opinion.
Everyone knows that the market for fairy tale retellings is hot right now and, as such, is becoming saturated. However, Becky Bird comes at the story of Sleeping Beauty from a completely different angle: what if “true love’s kiss” which breaks the spell isn’t that between the Prince and Princess?
Slumber was a slow burner for me personally. Initially I agreed with previous reviews that the novel would be considered middle-grade rather than YA but my opinion did change about half way through the book. In my opinion, this was when the author ‘settled in’ to the novel and truly developed the characters into ones the reader could relate to and find themselves rooting for.
This was also the point where it became clear Becky Bird was challenging a number of stereotypes through her characters: the Cardinal is a man of God but this does not necessarily make him good; Lucy is an orphan but this does not make her weak; Jack is a boy but this does not make him brave and, finally, Thomas is a Prince but this does not make him charming! This humanised the characters for me and I found myself growing to really like them.
There are also a number of tongue-in-cheek references to fairy tales which I really appreciated. Phrases such as “bibbidi-bobbidi-boo” and Jack running for the trees every chance he got added an undercurrent of humour throughout the novel.
Unfortunately, there were moments where I got frustrated by the novel skipping between locations and characters- sometimes mid-event. Separating these by chapters or even page breaks would have made this an easier read. The start of the book especially also seemed to be a tad “over written” with references to a literal river of tears and a croissant described as a “creamy delight”.
Overall Slumber was a quick and easy read with a really great concept and endearing characters. It possibly could have benefitted from some suspense as all the Cardinal’s motives were revealed right at the start of the book but nevertheless it was an enjoyable read.
Everyone knows that the market for fairy tale retellings is hot right now and, as such, is becoming saturated. However, Becky Bird comes at the story of Sleeping Beauty from a completely different angle: what if “true love’s kiss” which breaks the spell isn’t that between the Prince and Princess?
Slumber was a slow burner for me personally. Initially I agreed with previous reviews that the novel would be considered middle-grade rather than YA but my opinion did change about half way through the book. In my opinion, this was when the author ‘settled in’ to the novel and truly developed the characters into ones the reader could relate to and find themselves rooting for.
This was also the point where it became clear Becky Bird was challenging a number of stereotypes through her characters: the Cardinal is a man of God but this does not necessarily make him good; Lucy is an orphan but this does not make her weak; Jack is a boy but this does not make him brave and, finally, Thomas is a Prince but this does not make him charming! This humanised the characters for me and I found myself growing to really like them.
There are also a number of tongue-in-cheek references to fairy tales which I really appreciated. Phrases such as “bibbidi-bobbidi-boo” and Jack running for the trees every chance he got added an undercurrent of humour throughout the novel.
Unfortunately, there were moments where I got frustrated by the novel skipping between locations and characters- sometimes mid-event. Separating these by chapters or even page breaks would have made this an easier read. The start of the book especially also seemed to be a tad “over written” with references to a literal river of tears and a croissant described as a “creamy delight”.
Overall Slumber was a quick and easy read with a really great concept and endearing characters. It possibly could have benefitted from some suspense as all the Cardinal’s motives were revealed right at the start of the book but nevertheless it was an enjoyable read.
Kayleigh (12 KP) rated The Mortal Instruments 1: City of Bones in Books
Jan 2, 2019
I’ve seen several blog posts recommending this book – it seemed to me to be one of the ‘staples’ of YA fiction. Enough so that it has been made into a film, which will be released on 23rd August.
I’d say this book was a bit of a slow-burner. I was enjoying it, but I wasn’t whipping through the pages as much as I would usually – until the end, anyway. At the moment, I’m hating how much YA stuff depends on a romance, and I think I was a little wary that this is what City of Bones would be all about. Clary (short for Clarissa – knowing that helped me pronounce her name) has two love interests – her best friend, Simon, who is in love with her; and Jace, the new boy she meets. As this blogger here writes (which I agree with), the love interests are fairly stereotypical and underdeveloped. With this much ‘choice’, I thought it was fairly inevitable that the book would sink into romantic fantasy, which would not have impressed me. It was about two-thirds in, then, when the ‘twist’ starts to unfold (no spoilers!), that I was able to start properly enjoying it and let myself be taken along for the ride.
Not all the characters were developed fully (as I mentioned before), so I did find myself not caring when certain people were hurt (namely, Alec). Then there were some elements that weren’t fully explained. A good example is when Jace mysteriously knows it’s Clary’s birthday, although I’m pretty sure she never told him and nobody else, even Simon, refers to it.
However, the plot moved at a good pace and I was blown away by the numerous twists at the end, only one or two of which I was expecting. I was fully immersed into the world the characters moved in, and had great fun reading about their adventures along the way. I’ll definitely be reading the next books in the series, and may even treat myself to see the film, considering it’s out a few days before my birthday!
Speaking of the film, I’ve just watched the trailer for the first time, and I’m not sure. While I can see that she’s supposed to be seeing unusual things, Clary’s mouth seems to be wide open for the whole time! It does look action-packed though – what do you think?
I’d say this book was a bit of a slow-burner. I was enjoying it, but I wasn’t whipping through the pages as much as I would usually – until the end, anyway. At the moment, I’m hating how much YA stuff depends on a romance, and I think I was a little wary that this is what City of Bones would be all about. Clary (short for Clarissa – knowing that helped me pronounce her name) has two love interests – her best friend, Simon, who is in love with her; and Jace, the new boy she meets. As this blogger here writes (which I agree with), the love interests are fairly stereotypical and underdeveloped. With this much ‘choice’, I thought it was fairly inevitable that the book would sink into romantic fantasy, which would not have impressed me. It was about two-thirds in, then, when the ‘twist’ starts to unfold (no spoilers!), that I was able to start properly enjoying it and let myself be taken along for the ride.
Not all the characters were developed fully (as I mentioned before), so I did find myself not caring when certain people were hurt (namely, Alec). Then there were some elements that weren’t fully explained. A good example is when Jace mysteriously knows it’s Clary’s birthday, although I’m pretty sure she never told him and nobody else, even Simon, refers to it.
However, the plot moved at a good pace and I was blown away by the numerous twists at the end, only one or two of which I was expecting. I was fully immersed into the world the characters moved in, and had great fun reading about their adventures along the way. I’ll definitely be reading the next books in the series, and may even treat myself to see the film, considering it’s out a few days before my birthday!
Speaking of the film, I’ve just watched the trailer for the first time, and I’m not sure. While I can see that she’s supposed to be seeing unusual things, Clary’s mouth seems to be wide open for the whole time! It does look action-packed though – what do you think?
Neon's Nerd Nexus (360 KP) rated Knives Out (2019) in Movies
Nov 28, 2019
Donut Hole
Knives out is a classic old fashioned murder mystery given a breath of fresh modern day life to make it one of this years biggest delights. Knives out from the get go clearly and proudly wears a history of films/tv shows that it ows its existence to on both of its arms from Murder she wrote to Hetty Wainthropp a dash of Clue and many other murder mystery stories/tales too. Sets are fascinating with every nook and crany intricately stuffed full of the very things that inspired it almost as if its proud to display and pay great tribute to this sadly almost forgotton genre. As a film its comparable mostly to murder on the orient express mixed but its quirkiness, intelligence and charm help it soar way above that movie. Daniel Craig plays an almost Poirot character and its fascinating to watch his mind tick over and piece the puzzle together gradly along side the viewer. Its a slow burner but not a second of it drags as we follow the gradual and methodical webb spun infront of us. Pieces of clues are scattered everywhere tucked away in subtle background objects, woven into dialog and even hinted at in character names keeping your brain constantly engaged/stimulated and your eyes and ears paying attention. Its all so intricate, gradually layered, unpredictable and intelligent not even once using cheap methoods or reasoning to come to a conclusion. Subbtle themes underline the entire film too pulling the film into the present and making it higly relevant to today's goings on. Characters are deceitful, betray each other/lie constantly and the film depicts how these traits can be just as bad as murder but almost never face the same consequences. Symbolisum and metaphors are also everywhere along with great use of shadow showing inocence and and sinister intent (echoing back to classic film noir movies). Knives out certainly indeed left me smiling and challenged as well as thought provoked and rewarded. A clever, intriguing and facinating movie with a message that in a world plagued with racism, polotical lies, selfishness, deceit, distrust and the internent being used instead of knowledge nothing is more powerful than the wisdom of the old and the kind heart and inocence of a good heart.
The story is told from multiple perspectives, mainly by Volnay – The Inspector of strange and unexpected death, and Casanova – the seducer of everyone with a vagina. The main character I think is Volnay, and most of the time he shares his findings, uncovered with the help of his companion, the Monk. Casanova is just there, and his story was not very interesting to me, he was more of an obstacle rather than an intriguing participant. The characters are very sophisticated, refined, and most of the time very rich. The atmosphere in this book is quite grand, pompous and fancy, however, there are parts of filthiness and prostitution from time to time as well. My favourite character in this book has to be the Monk, he is the smartest and most intriguing of all of them, and Volnay would be nothing without him.
This book was quite a slow burner for me. First of all, there is not much progress happening towards the murders, and secondly, it is a very political book. There is a lot of scientific talks about alchemy, potions and other science-related things, that sound interesting, but at the same time doesn’t make sense to me at all. :/ The topics discussed in this book were paedophilia (the king was a paedophile), prostitution, scientific inventions, alchemy, French political affairs, etc. There were not many things happening in this book, and I missed the twists and turns to speed up this book.
The writing style of this book is very rich and sophisticated, the author has to be a true intellectual, who is into philosophy and science. It is a translation from French, that’s why it is filled with French expressions and place names. The chapters were too long for my liking and felt quite draggy sometimes. The ending was quite interesting but didn’t leave me fully satisfied. So, to conclude, it is a very complex novel, filled with refined characters, and very layered and political plot. This book is very beautifully written and I believe that the author is very gifted, to be able to write a book like this, but the reader has to be an intellectual as well, to appreciate and enjoy it. So if you are into 18th century France, and enjoy books about politics and science, this historical thriller will be for you.
This book was quite a slow burner for me. First of all, there is not much progress happening towards the murders, and secondly, it is a very political book. There is a lot of scientific talks about alchemy, potions and other science-related things, that sound interesting, but at the same time doesn’t make sense to me at all. :/ The topics discussed in this book were paedophilia (the king was a paedophile), prostitution, scientific inventions, alchemy, French political affairs, etc. There were not many things happening in this book, and I missed the twists and turns to speed up this book.
The writing style of this book is very rich and sophisticated, the author has to be a true intellectual, who is into philosophy and science. It is a translation from French, that’s why it is filled with French expressions and place names. The chapters were too long for my liking and felt quite draggy sometimes. The ending was quite interesting but didn’t leave me fully satisfied. So, to conclude, it is a very complex novel, filled with refined characters, and very layered and political plot. This book is very beautifully written and I believe that the author is very gifted, to be able to write a book like this, but the reader has to be an intellectual as well, to appreciate and enjoy it. So if you are into 18th century France, and enjoy books about politics and science, this historical thriller will be for you.
BookInspector (124 KP) rated I'll Find You in Books
Sep 24, 2020
The protagonist in this story is Emily, a nurse, who is struggling with the loss of her sister Zoe. Zoe has been missing for over a year, and Emily still keeps looking for her. The rest is covered by the blurb pretty accurately. Emily is a very disturbed character, she has mental health issues and is trying to cling to normality very hard, but life keeps throwing unusual situations at her. I think Emily is a very interesting and unique character, and I did like her baffled but a very strong personality.
The narrative of this book is told from multiple perspectives, including the thoughts of a police officer – Geraldine, who shares her opinion about Emily and her situations. I was not a very big fan of Geraldine, she was quite boring and didn’t bring much to this story. The book was a slow burner for me, there is a lot of thinking done in this book, and I liked that sometimes, the author was trying to confuse the reader by suggesting ideas. This novel does carry some interesting twists and turns, and that made the book livelier. Author’s experience is shining through in this novel, she explains all the procedures done to the patients in great detail, and her knowledge about Bath is felt very strongly. The topics discussed in this book would be grief when your family member disappears; difficult child-parent relationships; mental health issues etc.
I am not really sure whether I liked the writing style of this book. I think it was quite repetitive, very detailed, and characters kept asking questions in the search for the answers. (I prefer to ask the questions myself) The chapters have a very decent length and do fly by quite quickly. I really liked the culmination in this novel, it was very unexpected and surprising. I really liked the ending of this book as well, I think it rounded up the story very nicely.
So, to conclude, this book carries a lot of grief, insecurities and confusion between what is real and what is not. The narrative is layered, unexpected, and I really had the urge to find out where Emily will be taken by all these events in her life. I think this book would be enjoyable for people interested in medicine and the fans of Shari Lapena. (I see some similarities between the writing styles) Do give this book a try, and I hope you will enjoy it!
The narrative of this book is told from multiple perspectives, including the thoughts of a police officer – Geraldine, who shares her opinion about Emily and her situations. I was not a very big fan of Geraldine, she was quite boring and didn’t bring much to this story. The book was a slow burner for me, there is a lot of thinking done in this book, and I liked that sometimes, the author was trying to confuse the reader by suggesting ideas. This novel does carry some interesting twists and turns, and that made the book livelier. Author’s experience is shining through in this novel, she explains all the procedures done to the patients in great detail, and her knowledge about Bath is felt very strongly. The topics discussed in this book would be grief when your family member disappears; difficult child-parent relationships; mental health issues etc.
I am not really sure whether I liked the writing style of this book. I think it was quite repetitive, very detailed, and characters kept asking questions in the search for the answers. (I prefer to ask the questions myself) The chapters have a very decent length and do fly by quite quickly. I really liked the culmination in this novel, it was very unexpected and surprising. I really liked the ending of this book as well, I think it rounded up the story very nicely.
So, to conclude, this book carries a lot of grief, insecurities and confusion between what is real and what is not. The narrative is layered, unexpected, and I really had the urge to find out where Emily will be taken by all these events in her life. I think this book would be enjoyable for people interested in medicine and the fans of Shari Lapena. (I see some similarities between the writing styles) Do give this book a try, and I hope you will enjoy it!
Movie Metropolis (309 KP) rated Arrival (2016) in Movies
Jun 11, 2019
Thrilling from start to finish
Sci-fi seems to be having somewhat of a renaissance recently, that is, if you don’t count Independence Day: Resurgence which could’ve easily derailed the whole genre, never mind just the franchise.
What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?
From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.
Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.
Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.
When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.
In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.
Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.
https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/
What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?
From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.
Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.
Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.
When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.
In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.
Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.
https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/