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Andy K (10823 KP) rated The Tree of Life (2011) in Movies
Apr 19, 2019
Challenge yourself. Give this a watch!
I have to admit to not having seen many films directed by Terrence Malick. Not by choice, just hadn't gotten around to it. I watched The Thin Red Line when it was released, but thought it was inferior to Saving Private Ryan which was released around the same time. I will give a rewatch soon.
I saw another review which said to describe this film would be like trying to describe the color blue to someone who was blind. A basically impossible task.
The easiest way for me would be to mention other movies, so if you took parts of 2001: A Space Odyssey, Mother!, Revolutionary Road and Stand By Me you might start to come close to the interesting weave of imagery and story which conjoin this film.
Loosely speaking, it's about a family with 3 young boys in Texas in the 1950s. Their relationships, their troubles, their triumphs, the small insignificant moments in their lives combined with the very important ones. Throw in scenes of the creation of the universe, dinosaurs and unusual images of the Earth itself you'll finally start to maybe understand the complexity of this film.
Of course, this is a film like 2001 or Mother in which some will say it is crap or there is no meaning beyond what is displayed onscreen, but I would beg to differ. I respect everyone's opinions, but strive to seek out films that make me think a little and make me ponder during and after the end credits are complete and this film will do that for sure.
I am not a religious person, but you don't need to be to appreciate the vivid imagery in this film. I believe Malick supports differing views whether you believe in God or not.
In short, in a world of summer blockbusters just beyond the horizon, I would challenge you to enjoy those films as they have their place, but also challenge yourself with something rich.
I know I will be finding Days of Heaven and Badlands to get more Malick in the weeks ahead.
I saw another review which said to describe this film would be like trying to describe the color blue to someone who was blind. A basically impossible task.
The easiest way for me would be to mention other movies, so if you took parts of 2001: A Space Odyssey, Mother!, Revolutionary Road and Stand By Me you might start to come close to the interesting weave of imagery and story which conjoin this film.
Loosely speaking, it's about a family with 3 young boys in Texas in the 1950s. Their relationships, their troubles, their triumphs, the small insignificant moments in their lives combined with the very important ones. Throw in scenes of the creation of the universe, dinosaurs and unusual images of the Earth itself you'll finally start to maybe understand the complexity of this film.
Of course, this is a film like 2001 or Mother in which some will say it is crap or there is no meaning beyond what is displayed onscreen, but I would beg to differ. I respect everyone's opinions, but strive to seek out films that make me think a little and make me ponder during and after the end credits are complete and this film will do that for sure.
I am not a religious person, but you don't need to be to appreciate the vivid imagery in this film. I believe Malick supports differing views whether you believe in God or not.
In short, in a world of summer blockbusters just beyond the horizon, I would challenge you to enjoy those films as they have their place, but also challenge yourself with something rich.
I know I will be finding Days of Heaven and Badlands to get more Malick in the weeks ahead.
Sensitivemuse (246 KP) rated The Conqueror's Shadow in Books
Apr 26, 2019
Anti heroes join this great plot
I haven’t read a good fantasy in such a long time! And this one was excellent! It’s fun to see a bunch of misfit anti heroes come together to try and save the world because not only did they leave on bad terms back then in the day, Corvis actually had the galls to come back to ask them for favors (we all had that one friend didn’t we?)
Each of the characters have their distinct quirk and personality. Also they’re not afraid to tell Corvis how it is (and he surprisingly takes it...which makes them a more fun bunch to read) I can’t really say I have a favorite although I admit I was disappointed in Khanda towards the last half of the book. He definitely had the best and more fun personality to read on but he just *had* to do it didn’t he? (you’ll see when you finish the book)
The plot had a steady pace and it was good. I was actually surprised as to who the Serpent really was as you’d think it was obvious. It was a good surprise and the action in the last third of the book was massive with lots of action. Although it gets pretty dark at times and Corvis isn’t a hero per se (more like a terrorizing horrible despot who decimates towns and villages to his liking) it has black comedy elements in it and overall because of this provides a ‘lightness’ to the story. It helps that the cast of characters have witty retorts and comebacks which also provides a few laughs here and there.
The world building and setting is pretty much your standard fantasy setting that is portrayed in most novels of the genre out there. Nevertheless it doesn’t take away from the novel and still provides a good foundation for it.
A plot rich with a variety of characters, good light banter, and some action is what makes up this book in a nutshell. I definitely recommend it as it was an enjoyable read.
Each of the characters have their distinct quirk and personality. Also they’re not afraid to tell Corvis how it is (and he surprisingly takes it...which makes them a more fun bunch to read) I can’t really say I have a favorite although I admit I was disappointed in Khanda towards the last half of the book. He definitely had the best and more fun personality to read on but he just *had* to do it didn’t he? (you’ll see when you finish the book)
The plot had a steady pace and it was good. I was actually surprised as to who the Serpent really was as you’d think it was obvious. It was a good surprise and the action in the last third of the book was massive with lots of action. Although it gets pretty dark at times and Corvis isn’t a hero per se (more like a terrorizing horrible despot who decimates towns and villages to his liking) it has black comedy elements in it and overall because of this provides a ‘lightness’ to the story. It helps that the cast of characters have witty retorts and comebacks which also provides a few laughs here and there.
The world building and setting is pretty much your standard fantasy setting that is portrayed in most novels of the genre out there. Nevertheless it doesn’t take away from the novel and still provides a good foundation for it.
A plot rich with a variety of characters, good light banter, and some action is what makes up this book in a nutshell. I definitely recommend it as it was an enjoyable read.
Goddess in the Stacks (553 KP) rated Gentleman's Guide To Vice And Virtue in Books
Jun 8, 2018
This was excellent! First, all the diversity here - between the bisexual main character, his best friend, who is biracial, has an "invisible" disability, and also likes men (or at least likes Monty!) and his seemingly asexual sister - the book covers so many facets, it's great.
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Olivia (102 KP) rated Girls of Paper and Fire in Books
Aug 13, 2018 (Updated Aug 13, 2018)
I'm still trying to process all my feelings about his book, but right now I'm going to give it an 8.5
Girls of Paper and Fire is an incredibly addicting read. Within picking it up, I finished reading it in under 24 hours. Every minute that I wasn't reading it, I was thinking about it. It was like an impossible earworm chanting "Read me. Read me!".
Ngan's writing style and character development left me in awe at times. She somehow managed to write this imaginative tale whilst keeping it grounded, a combination that I haven't seen successfully executed very often. The romance in this book is perhaps one of my new all-time favorites. The love is believable. It wasn't a case of "Oh, I like this person a lot and so now I'm gonna make out with them for 80 pages straight and forget about everything else." there was actual chemistry between the two and it made the story all the more intense.
In the seemingly effortless way Ngan could create palpable romantic chemistry, she could also create absolute revulsion.
My problem with so many villains is that the writer will have them have done something terrible, and that's it. They don't truly explore how vile this villain is; they rely on one or two things that all of decent humanity can agree is unforgivable and let that be the reason why they're evil. Sure, anyone would be repulsed by a man who rapes and murders people; it's not like you have to convince people to hate that guy. But Ngan doesn't just throw those two things onto the character and call it a day. She made the king an absolute vile creature with words that made me physically gag, actions that made me have to put the book down and walk away.
Ngan's descriptions are extremely rich; whether that is a good or bad thing will vary from reader to reader. Personally, I found myself sometimes skimming over all the imagery; not because it wasn't good, but because I just really wanted to get back to the main plot and character interactions.
I'm not usually a huge fan of series, but this is one that I heavily look forward to continuing.
Girls of Paper and Fire is an incredibly addicting read. Within picking it up, I finished reading it in under 24 hours. Every minute that I wasn't reading it, I was thinking about it. It was like an impossible earworm chanting "Read me. Read me!".
Ngan's writing style and character development left me in awe at times. She somehow managed to write this imaginative tale whilst keeping it grounded, a combination that I haven't seen successfully executed very often. The romance in this book is perhaps one of my new all-time favorites. The love is believable. It wasn't a case of "Oh, I like this person a lot and so now I'm gonna make out with them for 80 pages straight and forget about everything else." there was actual chemistry between the two and it made the story all the more intense.
In the seemingly effortless way Ngan could create palpable romantic chemistry, she could also create absolute revulsion.
My problem with so many villains is that the writer will have them have done something terrible, and that's it. They don't truly explore how vile this villain is; they rely on one or two things that all of decent humanity can agree is unforgivable and let that be the reason why they're evil. Sure, anyone would be repulsed by a man who rapes and murders people; it's not like you have to convince people to hate that guy. But Ngan doesn't just throw those two things onto the character and call it a day. She made the king an absolute vile creature with words that made me physically gag, actions that made me have to put the book down and walk away.
Ngan's descriptions are extremely rich; whether that is a good or bad thing will vary from reader to reader. Personally, I found myself sometimes skimming over all the imagery; not because it wasn't good, but because I just really wanted to get back to the main plot and character interactions.
I'm not usually a huge fan of series, but this is one that I heavily look forward to continuing.
Ross (3284 KP) rated The Paris Mysteries in Books
Dec 27, 2019
Crime fiction stripped bare - all tell
"Show, don't tell" is the mantra of many authors. It means give the reader the information so they can decipher the plot at their own pace, with various tidbits of information scattered throughout a book. It doesn't mean long rambling sections of exposition.
This phrase was clearly coined after Poe's demise, as he doesn't seem to have ever heard it.
Yes, he is undoubtedly the first and most important writer of detective/crime fiction. This by no means suggests it is any good.
The three stories are really just a setting out of a mysterious crime with some facts/suspicions, with a lengthy monologue where C August Dupin solves the mystery. That's it. No suspense. No character development. No real scene setting. Just a slightly puzzling crime followed by a smartarse giving the solution.
The main thing to take away from these three Poe stories is that the police and detectives used to be rubbish and looked for the wrong evidence, or were sidetracked by what they wanted to see. There are many crimes and stories with apparently impossible solutions which can't seem to be unravelled. This idea absolutely was the genesis of the rich and varied crime genre we have today. The idea that a strange set of circumstances can arise where an apparently normal crime can be committed but with the evidence so obscure and tangled that unravelling it would take a genius.
Sadly, Poe didn't put the story around the bare bones of these crimes. So all we have is three exam questions with a know-it-all giving the answer, with no charm, no suspense, no thrilling conclusion. One of them barely even concludes the murderer, just spends an age picking holes in the logic applied by various newspapers in trying to document the crime.
I might be interested in reading a retelling of these stories (except the one where a letter has simply gone missing and is found my looking somewhere obvious), where someone actually weaves a narrative around the bare bones.
I appreciate Poe's efforts because of what followed, but not for what they themselves are.
This phrase was clearly coined after Poe's demise, as he doesn't seem to have ever heard it.
Yes, he is undoubtedly the first and most important writer of detective/crime fiction. This by no means suggests it is any good.
The three stories are really just a setting out of a mysterious crime with some facts/suspicions, with a lengthy monologue where C August Dupin solves the mystery. That's it. No suspense. No character development. No real scene setting. Just a slightly puzzling crime followed by a smartarse giving the solution.
The main thing to take away from these three Poe stories is that the police and detectives used to be rubbish and looked for the wrong evidence, or were sidetracked by what they wanted to see. There are many crimes and stories with apparently impossible solutions which can't seem to be unravelled. This idea absolutely was the genesis of the rich and varied crime genre we have today. The idea that a strange set of circumstances can arise where an apparently normal crime can be committed but with the evidence so obscure and tangled that unravelling it would take a genius.
Sadly, Poe didn't put the story around the bare bones of these crimes. So all we have is three exam questions with a know-it-all giving the answer, with no charm, no suspense, no thrilling conclusion. One of them barely even concludes the murderer, just spends an age picking holes in the logic applied by various newspapers in trying to document the crime.
I might be interested in reading a retelling of these stories (except the one where a letter has simply gone missing and is found my looking somewhere obvious), where someone actually weaves a narrative around the bare bones.
I appreciate Poe's efforts because of what followed, but not for what they themselves are.
Gareth von Kallenbach (980 KP) rated The Magnificent Seven (2016) in Movies
Jul 15, 2019
Full disclosure, I have never seen The 1960s Magnificent Seven film, nor do I care that at its core it is a retelling of the Japanese legend of the Seven Samurai. This is not a comparison review. Instead this is a simple review of what I watched on screen. Not beholden to anything other than itself as film and it being a western.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
ClareR (5841 KP) rated The End of the Ocean in Books
Nov 6, 2019
The End of the Ocean by Maja Lunde is Climate Fiction (Cli-Fi) at its best and most stark. At its best, because everything that happens feels as though they are the reasonable consequences of what we are predicted now; most stark, because this is truly a terrible version of the future.
In the present day(2019), 69 year old environmental activist Signe discovers that her home town, and in particular her ex-boyfriend, is responsible for cutting up and shipping off ice from their glacier to sell to the rich, so that they can have glacial ice in their expensive cocktails. She decides to sabotage the shipment, and steals some of it - or what she can carry in her boat. She sails her ship through a terrible storm with the intention of taking it to the person responsible.
In 2041, David and his daughter Lou, arrive at a refugee camp after escaping from war and fire in their French home. There is little water and food, but David is hopeful that his wife and infant son (who they’ve been separated from) will be there or arrive soon.
The two stories are linked when David and Lou find Signe’s boat in the garden of one of the abandoned houses.
This is such a powerful book. It takes current scientific research and arrives at the extreme end of its prediction: drought, famine and war. I had to read it in short chunks, because I found the story so moving and intensely depressing, to be honest. It doesn’t feel exaggerated: I didn’t read it thinking “Well that would NEVER happen”. It’s all too plausible, in fact. I really liked how the two stories ran parallel to one another and joined up in the latter half of the book, with the boat as some sort of symbol of hope.
It’s not all depressing though. There is an element of hope, and we see the enduring strength of the human spirit. I have The History of Bees on my bookshelf, which I will read now - and I’ll definitely look out for the third in this quartet of books.
Many thanks to NetGalley and Simon and Schuster UK for my copy of this book.
In the present day(2019), 69 year old environmental activist Signe discovers that her home town, and in particular her ex-boyfriend, is responsible for cutting up and shipping off ice from their glacier to sell to the rich, so that they can have glacial ice in their expensive cocktails. She decides to sabotage the shipment, and steals some of it - or what she can carry in her boat. She sails her ship through a terrible storm with the intention of taking it to the person responsible.
In 2041, David and his daughter Lou, arrive at a refugee camp after escaping from war and fire in their French home. There is little water and food, but David is hopeful that his wife and infant son (who they’ve been separated from) will be there or arrive soon.
The two stories are linked when David and Lou find Signe’s boat in the garden of one of the abandoned houses.
This is such a powerful book. It takes current scientific research and arrives at the extreme end of its prediction: drought, famine and war. I had to read it in short chunks, because I found the story so moving and intensely depressing, to be honest. It doesn’t feel exaggerated: I didn’t read it thinking “Well that would NEVER happen”. It’s all too plausible, in fact. I really liked how the two stories ran parallel to one another and joined up in the latter half of the book, with the boat as some sort of symbol of hope.
It’s not all depressing though. There is an element of hope, and we see the enduring strength of the human spirit. I have The History of Bees on my bookshelf, which I will read now - and I’ll definitely look out for the third in this quartet of books.
Many thanks to NetGalley and Simon and Schuster UK for my copy of this book.
KalJ95 (25 KP) rated the PlayStation 4 version of Sekiro: Shadows Die Twice in Video Games
Jan 4, 2020
Fluid and fantastic combat system. (2 more)
Another FromSoftware Classic.
Best game of 2019.
My first experience with a FromSoftware game was Bloodborne. I played fifteen minutes, and gave up due to its difficulty. Time and time again, I just couldn't get past its first area, but with perseverance, I conquered the mountain, and Bloodborne became one of my favourite games. Fast forward just over three years, I destroyed Dark Souls III, and obliterated Nioh. Challenging games had become an addiction I couldn't quit. Enter Sekiro: Shadows Die Twice, FromSoftware's latest, very much story orientated entry in their catalogue of fine games.
First things first, Sekiro is most definitely a mountain to climb. If you don't grasp the rhythm of parrying and deflecting your opponents attacks, you are finished. Unlike previous FromSoftware entries, attacking is not the aim of this game. It takes time, but once you begin to understand the combat, the reward is so gratifying, especially with the boss battles, which will often want to make you throw the controller through a concrete wall.
Each boss is strategically different with how they plan to beat you, some opting to go all out attack on you, others playing the waiting game by throwing objects or firing arrows. Variety is key, and progressing and gaining new skills will help you beat each enemy as they come.
Sekiro also just happens to be one of the most beautiful games I've ever played. Its culture is rich, and its vibrancy through colour is breathtaking. While no modifications can be done with your Shinobi, it doesn't matter as you'll be too busy taking in each detail the world has to offer.
But nothing is without fault. Sekiro sometimes feels like certain boss fights are rigged in their favour, and that pure luck gets you to beat them, and that felt all too often with the infamous, Demon of Hatred. This certain boss felt so out of place, and I felt it didn't need to be included whatsoever. However, this never bogged the games standard down, as by this point the fluidity and grace of Sekiro had already confirmed what I was thinking two thirds of the way through;
Sekiro is 2019's best game.
First things first, Sekiro is most definitely a mountain to climb. If you don't grasp the rhythm of parrying and deflecting your opponents attacks, you are finished. Unlike previous FromSoftware entries, attacking is not the aim of this game. It takes time, but once you begin to understand the combat, the reward is so gratifying, especially with the boss battles, which will often want to make you throw the controller through a concrete wall.
Each boss is strategically different with how they plan to beat you, some opting to go all out attack on you, others playing the waiting game by throwing objects or firing arrows. Variety is key, and progressing and gaining new skills will help you beat each enemy as they come.
Sekiro also just happens to be one of the most beautiful games I've ever played. Its culture is rich, and its vibrancy through colour is breathtaking. While no modifications can be done with your Shinobi, it doesn't matter as you'll be too busy taking in each detail the world has to offer.
But nothing is without fault. Sekiro sometimes feels like certain boss fights are rigged in their favour, and that pure luck gets you to beat them, and that felt all too often with the infamous, Demon of Hatred. This certain boss felt so out of place, and I felt it didn't need to be included whatsoever. However, this never bogged the games standard down, as by this point the fluidity and grace of Sekiro had already confirmed what I was thinking two thirds of the way through;
Sekiro is 2019's best game.
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