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Eilidh G Clark (177 KP) rated A Portable Shelter in Books
May 13, 2017
‘…there’s no other way to give you the truth except to hide it in a story and let you find your own way inside.’
‘…there’s no other way to give you the truth except to hide it in a story and let you find your own way inside.’
Kirsty Logan’s first collection of short stories, The Rental Heart and Other Fairytales, published by Salt in 2014, won the Polari First Book Prize in 2015. A Portable Shelter is her second collection. Set in a small cottage in the rural north coast of Scotland, Ruth and Liska are expecting their first child. The couple believe that their unborn baby will have a better chance of survival away from the harshness of suburban life. They make a pact with one another, that they will only ever tell their child the truth. Yet while Liska is asleep or Ruth is at work, each whispers secret stories to their unborn child. Delving into fantastical tales about people from their past and re-telling stories that span from generation to generation, the couple unfold the horrors of the real world. Whilst these tales, laced in myth and legend, and fattened with the magic of the imagination, demonstrate the art of oral storytelling, Logan reaches further to show the reader why storytelling is important.
While this book is primarily a collection of short stories, its novel like structure frames each story with a preceding monologue from either Ruth or Liska. The monologues offer delightful morsels of description that bring the harshness of Mother Nature into the safety of the couple’s bedroom, “right now our home is speaking to you. The walls creak their approval in the wind. The rain applauds on the roof. The lighthouse beam swoops, swoops, swoops. The tide breathes loud and slow like a giant. If you listen carefully, perhaps you can even hear the moon hum.” The pace of these sentences, combined with the delicacy of language demonstrates Logan’s skill at describing the sublime spirit of the natural world, which brings the narrative to life.
Most impressive though, is Logan’s poetic language and carefully crafted sentences which create the most beautiful imagery. In ‘Flinch,’ for example – James is a fisherman struggling with his identity, yet his affiliation with the land is locked into his first-person point of view where the reader gets to closely experience what he sees, “The sky is pinkish-grey like the insides of shells. Speckled bonxies wheel overhead. Seals loll on the rocks, fat as kings. The rising mist is cool and milky.” Any of these lines could easily be arranged into a poem and with sentences that are squeezed tight; they create a wonderful poetic rhythm. Logan uses this technique throughout her novel, demonstrating the precision and craft in her work. There are definite similarities in her writing style to fellow Scottish novelist and poet Jenni Fagan. Both authors use rich language, which is well crafted and smattered with vernacular. Furthermore, combining this with the reoccurring theme of identity, the oral storytelling tradition, landscape, folklore, and myth, it is clear to see why these authors contribute to the growing canon in Scottish literature.
This is a book that I will read over and over again because I know that in each reading, I will find something new. A Portable Shelter, I feel, deserves a place on my ‘keep’ book shelf.
A Portable Shelter, Kirsty Logan, London: Vintage, 2015
Kirsty Logan’s first collection of short stories, The Rental Heart and Other Fairytales, published by Salt in 2014, won the Polari First Book Prize in 2015. A Portable Shelter is her second collection. Set in a small cottage in the rural north coast of Scotland, Ruth and Liska are expecting their first child. The couple believe that their unborn baby will have a better chance of survival away from the harshness of suburban life. They make a pact with one another, that they will only ever tell their child the truth. Yet while Liska is asleep or Ruth is at work, each whispers secret stories to their unborn child. Delving into fantastical tales about people from their past and re-telling stories that span from generation to generation, the couple unfold the horrors of the real world. Whilst these tales, laced in myth and legend, and fattened with the magic of the imagination, demonstrate the art of oral storytelling, Logan reaches further to show the reader why storytelling is important.
While this book is primarily a collection of short stories, its novel like structure frames each story with a preceding monologue from either Ruth or Liska. The monologues offer delightful morsels of description that bring the harshness of Mother Nature into the safety of the couple’s bedroom, “right now our home is speaking to you. The walls creak their approval in the wind. The rain applauds on the roof. The lighthouse beam swoops, swoops, swoops. The tide breathes loud and slow like a giant. If you listen carefully, perhaps you can even hear the moon hum.” The pace of these sentences, combined with the delicacy of language demonstrates Logan’s skill at describing the sublime spirit of the natural world, which brings the narrative to life.
Most impressive though, is Logan’s poetic language and carefully crafted sentences which create the most beautiful imagery. In ‘Flinch,’ for example – James is a fisherman struggling with his identity, yet his affiliation with the land is locked into his first-person point of view where the reader gets to closely experience what he sees, “The sky is pinkish-grey like the insides of shells. Speckled bonxies wheel overhead. Seals loll on the rocks, fat as kings. The rising mist is cool and milky.” Any of these lines could easily be arranged into a poem and with sentences that are squeezed tight; they create a wonderful poetic rhythm. Logan uses this technique throughout her novel, demonstrating the precision and craft in her work. There are definite similarities in her writing style to fellow Scottish novelist and poet Jenni Fagan. Both authors use rich language, which is well crafted and smattered with vernacular. Furthermore, combining this with the reoccurring theme of identity, the oral storytelling tradition, landscape, folklore, and myth, it is clear to see why these authors contribute to the growing canon in Scottish literature.
This is a book that I will read over and over again because I know that in each reading, I will find something new. A Portable Shelter, I feel, deserves a place on my ‘keep’ book shelf.
A Portable Shelter, Kirsty Logan, London: Vintage, 2015
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Purple Phoenix Games (2266 KP) rated Rucksack in Tabletop Games
Jul 20, 2020 (Updated Jul 20, 2020)
Why does this always happen to you? Here you are, minding your own business when you are thrown into some strange scenario and are caught with only five ridiculous items on you. You have to survive… but how?
Rucksack is a card drafting storytelling and voting game for 4-8 players. Each player will be drafting a hand of five item cards in order to create the greatest survival story satisfying the active scenario.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and the final components may be different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to back the game through the upcoming Kickstarter campaign, order from your FLGS, or purchase through any retailers stocking it after fulfillment. -T
To setup, give each player a voting sheet and pencil. Shuffle the scenario cards into a draw deck. Shuffle the item cards into a draw deck. Flip over the top scenario card and the game is ready to be played.
The game is played over three rounds and each round is played in two halves. During the first half of the game players will be drawing one card from the item deck and deciding whether to keep or discard it. If kept, the next player will do the same. If discarded, the player will add the card to the face-up discard pile and MUST keep the next card drawn. The next player may then choose the topmost card of the discard pile or draw from the item card draw stack. This continues until all players have five cards in hand and the game then transitions into the second phase – storytelling.
Using the drafted five cards each player will explain how they would survive the active scenario, and this is the crux of the game. How would someone use tweezers, a towel, a stun grenade, binoculars, and a wine glass to last 40 days on an island full of hostile inhabitants? Well this may be exactly what you are presented with while playing Rucksack. Each player will give their ideas and pitch them to the group. Once all players have made their cases, each player will mark on their voting sheet who created the best plan to combat the scenario. After three rounds the votes are tallied and the winner is crowned! Well, not with a real crown. Unless you want. But those are sold separately.
Components. Again, we were provided a prototype copy of this game, so all comments on components should be taken with that in mind. In fact, some cards came without art or flavor text on them. This in no way detracted from our plays. The components here are a bunch of cards, a pack of golf pencils, and a pad of voting sheets. The pencils and voting sheets are fine. The cards, though not final quality and missing many art pieces, are also fine. The art style on this game is interesting and I like it. Rucksack could be played with no art and I would feel the same way about it. So in summation, the components here are good.
This is another game that I thought would be a dud upon reading the rules and knowing the people I am able to play games with currently. However, once we started playing a whole new side of these people came forth to weave these intricate stories of how someone would use marbles to help them be rescued from an uninhabited island. I found myself also prodding the creative part of my brain (that I don’t use much anymore). It has been a surprise for me that I like this one so well. I’m not usually into storytelling games, but using these item cards to help guide the final answers prove to add such a unique facet to what could have been such a disaster for our group. I am proud to have this game in my collection to scratch a very different itch that I never thought I had.
Should you be in the market for a good and light storytelling game to get the creative juices flowing and the hilarity of others’ answers out, then do consider backing or purchasing Rucksack. You will enjoy it immensely and think about it even after you’ve played. That is the sign of a great game to me.
Rucksack is a card drafting storytelling and voting game for 4-8 players. Each player will be drafting a hand of five item cards in order to create the greatest survival story satisfying the active scenario.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and the final components may be different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to back the game through the upcoming Kickstarter campaign, order from your FLGS, or purchase through any retailers stocking it after fulfillment. -T
To setup, give each player a voting sheet and pencil. Shuffle the scenario cards into a draw deck. Shuffle the item cards into a draw deck. Flip over the top scenario card and the game is ready to be played.
The game is played over three rounds and each round is played in two halves. During the first half of the game players will be drawing one card from the item deck and deciding whether to keep or discard it. If kept, the next player will do the same. If discarded, the player will add the card to the face-up discard pile and MUST keep the next card drawn. The next player may then choose the topmost card of the discard pile or draw from the item card draw stack. This continues until all players have five cards in hand and the game then transitions into the second phase – storytelling.
Using the drafted five cards each player will explain how they would survive the active scenario, and this is the crux of the game. How would someone use tweezers, a towel, a stun grenade, binoculars, and a wine glass to last 40 days on an island full of hostile inhabitants? Well this may be exactly what you are presented with while playing Rucksack. Each player will give their ideas and pitch them to the group. Once all players have made their cases, each player will mark on their voting sheet who created the best plan to combat the scenario. After three rounds the votes are tallied and the winner is crowned! Well, not with a real crown. Unless you want. But those are sold separately.
Components. Again, we were provided a prototype copy of this game, so all comments on components should be taken with that in mind. In fact, some cards came without art or flavor text on them. This in no way detracted from our plays. The components here are a bunch of cards, a pack of golf pencils, and a pad of voting sheets. The pencils and voting sheets are fine. The cards, though not final quality and missing many art pieces, are also fine. The art style on this game is interesting and I like it. Rucksack could be played with no art and I would feel the same way about it. So in summation, the components here are good.
This is another game that I thought would be a dud upon reading the rules and knowing the people I am able to play games with currently. However, once we started playing a whole new side of these people came forth to weave these intricate stories of how someone would use marbles to help them be rescued from an uninhabited island. I found myself also prodding the creative part of my brain (that I don’t use much anymore). It has been a surprise for me that I like this one so well. I’m not usually into storytelling games, but using these item cards to help guide the final answers prove to add such a unique facet to what could have been such a disaster for our group. I am proud to have this game in my collection to scratch a very different itch that I never thought I had.
Should you be in the market for a good and light storytelling game to get the creative juices flowing and the hilarity of others’ answers out, then do consider backing or purchasing Rucksack. You will enjoy it immensely and think about it even after you’ve played. That is the sign of a great game to me.
Kristy H (1252 KP) rated The Line That Held Us in Books
Mar 18, 2019
Brutal read with gorgeous storytelling & complex characters
Darl Moody has been after this infamous giant buck for years. So when he hears his neighbor has gone away for a week, he takes the opportunity to go hunting--off-season and illegally--on his land. But Darl never imagined it would end like this: it isn't the buck he kills, it's Carol Brewer, a member of a local family known for violence and hatred. Scared and panicked, Darl turns to his best friend, Calvin Hooper, for help. But when Carol remains missing and his brother Dwayne comes looking for him, the clues quickly point to Darl and Calvin. And Dwayne is looking for vengeance--and someone's blood.
"There were some things worth dying for and some things worth killing for and some things could make a man do all sorts of things he never knew he was capable of until the time came to do them."
Well, this was a dark story about morality and humanity that drew me in to its twisted world immediately. I've never read a book by David Joy before, but wow, he can really write. There's almost a lyrical, poetic manner to the way he puts his words together, which stands in stark contrast to the gruesome tale he tells. Believe me, this isn't a book for the faint of heart. If you're easily offended by gore, this might not be for you.
However, it's certainly an emotional story about family and friendship. I've lived in or near small towns like Darl's and Dwight's--where everyone knows everyone else and family grudges run back generations. Joy captures it perfectly. It's wonderfully descriptive and excellently written, and each of the characters stand out so well. What I found so interesting and surprising was his way of making me feel for all the characters, even though most of them were making poor decisions, even terrible ones. You can feel their conflict and emotions quite clearly.
"Things had a way of never leaving these mountains. Stories took root like everything else... Just as Dwayne told him the night before, a man's mind is its own kind of hell."
Overall, I didn't always enjoy this book, because it's a brutal read at times, but I was wowed by the writing and Joy's storytelling. The characters are complex, and the novel presents some fascinating complexities. It was an interesting and worthwhile read.
"There were some things worth dying for and some things worth killing for and some things could make a man do all sorts of things he never knew he was capable of until the time came to do them."
Well, this was a dark story about morality and humanity that drew me in to its twisted world immediately. I've never read a book by David Joy before, but wow, he can really write. There's almost a lyrical, poetic manner to the way he puts his words together, which stands in stark contrast to the gruesome tale he tells. Believe me, this isn't a book for the faint of heart. If you're easily offended by gore, this might not be for you.
However, it's certainly an emotional story about family and friendship. I've lived in or near small towns like Darl's and Dwight's--where everyone knows everyone else and family grudges run back generations. Joy captures it perfectly. It's wonderfully descriptive and excellently written, and each of the characters stand out so well. What I found so interesting and surprising was his way of making me feel for all the characters, even though most of them were making poor decisions, even terrible ones. You can feel their conflict and emotions quite clearly.
"Things had a way of never leaving these mountains. Stories took root like everything else... Just as Dwayne told him the night before, a man's mind is its own kind of hell."
Overall, I didn't always enjoy this book, because it's a brutal read at times, but I was wowed by the writing and Joy's storytelling. The characters are complex, and the novel presents some fascinating complexities. It was an interesting and worthwhile read.
BookblogbyCari (345 KP) rated Disclaimer in Books
Jan 26, 2019
This author is a master of suspense! The premise of this book called out to me and I was immediately intrigued. I was on tenterhooks all the way through and the story stayed with long after the end!
Stephen Brigstocke is extremely bitter about an event that occurred in 1993, and decides to publish his wife’s book “The Perfect Stranger” about said event. His purpose of publishing the book is solely to provoke guilt in Catherine Ravenstock, and lead her to her own suicide.
I just had to keep the turning and turning the pages until I got to the bit (about a third of the way in) where “The Perfect Stranger” explains what happened. By then I understood Stephen’s bitterness and anger. Catherine’s husband and son are also given copies of the book, and Catherine’s husband swiftly leaves her.
Yet to be satisfied with the outcome, Stephen soon targets Catherine’s son, who later finds himself in intensive care. (Stephen uses new methods this time.)
At 80% of the way through the book, a huge twist is revealed and Catherine confronts Stephen directly.
With 10% of the book left to go, every character has come clean, and I began wondering what more could come – but there was plenty, when everything turned around again at the final twist!
I had been expecting the novel to alternate between Catherine’s life and excerpts from “The Perfect Stranger” but surprisingly Renee Knight deftly uses very few excerpts from it.
The author uses different styles of writing when switching point of views. The majority of the storytelling switches between Catherine’s point of view, put forward in the third person, and Stephen’s point of view put forward in the first person. This was deliberate and effective, so that the reader finds themselves identifying just as much, if not more with Stephen, even though the story centres around Catherine being Stephen’s victim.
Also some passages are told from Catherine’s husband’s standpoint and their son’s, and this element adds to instill the initial concept and add to the suspense.
Although the storytelling sometimes switched from 1993 to 2013, this was smoothly done, and never confusing.
I often buy books when they are on offer for 99p as this was, but I never expect them to be this good – I give this an easy 9/10 and am hoping to find more books from the same author!
Stephen Brigstocke is extremely bitter about an event that occurred in 1993, and decides to publish his wife’s book “The Perfect Stranger” about said event. His purpose of publishing the book is solely to provoke guilt in Catherine Ravenstock, and lead her to her own suicide.
I just had to keep the turning and turning the pages until I got to the bit (about a third of the way in) where “The Perfect Stranger” explains what happened. By then I understood Stephen’s bitterness and anger. Catherine’s husband and son are also given copies of the book, and Catherine’s husband swiftly leaves her.
Yet to be satisfied with the outcome, Stephen soon targets Catherine’s son, who later finds himself in intensive care. (Stephen uses new methods this time.)
At 80% of the way through the book, a huge twist is revealed and Catherine confronts Stephen directly.
With 10% of the book left to go, every character has come clean, and I began wondering what more could come – but there was plenty, when everything turned around again at the final twist!
I had been expecting the novel to alternate between Catherine’s life and excerpts from “The Perfect Stranger” but surprisingly Renee Knight deftly uses very few excerpts from it.
The author uses different styles of writing when switching point of views. The majority of the storytelling switches between Catherine’s point of view, put forward in the third person, and Stephen’s point of view put forward in the first person. This was deliberate and effective, so that the reader finds themselves identifying just as much, if not more with Stephen, even though the story centres around Catherine being Stephen’s victim.
Also some passages are told from Catherine’s husband’s standpoint and their son’s, and this element adds to instill the initial concept and add to the suspense.
Although the storytelling sometimes switched from 1993 to 2013, this was smoothly done, and never confusing.
I often buy books when they are on offer for 99p as this was, but I never expect them to be this good – I give this an easy 9/10 and am hoping to find more books from the same author!
A Death at Crooked Creek: The Case of the Cowboy, the Cigarmaker, and the Love Letter
Book
"This is an extraordinary and ground-breaking book, a wonderfully creative mix of fact and theory,...
Alison Pink (7 KP) rated Follow the Dog Home: How a Simple Walk Unleashed an Incredible Family Journey in Books
Jan 15, 2018
If you are a dog lover (like me) this is a book you will enjoy reading! So many of the stories & family experiences that are written about in this book were things that mirrored my own life & that with the few dogs I've been blessed enough to have share my experiences. I laughed & cried at the tales & truly found myself drawn into the adventures & mishaps throughout.
Of course with that being said this is also a book that will help people who aren't dog lovers better understand those of us who are...not an easy thing to do by any means. It allows you a glimpse into the passion, love, & heartache that a dog brings into your life. The emotions & stories are well told.
Being a 4th grade teacher, I loved the fact that Samantha Walsh (Kevin's 10 year old daughter) was involved in bringing this book to life. She has such a great storytelling voice. I plan to read a few pieces to my class to show them that writing (& reading for that matter) are real & important things to them.
Well done Walsh family!!!
Of course with that being said this is also a book that will help people who aren't dog lovers better understand those of us who are...not an easy thing to do by any means. It allows you a glimpse into the passion, love, & heartache that a dog brings into your life. The emotions & stories are well told.
Being a 4th grade teacher, I loved the fact that Samantha Walsh (Kevin's 10 year old daughter) was involved in bringing this book to life. She has such a great storytelling voice. I plan to read a few pieces to my class to show them that writing (& reading for that matter) are real & important things to them.
Well done Walsh family!!!
Larry Eisner (2082 KP) rated Logan (2017) in Movies
May 15, 2018
Gripping, tense and emotionally draining
This film is everything a superhero film aspires to be: gritty, action-packed, funny at times, believable, emotional, full of deep characterization and flawed characters...
Honestly, not much more can be said without giving away the plot.
Here’s what I can and will say:
Logan (Wolverine, as played by the forever perfect wolverine, Hugh Jackman) is older, but still mostly in his prime, but his adamantium skeleton had side effects over time.
Professor X, played by the always perfect (in even terribly flawed films) Jean Luc Pic- whoops! I mean, Patrick Stewart! Is fantastic and aged and is being cared for by Logan.
A child enters the scene. And she’s powered. And connected to Logan in ways he doesn’t want to admit. He reluctantly agrees to help her, and adventure, drama and true beautiful storytelling await.
I can not recommend this film enough. It’s not perfection. It’s not filmicly glorious. It’s simply the ultimate epitome of the genre and done flawlessly as such. Worth every penny to own and yes, you will cry. Oh yes, even you.
Honestly, not much more can be said without giving away the plot.
Here’s what I can and will say:
Logan (Wolverine, as played by the forever perfect wolverine, Hugh Jackman) is older, but still mostly in his prime, but his adamantium skeleton had side effects over time.
Professor X, played by the always perfect (in even terribly flawed films) Jean Luc Pic- whoops! I mean, Patrick Stewart! Is fantastic and aged and is being cared for by Logan.
A child enters the scene. And she’s powered. And connected to Logan in ways he doesn’t want to admit. He reluctantly agrees to help her, and adventure, drama and true beautiful storytelling await.
I can not recommend this film enough. It’s not perfection. It’s not filmicly glorious. It’s simply the ultimate epitome of the genre and done flawlessly as such. Worth every penny to own and yes, you will cry. Oh yes, even you.
Dakota Morrill (17 KP) rated the Nintendo Switch version of The Legend of Zelda: Breath of the Wild in Video Games
Mar 4, 2018
Beautiful world, nice story, but some flaws
In the beautiful land of Hyrule you'll experience a wonderful modern story of the famous knight Link and his adventures to aid Princess Zelda. In a beautiful world full of interesting creatures and sometimes unique ways to kill them using your environment or smacking them with their own hand, you will also find yourself drowning after 30 seconds of swimming in a river or trying to rock climb as you'd expect a famous knight to be capable of. You will also find yourself in epic battles with giant mechanical beasts then inside of them doing insanely difficult puzzles that will make you give up and just google the solutions only to realize you still have no idea how to get through them.
This game is the high praise game of the year for all the Nintendo die hards and young adults who grew up with the Zelda series, but in reality is an average game that feels like it took way too much spotlight away from better games such as Horizon: Zero Dawn, or Super Mario Odyssey.
This game is the high praise game of the year for all the Nintendo die hards and young adults who grew up with the Zelda series, but in reality is an average game that feels like it took way too much spotlight away from better games such as Horizon: Zero Dawn, or Super Mario Odyssey.