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Gareth von Kallenbach (980 KP) rated Hacksaw Ridge (2016) in Movies
Jul 15, 2019
World War II was an event that changed America’s standing globally and ensured the end of Hitler’s tyranny over Europe. It witnessed an isolated nation enter the war after being attacked by the Japanese at Pearl Harbor. The war forced men from all walks of life to step up in defense of their nation and for the freedom of those abroad. Desmond Dawes was one of these men, however, he sought to serve a different function in war. Instead of taking lives, he wanted to save them.
Hacksaw Ridge brings viewers a different perspective of war and the soldiers that were fighting it. Unlike previous films, this one discusses and displays the contributions made by a pacifist, a contentious objector, something that we look at as an anomaly and counter to the personalities and individuals that we are accustomed to seeing in a warfighting capacity. We don’t typically think about those who would resist fighting, other than those who dodged the draft or sought deferments. This film allows for a glimpse into how one man’s principles and faith allow him to resist actively fighting in order to serve as a combat medic in order for his fellow soldiers to return home. The story is harrowing and audiences will find themselves rooting for Private Dawes while questioning how his principles could remain so strong despite all of the obstacles that are put in his way. He wants to serve his country in the war, but does not want to kill in service to it. He is constantly referred to and treated as a coward for his stance. Despite this, he proves himself of heroism that cannot be measured.
The film is beautiful in displaying the various complexities in warfare and individual soldiers’ experiences. We get to see how Dawes is shaped into having the beliefs that guide him in his quest to become a soldier. We see the relationships that he develops in his hometown, his family, and the conflict that erupts between him and other members of his unit. We see that war is more complex than men fighting and killing. There is depth. There is character. These men are not simply numbers on a board or text. There is something about each one of them that played into the success of taking Okinawa as part of the Pacific campaign.
Hacksaw Ridge is not simply a film about one man’s journey to serve his principles and God while struggling against various agents seeking to break his spirit and demean who he is. The battle scenes and brutality rival that of Saving Private Ryan. Audiences seeking to see a traditional “rah rah” war film are going to be surprised with the way that this film will, hopefully, make them think more deeply about the calamity and horror of war. It will hopefully have them think about how far we have come as a people. More importantly, it will make us think differently about the men who served and helped to ensure democracy globally.
The film, overall, is strong with its presentation of information, action, sequences and storytelling. It may surpass previous WWII films with respect to significance and allowing itself to serve as a historical lens to the past. Audiences will be satisfied, shocked, and a bit disgusted with what is on display whether it is how war is conducted or in how we treat others with different beliefs or stances. Hacksaw Ridge may be an instant classic in not only its approach to the Pacific Theater, but in how we look at the soldiers and their contributions to this period.
Hacksaw Ridge brings viewers a different perspective of war and the soldiers that were fighting it. Unlike previous films, this one discusses and displays the contributions made by a pacifist, a contentious objector, something that we look at as an anomaly and counter to the personalities and individuals that we are accustomed to seeing in a warfighting capacity. We don’t typically think about those who would resist fighting, other than those who dodged the draft or sought deferments. This film allows for a glimpse into how one man’s principles and faith allow him to resist actively fighting in order to serve as a combat medic in order for his fellow soldiers to return home. The story is harrowing and audiences will find themselves rooting for Private Dawes while questioning how his principles could remain so strong despite all of the obstacles that are put in his way. He wants to serve his country in the war, but does not want to kill in service to it. He is constantly referred to and treated as a coward for his stance. Despite this, he proves himself of heroism that cannot be measured.
The film is beautiful in displaying the various complexities in warfare and individual soldiers’ experiences. We get to see how Dawes is shaped into having the beliefs that guide him in his quest to become a soldier. We see the relationships that he develops in his hometown, his family, and the conflict that erupts between him and other members of his unit. We see that war is more complex than men fighting and killing. There is depth. There is character. These men are not simply numbers on a board or text. There is something about each one of them that played into the success of taking Okinawa as part of the Pacific campaign.
Hacksaw Ridge is not simply a film about one man’s journey to serve his principles and God while struggling against various agents seeking to break his spirit and demean who he is. The battle scenes and brutality rival that of Saving Private Ryan. Audiences seeking to see a traditional “rah rah” war film are going to be surprised with the way that this film will, hopefully, make them think more deeply about the calamity and horror of war. It will hopefully have them think about how far we have come as a people. More importantly, it will make us think differently about the men who served and helped to ensure democracy globally.
The film, overall, is strong with its presentation of information, action, sequences and storytelling. It may surpass previous WWII films with respect to significance and allowing itself to serve as a historical lens to the past. Audiences will be satisfied, shocked, and a bit disgusted with what is on display whether it is how war is conducted or in how we treat others with different beliefs or stances. Hacksaw Ridge may be an instant classic in not only its approach to the Pacific Theater, but in how we look at the soldiers and their contributions to this period.
Darren (1599 KP) rated Marriage Story (2019) in Movies
Dec 6, 2019
Verdict: Powerful
Story: Marriage Story starts as we meet theatre director Charlie (Driver) and his wife actress Nicole (Johansson) they are about to go through a separation, with Nicole starting a new life in LA where she is trying to return to the television or film, moving away from the New York theatre lifestyle.
With the lives going on completely different directions, Nicole is pushed into getting a lawyer in Nora Fanshaw (Dern) which sees the two looking at a divorce, something neither thought would come their way, where they end up seeing the darker side of a break up even if they want to remain friends for their son.
Thoughts on Marriage Story
Characters – Nicole is an actress, mother and wife, she is given a chance to leave the theatre and return to television, while the couple are going through a separation and her moving to LA. She has given up a lot of her dreams for her marriage in the past, which is one of the reasons why she wants to get a divorce. Charlie is the theatre director, father and husband in New York, he wants to stay in New York running his theatre company. He is more stubborn that he wants to admit. Nora Fanshaw and Jay are both the lawyers hired to represent the divorcing couple, they show their ruthless sides whenever the two are trying to get the upper hand.
Performances – Adam Driver gives us one of the best performances of the year, where he shows one that suddenly sees his whole life come crashing around him, showing the signs of his anger of everything happening. Scarlett Johansson is fantastic too where we see how she is escaping from a trapped life showing her character start a new life. Laura Dern and Ray Liotta are both great in the supporting roles usually getting the bigger and louder scenes.
Story – The story here follows a couple that are going through a separation that turns into a messy divorce as they expose the problems, they both had through the years. The best way to describe this story is brilliant, when we break it down, it shows how relationships can break down and how two people want to end things calmly and for the right reasons, remaining friends for their son. It shows us how things can get out of hand when lawyers get involved and how everybody seems to know best apart from the two who are going through the breakup. We see how lives can change, people can move on and how holding on can be heart breaking. It is watching how both Nicole and Charlie are reacting to how everything is spirally out of hand which is easy for the highlight of the storytelling.
Comedy/Romance – The comedy in the film is brilliant, it does get a perfectly laugh when needed, while staying straight when it doesn’t, the romance does show us how love can go from the heights to the end.
Settings – The film uses the two main settings of cities, New York and LA, the locations are used to show how the lives will need to be changed, not just for Nicole and Charlie, but their son too.
Scene of the Movie – Let’s try and talk this through without a lawyer.
That Moment That Annoyed Me – The timeline isn’t the best.
Final Thoughts – This is easily one of the best films of the year, it shows us how love can end and how a divorce can spirally out of control, the two lead performances are easily within the best of the year too.
Overall: Awards Guaranteed.
Story: Marriage Story starts as we meet theatre director Charlie (Driver) and his wife actress Nicole (Johansson) they are about to go through a separation, with Nicole starting a new life in LA where she is trying to return to the television or film, moving away from the New York theatre lifestyle.
With the lives going on completely different directions, Nicole is pushed into getting a lawyer in Nora Fanshaw (Dern) which sees the two looking at a divorce, something neither thought would come their way, where they end up seeing the darker side of a break up even if they want to remain friends for their son.
Thoughts on Marriage Story
Characters – Nicole is an actress, mother and wife, she is given a chance to leave the theatre and return to television, while the couple are going through a separation and her moving to LA. She has given up a lot of her dreams for her marriage in the past, which is one of the reasons why she wants to get a divorce. Charlie is the theatre director, father and husband in New York, he wants to stay in New York running his theatre company. He is more stubborn that he wants to admit. Nora Fanshaw and Jay are both the lawyers hired to represent the divorcing couple, they show their ruthless sides whenever the two are trying to get the upper hand.
Performances – Adam Driver gives us one of the best performances of the year, where he shows one that suddenly sees his whole life come crashing around him, showing the signs of his anger of everything happening. Scarlett Johansson is fantastic too where we see how she is escaping from a trapped life showing her character start a new life. Laura Dern and Ray Liotta are both great in the supporting roles usually getting the bigger and louder scenes.
Story – The story here follows a couple that are going through a separation that turns into a messy divorce as they expose the problems, they both had through the years. The best way to describe this story is brilliant, when we break it down, it shows how relationships can break down and how two people want to end things calmly and for the right reasons, remaining friends for their son. It shows us how things can get out of hand when lawyers get involved and how everybody seems to know best apart from the two who are going through the breakup. We see how lives can change, people can move on and how holding on can be heart breaking. It is watching how both Nicole and Charlie are reacting to how everything is spirally out of hand which is easy for the highlight of the storytelling.
Comedy/Romance – The comedy in the film is brilliant, it does get a perfectly laugh when needed, while staying straight when it doesn’t, the romance does show us how love can go from the heights to the end.
Settings – The film uses the two main settings of cities, New York and LA, the locations are used to show how the lives will need to be changed, not just for Nicole and Charlie, but their son too.
Scene of the Movie – Let’s try and talk this through without a lawyer.
That Moment That Annoyed Me – The timeline isn’t the best.
Final Thoughts – This is easily one of the best films of the year, it shows us how love can end and how a divorce can spirally out of control, the two lead performances are easily within the best of the year too.
Overall: Awards Guaranteed.
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BankofMarquis (1832 KP) rated Those Who Wish Me Dead (2021) in Movies
May 19, 2021
Disappointing
And…we have the “leader in the clubhouse” for the WORST FILM OF 2021.
As faithful readers of my reviews know, I’m all for a “turn you mind off” action flick, not really caring about plot/characters, but let some competent storytelling and decent action scenes transport me away from the real world for a few hours (or in this case, for 100 minutes) and THOSE WHO WISH ME DEAD started off promisingly enough and so I settled into my chair looking to be entertained.
I’m still waiting
THOSE WHO WISH ME DEAD stars Angelina Jolie as a “Fire Jumper” who is suffering from a traumatic experience and is shying away from human connection and interaction, looking for cheap, death-defying thrills to feel some sort of emotion. Into her world comes a young boy who has witnessed a murder and the murderers are chasing him, so she must save him.
And…of course…there’s a fire.
I can roll with that flimsy plot (certainly other action flicks have been entertaining with much less plot) but TWWMD (as I will call this from now on) fails to capitalize at all on any of the aspects of the plot and fails to garner much in the way of interest throughout the film.
Director/Writer Taylor Sheridan (the writer on the terrific HELL OR HIGH WATER) was brought on board this film early on as a “script doctor” and then stepped into the Director’s role when the original director (smartly) dropped out and he promised the producer’s that he could get Angelina Jolie to star in it.
To be fair, Jolie brings the necessary star quality to the role of emotionally crippled “Fire Jumper” Hannah, and she looks like she was “game” for whatever Sheridan asked her to do - there just isn’t much for her to do.
And this is unfortunate, for Sheridan starts the movie with an interesting scene where our two hitmen (Aiden Gillen - “Littlefinger” from GAME OF THRONES and Nicholas Hoult - Beast in the X-MEN FIRST CLASS films) take out their first target. This is actually a pretty good scene and one that starts the film out with promise. Little did I know that it was the best scene in the film.
After that, nothing interesting really happens and the other characters (with an exception that I will speak about in a moment) are not interesting at all (I’m looking at you, Tyler Perry, who was clearly doing a favor for Sheridan). As a matter of fact, some of the other characters were just plain annyoing (I’m looking at you, “Fire Jumper” Friends of Hannah).
The exception to this is the work of Jon Bernthal (Shane in the first 2 season of THE WALKING DEAD) and Medina Senghore (an actress I had not seen before) as a local cop and his “survivalist” wife. These two bring some intensity and spark to pretty dull proceedings - I think I would have rather have seen a film that focused on these 2 characters, rather than Jolie’s.
Most of the blame for this must fall to Writer/Director Sheridan. I don’t think he ever figured out what type of film he was making. Is it an action flick? Sort of (and the action scenes are not all that good/interesting). Is it a redemption story? Sure. (But I didn’t buy how Jolie’s character needed redemption). Is it a story of survival? Kind of (but I didn’t really care for the child actor that was being saved).
There was a good idea in here, but this movie wasn’t even close to a good movie on this idea. Skip this one.
Letter Grade: C
4 stars (out of 10) and you can take this to the Bank(ofMarquis)
As faithful readers of my reviews know, I’m all for a “turn you mind off” action flick, not really caring about plot/characters, but let some competent storytelling and decent action scenes transport me away from the real world for a few hours (or in this case, for 100 minutes) and THOSE WHO WISH ME DEAD started off promisingly enough and so I settled into my chair looking to be entertained.
I’m still waiting
THOSE WHO WISH ME DEAD stars Angelina Jolie as a “Fire Jumper” who is suffering from a traumatic experience and is shying away from human connection and interaction, looking for cheap, death-defying thrills to feel some sort of emotion. Into her world comes a young boy who has witnessed a murder and the murderers are chasing him, so she must save him.
And…of course…there’s a fire.
I can roll with that flimsy plot (certainly other action flicks have been entertaining with much less plot) but TWWMD (as I will call this from now on) fails to capitalize at all on any of the aspects of the plot and fails to garner much in the way of interest throughout the film.
Director/Writer Taylor Sheridan (the writer on the terrific HELL OR HIGH WATER) was brought on board this film early on as a “script doctor” and then stepped into the Director’s role when the original director (smartly) dropped out and he promised the producer’s that he could get Angelina Jolie to star in it.
To be fair, Jolie brings the necessary star quality to the role of emotionally crippled “Fire Jumper” Hannah, and she looks like she was “game” for whatever Sheridan asked her to do - there just isn’t much for her to do.
And this is unfortunate, for Sheridan starts the movie with an interesting scene where our two hitmen (Aiden Gillen - “Littlefinger” from GAME OF THRONES and Nicholas Hoult - Beast in the X-MEN FIRST CLASS films) take out their first target. This is actually a pretty good scene and one that starts the film out with promise. Little did I know that it was the best scene in the film.
After that, nothing interesting really happens and the other characters (with an exception that I will speak about in a moment) are not interesting at all (I’m looking at you, Tyler Perry, who was clearly doing a favor for Sheridan). As a matter of fact, some of the other characters were just plain annyoing (I’m looking at you, “Fire Jumper” Friends of Hannah).
The exception to this is the work of Jon Bernthal (Shane in the first 2 season of THE WALKING DEAD) and Medina Senghore (an actress I had not seen before) as a local cop and his “survivalist” wife. These two bring some intensity and spark to pretty dull proceedings - I think I would have rather have seen a film that focused on these 2 characters, rather than Jolie’s.
Most of the blame for this must fall to Writer/Director Sheridan. I don’t think he ever figured out what type of film he was making. Is it an action flick? Sort of (and the action scenes are not all that good/interesting). Is it a redemption story? Sure. (But I didn’t buy how Jolie’s character needed redemption). Is it a story of survival? Kind of (but I didn’t really care for the child actor that was being saved).
There was a good idea in here, but this movie wasn’t even close to a good movie on this idea. Skip this one.
Letter Grade: C
4 stars (out of 10) and you can take this to the Bank(ofMarquis)