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Spooky Little Girl
8
8.0 (1 Ratings)
Book Rating
Poor Lucy Fisher. Just when she thinks she can go home and relax from a crummy vacation, she finds all her belongings tossed out onto the lawn of the house she shares with her fiance, and to top that off, she then loses her job. The last thing she needs is to be hit by a bus and left to be scraped up by an over-sized spatula (I don't envy whoever has to do that!).

After a slow build-up, the book finally came alive (so to speak) for me at the half-way point, along with the help of her grandmother, Naunie. Told in third-person, Lucy is a slightly flaky, but completely sympathetic character who goes through many moods as she deals with her death and how to become a proper ghost. Along with other clever touches, the idea of having untimely deaths go to a ghost school before arriving in "The State" is utterly fantastic. I wouldn't mind seeing that more fleshed out for another book, although I don't know how that would work. Lucy is helped in her haunting assignment by Naunie, whose exploits in "The State" are hilarious and she really livens up the book and provides many laughs. All the other characters add to the book without either being unnecessary or overused. Also, I would be remiss if I didn't mention Tulip, Lucy's dog before her death, who is the most adorable and sweetest thing ever. No, there aren't really any surprises plot-wise, but it's the journey that matters, and I enjoyed it.

So, even though it started slow, SPOOKY LITTLE GIRL picked up pace and ended up being a cute, funny, charming, thoughtful, and heartwarming little book. I'm glad I got a chance to read this and learn about how this book came to be in the author's note at the end.
  
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Matthew Krueger (10051 KP) rated the Xbox One version of Resident Evil 7 biohazard in Video Games

Oct 25, 2019 (Updated Oct 25, 2019)  
Resident Evil 7 biohazard
Resident Evil 7 biohazard
2017 | Action/Adventure
Back To Horror
Contains spoilers, click to show
This game is so scary, its terrorfying, horrorfying, spooky, creepy and so much more. Plus its back to the old resident evil games. Unlike 5 and 6 which toke the action rote. So it was so good to see it back home where it belongs. Its twisted, psychological, nightmareful and so much more. Lets talk about the plot/story.

The Plot/Story: player controls Ethan Winters as he searches for his wife in a derelict plantation occupied by a cannibal family, solving puzzles and fighting enemies. It is the first main series game to use a first-person view.

Ethan must choose to cure either Mia or Zoe. Choosing Zoe leaves Mia heartbroken, despite Ethan's promise to send help. As he and Zoe flee on a boat, Zoe reveals that the Bakers were infected after Mia arrived with a young girl named Eveline when the wreck of a tanker ship washed ashore. Eveline stops their escape by calcifying Zoe, killing her, and Ethan is knocked from the boat by a creature. If Ethan chooses Mia, Zoe gives a bitter farewell to him and Mia.

I like thie because you have to choose to decide on who gets the cure and who doesnt.

If Ethan cured Mia, she resists Eveline's control long enough to seal Ethan out of the ship; if he cured Zoe, Mia succumbs to Eveline's control and attacks Ethan, forcing him to kill her.

Chris Redfield does apper in the game, at the end through. The helicopter that Chris comes in on is branded with the Umbrella Corporation logo.

Their is alot of extra contant/DLC for this game.

If you haven't played this game, than i would highly reccordmend playing this game.
  
The Fourth Kind (2009)
The Fourth Kind (2009)
2009 | Mystery
5
5.0 (3 Ratings)
Movie Rating
Based on true events, “The Fourth Kind” is a thriller/semi-documentary covering the seemingly unexplained true events that occurred to psychologist Abigail Turner, portrayed in the film by Milla Jovovich. “The Fourth Kind” presents Abby’s story merging dramatic renditions with actual video and audio footage of the strange occurrences.

It is a creepy film filled with close up shots of spooky owls and the hauntingly foggy skies of Nome, Alaska. All this imagery creates a mystical scene but it left me wondering whether is it the films content or an extremely good knowledge of camera angles that created the lingering possibility of truth?

Furthering my dislike of the film are the unnecessary plot deviations, such as the start and conclusion by Jovovich, and the slow and disjointed family sequences which make the characters hard to relate to. Moreover, it seems as if much of the film’s content could be removed and possibly presented as a stronger case for an encounter of the fourth kind as short film or even television episode.

But the most glaring objection to the film’s premise is that it is built on a very small amount of evidence. Sure, the evidence that is presented is disturbing but the limited actual video and audio clips utilized make the film feel gimmicky. Dr. Turner’s story is intriguing but it does not support a satisfying a full-length film, especially for audiences hoping to see something that will force them to reexamine their stance on alien life forms.

In the end what you probably want to know is if this movie significantly change my views on the possibility of alien life forms or if it scared me to my core. The simple answer is no, but it did make me less enthusiastic about visiting to Nome, Alaska.
  
Species: The Awakening (2007)
Species: The Awakening (2007)
2007 | Horror, Sci-Fi
1
6.2 (9 Ratings)
Movie Rating
I can quite comfortably say that Species: The Awakening - the fourth and thankfully last entry in the series to date - is one of the worst films I've ever put myself through.
Cheap horror films can occasionally find salvation in having a sort of charm to them, shitty yet endearing if you will, but unfortunately, there's more charm in my left testicle than in Species 4.

When I say cheap, I mean cheap as in they aren't even trying cheap. The whole film is drenched in a weird green lighting which makes it looks like a discount version of CSI. There's not even any practical gore to write home about. Not only is it seldom, but when things get violent, it looks like the blood was added using Microsoft Paint. It's dreadful.

I don't like to bash actors, they are only following directions after all, but Christ, no one on screen seems remotely invested in what they're doing. The dialogue is lazy, and half of the characters are just creeping around pulling "scary" faces whilst wearing "spooky" contact lenses. You know when a load of people on your Facebook friends-list update their profile pictures at Halloween with whatever costume they've put together, and they're pulling a cringey dead eye scary face just to add to the illusion - this film is basically that but for nearly two hours.

Talking about the runtime - fuck me it's gruelling. I'm pretty sure I drifted off at one point, but everything that's happening is so damn boring that by the time the credits roll, it becomes clear that Species: The Awakening is in fact an edurance test, designed to see how much dogshit the audience will take. At least, it feels that way.

It's abysmal, and I'm now in a bad mood, thanks a lot Species.
  
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Laetitia Sadier recommended Cap Waller by Bertrand Belin in Music (curated)

 
Cap Waller by Bertrand Belin
Cap Waller by Bertrand Belin
2016 | Pop, Rock
(0 Ratings)
Album Favorite

"I discovered his music through a friend in Paris, Armelle Pioline, who used to be in a very good French group called Holden. They were very singular, and quite similar to Stereolab, actually: very poetic. And anyway she had worked with quite a lot of French people and she introduced me to a scene of French musicians that were kind of successful in their field but that I had never really explored. Bertrand Belin had a sort of hit in his own world called 'Hypernuit' and that song really shattered me. It had such depth: it was kind of a ray of light into a deep darkness. It's a little bit spooky, but incredibly poetic and haunting. It's the kind of tune you can't really put your finger on. It's kind of diffused but it creates a beautiful picture with touches of darkness and light. I'm very attracted to this type of songwriting; there's a singularity in the writing that I love very much. For me the hit on this particular album is 'La Mot Juste'. Pretty much everyone who's been through my kitchen I've played this record to, and they've all flashed on it: what's this? They've taken the name and really showed interest. It resonates; there's a deep resonance with the beauty of it. I'm not particularly a big fan of Bertrand's voice, which a lot of people seem to go for, but certainly the songwriting and the lyrics are quite sharp. He's also an author: he writes books. And the production on the record is very beautiful. It's 'La Mot Juste': the just instruments, the just notes, the just amounts of whatever it took. I like that. There's no excess, no fat. It's what it is. I love it."

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