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Rachel King (13 KP) rated Never Let You Go in Books
Feb 11, 2019
I was originally drawn to this book because it was about a mother fighting for her daughter. As a mother of two young daughters who has already been through quite a bit of fighting for them, I can relate. Once I got into the book, I was a bit put off partly because I was introduced to too many characters so soon into the plot and a lack of unique characterization made it difficult for me to keep up with the plot (and this is coming from someone who has read Sara Douglass). A second reason was that it somewhat reminded me of another book I read recently with the meth theme. Drugs are just not something that I purposely want to read about in my fiction. The only thing that really kept me reading was Lexi's relationship with her daughter, Molly. Along the way, I discovered that there actually is a fantasy-like aspect to the book that is difficult to see for at least half the book. This is probably as close as you can get to the fantasy genre without actually qualifying for the classification. I so badly wanted the book to come "out with it" over the supernatural aspect that I flew through the rest of the book. The ending was mostly satisfying in that the bad guy gets his just desserts and all the lose ends are tied up appropriately, but my fantasy-loving side wanted a more fantastical intervention than what actually occurred. At times, the plot felt like a soap-opera, with Lexi's affair and two other characters being convicts, as well as Ward's constant harrassments and almost reality-defying omnipresence. I would describe the book as high-intensity suspense combined with overdramatic reality and a dash of supernatural.
Kristy H (1252 KP) rated Winter in Paradise in Books
Apr 4, 2019 (Updated Apr 5, 2019)
Great, engaging read
This was such a good book. I found it to be totally engrossing. It was a compelling read: dramatic in some places and fun and engaging in others. As always, Hilderbrand has a way of reeling you in. Her characters are so real and fully formed. I could feel Irene's pain and shock; Baker and Cash's disbelief; and the horror of those on the island, who lost someone they loved, as well.
Maybe it's just the part of me who loves a good soap opera, but I was totally swept up in the drama of this novel. I felt completely transported into the world of the Steeles and St. John island. While I'll have to wait a while for the next book in this series (more on that in a bit), I enjoyed this book so much that it had me tracking down Hilderbrand's Winter series, so I could continue reading her work. I have the first three books (of four), so I will be digging into those soon. Not since I read a book by Liane Moriarty and then read her entire catalog, have I felt so into an author at the moment.
And speaking of this series, there's definitely a cliffhanger at the end. Be prepared. I'm quite excited to read the next book and see where the Steele family and all their drama and intrigue takes us. Such unlikely partnerships form in this one; there's an exciting love triangle; there are interesting island characters--it's such a fun book.
Overall, this is a great read. It's engaging, and heartbreaking at times and sweet and funny at others. I loved the characters and felt totally caught up in the story. I am very much looking forward to book #2 (if not the wait for it!).
Maybe it's just the part of me who loves a good soap opera, but I was totally swept up in the drama of this novel. I felt completely transported into the world of the Steeles and St. John island. While I'll have to wait a while for the next book in this series (more on that in a bit), I enjoyed this book so much that it had me tracking down Hilderbrand's Winter series, so I could continue reading her work. I have the first three books (of four), so I will be digging into those soon. Not since I read a book by Liane Moriarty and then read her entire catalog, have I felt so into an author at the moment.
And speaking of this series, there's definitely a cliffhanger at the end. Be prepared. I'm quite excited to read the next book and see where the Steele family and all their drama and intrigue takes us. Such unlikely partnerships form in this one; there's an exciting love triangle; there are interesting island characters--it's such a fun book.
Overall, this is a great read. It's engaging, and heartbreaking at times and sweet and funny at others. I loved the characters and felt totally caught up in the story. I am very much looking forward to book #2 (if not the wait for it!).
Scott Tostik (389 KP) rated Zombeavers (2015) in Movies
Jan 4, 2019
Cool Cameos (2 more)
John Mayer and Bill Burr... That's right I said John Fuckin Mayer
B Movie Hall of Fame candidate
Zom what???
Upon forst look, a title like Zombeavers, kind of makes you think of porn... Rob Rotten porn... But once you dive ( get it...dive) into Zombeavers you cant help bit want to stick around and see what these creatures look like.
And, in all cheesey movie goodness... The hand puppeted varments look like shit... They flop around aimlessly in an attempt to look like they are attacking with great vigor... Only to come across like a dying trout, flipping and slopping through the air on the ground.
Bill Burr and a nearly unrecognizable John Mayer open the movie as two good ol boy toxic waste drivers who "unknowingly" dump a barrel of some kind of hazardous chemicals off their truck as they're discussing prison sex and gettin blown by dudes... Comedic genius honestly... It's brilliant.
But overall, this cast of not a lot of anyones... Including some chick from American Soap Opera Days of our Lives... And some other girl from Death House can not save this trainwreck of a film. Its good in a way that is meant not to be good.
Over all cheese factor... Tostitos Con Queso Cheese Dip... That was left out of the fridge and had papers piled in top of it on your coffee table... So when you open it, it attacks your senses in all the wrong days.
While I'd love to give it a higher rating... I can not see giving it over a five.
And, in all cheesey movie goodness... The hand puppeted varments look like shit... They flop around aimlessly in an attempt to look like they are attacking with great vigor... Only to come across like a dying trout, flipping and slopping through the air on the ground.
Bill Burr and a nearly unrecognizable John Mayer open the movie as two good ol boy toxic waste drivers who "unknowingly" dump a barrel of some kind of hazardous chemicals off their truck as they're discussing prison sex and gettin blown by dudes... Comedic genius honestly... It's brilliant.
But overall, this cast of not a lot of anyones... Including some chick from American Soap Opera Days of our Lives... And some other girl from Death House can not save this trainwreck of a film. Its good in a way that is meant not to be good.
Over all cheese factor... Tostitos Con Queso Cheese Dip... That was left out of the fridge and had papers piled in top of it on your coffee table... So when you open it, it attacks your senses in all the wrong days.
While I'd love to give it a higher rating... I can not see giving it over a five.
Kirk Bage (1775 KP) rated The Staircase in TV
Feb 25, 2021
The massive red writing on the promotional image says it all: Did he do it? In 2001, Michael Peterson was accused of murdering his wife, who was found dead at the bottom of their staircase covered in blood the prosecution said was too much for an accidental fall. But Peterson, supported by most (but not all) of his family maintains his innocence throughout, and the show follows his attempt to prove it. The first 8 episodes of this incredible story were first shown in 2004, before True Crime docs were really a thing, followed by two updates of several episodes in 2013 and then 2018 as the case updated and new evidence came to light.
Of all the docs on this list, this is the one that had me most gripped by the back and forth of the case. I changed my mind so much, almost several times an episode at points, because Peterson himself is both very likeable and very suspicious. There is an opportunity to weigh the evidence for yourself here that a lot of crime series ignore. The balance feels fair, and the case itself is so very fascinating, both from a personal and legal point of view. It plays like a real life soap opera at times, complete with cliff-hangers and teases, as Making a Murderer proved was so effective. To this day, I am not certain of Peterson’s guilt. The only thing I can say is that it was he himself who commissioned the series and allowed the filming of the case. Is that something a guilty man would do to manipulate what we see, or what an innocent man would do when unafraid of the truth? You decide! This would be the one I would recommend to anyone new to the genre, uncertain if this kind of thing is for them.
Of all the docs on this list, this is the one that had me most gripped by the back and forth of the case. I changed my mind so much, almost several times an episode at points, because Peterson himself is both very likeable and very suspicious. There is an opportunity to weigh the evidence for yourself here that a lot of crime series ignore. The balance feels fair, and the case itself is so very fascinating, both from a personal and legal point of view. It plays like a real life soap opera at times, complete with cliff-hangers and teases, as Making a Murderer proved was so effective. To this day, I am not certain of Peterson’s guilt. The only thing I can say is that it was he himself who commissioned the series and allowed the filming of the case. Is that something a guilty man would do to manipulate what we see, or what an innocent man would do when unafraid of the truth? You decide! This would be the one I would recommend to anyone new to the genre, uncertain if this kind of thing is for them.
BankofMarquis (1832 KP) rated First Man (2018) in Movies
Oct 13, 2018
GREAT, Visceral Space Scenes - Boring, Soap-Opera-ish Earth Scenes
Get to the largest screen you can find with the best sound system and check out FIRST MAN. The visceral spectacle of space travel is expertly captured and needs to be seen on the BIG screen while your chair vibrates from the sound. You, the audience, fwill eel like you are in the spaceship with Neil Armstrong on his way to the moon.
Too bad the Earth-bound moments of this film don't go to the same heights.
Directed by Damien Chazelle in his follow-up to his Oscar winning Directorial stint with LA LA LAND, FIRST MAN tells the story of Neil Armstrong in the 1960s, going from test pilot to the First Man who stepped foot on the moon.
As I stated earlier, the times that we are in the space capsule, or flight plane or test simulator with Armstrong are a visceral experience not to be missed. Chazelle puts his camera close in, often times seeing what Armstrong is seeing - most of that time with loud, shimming and shaking noises and shimming and shaking cameras that left me wonder how these Pioneers of Space Flight ever made it to the Moon and back safely. These scenes - and especially the last 1/2 hour of the film when Armstrong & Co. go to the moon - are worth the price of admission alone. Add on top of that a driving, visceral (there's that word again) score by Chazelle's musical collaborator Justin Hurwitz (Oscar winner for the music for LA LA LAND) and your heart will be thumping loudly in your chest during these exhilarating scenes.
And that is good, for Chazelle and screenwriter Josh Singer (SPOTLIGHT) try to squeeze in a Soap-Opera-esque plot and motivation for Armstrong throughout this film that just didn't work for me. They tried too hard to give Armstrong some "personal" motivations for being stoic, pragmatic and driven to his vision.
As for the acting, Ryan Gosling is...well...stoic, pragmatic and driven to his vision as Armstrong. Do you see that look on Gosling/Armstrong's face in the picture that is accompanying this review? You get that 90% of the time with him. Most of the other actors - Jason Clarke, Kyle Chandler, Pablo Schreiber, Ethan Embry, Lukas Haas - all give the same stoic, pragmatic performance, so there is no real personality here. Even the great Ciaran Hinds - who normally can chew scenery with the best of them - was toned way down to stoic, pragmatic proportions.
This made the performance of Corey Stoll as Buzz Aldrin all the more jarring for he bursts into this film at about the halfway point, cracking jokes and having a personality. Unfortunately, this was annoying at this point, rather than refreshing and I ended up thinking what a jerk Aldrin is.
Add to that Claire Foy (THE CROWN) as Armstrong's wife who has a constant pained expression on her face. She will get an Oscar nomination, for she had the big "Oscars" speech as the worried wife and mother - a speech where Gosling/Armstrong looked at her pragmatically and with solid stoicism.
Fortunately, what saves this movie is that these Earth-bound scenes of fairly boring people in cliched situations are quickly wiped away with awe-inspiring action pieces - they really are worth the price of admission - even the higher price you will need to pay to see it in IMAX with a kick-butt sound system.
Letter Grade: B+
7 1/2 (out of 10) stars - have I mentioned how great the space scenes in this film are?
And you can take that to the Bank(ofMarquis)
Too bad the Earth-bound moments of this film don't go to the same heights.
Directed by Damien Chazelle in his follow-up to his Oscar winning Directorial stint with LA LA LAND, FIRST MAN tells the story of Neil Armstrong in the 1960s, going from test pilot to the First Man who stepped foot on the moon.
As I stated earlier, the times that we are in the space capsule, or flight plane or test simulator with Armstrong are a visceral experience not to be missed. Chazelle puts his camera close in, often times seeing what Armstrong is seeing - most of that time with loud, shimming and shaking noises and shimming and shaking cameras that left me wonder how these Pioneers of Space Flight ever made it to the Moon and back safely. These scenes - and especially the last 1/2 hour of the film when Armstrong & Co. go to the moon - are worth the price of admission alone. Add on top of that a driving, visceral (there's that word again) score by Chazelle's musical collaborator Justin Hurwitz (Oscar winner for the music for LA LA LAND) and your heart will be thumping loudly in your chest during these exhilarating scenes.
And that is good, for Chazelle and screenwriter Josh Singer (SPOTLIGHT) try to squeeze in a Soap-Opera-esque plot and motivation for Armstrong throughout this film that just didn't work for me. They tried too hard to give Armstrong some "personal" motivations for being stoic, pragmatic and driven to his vision.
As for the acting, Ryan Gosling is...well...stoic, pragmatic and driven to his vision as Armstrong. Do you see that look on Gosling/Armstrong's face in the picture that is accompanying this review? You get that 90% of the time with him. Most of the other actors - Jason Clarke, Kyle Chandler, Pablo Schreiber, Ethan Embry, Lukas Haas - all give the same stoic, pragmatic performance, so there is no real personality here. Even the great Ciaran Hinds - who normally can chew scenery with the best of them - was toned way down to stoic, pragmatic proportions.
This made the performance of Corey Stoll as Buzz Aldrin all the more jarring for he bursts into this film at about the halfway point, cracking jokes and having a personality. Unfortunately, this was annoying at this point, rather than refreshing and I ended up thinking what a jerk Aldrin is.
Add to that Claire Foy (THE CROWN) as Armstrong's wife who has a constant pained expression on her face. She will get an Oscar nomination, for she had the big "Oscars" speech as the worried wife and mother - a speech where Gosling/Armstrong looked at her pragmatically and with solid stoicism.
Fortunately, what saves this movie is that these Earth-bound scenes of fairly boring people in cliched situations are quickly wiped away with awe-inspiring action pieces - they really are worth the price of admission - even the higher price you will need to pay to see it in IMAX with a kick-butt sound system.
Letter Grade: B+
7 1/2 (out of 10) stars - have I mentioned how great the space scenes in this film are?
And you can take that to the Bank(ofMarquis)
Rachel King (13 KP) rated Insatiable (Insatiable, #1) in Books
Feb 11, 2019
I normally try to avoid Meg Cabot, simply because I've found some of her writing too teeny-bopper for me, but this book was written for adults and features an all-adult cast list. Now this is a book that could be made into a movie.
The book starts out as an anti-vampire book, and makes fun of the over-saturation in pop culture through Meena Harper's character. I love Meena's character right away, with her writing skills and passion for a decades-old soap opera, she is someone I can relate to. Her ability to predict others' deaths only makes her more intriguing. I also find it fittingly ironic when more and more of the people around Meena turn out to be vampires, as she eventually acknowledges herself.
Even though the book is written for adults, Meg Cabot still keeps the writing clean, skipping through the intimate bedroom scenes with only the smallest of hints at the sordid details. She also leaves many of the gruesome aspects of the plot up to the imagination of the readers, which I prefer.
Because this book is all about tongue-in-cheek irony, it is only fitting that the state of Meena's mind -- the jumbled mess of a writer -- attracts the prince of all vampires, Lucien, who happens to be a Romanian history professor when he isn't attending to his princely duties. I get the feeling that there is more to Lucien and Meena's attraction to each other than what Meg Cabot is telling the reader, but by the end of the book, this is still a mystery. Plus, a good-looking vampire slayer suffering from too much micromanagement and even less communication skills causes some interesting conflicts and obstacles for Meena and Lucien. His attraction to Meena is like water to a sponge, but Meena is less drawn to Alaric.
I wasn't crazy by how the book ended, but it made sense for Meena's independence. Still, I'm hoping Meena's choices will change in the next book, Overbite.
The book starts out as an anti-vampire book, and makes fun of the over-saturation in pop culture through Meena Harper's character. I love Meena's character right away, with her writing skills and passion for a decades-old soap opera, she is someone I can relate to. Her ability to predict others' deaths only makes her more intriguing. I also find it fittingly ironic when more and more of the people around Meena turn out to be vampires, as she eventually acknowledges herself.
Even though the book is written for adults, Meg Cabot still keeps the writing clean, skipping through the intimate bedroom scenes with only the smallest of hints at the sordid details. She also leaves many of the gruesome aspects of the plot up to the imagination of the readers, which I prefer.
Because this book is all about tongue-in-cheek irony, it is only fitting that the state of Meena's mind -- the jumbled mess of a writer -- attracts the prince of all vampires, Lucien, who happens to be a Romanian history professor when he isn't attending to his princely duties. I get the feeling that there is more to Lucien and Meena's attraction to each other than what Meg Cabot is telling the reader, but by the end of the book, this is still a mystery. Plus, a good-looking vampire slayer suffering from too much micromanagement and even less communication skills causes some interesting conflicts and obstacles for Meena and Lucien. His attraction to Meena is like water to a sponge, but Meena is less drawn to Alaric.
I wasn't crazy by how the book ended, but it made sense for Meena's independence. Still, I'm hoping Meena's choices will change in the next book, Overbite.
Mark @ Carstairs Considers (2379 KP) rated Triple Chocolate Cheesecake Murder in Books
Apr 23, 2021 (Updated Apr 23, 2021)
Murder in the Mayor’s Office
Easter is coming, and The Cookie Jar is awash in orders, keeping Hannah Swensen, her business partner Lisa, and the rest of their staff busy. But that doesn’t mean that Hannah doesn’t have time to help her sister Andrea when she calls in a panic. She’s just found Mayor Bascomb’s dead body in his office hours after having a very loud fight with him. The police wouldn’t be doing their job if they didn’t consider Andrea a suspect, so Hannah springs into action to figure out what really happened. Can she prove her sister is innocent?
I’ve been reading this long running series since the beginning, and I keep reading because I do enjoy catching up with the characters. If that is your reason for picking up the book, you’ll find they are as charming as always. I was pleased to see the soap opera of the previous few books has died down, and we see growth in a surprising direction in one character. Sadly, the love triangle is no closer to being resolved. The mystery is decent with enough suspects to keep us engaged. However, the focus is on the food. There is plenty of talk about food and how much the characters love what they are eating. With 24 new recipes for us to try, there is certainly plenty of new food to talk about. The dialogue is repetitious, an example of why realistic dialogue is better than real dialogue in a novel. While I still want to catch up with the characters, I find myself skimming the book instead of reading it closely. If you are like me and want to keep up with the characters, you’ll be glad you picked up this book. But if you haven’t started the series yet, you’ll want to go back to the beginning to find out why there are readers like me who still enjoy visiting the characters. And if you’ve given up on the series, you can safely skip this one.
I’ve been reading this long running series since the beginning, and I keep reading because I do enjoy catching up with the characters. If that is your reason for picking up the book, you’ll find they are as charming as always. I was pleased to see the soap opera of the previous few books has died down, and we see growth in a surprising direction in one character. Sadly, the love triangle is no closer to being resolved. The mystery is decent with enough suspects to keep us engaged. However, the focus is on the food. There is plenty of talk about food and how much the characters love what they are eating. With 24 new recipes for us to try, there is certainly plenty of new food to talk about. The dialogue is repetitious, an example of why realistic dialogue is better than real dialogue in a novel. While I still want to catch up with the characters, I find myself skimming the book instead of reading it closely. If you are like me and want to keep up with the characters, you’ll be glad you picked up this book. But if you haven’t started the series yet, you’ll want to go back to the beginning to find out why there are readers like me who still enjoy visiting the characters. And if you’ve given up on the series, you can safely skip this one.
When the Stars Fall (The Sisters, Texas Mystery Series Book 2)
Book
Madison Reynolds is rebuilding her life, one obstacle at a time. But the building blocks aren’t...
romance adult mystery cozy mystery fiction series
Kristy H (1252 KP) rated Separate Lives in Books
Feb 13, 2018
It all begins when Susie sees the text on Alex's phone: "Start living a different kind of life ...P :-) xxx." Convinced he's having an affair, Susie sets off on her own trajectory that threatens their partnership of ten years and their life with their two children. And Alex? Is he completely innocent in all of this? And what about the mysterious P?
This novel is told from the alternating point of view of Susie, Alex, and Pippa. Susie's pieces come via standard narrative, Alex's mainly through email exchanges with his brothers and sister, and Pippa via emails to her sister. While this starts off as sort of enjoyable and different, it can grow old quickly (though the email format moved quickly at least). For instance, Pippa and Susie have a way of veering off into tangents about their past, which drove me absolutely insane. These summaries seemed not at all relevant to the book (what they wore and read at seventeen!) and dragged the narrative down and the story on forever.
Meanwhile, the novel sounds interesting in its premise: a group of characters brought together by a potential technological misunderstanding. It's certainly why I selected it as an ARC. The problem is that none of the characters are remotely redeemable or likeable. While a book that revolves around infidelity may not always have the most personable of characters, you can usually find some humanity them. This group: I just could not find any reason to root for them. I would find an occasional glimpse in Susie or Pippa, but overall, they all annoyed me with their whining and life choices, and I felt sorry for their children! Add to that a plot filled with a variety of twists and turns that would be better off in a soap opera or Lifetime movie (surprise pregnancies! love affairs with a spouse's siblings!), and my frustration level reached its peak. Again, there were moments I liked, but overall I just didn't find a lot of humor or enjoyment in this novel. 2.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 12/06/2016
This novel is told from the alternating point of view of Susie, Alex, and Pippa. Susie's pieces come via standard narrative, Alex's mainly through email exchanges with his brothers and sister, and Pippa via emails to her sister. While this starts off as sort of enjoyable and different, it can grow old quickly (though the email format moved quickly at least). For instance, Pippa and Susie have a way of veering off into tangents about their past, which drove me absolutely insane. These summaries seemed not at all relevant to the book (what they wore and read at seventeen!) and dragged the narrative down and the story on forever.
Meanwhile, the novel sounds interesting in its premise: a group of characters brought together by a potential technological misunderstanding. It's certainly why I selected it as an ARC. The problem is that none of the characters are remotely redeemable or likeable. While a book that revolves around infidelity may not always have the most personable of characters, you can usually find some humanity them. This group: I just could not find any reason to root for them. I would find an occasional glimpse in Susie or Pippa, but overall, they all annoyed me with their whining and life choices, and I felt sorry for their children! Add to that a plot filled with a variety of twists and turns that would be better off in a soap opera or Lifetime movie (surprise pregnancies! love affairs with a spouse's siblings!), and my frustration level reached its peak. Again, there were moments I liked, but overall I just didn't find a lot of humor or enjoyment in this novel. 2.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 12/06/2016
Kristy H (1252 KP) rated Keep the Ends Loose in Books
Feb 13, 2018
I wanted to like this book. I really did. It was a quick read, but honestly, I kept reading partly because the ridiculous and far-fetched plot sucked me in and partially because I just wanted it to be over. There were times when I found myself gritting my teeth because of the rather annoying diction and narration. You sort of became lulled into it the more you read, but it really was awful.
The novel follows 15-year-old Miranda (Mandy), who thinks she has a rather boring life and family, until her mother reveals a shocking secret that turns the family upside down. It involves Mandy's aunt, Iris, whom she adores, and encompasses the entire family - her father, Roy; her 17-year-old brother Adam; her best friend, Barley (seriously, Barley); and a whole cast of other characters.
I'll hand it to Campbell - she creates a cast of rich characters and it's a plot worthy of a soap opera. The problem is that everything just seems a little off. Mandy is so adamant about her life previously being so boring and her startling "realizations" that adults, too, have depth and problems, that you feel like you're being hit over the head with it. The author bashes you over and over with Mandy's coming of age thoughts, rather than simply letting them unfold from the plot.
Further, while Mandy is supposed to be a naive 15-year-old, at times she sounds like a kid. Other times, she's drinking beer and ruminating on sex. It's really disconcerting. Her narration is jumbled and I was left wondering if the author actually knew any teens at all. Both Mandy and Adam exhibit a host of age-inappropriate behaviors and diction -- no matter what happens to them!
Finally, the storyline is so inane that I found myself wondering what sort of parents would actually do this to their children? If Mandy's parents were so supposedly boring and placid, the behavior seemed awfully odd. It was all just a little unbelievable and again, left you a tad jarred.
Overall, about 2.5 stars. A lot of promise, really, but just didn't get fulfilled.
(Note: I received an advance ebook copy of this novel from Netgally in return for a honest review.)
The novel follows 15-year-old Miranda (Mandy), who thinks she has a rather boring life and family, until her mother reveals a shocking secret that turns the family upside down. It involves Mandy's aunt, Iris, whom she adores, and encompasses the entire family - her father, Roy; her 17-year-old brother Adam; her best friend, Barley (seriously, Barley); and a whole cast of other characters.
I'll hand it to Campbell - she creates a cast of rich characters and it's a plot worthy of a soap opera. The problem is that everything just seems a little off. Mandy is so adamant about her life previously being so boring and her startling "realizations" that adults, too, have depth and problems, that you feel like you're being hit over the head with it. The author bashes you over and over with Mandy's coming of age thoughts, rather than simply letting them unfold from the plot.
Further, while Mandy is supposed to be a naive 15-year-old, at times she sounds like a kid. Other times, she's drinking beer and ruminating on sex. It's really disconcerting. Her narration is jumbled and I was left wondering if the author actually knew any teens at all. Both Mandy and Adam exhibit a host of age-inappropriate behaviors and diction -- no matter what happens to them!
Finally, the storyline is so inane that I found myself wondering what sort of parents would actually do this to their children? If Mandy's parents were so supposedly boring and placid, the behavior seemed awfully odd. It was all just a little unbelievable and again, left you a tad jarred.
Overall, about 2.5 stars. A lot of promise, really, but just didn't get fulfilled.
(Note: I received an advance ebook copy of this novel from Netgally in return for a honest review.)