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Tim Forbes recommended A Man Escaped (1956) in Movies (curated)

 
A Man Escaped (1956)
A Man Escaped (1956)
1956 | Drama
(0 Ratings)
Movie Favorite

"Robert Bresson’s ode to freedom is an astounding tour de force. As a prison-break movie, it is a thriller of high suspense, told by a master who eschews artifice. He relies on precisely observed action, a sophisticated and spare technique (no one makes more of off-camera space and sound), and a direct, first-person narration to achieve a fully realized world of remarkable intensity in which our identification with the protagonist is total. His unshakeable faith and persistent effort elevate us all. His liberation is ours."

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"This book offers the best scientific guide to anti-aging and the perplexing question of why we age in the first place; in the future, Blackburn’s work on how DNA degrades over time could stand up as the key breakthrough in the field. The fact that Blackburn won the Nobel Prize in Medicine in 2009 testifies to her important findings, but it is also a symbolic victory for all the women who did major historic work on DNA, brain chemistry, space exploration, and other fields without receiving their due."

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Marketa Lazarova (1967)
Marketa Lazarova (1967)
1967 | Drama, History, Romance
(0 Ratings)
Movie Favorite

"I saw this just recently—proof that you can still make huge discoveries and feel like a young cinephile again at fifty. This amazing film can be filed under “cinema as a beautiful, frightening hallucination,” and it includes a rare collection of anamorphically shot images of action and movement. This is also one of those special films that are hard to assign easy descriptions. One year later, 2001: A Space Odyssey came out. Very different movies, but similar in how unusual and thrilling their ideas of cinema are."

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Connor Jessup recommended La Promesse (1996) in Movies (curated)

 
La Promesse (1996)
La Promesse (1996)
1996 | Drama
(0 Ratings)
Movie Favorite

"I think the Dardennes are what you might get if you took Bresson and replaced his Catholicism with socialism. Strict naturalism instead of strict negation, but just as aware of space, sound, and the power of automatic action. Ascetic but genuinely compassionate. La promesse feels like their most vital film, maybe because it was the first one done in their house style. With bad teeth, floppy hair, and soulful eyes, Jérémie Renier has crazy presence, and Olivier Gourmet plays one of the best sad-shit dads in film history."

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