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Mark @ Carstairs Considers (2165 KP) rated A Fatal Groove in Books
Jul 27, 2023
Murder is Anything but Groovy
It’s the weekend of the Bluebonnet Festival in Cedar River, Texas, and Juni Jessup and her sisters are looking forward to fun while also selling coffee and introducing the bands on the main stage. Their first customer of the first day is Mayor Bob. When Juni goes to drop something off at his office a little later, she finds him dead. With their reputations once again on the line, the sisters try to figure out what is happening. Mayor Bob was popular because he didn’t make any waves, so who would want to kill him?
After an initial strong start, the book stalled a bit introducing some sub-plots before it really got started again. I did guess the killer a little early, but I needed Juni to fill in most of the rest. Once again, there are some odd uses of they/them pronouns, and Juni’s first-person narration comes across as judgmental a few times. Overall, I do like her and I love her relationship with her sisters. The love triangle is still in play, although it takes a back seat to the rest of the happenings. There are lots of smiles and some laughs along the way as well. If you enjoy music and are looking for a fun mystery, this is the series for you.
After an initial strong start, the book stalled a bit introducing some sub-plots before it really got started again. I did guess the killer a little early, but I needed Juni to fill in most of the rest. Once again, there are some odd uses of they/them pronouns, and Juni’s first-person narration comes across as judgmental a few times. Overall, I do like her and I love her relationship with her sisters. The love triangle is still in play, although it takes a back seat to the rest of the happenings. There are lots of smiles and some laughs along the way as well. If you enjoy music and are looking for a fun mystery, this is the series for you.
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The Pantomime Prince
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Merissa (11953 KP) rated Out of Focus in Books
Apr 29, 2022 (Updated Jun 23, 2023)
OUT OF FOCUS is a short story about two men working behind the scenes in a Welsh theatre. They are opposites in the fact that one is charming and one seems almost dour. There are reasons for it, of course, but they don't come to light immediately.
I loved how we met other characters too, getting a hint into their lives, not just the main characters. Alex and Luke take centre stage though in this low-angst slow-burn-but-not-quite romance. The attraction has been there for a couple of years without either of them acting on it, but once Alex is injured, all bets are off.
As with all of this author's works, I found the small details absolutely brilliant, and really help to make the story one that intrigues and compels you to keep turning the pages.
Although I'm not a huge fan of short stories, this one went down a treat, with all the information I could need, including a perfect epilogue to keep me happy. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 22, 2022
I loved how we met other characters too, getting a hint into their lives, not just the main characters. Alex and Luke take centre stage though in this low-angst slow-burn-but-not-quite romance. The attraction has been there for a couple of years without either of them acting on it, but once Alex is injured, all bets are off.
As with all of this author's works, I found the small details absolutely brilliant, and really help to make the story one that intrigues and compels you to keep turning the pages.
Although I'm not a huge fan of short stories, this one went down a treat, with all the information I could need, including a perfect epilogue to keep me happy. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 22, 2022
David McK (3372 KP) rated Ghostbusters: Afterlife (2021) in Movies
Nov 28, 2021 (Updated Mar 30, 2024)
Who ya gonna call?
Ghostbusters 2 was released in 1989.
Ghostbusters: The video game in 2009.
At that stage, it was - unofficially - touted as Ghostbusters 3.
The (atrocious) remake was in 2006.
This was released in 2021 - so over 30 years since Ghostbusters 2 - and is now the 'official' third entry in the franchise.
Having said that, there is absolutely no mention of Ghostbusters 2 during it, so you could easily skip that if you wanted a rewatch before going to see this.
This follows a new family, who find they have ties to a Ghostbuster of yore, when they are evicted from their tenement and inherit a farmhouse out in the rural countryside: a farmhouse that has secrets of its own, as does the surrounding neighbourhood.
It's also no secret that this relies heavily on nostalgia for the original and that family is at the core of the movie, written - as it is - by the son of the late Ivan Reitman (Jason Reitman) - and paying an elegiac tribute to the late Harold Ramis (1 of the original 4 Ghostbusters - Egon Spengler - , who passed in 2014.
Oh, and the post (not mid) -credits scene? Goes some way to making up for how Ernie Hudson was treated in the original, when he saw his scenes drastically cut from what was intended.
Ghostbusters: The video game in 2009.
At that stage, it was - unofficially - touted as Ghostbusters 3.
The (atrocious) remake was in 2006.
This was released in 2021 - so over 30 years since Ghostbusters 2 - and is now the 'official' third entry in the franchise.
Having said that, there is absolutely no mention of Ghostbusters 2 during it, so you could easily skip that if you wanted a rewatch before going to see this.
This follows a new family, who find they have ties to a Ghostbuster of yore, when they are evicted from their tenement and inherit a farmhouse out in the rural countryside: a farmhouse that has secrets of its own, as does the surrounding neighbourhood.
It's also no secret that this relies heavily on nostalgia for the original and that family is at the core of the movie, written - as it is - by the son of the late Ivan Reitman (Jason Reitman) - and paying an elegiac tribute to the late Harold Ramis (1 of the original 4 Ghostbusters - Egon Spengler - , who passed in 2014.
Oh, and the post (not mid) -credits scene? Goes some way to making up for how Ernie Hudson was treated in the original, when he saw his scenes drastically cut from what was intended.
Gareth von Kallenbach (977 KP) rated Magic Mike (2012) in Movies
Aug 7, 2019
Depending on what you are looking for and what your expectations are going into it, the movie Magic Mike will either satisfy you or dissapoint you entirely.
Bad news first: If you are looking for a great plot, great storyline and phenomenal acting you will undoubtedly leave the theater disappointed.
Good news: If you are looking for a movie full of ‘good views’, some decent laughs, and men with rock-hard bodies with ripped muscles, you’ll get what you were looking for.
The movie Magic Mike, produced by Channing Tatum is loosely based on Tatum’s own experience before his acting career took off, when he spent a period of time earning a living as a male stripper. While working a roofing construction job, Mike (Tatum) meets Adam (Alex Pettyfer) and despite his young age, Mike befriends him and takes him out partying and, unbeknownst to Adam, to the strip club where Mikr works as a stripper. Mike introduces Adam to Dallas (Mathew McConaughey), the owner of the strip club, as The Kid.
.
During one of the club’s shows, one of the other strippers, “Tarzan” (Kevin Nash) passed out, and Mike pushes The Kid out on stage. It’s an awkward, unpolished performance, as one would expect from someone brand new to that particular scene, but The Kid proves to be a hit. When Adam realizes the income potential and allure of life as a stripper, he expresses interest in joining Magic Mike’s crew, and Mike and Dallas take him under their wings and teach him everything he needs to know to be successful in the business. They share tips, tricks, and outfit him with appropriate costumes. He quickly learns the dance moves and the importance of perfect timing when it comes to the pelvic thrust.
While the ‘main’ story line unfolded pretty well and the dancing and on-stage portion of the male revue club scenes were rather riveting, the attempt at bringing a romance into the story – first between Mike and Joanna (a Sociology student played by Olivia Munn) then Adam’s sister Brooke (Cody Horn) fell flat. It seemed awkward and forced, and there was no chemistry whatsoever. With a cast of stars such as McConaughey and Channing, one would expect a higher level of performance, but apparently the writer was counting on the sex appeal and dance scenes to carry the film. Instead, the audience was left with a series of awkward silences and uncomfortable, choppy dialog. Magic Mike left those in the audience that were looking for more than a two-hour male revue sadly disappointed.
We agreed that if you go wanting to see a ‘real’ movie with a ‘real’ storyline, Magic Mike rates 2 out of 5.
If you go with the expectations of ‘sex on a screen’ we rate this 4 of 5. And only 4 of 5 because we both felt uncomfortable with the ‘crotch in the face scenes’. But if you’re into that kinda thing, then by all means, 5 of 5.
Bad news first: If you are looking for a great plot, great storyline and phenomenal acting you will undoubtedly leave the theater disappointed.
Good news: If you are looking for a movie full of ‘good views’, some decent laughs, and men with rock-hard bodies with ripped muscles, you’ll get what you were looking for.
The movie Magic Mike, produced by Channing Tatum is loosely based on Tatum’s own experience before his acting career took off, when he spent a period of time earning a living as a male stripper. While working a roofing construction job, Mike (Tatum) meets Adam (Alex Pettyfer) and despite his young age, Mike befriends him and takes him out partying and, unbeknownst to Adam, to the strip club where Mikr works as a stripper. Mike introduces Adam to Dallas (Mathew McConaughey), the owner of the strip club, as The Kid.
.
During one of the club’s shows, one of the other strippers, “Tarzan” (Kevin Nash) passed out, and Mike pushes The Kid out on stage. It’s an awkward, unpolished performance, as one would expect from someone brand new to that particular scene, but The Kid proves to be a hit. When Adam realizes the income potential and allure of life as a stripper, he expresses interest in joining Magic Mike’s crew, and Mike and Dallas take him under their wings and teach him everything he needs to know to be successful in the business. They share tips, tricks, and outfit him with appropriate costumes. He quickly learns the dance moves and the importance of perfect timing when it comes to the pelvic thrust.
While the ‘main’ story line unfolded pretty well and the dancing and on-stage portion of the male revue club scenes were rather riveting, the attempt at bringing a romance into the story – first between Mike and Joanna (a Sociology student played by Olivia Munn) then Adam’s sister Brooke (Cody Horn) fell flat. It seemed awkward and forced, and there was no chemistry whatsoever. With a cast of stars such as McConaughey and Channing, one would expect a higher level of performance, but apparently the writer was counting on the sex appeal and dance scenes to carry the film. Instead, the audience was left with a series of awkward silences and uncomfortable, choppy dialog. Magic Mike left those in the audience that were looking for more than a two-hour male revue sadly disappointed.
We agreed that if you go wanting to see a ‘real’ movie with a ‘real’ storyline, Magic Mike rates 2 out of 5.
If you go with the expectations of ‘sex on a screen’ we rate this 4 of 5. And only 4 of 5 because we both felt uncomfortable with the ‘crotch in the face scenes’. But if you’re into that kinda thing, then by all means, 5 of 5.
Bean Dreams
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Get ready for the mobile platformer that literally plays like a dream. Bean Dreams is an...
Pauser Pro
Music and Entertainment
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Pauser Pro is a backing tracks player with the additional convenient features. Auto pause,...
Bob Mann (459 KP) rated The Father (2020) in Movies
Jun 12, 2021
Dementia twists the strands of Anthony’s personal multiverse
Anthony (Anthony Hopkins) is elderly and living in his flat. His daughter Anne (Olivia Colman) keeps dropping by to check he is OK. But is this right? Strange things keep happening to him, from losing his watch to having strange people turn up at the flat. For Anthony is battling against dementia, and reality and fantasy are not quite as distinct as they once were.
Positives:
- I was one of those disappointed that Chadwick Boseman didn’t posthumously win the Best Actor Oscar for “Ma Rainey’s Black Bottom”. But, boy oh boy, after seeing this I am fully supportive of the Academy’s position. Anthony Hopkins has delivered some astonishingly powerful performances during his career – from the tortured ventriloquist in “Magic”, to Hannibal Lector to the elderly pope in “The Two Popes”. But he really excels himself here, tapping both your emotions and your sympathies as the confused and terrified old man.
- The Oscar- and BAFTA-winning screenplay by Florian Zeller, based on his stage play, is devastating, subtly twisting the knife. It will be particularly telling/upsetting for those who are getting on in years and/or have/had elderly parents affected by dementia. I would personally not have included (being deliberately vague) the “Williams entry” scene in the trailer, since it is a jolt of a twist in the film. But there are so many other clever devices in the screenplay that you don’t see coming. The ending in particular is brutal on the emotions.
- The production design (an Oscar nomination for Peter Francis and Cathy Featherstone) is ingenious, as the set subtly and progressively transforms. Almost a ‘spot the difference’ in movie form.
- The score by Ludovico Einaudi uses atonal strings to great effect, as Anthony’s reality keeps shifting from under him.
Negatives:
- I’ve nothing here, hence my 10-bomb rating. I’ve seen some reviews that have thought that the movie was too “stagey” (which is a criticism I have levelled before at a bunch of “stage to screen” adaptations such as “Fences” and – more recently – “One Night in Miami” and “Ma Rainey’s Black Bottom“). But I really didn’t feel that way about “The Father”. The claustrophobic nature of the plot was well served I thought by the (largely) single set location.
Summary Thoughts on “The Father”: Dementia is a cruel and heartless disease that robs any affected elderly person of their memories, logic and – ultimately – their dignity. I thought the movie was extremely clever in reflecting this decline, anchored by the astonishing career-best performance from Sir Anthony Hopkins. But this in turns makes this a very hard watch indeed!
(For the full graphical review, check out the One Mann's Movies post here - https://bob-the-movie-man.com/2021/06/12/the-father-dementia-twists-the-strands-of-anthonys-personal-multiverse/ . Thanks.
Positives:
- I was one of those disappointed that Chadwick Boseman didn’t posthumously win the Best Actor Oscar for “Ma Rainey’s Black Bottom”. But, boy oh boy, after seeing this I am fully supportive of the Academy’s position. Anthony Hopkins has delivered some astonishingly powerful performances during his career – from the tortured ventriloquist in “Magic”, to Hannibal Lector to the elderly pope in “The Two Popes”. But he really excels himself here, tapping both your emotions and your sympathies as the confused and terrified old man.
- The Oscar- and BAFTA-winning screenplay by Florian Zeller, based on his stage play, is devastating, subtly twisting the knife. It will be particularly telling/upsetting for those who are getting on in years and/or have/had elderly parents affected by dementia. I would personally not have included (being deliberately vague) the “Williams entry” scene in the trailer, since it is a jolt of a twist in the film. But there are so many other clever devices in the screenplay that you don’t see coming. The ending in particular is brutal on the emotions.
- The production design (an Oscar nomination for Peter Francis and Cathy Featherstone) is ingenious, as the set subtly and progressively transforms. Almost a ‘spot the difference’ in movie form.
- The score by Ludovico Einaudi uses atonal strings to great effect, as Anthony’s reality keeps shifting from under him.
Negatives:
- I’ve nothing here, hence my 10-bomb rating. I’ve seen some reviews that have thought that the movie was too “stagey” (which is a criticism I have levelled before at a bunch of “stage to screen” adaptations such as “Fences” and – more recently – “One Night in Miami” and “Ma Rainey’s Black Bottom“). But I really didn’t feel that way about “The Father”. The claustrophobic nature of the plot was well served I thought by the (largely) single set location.
Summary Thoughts on “The Father”: Dementia is a cruel and heartless disease that robs any affected elderly person of their memories, logic and – ultimately – their dignity. I thought the movie was extremely clever in reflecting this decline, anchored by the astonishing career-best performance from Sir Anthony Hopkins. But this in turns makes this a very hard watch indeed!
(For the full graphical review, check out the One Mann's Movies post here - https://bob-the-movie-man.com/2021/06/12/the-father-dementia-twists-the-strands-of-anthonys-personal-multiverse/ . Thanks.
Dance Clash: Ballet vs Hip Hop
Games and Entertainment
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~~> Get ready for the biggest dance battle competition of the year and show the world which dancers...