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Matthew Krueger (10051 KP) rated The Hunchback of Notre Dame (1996) in Movies

Mar 23, 2020  
The Hunchback of Notre Dame (1996)
The Hunchback of Notre Dame (1996)
1996 | Animation, Drama, Family
7
8.0 (42 Ratings)
Movie Rating Watch
Hellfire
The Hunchback of Notre Dame- is a strange movie, cause it came out after "The Lion King". And the movie's after "The Lion King" were stange. What im saying is after "The Lion King", disney decided to go really strange/a huge left turn/didn't expect that/disappointed and overall a huge downfall. But i will get to those movies. Oh this is one of them.

This movie has good songs like.."The Bells of Notre Dame", "Out There", "Topsy Turvy", "God Help The Outcast", "Heaven's Light/Hellfire" and "A Guy Like You".

The plot: An animated Disney adventure follows disfigured Quasimodo (Tom Hulce), the bell-ringer of Notre Dame Cathedral, who bides his time locked away in a tower. With only gargoyles to keep him company, Quasimodo longs to be with other people, leading to his chance encounter with the enchanting Gypsy Esmeralda (Demi Moore). When the beautiful young woman catches the attention of Quasimodo's guardian, sinister Frollo (Tony Jay), Quasimodo must help to keep her out of his clutches.

Intrest fact: The film is considered to be one of Disney's darkest animated films as its narrative explores such mature themes as infanticide, lust, damnation, genocide, and sin, despite the changes made from the original source material in order to ensure a G rating received by the MPAA.

Its a good movie.
  
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Yannis Philippakis recommended West Coast by Studio in Music (curated)

 
West Coast by Studio
West Coast by Studio
2006 | Hip-hop
(0 Ratings)
Album Favorite

"That's a record that Jack [Bevan] from Foals had discovered when we were living in Oxford writing Total Life Forever and there were eight of us in one house: other musicians, no TV, just a record player in the fireplace. The house was falling apart and that record was the soundtrack to that whole period, 2009 to 2011. It was the record I felt envious of not having made. They did something that I felt I was close to being able to make but also superior, and it wasn't what I'd made! I thought: ""Shit, they got there first!"" It's a strange record from a strange group because they seem underappreciated and under-exposed and never really play live. We ended up going to record in Gothenburg and we met Dan Lissvik on this industrial estate in the winter. He talked about how life is a pendulum and he sits above it; he was chain smoking and was a good guy. The record itself though is somebody's idea of West Coast hip-hop filtered through a suburban Swedish kid's imagination. It is at odds with what Gothenburg is like in the winter. The production on it is amazing, with elements of interlocking guitars, but it's freer and maybe it helped us loosen some of the strictness that was in the band at the beginning sonically."

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