Search
Search results
Darren (1599 KP) rated Navy Seals vs. Zombies (2015) in Movies
Oct 14, 2019
Characters – LT Pete Cunningham is leading the Navy SEALS, he must put his trust in the newest member of the team in AJ, while trying to get the team through the hordes of zombies to prove once again that his team in the elite military team. Commander Sheer is running the operations from the military base, he doesn’t want to see his men take any unnecessary risks. VP Bentley is the man the team are sent to rescue, he is in the running for the next presidential race. AJ is he newest member of the SEALS team, he is about to become a father and this is his first mission as part of the team, where he must prove himself to the rest of the unit.
Performances – The performances in the film suffer because of the lack of interesting non-generic characters. none of the actors get a chance to show their skills as performers, with large parts of the film just being headless running around.
Story – The story here follows a Navy SEALS unit that must go into Baton Rouge to rescue the Vice president and the scientists behind the outbreak. This is everything a zombie story has given us before, we have a group of people running around a city trying to elude the zombies that outnumber them. We know the team will dwindle down as the film unfolds which is the normal. The starting point for the weaknesses comes from that fact this story is set in a world where zombie film don’t exist, which is clear by all the behaviour through the film. Most of the actual storytelling is saved for the closing of the film which fills in most of the blanks we don’t mention until then.
Action/Horror – The action in the film is just shooting zombies, it is nothing new and becomes overly repetitive after a while. The horror side of the film gives us zombies that run, they never feel like a threat to the anybody.
Settings – The film is set in Baton Rouge, which is considered a military area, I think, the truth is, it could have been any city without any major locations being shown.
Special Effects – The effects in the film are weak with even basic door explosion looking weak, the zombie look is acceptable for a low budget film.
Scene of the Movie – The explaining.
That Moment That Annoyed Me – The stupid decisions.
Final Thoughts – This is a basic zombie film that offers nothing new to the genre, it I filled with stupid decisions and generic action.
Overall: Basic zombie nonsense.
Performances – The performances in the film suffer because of the lack of interesting non-generic characters. none of the actors get a chance to show their skills as performers, with large parts of the film just being headless running around.
Story – The story here follows a Navy SEALS unit that must go into Baton Rouge to rescue the Vice president and the scientists behind the outbreak. This is everything a zombie story has given us before, we have a group of people running around a city trying to elude the zombies that outnumber them. We know the team will dwindle down as the film unfolds which is the normal. The starting point for the weaknesses comes from that fact this story is set in a world where zombie film don’t exist, which is clear by all the behaviour through the film. Most of the actual storytelling is saved for the closing of the film which fills in most of the blanks we don’t mention until then.
Action/Horror – The action in the film is just shooting zombies, it is nothing new and becomes overly repetitive after a while. The horror side of the film gives us zombies that run, they never feel like a threat to the anybody.
Settings – The film is set in Baton Rouge, which is considered a military area, I think, the truth is, it could have been any city without any major locations being shown.
Special Effects – The effects in the film are weak with even basic door explosion looking weak, the zombie look is acceptable for a low budget film.
Scene of the Movie – The explaining.
That Moment That Annoyed Me – The stupid decisions.
Final Thoughts – This is a basic zombie film that offers nothing new to the genre, it I filled with stupid decisions and generic action.
Overall: Basic zombie nonsense.
Dominicana
8.0
Rate It
Book
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2020 'A story for now, an important story . . ....
Historical Fiction New York Literary Fiction Adult Fiction The Dominican Republic Coming of Age
Fuzzy House
Games
App
Fuzzy House is an imaginative doll house app that brings together digital and physical play. It is a...
The Monsters by Tinybop
Education and Entertainment
3.0
Rate It
App
Make the silly scary monsters of your dreams! “Weird, but in a good way” — Geeks with Juniors...
Message in a Bottle
7.8
Rate It
Book
Shimmering with suspense and emotional intensity - takes readers on a hunt for the truth about a man...
One August Night
Book
'Excellent as ever. Victoria Hislop at her best.' Reader review 'Within a few pages I was back in...
Ross (3284 KP) rated Game Of Thrones - Season 8 in TV
May 29, 2019 (Updated May 30, 2019)
A bit of a let-down
I don't think I will ever understand why the decision was made to squeeze the final season into 6 episodes. This seems to have put all the onus on ending storylines quickly and less on building tension. And yet, so much of this series was slow, drawn out padding.
There were two episodes of pretty much non-stop action. These were visually stunning, however so badly written and incongruous. Given how well the series as a whole has tried to mimic medieval European history, to have a battle start and end in a very short time was simply nonsense. No attention to likely battle plans was attempted (a sieging army wouldn't attack, and a besieged army wouldn't come out onto the field of battle), it was just a CGI-heavy, smoky, frantic fight.
The rest of the series was a much slower pace, which is GoT's style. However those episodes were so flat and dull as to be like someone else entirely had written them. Gone was the political wrangling, the back-stabbing and the two-facedness (generally, there were some brief moments of this).
The focus of each episode was also almost solely in one place, where it has always been at its best by showing so many things at a time. Rather than this being the convergence of all story threads, this just came across as storytelling-by-numbers.
I had no problems with Daenerys' change in character - it had been so well hinted at that you didn't have to be the 3-eyed raven to see it coming. It also felt totally in line with her past decisions, and family history, and this was one of the few parts I felt were well written and understandable.
A lot of fan-favourite characters got shat on in the final few series, but I don't see why people are surprised - the main character of the first series was beheaded in that same series, so this was quite normal for GoT.
I really did not like the final outcome of the series, with Bran on the throne and the whole scene with all the lords (some of whom I still don't recognise) was painful - why would they listen to Tyrion and go with his "can't defeat a story" nonsense.
Overall, it was not a finale worthy of the series as a whole, but it was a reasonably enjoyable and at times thrilling conclusion to an epic story.
And one good thing to come out of this is the motivation it will give other writers: get on with finishing your stories or Benioff and Weiss will do it for you!
There were two episodes of pretty much non-stop action. These were visually stunning, however so badly written and incongruous. Given how well the series as a whole has tried to mimic medieval European history, to have a battle start and end in a very short time was simply nonsense. No attention to likely battle plans was attempted (a sieging army wouldn't attack, and a besieged army wouldn't come out onto the field of battle), it was just a CGI-heavy, smoky, frantic fight.
The rest of the series was a much slower pace, which is GoT's style. However those episodes were so flat and dull as to be like someone else entirely had written them. Gone was the political wrangling, the back-stabbing and the two-facedness (generally, there were some brief moments of this).
The focus of each episode was also almost solely in one place, where it has always been at its best by showing so many things at a time. Rather than this being the convergence of all story threads, this just came across as storytelling-by-numbers.
I had no problems with Daenerys' change in character - it had been so well hinted at that you didn't have to be the 3-eyed raven to see it coming. It also felt totally in line with her past decisions, and family history, and this was one of the few parts I felt were well written and understandable.
A lot of fan-favourite characters got shat on in the final few series, but I don't see why people are surprised - the main character of the first series was beheaded in that same series, so this was quite normal for GoT.
I really did not like the final outcome of the series, with Bran on the throne and the whole scene with all the lords (some of whom I still don't recognise) was painful - why would they listen to Tyrion and go with his "can't defeat a story" nonsense.
Overall, it was not a finale worthy of the series as a whole, but it was a reasonably enjoyable and at times thrilling conclusion to an epic story.
And one good thing to come out of this is the motivation it will give other writers: get on with finishing your stories or Benioff and Weiss will do it for you!
Kristy H (1252 KP) rated The Sleepwalker in Books
Feb 13, 2018
Lianna Ahlberg has always known that her mother, Annalee, is a sleepwalker. So when Annalee goes missing, her family immediately assumes she has vanished while sleepwalking. After all, Lianna once pulled her naked mother off a bridge near the river by their home. A scrap of her nightshirt is found near that same river, and everyone assumes the worst. College-aged Lianna, her twelve-year-old sister, Paige, and their father, Warren, must grapple with a life without this loving mother and wife. Still, the police, including detective Gavin Rikert, continue to probe into Annalee's disappearance. And so does her family. Lianna finds herself learning more about her mother, her parents' marriage, and her family's history of sleepwalking. She also finds herself drawn to Gavin, who knew her mother before she disappeared. Where is Annalee, or her body? And what really happened that night?
This story is almost a treatise in the facts of sleepwalking, or parasomnia. It is told from Lianna's point of view, but interspersed with odd snippets from a journal (or something, we aren't sure) with facts, thoughts, and ruminations about sleepwalking. It's also a very (very) slow-building mystery as we discover what happened to Annalee Ahlberg (as Lianna calls her repeatedly throughout the novel - something that bothered me. Just call her mom!). The novel certainly has some intrigue, but man, it's a slow buildup, and while I liked Lianna and Paige, I wasn't fully part of their world, and I didn't find myself rushing to read this book; it took me five or so days to finish it, which is a lot for me. Now I read it over the holidays, and I wasn't feeling well (not its fault), but still.
Furthermore, the book details a lot of odd plot threads that never seem to fully connect. I often found myself wondering if it was interesting, or just dragging on. Having Lianna tell the story as she's looking back in time was also an odd storytelling device, as it just allowed for weird, pointless inserts (e.g., ruminating about how she never used condoms).
By the time we get to the ending, it is somewhat surprising, but almost a little frustrating. So much buildup for very little resolution, and then the novel is over. In a way, I feel as if Bohjalian suffered (for me) from his greatness; I've loved so many of his other novels and characters that this one just fell a bit flat. It was interesting premise, and not a bad read, but certainly not my favorite of his.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 1/10/2017.
This story is almost a treatise in the facts of sleepwalking, or parasomnia. It is told from Lianna's point of view, but interspersed with odd snippets from a journal (or something, we aren't sure) with facts, thoughts, and ruminations about sleepwalking. It's also a very (very) slow-building mystery as we discover what happened to Annalee Ahlberg (as Lianna calls her repeatedly throughout the novel - something that bothered me. Just call her mom!). The novel certainly has some intrigue, but man, it's a slow buildup, and while I liked Lianna and Paige, I wasn't fully part of their world, and I didn't find myself rushing to read this book; it took me five or so days to finish it, which is a lot for me. Now I read it over the holidays, and I wasn't feeling well (not its fault), but still.
Furthermore, the book details a lot of odd plot threads that never seem to fully connect. I often found myself wondering if it was interesting, or just dragging on. Having Lianna tell the story as she's looking back in time was also an odd storytelling device, as it just allowed for weird, pointless inserts (e.g., ruminating about how she never used condoms).
By the time we get to the ending, it is somewhat surprising, but almost a little frustrating. So much buildup for very little resolution, and then the novel is over. In a way, I feel as if Bohjalian suffered (for me) from his greatness; I've loved so many of his other novels and characters that this one just fell a bit flat. It was interesting premise, and not a bad read, but certainly not my favorite of his.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 1/10/2017.