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BankofMarquis (1832 KP) rated The Black Phone (2022) in Movies
Jul 19, 2022
Tense and Suspenseful
Part STRANGER THINGS and Part IT, the new Blumhouse film, THE BLACK PHONE, is a surprisingly effective horror/thriller that is reminiscent of the better Stephen King stories - and that just might be because the short story for which this film is based on is written by Joe Hill - Stephen King’s son.
Wisely set in a time before cell phones (like both Stranger Things and It), THE BLACK PHONE tells the tale of a small town in Colorado that suddenly falls victim to “THE GRABBER” - an individual who grabs young teenage boys and kills them.
Smartly Directed by Scott Derrickson (the first DOCTOR STRANGE film), THE BLACK PHONE is effective for it focuses on the isolation of being in captivity, the anxiety of not knowing when someone is going to come through the door of the cell and the relationships of the young teens caught in “The Grabber’s” web. Credit for this, of course, goes to Derrickson who dropped out of Directing DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (over “creative differences”) and chose this passion project as his salve - and the passion shows. It must also be pointed out that Derrickson, wisely, opts to up the tension of this film, rather than the gore, so this movie becomes a suspense flick and not torture-porn.
Derrickson also draws very good performances from the young actors playing the main roles of this film - Mason Thames (Finney), Madeleine McGraw (Gwen), Tristan Pravong (Bruce), Jacob Moran (Billy) and Miguel Cazarez Mora (Robin). All are believable in their well written roles bringing more than just one-dimension to their characters.
These kids are more than ably joined by adult actors like James Ransone (IT: CHAPTER TWO), Jeremy Davies (TV’s LOST) and E. Roger Mitchell (OUTER BANKS). All of these folks bring gravitas and reality to a story that does drift into the un-reality at times.
And then there is the performance of the always good Ethan Hawke as the villain of this piece - THE GRABBER. It is a masterful performance by Hawke who brings humanity to this monster. Almost every actor that plays a villain say that they try to see the film from the villain’s point of view and Hawke brings that to this character in spades and (almost) makes one want to root for him. It is one of the better villains realized on film in the last few years.
One quibble with The Black Phone, is that it does have a tendency to sag a bit (especially in the middle). It is in the middle of the film that one can tell that this movie was based on a SHORT story and so, by necessity, there is some padding.
But that is picking a nit in what is a smart and tense film, one that will have you on the edge of your seat until the end.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Wisely set in a time before cell phones (like both Stranger Things and It), THE BLACK PHONE tells the tale of a small town in Colorado that suddenly falls victim to “THE GRABBER” - an individual who grabs young teenage boys and kills them.
Smartly Directed by Scott Derrickson (the first DOCTOR STRANGE film), THE BLACK PHONE is effective for it focuses on the isolation of being in captivity, the anxiety of not knowing when someone is going to come through the door of the cell and the relationships of the young teens caught in “The Grabber’s” web. Credit for this, of course, goes to Derrickson who dropped out of Directing DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (over “creative differences”) and chose this passion project as his salve - and the passion shows. It must also be pointed out that Derrickson, wisely, opts to up the tension of this film, rather than the gore, so this movie becomes a suspense flick and not torture-porn.
Derrickson also draws very good performances from the young actors playing the main roles of this film - Mason Thames (Finney), Madeleine McGraw (Gwen), Tristan Pravong (Bruce), Jacob Moran (Billy) and Miguel Cazarez Mora (Robin). All are believable in their well written roles bringing more than just one-dimension to their characters.
These kids are more than ably joined by adult actors like James Ransone (IT: CHAPTER TWO), Jeremy Davies (TV’s LOST) and E. Roger Mitchell (OUTER BANKS). All of these folks bring gravitas and reality to a story that does drift into the un-reality at times.
And then there is the performance of the always good Ethan Hawke as the villain of this piece - THE GRABBER. It is a masterful performance by Hawke who brings humanity to this monster. Almost every actor that plays a villain say that they try to see the film from the villain’s point of view and Hawke brings that to this character in spades and (almost) makes one want to root for him. It is one of the better villains realized on film in the last few years.
One quibble with The Black Phone, is that it does have a tendency to sag a bit (especially in the middle). It is in the middle of the film that one can tell that this movie was based on a SHORT story and so, by necessity, there is some padding.
But that is picking a nit in what is a smart and tense film, one that will have you on the edge of your seat until the end.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
LeftSideCut (3776 KP) rated Stranger Things - Season 1 in TV
Jul 5, 2019 (Updated Jul 5, 2019)
Welcome to Hawkins
For me, the first season of Stranger Things is perfect, and I really, and truly mean that.
The acting is top notch, the young actors in particular are phenomenal, believable, hugely professional.
Winona Ryder is fantastic as Joyce Byers, a mother losing her mind over the disappearance of her son (or is she). David Harbour is possibly the most likeable TV character in recent history, as Hopper, and then we have a host of supporting characters who all have an individual impact on the overall narrative (Justice for Barb)
There is an impending sense of dread throughout, as the mystery of Wills disappearance is slowly unravelled, as the season flits effortlessly from 80s buddy adventure, to creature feature, to government conspiracy thriller - there are many plates being spun, and none of them fall off.
Some of the more tense scenes will have you on the edge of your seat (R.U.N.)
At times it even reminded of one of my absolute favourite shows ever - Twin Peaks.
The 80s setting is a smart move, shoeing in references to other media left, right and centre, without ever feeling to on the nose, topped off with a very retro low electronic soundtrack, the atmosphere is very well crafted.
All of these positives put together produce an astounding season of television, that is near impossible to watch in bits.
Easy 10/10 for me!
The acting is top notch, the young actors in particular are phenomenal, believable, hugely professional.
Winona Ryder is fantastic as Joyce Byers, a mother losing her mind over the disappearance of her son (or is she). David Harbour is possibly the most likeable TV character in recent history, as Hopper, and then we have a host of supporting characters who all have an individual impact on the overall narrative (Justice for Barb)
There is an impending sense of dread throughout, as the mystery of Wills disappearance is slowly unravelled, as the season flits effortlessly from 80s buddy adventure, to creature feature, to government conspiracy thriller - there are many plates being spun, and none of them fall off.
Some of the more tense scenes will have you on the edge of your seat (R.U.N.)
At times it even reminded of one of my absolute favourite shows ever - Twin Peaks.
The 80s setting is a smart move, shoeing in references to other media left, right and centre, without ever feeling to on the nose, topped off with a very retro low electronic soundtrack, the atmosphere is very well crafted.
All of these positives put together produce an astounding season of television, that is near impossible to watch in bits.
Easy 10/10 for me!
The Little Prince: Picador Classic
Antoine de Saint-Exupery and Ros Schwartz
Book
With an introduction by Kate Mosse Translated by Ros Schwartz All grown-ups were children once (but...
Kim Pook (101 KP) rated Holidate (2020) in Movies
Dec 24, 2020
A young woman, Sloane comes home for the holidays to see her critical family who always brings up that she's still single. Meanwhile a guy called Jackson is meeting the family of a crazy woman after just the second date. He walks out of their house when things get weird and uncomfortable.
Both Sloane and Jackson bump into each other whilst returning unwanted gifts in a longer than neccessary but pretty entertaining scene. They end up talking and hanging out at the mall, the idea of a holidate comes up which is something Sloanes aunty participates in in the holidays, meaning you get together with a random stranger specifically for a holiday, just a date with no commitments. Jackson gives sloane his number, at first she refuses to text him but after her mum tries to set her up with a guy she phones Jackson to arrange a no commitment holidate for new years. They get on well and have a good evening despite a dirty dancing inspired hilarious injury.
Fast forward to valentines, sloane is still dateless and once again bumps into Jackson who saves her from an awkward encounter with her ex. This is when they agree to be each others dates for every holiday.
As a lover of rom coms I really enjoyed this movie from beginning to end. Admittedly it was highly predictable but also highly entertaining, I howled with laughter multiple times.
Highly recommended.
Both Sloane and Jackson bump into each other whilst returning unwanted gifts in a longer than neccessary but pretty entertaining scene. They end up talking and hanging out at the mall, the idea of a holidate comes up which is something Sloanes aunty participates in in the holidays, meaning you get together with a random stranger specifically for a holiday, just a date with no commitments. Jackson gives sloane his number, at first she refuses to text him but after her mum tries to set her up with a guy she phones Jackson to arrange a no commitment holidate for new years. They get on well and have a good evening despite a dirty dancing inspired hilarious injury.
Fast forward to valentines, sloane is still dateless and once again bumps into Jackson who saves her from an awkward encounter with her ex. This is when they agree to be each others dates for every holiday.
As a lover of rom coms I really enjoyed this movie from beginning to end. Admittedly it was highly predictable but also highly entertaining, I howled with laughter multiple times.
Highly recommended.
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Emma @ The Movies (1786 KP) rated Willy's Wonderland (2021) in Movies
Jul 18, 2021
Oh come on... you know I'm watching Nic Cage go full rage at some killer robots!
A stranger runs into bad luck as he nears a small town in the middle of nowhere. Luckily a local mechanic comes across him stranded and offers him assistance. But the bad luck isn't over. With no way to pay for his new tyres, he has to agree to some light cleaning work in the abandoned town attraction. What could possibly go wrong when you're locked in a family restaurant overnight with some large, menacing looking, animatronics?
What's not to love about this particular breed of film? Horror that is so over the top with daftness and unintentional/intentional humour really does hit the spot.
Is this storyline sensible? Absolutely not. If you pick at any thread this will very quickly fall apart... but we're here for the nonsense. You don't come to a Nic Cage film these days for anything else. And much like shark films, I have an independent scoring system to deem the quality of his offerings.
The dynamics between all of the characters is hilarious. Cage with... everyone... is stranger (as expected), and the others all have stereotypical elements to them that bounce back and forth well. Though none of them are quite as obvious as you'd see in spoof horrors though. Beth Grant is always fun to have in things, and she's got the sinister thing down quite well, definitely a great pick for this role.
Our animatronic actors have the perfect creepy movements, combine this with the oversized costumes and the somewhat magical elements to their activities, and you get some fantastic nightmare fuel.
Though I have to query who designed such a terrible layout for a family restaurant, I can't help but marvel at all the different rooms scattered around the building. A fantastic maze of terror waiting for anyone who enters, and each one with its retro-ramshackle look is a delight to see. Throw in the oversized entertainment and the look is great.
At just 88 minutes in length it's a nice easy watch, and you'll definitely have enough to keep you... intrigued? I found myself shouting at the screen with "why", "how" and "what" type questions, and that just added to my enjoyment. A masterpiece.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/willys-wonderland-movie-review.html
A stranger runs into bad luck as he nears a small town in the middle of nowhere. Luckily a local mechanic comes across him stranded and offers him assistance. But the bad luck isn't over. With no way to pay for his new tyres, he has to agree to some light cleaning work in the abandoned town attraction. What could possibly go wrong when you're locked in a family restaurant overnight with some large, menacing looking, animatronics?
What's not to love about this particular breed of film? Horror that is so over the top with daftness and unintentional/intentional humour really does hit the spot.
Is this storyline sensible? Absolutely not. If you pick at any thread this will very quickly fall apart... but we're here for the nonsense. You don't come to a Nic Cage film these days for anything else. And much like shark films, I have an independent scoring system to deem the quality of his offerings.
The dynamics between all of the characters is hilarious. Cage with... everyone... is stranger (as expected), and the others all have stereotypical elements to them that bounce back and forth well. Though none of them are quite as obvious as you'd see in spoof horrors though. Beth Grant is always fun to have in things, and she's got the sinister thing down quite well, definitely a great pick for this role.
Our animatronic actors have the perfect creepy movements, combine this with the oversized costumes and the somewhat magical elements to their activities, and you get some fantastic nightmare fuel.
Though I have to query who designed such a terrible layout for a family restaurant, I can't help but marvel at all the different rooms scattered around the building. A fantastic maze of terror waiting for anyone who enters, and each one with its retro-ramshackle look is a delight to see. Throw in the oversized entertainment and the look is great.
At just 88 minutes in length it's a nice easy watch, and you'll definitely have enough to keep you... intrigued? I found myself shouting at the screen with "why", "how" and "what" type questions, and that just added to my enjoyment. A masterpiece.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/willys-wonderland-movie-review.html