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The Fourth State of Matter (The Valence Chronicles #1)
The Fourth State of Matter (The Valence Chronicles #1)
D'Arcy Arden | 2021 | Erotica, LGBTQ+, Romance, Science Fiction/Fantasy
8
8.0 (1 Ratings)
Book Rating
THE FOURTH STATE OF MATTER is the first book in the Valence Chronicles and we are introduced to Item 2689, a living decor in an alien home. He was human but has been altered to better resemble an object, rather than a living person. It is only as the story progresses you find out just how much has been changed. He lives a monotonous life in a white, sterile environment. He only realises such when three 'ship-dwellers' (used as a slur) inhabit the home where he resides.

What follows is an awakening in every sense of the word. Pet - as he becomes known - is shown how to LIVE. He is wanted for who he is, not for what he is. He has some issues adjusting, but who wouldn't? Their relationship is still early on and I loved watching it develop.

As for his aliens, they are all very different, with individual appearances and voices that make it easy to see which one is speaking/doing/thinking. They have their own history, of which we only get to know some of it. I think they are rounded out perfectly by each other, and Pet fills any remaining gaps. I can't wait to see how their relationship deepens as they spend more time and adventures together.

I thoroughly enjoyed the pacing of this novel, together with the back and forth from the past to the present. Both were needed to fully understand how they came to be together and the difficulties they have and still face.

A brilliant start to the series with a HFN ending and a cliffhanger. I can't wait to continue on my space adventure. Definitely recommended by me.

** same worded review will appear elsewhere **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
  
Ad Astra (2019)
Ad Astra (2019)
2019 | Adventure, Drama, Mystery
A Sci-Fi Film Grounded In Reality
Ad Astra is a 2019 sci-fi/adventure movie directed, produced, and co-written by James Gray. Ethan Gross was the co-writer and other producers on the film were Brad Pitt, Dede Gardner, Jeremy Kleiner, James Gray, Anthony Katagas, Rodrigo Teixeira and Arnon Milchan. The movie was produced by 20th Century Fox, Regency Enterprises, Bona Film Group, New Regency, Plan B Entertainment, RT Features, Keep Your Head Productions, MadRiver Pictures, TSG Entertainment and was distributed by Walt Disney Studios Motion Pictures. The film stars Brad Pitt, Tommy Lee Jones, Ruth Negga, Liv Tyler and Donald Sutherland.


When all life on Earth is threatened by mysterious power surges, U.S. Space Command seeks out astronaut Major Roy McBride for a special mission. He is the son of famed astronaut H. Clifford McBride, who headed the "Lima Project" which purpose was to search the Solar System for intelligent life. Now, after sixteen years of silence and his father believed dead, they inform Roy that the surges have been traced back to the "Lima Project" and he must travel Mars to try and contact his father to save the Earth.


I was super excited about this movie before watching it in theaters. Even though I saw the trailers, I made sure not to read up on it or watch them too much because I didn't want for anything to spoil it for me. Honestly after watching it, I still have mixed feelings. In a lot of ways I liked the film but almost equally I didn't. There was a lot that I was kind of disappointed in but also a lot that happened different than what I thought was going to happen, especially when it came to the plot. This movie was very realistic for a science fiction space movie when I thought it was going to be more fantastical. I think that was the main reason for me not liking it as much as I thought I would, also the pacing threw me off because this movie was really long. I kept waiting for it to get good and it never really did. There were a couple of good scenes overall but I agree with some critics or reviewers who said that it either needed to be shorter or a lot longer and made into a mini-series. I thought Brad Pitt did an excellent job in his role as Major Roy McBride but I understand people who criticized his performance because his character is very unemotional. I also really liked Ruth Negga's performance and think she did a fantastic job. I was let down that Tommy Lee Jones didn't have as much screen time as I thought he was going to, double for Donald Sutherland as well. Not a lot more I can say without spoiling parts of the movie. I wound up giving this movie a 6/10. I would have given it a point lower but there's a lot that makes this film above normal.
  
The Cloverfield Paradox (2018)
The Cloverfield Paradox (2018)
2018 | Sci-Fi
A fun "who-will-survive" flick
During the Super Bowl, a "surprise" trailer dropped for a new entry in the Cloverfield family of films. The good news is that the film was dropping on Netflix the next day, so fanboys immediately jumped on-line and then started hating on it (again, on-line) because it wasn't exactly what they thought it would be.

Which is too bad, for THE CLOVERFIELD PARADOX is a very fun, very well made, very well acted "10 Little Indians" style Sci-Fi film (you know, the type of film where a finite group of folks are marooned someplace - like and island or an isolated, creepy mansion and are picked off one by one). This time, they are on a space station, and when an experiment goes awry, bad things start to happen.

I stated that this film is another entry in the "Cloverfield family of films", so let me explain that. The overseer of these films is none other than JJ Abrams and he has stated that there will be a series of films - very different in style, type and substance - that will (somehow) be related in the Cloverfield Universe. And, so far, he has fulfilled his promise (at least to me) - for those that just want "more of the same", he has alienated.

The first film, CLOVERFIELD, is a "found footage" film about a giant monster (think Godzilla) rampaging through modern day New York City. Of the 3 films,thus far, in the Cloverfield family, this one (for me) was the least effective (especially because I am not a big fan of "found footage" films). The 2nd film was 2016's 10 CLOVERFIELD LANE and was a very effective psychological horror/drama starring John Goodman as a fellow who has rescued/captured (kidnapped?) Mary Elizabeth Winstead and has locked her in his survival bunker in order to - he says - save her from the monster above. The film effectively goes back and forth with wondering what is scarier - the monster above or the monster (Goodman) below. If you haven't seen 10 CLOVERFIELD LANE, I highly recommend it.

The third installment, then, is THE CLOVERFIELD PARADOX, a prequel of sorts about a group of scientists aboard a space station conducting a desperate, highly dangerous power experiments to solve the world's energy crisis. When something goes wrong, bad things happen. And since this is in the Cloverfield family, you gotta know it has some connection with how the Cloverfield monster got on Earth.

But this film doesn't really concern itself with the Cloverfield monster - which is what I think is angering the "fanboys" - this film is about the survival of the charismatic, international scientists that are stranded on this space station after the accident. Almost every one of the actors in this film are "oh...that guy" type actors - all very good. From German actor Daniel Bruhl (RUSH) to Chinese actress Ziyi Zhang (CROUCHING TIGER...) to Englishman David Oyelowo (SELMA) to good ol' John Ortiz (a million different things) - the cast is strong, fun to watch and easy to root for. They all are in service to the plot devices (and predicaments they are in) and they serve the plot (and the film) well.

Special notice should be made for Chris O'Dowd (BRIDESMAIDS) who brings some much needed levity via his deadpan humor approach to everything as the ship's handyman and, especially, Gugu Mbatha-Raw (BELLE) as the heroine of the adventure from through who's eyes we encounter the events of the film.

I have stated before that I am a sucker for these types of "10 Little Indians who-will-survive" films and this one is no exception. Go in with no preconceived notions, roll with what the film throws at you and you'll have a good time time, too.

THE CLOVERFIELD PARADOX is now streaming on Netflix.

Letter Grade: B (it is the very definition of a "B" movie).

7 (out of 10) stars and you can take that to the Bank(ofMarquis)
  
    Lifeform

    Lifeform

    8.5 (2 Ratings) Rate It

    Tabletop Game

    9.1 Lifeform (2018) 16 Ratings & 43 Comments · GeekBuddy Analysis Gameplay 2–4 Players ...

A Wrinkle in Time (2018)
A Wrinkle in Time (2018)
2018 | Action, Family, Sci-Fi
Need to iron out this Wrinkle
The target audience for Ava DuVernay's adaptation of the 1962 classic novel A WRINKLE IN TIME are youth ages 10-14.

I am not a youth ages 10-14.

A WRINKLE IN TIME follows the story of Meg, a young girl who's father has gone missing. With the help of mysterious figures Mrs. Which, Mrs. Whatsit and Mrs. Who, Meg goes in searching for her father - through space and time - and ends up helping to save the universe in the process.

As Directed by DuVernay (SELMA), this WRINKLE is fantastical in all ways, starting with the visuals I don't know how much was spent on this film, but all of it is on the screen as the images - and imagery - are fascinating to look at, the costumes are unique (to say the least) and the story is simple enough for even a young person to follow.

And that might be enough to hold the attention of a 10-14 youth - it wasn't enough for me.

If you start to really follow the plot (what there was of it) and the intentions in the scenes, items start to not add up at all. While I understood Meg's motivations - to find her Dad - well enough, NONE of the other character's motivations - and intentions - were clear, or made sense. At one point, a character turns from good to bad (or was it vica-versa) and it just didn't make any sense.

I think a lot of this issue was the 3 big stars that were cast as the benevolent overseers for Meg's journey. Reese Witherspoon, Mindy Kahling and, yes, Oprah Winfrey as Mrs. Whatsit, Mrs. Who and Mrs. Which (respectively). Their role in this adventure (I guess) is to guide and help Meg on her adventure, so they were supposed to be loving, caring and gentle with just a hint of secretness (so, I guess that Meg can figure things out for herself - kind of like Glinda the Good Witch in the Wizard of Oz). But, instead, they come off as smug, annoying know-it-alls who are purposely keeping key information from this young girl - if I was around, I would have called the police on them. Also...they all seemed to be acting in their own movies, so their styles just didn't mesh, as well as the acting styles of other "stars" like Michael Pena and (especially) Zach Galifinakas - I don't know what they heck he was doing, but Director DuVernay did a poor job of reigning him in or helping him to create any kind of semblance of character.

A fantastical feature with eye-popping visuals and, I'm afraid, poorly written, acted and directed. This might be enough for an enjoyable afternoon in the theater for the target audience.

It wasn't for me - and, I think, my front runner for WORST FILM OF 2018.

Letter Grade C (for the visuals and the always appealing performance of Chris Pine, who - I have to admit - I have a man crush on).

4 (out of 10) stars and you can take that to the Bank (OfMarquis)