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Knot Ready for Murder
Knot Ready for Murder
Mary Marks | 2021 | Mystery
8
8.0 (1 Ratings)
Book Rating
A Hitch on the Way to Get Hitched
Martha Rose has finally agreed to marry her long-suffering fiancé, but Crusher has a shock for her. He’s just learned that a marriage he thought was annulled decades ago never was. Even worse, his wife is coming to LA to visit. When Hadas arrives, she quickly makes it obvious that she is not going to let Crusher go easily. But then she is kidnapped. Can Martha figure out what is going on? Or is Crusher now a widower?

The previously unmentioned spouse is a trope I hate for being too much like a soap opera, but once we get past that, this proves to be a good mystery. There are plenty of surprises along the way to a great climax. While we do get a new over the top character here, the rest of the cast have been toned down some, which I appreciated. On the other hand, I wish we’d seen more of some of them, especially since this is the final book in the series. Fans who have read the entire series will be delighted with the final chapter, which sends the characters out well. As always, I enjoyed seeing towns I recognized pop up, but I really enjoyed seeing a local pizza place show up. I’ll miss spending time with these characters, but I was smiling when I set the book down.
  
Mistaken Identity Crisis
Mistaken Identity Crisis
James J. Cudney | 2021 | Mystery
5
5.0 (1 Ratings)
Book Rating
Can Kellen Identify Another Killer?
This book picks up within days of book three ending. Summer session is about to get started, and Kellan is teaching one class on documentary making. He’s also been the official liaison with the man working on the cable car that unites the two parts of the campus. When he goes to check in one morning, he finds the contractor dead. Quint had been friends with Kellen’s younger brother years before. Still, Kellen vows he isn’t going to investigate. But he can’t help but poke around when his brother starts to become a suspect.

That storyline alone would have been enough for a mystery, but we are also facing some serious developments for the ongoing soap opera storyline, which leads to a book that is overstuffed. While the ending does answer my questions, I felt like it was a bit too convenient. There’s a large cast of characters, and tracking all their relationships takes a lot of concentration and the cast of characters at the beginning. I was glad to see some of the relationships were less contentious here, although one shifted a bit too abruptly for me. The writing keeps us just a little outside the story as well. I do like Kellen and the rest of the core cast, so I will be continuing to see what happens next to them. Fans will want to see how things play out in this book.
  
Project Almanac (2015)
Project Almanac (2015)
2015 | Mystery, Sci-Fi
Dumb-as-nails but unpretentious CW teen soap opera reimagining of a time travel film - in which the machine itself is built using parts from an Xbox 360 and there are prominent slo-mo shots of Red Bull cans flying through the air. And what's the most noteworthy thing they do with the power of time travel right at their fingertips? Go to an Imagine Dragons concert, of course! Seems like it hates its own existence, no question about it - this was only made to sell tickets and that's it. But there's something really stupidly fun about it - maybe it's the neurotic nature of each element (from the acting to the camerawork to the cutting to the writing etc), or the fact that people record a good chunk of this pointlessly (but thankfully) found footage Chronicle ripoff with their smartphones yet they still make the clunky old camera sounds? And when they *do* record with the 10+ year old camcorder (which still takes tape btw) it's somehow pristine HD quality? I also really have to appreciate that so much of this is dedicated to the actual anxiety of making the machine itself, too - rather than jumping right into the travel stuff. Kind of falls off when this becomes another lame YA romance deal but even then it's still so confidently dumb and committed to its daft premise that I had to admire it somewhat. Also whenever they turn the machine on and everything starts floating and spinning that shit is cool as fuck and you know it.
  
Broken Heart Attack
Broken Heart Attack
James J. Cudney | 2018 | Mystery
8
8.0 (1 Ratings)
Book Rating
Deadly Theater
When Kellan Ayrwick attends a dress rehearsal of King Lear with Nana D. and her friends, he expects the deaths to stay on stage. But not too long into the second act, he realizes that Gwendolyn Paddington isn’t asleep on his shoulder, but she’s passed away. Gwendolyn had been saying someone in her family was trying to kill her. Is that true? If so, can Kellan figure out who did it?

When you have a book with characters as dysfunctional as the Paddington family, it always makes me appreciate my own family. But it also makes for a great mystery plot, and that’s the case again here. There are plenty of twists along the way to catching the killer at the end. While some of the characters can be over the top, we care about enough of them, including Kellan, to keep us invested in the book. I did feel like the humor was hit and miss for me here. Sometimes, the character’s teasing worked, and other times it felt like they were picking on Kellan more than actually teasing him. Unfortunately, there were some timeline issues and a red herring that felt like it jumped quite a bit. Both could have been resolved with a good editor. There are several sub-plots involving Kellan and his family. While they veered a little more into soap opera territory than is typical for the books I read, they have me hooked and I can’t wait to make time for the next book to find out what happens.
  
Savage Nature (Leopard People #4)
Savage Nature (Leopard People #4)
Christine Feehan | 2011 | Romance
6
3.7 (3 Ratings)
Book Rating
I have only read the short story that fits into the Leopard People series, so I am sure there is much that I am missing about this series. I wanted to read this book mostly because of the Louisiana bayou setting, my home state. Even though I spent most of my life in Louisiana, I did not spend much time at all in the bayou, so this was as much a nostalgic experience as an education for me. I found Christine Feehan's descriptions and uses of the setting to be very well written and quite engrossing, as this actually kept me involved enough in the book to keep reading, over the actual plot.
Much like when I read the short story in Fantasy by Christine Feehan, I found the plot to be overly dramatic and forced. Every scene, every interaction was told with such extreme emotion that I had to wonder if these characters ever had a chance to relax. The melodrama felt like something out of a t.v. soap opera with no natural flow to the time line.
I did like a few of the characters, such as Saria and the woman who ran the inn. Many of the characterizations matched the typical stereotypes of the Cajun people who reside in the backwaters of Louisiana. The dialogue hinted at the Cajun accent without muddling the vocabulary so much that I would have difficulty reading it.
While I loved Christine Feehan's use of Louisiana culture in Savage Nature (Leopard), I do not think I will be continuing to read any more of the Leopard People series.
  
Manifest
Manifest
2018 | Crime, Mystery
Intriguingly Good
Manifest is a supernatural/drama tv series created by Jeff Rake and executive producer Robert Zemeckis. It is produced by Compari Entertainment, Jeff Rake Productions, Universal Television and Warner Bros. Television and distributed by NBC Universal Television Distributions and Warner Bros. Television Distributions. It stars Melissa Roxburgh, Josh Dallas, Athena Karkanis, J.R. Ramirez and Luna Blaise.


The passengers and crew aboard Montego Air Flight 828 from Jamaica to New York City are shocked to learn that when they experienced a brief period of severe turbulence over five and a half years have passed. The National Security Agency informs them that during the time they were presumed dead. As the passengers realize their lives and loved ones are not the same as they were before, they also begin experiencing strange visions and hearing voices guiding them about events yet to occur.


This show was very intriguing and got me hooked from the first episode. The cast is great and they are all very good actors even the children. It's a decent mix of supernatural mystery with drama, and it kept that way through the first season. It has a very compelling premise and kept me along for the ride but I didn't really like the whole drama part of it too much. Seemed to much like a soap opera to me. Also sometimes it feels like it doesn't do enough to push itself further plot wise and stagnated in certain episodes or through characters actions. Still pretty interesting and worth a watch if it peeked your interest. I give it a 6/10.
  
Jarhead (2005)
Jarhead (2005)
2005 | Drama
𝘉𝘰𝘯𝘦𝘩𝘦𝘢𝘥. At least 90% surface-level and even more largely reductive - of course it is - but it's also totally incompetent. A 2+ hour torture session slog through a barren wasteland visually (Deakins of course shoots the living hell out of it, so there's some damn fine imagery every now and again but Jesus Christ could we do more than two fucking [mawkish and over-obviously symbolized] colors for this whole thing?) but moreso narratively, where this has absolutely nothing to say. You'd think this intentionally dances right around any sort of gift-wrapped commentary about the Gulf War, toxic masculinity, the late 1980s, the American military for young men, or literally anything at all with how dead and non-thematic this awkward crawl is. It can't even be bothered in exploring its own characters lives, I kept forgetting who these people even were - the movie clearly didn't care about them so why should I? Also has the same problem most of these one-dimensional, pandering, tedious war flicks have where it rushes right through the supposed pivotal moment all of this arduous buildup was clearly meant for when they all return home and it's only like 5 minutes of soap opera-level crap and a cheesy 'mic drop' finisher. At its best when it gets weird and Sam Mendes-y, and I can't say it's without solid moments of haunt - plus Gyllenhaal, Sarsgaard, and Foxx keep it marginally more tolerable - but even if it *could* handle its tone (spoiler alert, it can't) this still plays like it was made by complete idiots who only cared about this being would-be Oscar bait.