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Lenard (726 KP) rated The Farewell (2019) in Movies

Aug 19, 2019  
The Farewell (2019)
The Farewell (2019)
2019 | Comedy, Drama
9
8.9 (7 Ratings)
Movie Rating Watch
In the West, families celebrate each other in death. If someone is dying, the news is shared and every one comes together to tragically revere their family member. In the West, they celebrate their family member in life. They do not let someone know that they are dying instead bringing a sense of joy by coming together. This culture clash between the New World ideas and Old World ideas populate Lulu Wang's new film "The Farewell." The family matriach has stage 4 cancer, but rather than tell her that she is dying, the two brothers and their families stage a wedding. One son emigrated to America and raised a liberal arts educated daughter who struggles to make ends meet. One son went to Japan and raised his son. Left behind, the sister and a niece took care of their mother. It is revealed how much the sister has sacrificed for this matriach, but she is happy to give her sister the joy to live. Is it wrong to tell a lie if it makes a person's life better? Which idea of death do you follow? Awkwafina gives a surprising performance as Billi, the Asian-American artist who loves her grandmother and struggles to understand how this lie is good. Shuzhen Zhao plays Nai Nai, the family matriach, with spirit and style, the kind of performance Oscar would notice if they gave notice to Asian performances.
  
    RAYCRISIS

    RAYCRISIS

    Games and Entertainment

    (0 Ratings) Rate It

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    RAYCRISIS, the final installment in TAITO’s classic RAY series of arcade shooting games, locks on...

40x40

Verner Latskin (74 KP) rated Baby Driver (2017) in Movies

Jul 17, 2017  
Baby Driver (2017)
Baby Driver (2017)
2017 | Action, Comedy
9
8.2 (159 Ratings)
Movie Rating Watch
Masterfully directed (1 more)
Soundtrack
Central relationship feels shallow (0 more)
Even Wright's weaker efforts are superior to most everything else you are likely to see.
Baby Driver kind of feels like Wright was trying to prove he could do a film with less "Edgar Wright" style, which isn't a bad thing, persay. It's still better than most of the films it is clearly taking inspiration from, an manages to surprise you unlike most of those films. It's just not "Scott Pilgrim" or "World's End" good, which is another level entirely. It still shows incredible growth to make something like this, at this stage in his career. Saying it's one of his weaker efforts should in no way be construed as a slight.