Search
Search results
Dog Stags & NAAFI Growlers: For Every Soldier Who Never Went to War
Book
"Not every soldier gets to be a hero." James Marc Ivimey served for 10 years in the British Army,...
LeftSideCut (3776 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jan 23, 2020
In this day and age, where Star Wars is beloved by so many, and more recently met with sighs and trepidation by just as many, it's a franchise that easily faces scrutiny.
We can look at both the prequel and sequel trilogies to plainly see that it doesn't take much to piss off Star Wars fans in one way or another.
The announcement of Rogue One was met with said scrutiny, some saying it wasn't needed, some feeling fatigued by the sheer amount of Star Wars being thrown at us, sentiments that I can understand.
But I truly believe that Rogue One was a surprising win, and I left the cinema feeling that it belonged up there with the top tier SW films, and my opinion hasn't budged on repeat viewings.
The story revolves around a rag tag group of mercenaries, smugglers, and outcasts, and how they managed to secure the Death Star plans that set off the events of A New Hope back in 1977.
The cast of heroes aren't fleshed out a huge deal, but were given enough backstory to understand them adequately and back their campaign against the Empire.
Just like TFA, it's great to have another female lead in the SW universe. Felicity Jones is likable enough as Jyn Erso, even if her character is a little on the vanilla side.
The duo of Chirrut Imwe and Baze Malbus (Donnie Yen and Wen Jiang) work great next to one another, and provide a lot of the films humour and emotional impact.
The droid K2-SO (voiced by Alan Tudyk) is also a surprising highlight, his dry sense of humour works fantastically with the more serious tone of the movie.
We also have Cassian Andor (Diego Luna) which is the only character from the main group I struggled to like. He's written like a poor man's Han Solo, and I just didn't care about him at all, an aspect that can hopefully be rectified in the upcoming Disney+ series.
We also have Forest Whitaker as Saw Gerrera - a concrete connection to Star Wars: Rebels no less!, Mads Mikkelsen as Jyn's father Galen, and Ben Mendelsohn as this films villain, Orson Krennic.
It's a really strong cast if mostly enjoyable characters that earn their place in the SW pantheon.
In terms of cinematography, Star Wars has arguably never looked so good. Gorgeous and colourful locations like Scarif contrast against the classic Whit and greys of the original Empire design beautifully. All of the CG effects are more or less perfect, (with a huge exception that I'll get to in a second) and the action set pieces are thrilling. The whole final act is spectacular, and then just when it's seems like it's all over, we get THAT ending sequence - Gareth Edwards knows just the right amount of nostalgia to ensure the audience laps it up, and it's one of the best minutes of any Star Wars film ever.
The exception I mentioned above is of course going to be the subject of bringing back real actors from the dead. The inclusion of Grand Moff Tarkin makes sense in this particular narrative, but it does feel a bit odd seeing Peter Cushing, who died over 20 years ago, back on screen. Another cameo late on that includes a younger version of a legendary Star Wars character looks really off as well.
Overall though, these are just nit picks at an otherwise terrific sci-fi adventure.
Rogue One is bonafide great entry into the Star Wars canon, and its my personal favourite of the Disney era so far. Top stuff.
We can look at both the prequel and sequel trilogies to plainly see that it doesn't take much to piss off Star Wars fans in one way or another.
The announcement of Rogue One was met with said scrutiny, some saying it wasn't needed, some feeling fatigued by the sheer amount of Star Wars being thrown at us, sentiments that I can understand.
But I truly believe that Rogue One was a surprising win, and I left the cinema feeling that it belonged up there with the top tier SW films, and my opinion hasn't budged on repeat viewings.
The story revolves around a rag tag group of mercenaries, smugglers, and outcasts, and how they managed to secure the Death Star plans that set off the events of A New Hope back in 1977.
The cast of heroes aren't fleshed out a huge deal, but were given enough backstory to understand them adequately and back their campaign against the Empire.
Just like TFA, it's great to have another female lead in the SW universe. Felicity Jones is likable enough as Jyn Erso, even if her character is a little on the vanilla side.
The duo of Chirrut Imwe and Baze Malbus (Donnie Yen and Wen Jiang) work great next to one another, and provide a lot of the films humour and emotional impact.
The droid K2-SO (voiced by Alan Tudyk) is also a surprising highlight, his dry sense of humour works fantastically with the more serious tone of the movie.
We also have Cassian Andor (Diego Luna) which is the only character from the main group I struggled to like. He's written like a poor man's Han Solo, and I just didn't care about him at all, an aspect that can hopefully be rectified in the upcoming Disney+ series.
We also have Forest Whitaker as Saw Gerrera - a concrete connection to Star Wars: Rebels no less!, Mads Mikkelsen as Jyn's father Galen, and Ben Mendelsohn as this films villain, Orson Krennic.
It's a really strong cast if mostly enjoyable characters that earn their place in the SW pantheon.
In terms of cinematography, Star Wars has arguably never looked so good. Gorgeous and colourful locations like Scarif contrast against the classic Whit and greys of the original Empire design beautifully. All of the CG effects are more or less perfect, (with a huge exception that I'll get to in a second) and the action set pieces are thrilling. The whole final act is spectacular, and then just when it's seems like it's all over, we get THAT ending sequence - Gareth Edwards knows just the right amount of nostalgia to ensure the audience laps it up, and it's one of the best minutes of any Star Wars film ever.
The exception I mentioned above is of course going to be the subject of bringing back real actors from the dead. The inclusion of Grand Moff Tarkin makes sense in this particular narrative, but it does feel a bit odd seeing Peter Cushing, who died over 20 years ago, back on screen. Another cameo late on that includes a younger version of a legendary Star Wars character looks really off as well.
Overall though, these are just nit picks at an otherwise terrific sci-fi adventure.
Rogue One is bonafide great entry into the Star Wars canon, and its my personal favourite of the Disney era so far. Top stuff.
Connor Sheffield (293 KP) rated Star Wars: Episode IV - A New Hope (1977) in Movies
Apr 20, 2017
The beginning of an era that will last a life time (3 more)
Character
Special Effects
Movie Score that is highly recognizable
Han Shot First!!!
Star Wars...the movie no one believed would become anywhere close to the success it is today. Not even George Lucas believed it would be as big as it is, but that's the beauty of it.
Star Wars wasn't just the beginning of a new fandom, it was also the beginning of a new era for film itself. Skywalker Sound revolutionized special sound effects and and the CGI used in Star Wars (during it's original release) made directors like Steven Spielberg realise they can bring their dreams to life, such as the film Jurassic Park which then revolutionized film even further.
Introducing new and original characters such as Luke Skywalker, Princess Leia, Han Solo, Chewbacca, Darth Vader and so many more! The film introduced the strong female role model in what is actually a kid's film. Carrie Fisher portrayed Princess Leia and there has never been anyone quite as brilliant as her since, because at only 19 years old during the first film, she became an icon and one of the strongest woman on screen.
All 3 of the main cast went on to take on great roles. Mark Hamill is probably most famous for his voice over work in cartoon shows such as Batman the Animated series where he has become the most famous voice for The Joker, taking on the role multiple times including in the Batman Arkham video games. Harrison Ford went on to star in many famous roles in big blockbuster films such as Indiana Jones, Apocalypse Now, Blade Runner and many more. Carrie Fisher went on to star in When Harry Met Sally, Drop Dead Fred, and Scream 3.
The villain of the film quickly became one of the most badass and recognizable villains to ever appear on the big screen...Darth Vader! He was menacing, manipulative, and powerful.
The visuals of this film were incredible for the time, from the space battles to the lightsabers. Not to mention that a lot of the space ships, and the death star trench are all models with actual (mini) explosions.
Star Wars is so popular these days that it has been parodied and praised by countless other films, TV shows, sketches, art, porn and almost anything you can think of.
It even has a holiday after it 'May the 4th be with you' (May the force be with you), now known simply as May the 4th. Along with conventions and celebrations, Star Wars has become more of a way of life for a lot of people and not just a fandom.
Star Wars wasn't just the beginning of a new fandom, it was also the beginning of a new era for film itself. Skywalker Sound revolutionized special sound effects and and the CGI used in Star Wars (during it's original release) made directors like Steven Spielberg realise they can bring their dreams to life, such as the film Jurassic Park which then revolutionized film even further.
Introducing new and original characters such as Luke Skywalker, Princess Leia, Han Solo, Chewbacca, Darth Vader and so many more! The film introduced the strong female role model in what is actually a kid's film. Carrie Fisher portrayed Princess Leia and there has never been anyone quite as brilliant as her since, because at only 19 years old during the first film, she became an icon and one of the strongest woman on screen.
All 3 of the main cast went on to take on great roles. Mark Hamill is probably most famous for his voice over work in cartoon shows such as Batman the Animated series where he has become the most famous voice for The Joker, taking on the role multiple times including in the Batman Arkham video games. Harrison Ford went on to star in many famous roles in big blockbuster films such as Indiana Jones, Apocalypse Now, Blade Runner and many more. Carrie Fisher went on to star in When Harry Met Sally, Drop Dead Fred, and Scream 3.
The villain of the film quickly became one of the most badass and recognizable villains to ever appear on the big screen...Darth Vader! He was menacing, manipulative, and powerful.
The visuals of this film were incredible for the time, from the space battles to the lightsabers. Not to mention that a lot of the space ships, and the death star trench are all models with actual (mini) explosions.
Star Wars is so popular these days that it has been parodied and praised by countless other films, TV shows, sketches, art, porn and almost anything you can think of.
It even has a holiday after it 'May the 4th be with you' (May the force be with you), now known simply as May the 4th. Along with conventions and celebrations, Star Wars has become more of a way of life for a lot of people and not just a fandom.
Goddess in the Stacks (553 KP) rated Ahsoka in Books
May 8, 2018
I've been wanting to read this novel for a long time, as Ahsoka Tano is my favorite character from the Clone Wars cartoon, and second-favorite in the entire Star Wars series. (Because General Leia exists.) I picked the book up at a used book store in Oregon when we went home from the holidays, but I've just had so many other things to read. I finally read it for May 4th, Star Wars Day.
I didn't like it as much as I wanted to. I've read another book by Johnston, That Inevitable Victorian Thing, which I enjoyed but thought was too fluffy. And comparing this to the last Star Wars book I read - Phasma - this tilts that way too. It's not as fluffy as TIVT - people die, and the Empire is the ever-looming possible doom that it always is - but it just didn't feel as gritty as Phasma did. Perhaps it shouldn't; Phasma is a villain, and her backstory is suitably dark. And Ahsoka, here, is floundering a little in the wake of Order 66, and being alive when none of her compatriots, to her knowledge, are.
I did enjoy learning how she got her lightsabers back, and the story should lead well into the Rebels cartoon, which I have yet to watch.
So I don't know. It was an entertaining book, and it was effective at furthering Ahsoka's story, it just...wasn't quite what I wanted.
You can find all my reviews at http://goddessinthestacks.wordpress.com
I didn't like it as much as I wanted to. I've read another book by Johnston, That Inevitable Victorian Thing, which I enjoyed but thought was too fluffy. And comparing this to the last Star Wars book I read - Phasma - this tilts that way too. It's not as fluffy as TIVT - people die, and the Empire is the ever-looming possible doom that it always is - but it just didn't feel as gritty as Phasma did. Perhaps it shouldn't; Phasma is a villain, and her backstory is suitably dark. And Ahsoka, here, is floundering a little in the wake of Order 66, and being alive when none of her compatriots, to her knowledge, are.
I did enjoy learning how she got her lightsabers back, and the story should lead well into the Rebels cartoon, which I have yet to watch.
So I don't know. It was an entertaining book, and it was effective at furthering Ahsoka's story, it just...wasn't quite what I wanted.
You can find all my reviews at http://goddessinthestacks.wordpress.com
David McK (3728 KP) rated Labyrinth of Evil (Star Wars: The Dark Lord Trilogy, #1) in Books
Jan 30, 2019
Following the now-infamous Disney acquisition of Star Wars (which saw the abolition of the old Expanded Universe), I'm actually no-longer sure where this sits in the hierarchy of canon: is this 'Legends' (i.e pre acquisition) material, or is it stil canon?
This is set between the events of 'Attack of the Clones' and 'Revenge of the Sith' - actually leading directly into that movie, with Anakin and Obi-Wan jetting off back to Coruscant - and, in many ways, seeks to bolster the reputation of one of the missed opportunities from that movie: that of General Grievious (not his face on the cover ...).
I'm also not sure where it sits alongside the Genndy Tartakovsy animation which also seeked to do exactly that, though the latter portion of the novel does seem to describesome of the actions shown in that animation (the surprise attack on Coruscant, and the capturing of Senator Palpatine) in prose form.
This is also the first of the so-called 'Dark Lord' trilogy (comprising of this, [b:Star Wars: Episode III - Revenge of the Sith|35458|Star Wars Episode III - Revenge of the Sith|Matthew Woodring Stover|https://images.gr-assets.com/books/1388228249s/35458.jpg|476816] and [b:The Rise of Darth Vader|359848|The Rise of Darth Vader (Star Wars The Dark Lord Trilogy, #3)|James Luceno|https://images.gr-assets.com/books/1388209667s/359848.jpg|574260]); while I have previously read - and enjoyed - the middle of those three, I now feel like reading the series in its entirity, from start to finish.
This is set between the events of 'Attack of the Clones' and 'Revenge of the Sith' - actually leading directly into that movie, with Anakin and Obi-Wan jetting off back to Coruscant - and, in many ways, seeks to bolster the reputation of one of the missed opportunities from that movie: that of General Grievious (not his face on the cover ...).
I'm also not sure where it sits alongside the Genndy Tartakovsy animation which also seeked to do exactly that, though the latter portion of the novel does seem to describesome of the actions shown in that animation (the surprise attack on Coruscant, and the capturing of Senator Palpatine) in prose form.
This is also the first of the so-called 'Dark Lord' trilogy (comprising of this, [b:Star Wars: Episode III - Revenge of the Sith|35458|Star Wars Episode III - Revenge of the Sith|Matthew Woodring Stover|https://images.gr-assets.com/books/1388228249s/35458.jpg|476816] and [b:The Rise of Darth Vader|359848|The Rise of Darth Vader (Star Wars The Dark Lord Trilogy, #3)|James Luceno|https://images.gr-assets.com/books/1388209667s/359848.jpg|574260]); while I have previously read - and enjoyed - the middle of those three, I now feel like reading the series in its entirity, from start to finish.
Auburn (57 KP) rated Star Wars: Lando's Luck (Flight of the Falcon, #1) in Books
Apr 10, 2019
Like the cover suggests this one follows Lando on an adventure that is perfect for all ages. My younger sons enjoyed the plot and the simplicity of the read. While it seemed like it went on a bit at the end overall the characters were a great addition to the greater star wars world. Lando acted like you would expect from his younger self and created good humor and good interactions. It felt great to see him by himself doing his own adventures without needing the more major characters.
Highly recommend to anyone who loves Star Wars as well as parents who wish to get their children into the fandom as well as reading. Perfect middle grade chapter book for school as well. I think any age would enjoy this even if they are an adult.
Highly recommend to anyone who loves Star Wars as well as parents who wish to get their children into the fandom as well as reading. Perfect middle grade chapter book for school as well. I think any age would enjoy this even if they are an adult.
David McK (3728 KP) rated The Courtship of Princess Leia (Star Wars) in Books
Jan 28, 2019
One of the earliest Star Wars EU books, this is also (IMO) one of the weakest of the early entries. I found neither Han nor Leia to be particularly like I remember them for the movies, and that's only the beginning of the problems wit the stories. For instance:
Han wins a planet (a freakin' planet!) I a card game??
The Hapes Consortium have a weapon called 'the gun of command' that robs someone of free will?
The Emperor - the man who oversaw the near-extinction of the Jedi - was afraid of a group of 'Force Witches' on a third-rate planet?
Rancors are (semi)intelligent?
If this had been the first Star Wars EU book instead of Zahn's <I>Heir to the Empire</I> series, I doubt the EU franchise as a whole would be as popular as it is.
Han wins a planet (a freakin' planet!) I a card game??
The Hapes Consortium have a weapon called 'the gun of command' that robs someone of free will?
The Emperor - the man who oversaw the near-extinction of the Jedi - was afraid of a group of 'Force Witches' on a third-rate planet?
Rancors are (semi)intelligent?
If this had been the first Star Wars EU book instead of Zahn's <I>Heir to the Empire</I> series, I doubt the EU franchise as a whole would be as popular as it is.
David McK (3728 KP) rated Star Wars, volume 3: War of the Bounty Hunters in Books
Feb 16, 2023
Compilation issue, collecting Marvel's 'main-line' Star wars graphic novels, issues 12-18, and set during the period between Empire Strikes Back and Return of the Jedi (Han frozen in Carbonite, Luke has fought - and lost to - Vader, etc).
It also crosses-over with the 'War of the Bounty Hunters' collection of comics.
That much is obvious.
What was not so obvious, however - and I had no idea prior to reading this - is that it must cross over with some of the other Star Wars properties: I'm guessing Darth Vader for one. The reason I say that? I found it a bit jarring jumping from 'Vader's arrived!' in one issue to seeing rebels flee in the next, without any context of why or what had happened except for a few speech bubbles referencing events that I hadn't read!
It also crosses-over with the 'War of the Bounty Hunters' collection of comics.
That much is obvious.
What was not so obvious, however - and I had no idea prior to reading this - is that it must cross over with some of the other Star Wars properties: I'm guessing Darth Vader for one. The reason I say that? I found it a bit jarring jumping from 'Vader's arrived!' in one issue to seeing rebels flee in the next, without any context of why or what had happened except for a few speech bubbles referencing events that I hadn't read!
Movie Metropolis (309 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jun 10, 2019
The 2nd best star wars film
The Star Wars universe just got a whole lot bigger. When Rogue One: A Star Wars Story was announced by Disney a couple of years ago, diehard fans of the sci-fi saga met the news with a huge dose of scepticism.
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
David McK (3728 KP) rated Lost Stars (Star Wars) in Books
Jan 28, 2019
Earlier this year, I read the first of the 'new' Star Wars books leading up the The Force Awakens, following Disney's abolition of the old Expanded Universe (said book was [a:Chuck Wendig|17152|Chuck Wendig|https://d.gr-assets.com/authors/1294919586p2/17152.jpg] 's [b:Aftermath|25131600|Aftermath (Star Wars Aftermath, #1)|Chuck Wendig|https://d.gr-assets.com/books/1426620007s/25131600.jpg|44828548] ).
While th ebook was all right, it didn't (I felt) live up the 'original' (now no longer canon) continuation of [a:Timothy Zahn|12479|Timothy Zahn|https://d.gr-assets.com/authors/1215545810p2/12479.jpg]'s 'Heir to the Empire' trilogy, or of some of the books that came after.
I only discovered recently, when I read an article released just before the second of Wendig's Star Wars books, that he is actually a screen-writer rather than a novelist, which goes some way (I felt) towards explaining the choppy structure of the novel.
In the comments on that article, a couple of the contributors had mentioned other 'new' Star Wars books they had read, with most stating this was one of the best, so I decided to give it a go :)
Starting roughly 8 years after 'Revenge of the Sith', this novel follows the exploits of 2 childhood friends (who grow up to be more than friends) from a backwater planet, who end up fighting on different sides of the Galactic Civil War. As such, this takes in all the key events of the original trilogy - The Tantive IV chase, destruction of Alderaan, blowing up of the first Death Star, attack on Hoth, Asteroid chase, Bespin, the space battle above Endor/second Death Star - and goes slightly beyond into explaining why there is a crashed Star Destroyer on the planet Jakku (from the start of The Force Awakens).
Remember in the movies, the lines 'There goes another one / hold your fire' right at the start of the original, with the jettison of an escape pod that holds R2-D2 and C3PO? The character who utters those (NOT either of the two main character here) is given a background, as is that who has 'analysed their attack, and has found a danger'.
Of the two leading-into-The Force Awakens novels I've read so far this year, this is the better
While th ebook was all right, it didn't (I felt) live up the 'original' (now no longer canon) continuation of [a:Timothy Zahn|12479|Timothy Zahn|https://d.gr-assets.com/authors/1215545810p2/12479.jpg]'s 'Heir to the Empire' trilogy, or of some of the books that came after.
I only discovered recently, when I read an article released just before the second of Wendig's Star Wars books, that he is actually a screen-writer rather than a novelist, which goes some way (I felt) towards explaining the choppy structure of the novel.
In the comments on that article, a couple of the contributors had mentioned other 'new' Star Wars books they had read, with most stating this was one of the best, so I decided to give it a go :)
Starting roughly 8 years after 'Revenge of the Sith', this novel follows the exploits of 2 childhood friends (who grow up to be more than friends) from a backwater planet, who end up fighting on different sides of the Galactic Civil War. As such, this takes in all the key events of the original trilogy - The Tantive IV chase, destruction of Alderaan, blowing up of the first Death Star, attack on Hoth, Asteroid chase, Bespin, the space battle above Endor/second Death Star - and goes slightly beyond into explaining why there is a crashed Star Destroyer on the planet Jakku (from the start of The Force Awakens).
Remember in the movies, the lines 'There goes another one / hold your fire' right at the start of the original, with the jettison of an escape pod that holds R2-D2 and C3PO? The character who utters those (NOT either of the two main character here) is given a background, as is that who has 'analysed their attack, and has found a danger'.
Of the two leading-into-The Force Awakens novels I've read so far this year, this is the better