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BookwormMama14 (18 KP) rated The Curiosity Keeper (Treasures of Surrey, #1) in Books
Jan 2, 2019
The year is 1812, and the search for a missing treasure commences. Mystery and intrigue are found around every corner. A thrilling new regency book!
Jonathan Gilchrist is on a mission to recover The Bevoy, a ruby of immense value, stolen from his father. Jonathan's family needs The Bevoy in order to save their home. But the last thing he expected was Camille Iverness. Camille has grown up in a shady part of London and has learned how to fend for herself. Running her father's curiosity shop, she has encountered many people of different characters. When strange and threatening events occur, she must rely on the help of Mr. Gilchrist, a stranger. But can she trust him? Running from her past, Camille seeks refuge in the village of Fellsworth. As her attachment for the village grows, she begins to feel as though she can begin a new life at last. But when her past literally shows up in Fellsworth, her hopes for a new life are dashed to pieces. Will Jonathan and Camille ever be able to find peace? Will events that unfold push them apart or draw them closer together?
"It is not just a ruby, as you say. It is large as a quail's egg, still untouched and unpolished. And it is rumored to either bless or curse whomever possess it."
The Curiosity Keeper was a book that I had been looking forward to reading for quite a while. And I was not disappointed! It is a thrilling story that kept me engaged from beginning to end. It has all of the elements expected for a regency romance, with a few interesting surprises, mystery being one of them. Sarah Ladd does a brilliant job of drawing you into the story. I could feel my heart racing when tensions rose and sighed with relief on more than one occasion. Throughout the book we can clearly see the underlying message: And we know that in all things, God works for the good of those who love Him, who have been called according to His purpose (Romans 8:28 NIV) I highly recommend The Curiosity Keeper, and I look forward to the next book in the Treasures of Surrey series.
I received a free digital copy of The Curiosity Keeper from NetGalley courtesy of Thomas Nelson, Inc. in exchange for my honest review.
Jonathan Gilchrist is on a mission to recover The Bevoy, a ruby of immense value, stolen from his father. Jonathan's family needs The Bevoy in order to save their home. But the last thing he expected was Camille Iverness. Camille has grown up in a shady part of London and has learned how to fend for herself. Running her father's curiosity shop, she has encountered many people of different characters. When strange and threatening events occur, she must rely on the help of Mr. Gilchrist, a stranger. But can she trust him? Running from her past, Camille seeks refuge in the village of Fellsworth. As her attachment for the village grows, she begins to feel as though she can begin a new life at last. But when her past literally shows up in Fellsworth, her hopes for a new life are dashed to pieces. Will Jonathan and Camille ever be able to find peace? Will events that unfold push them apart or draw them closer together?
"It is not just a ruby, as you say. It is large as a quail's egg, still untouched and unpolished. And it is rumored to either bless or curse whomever possess it."
The Curiosity Keeper was a book that I had been looking forward to reading for quite a while. And I was not disappointed! It is a thrilling story that kept me engaged from beginning to end. It has all of the elements expected for a regency romance, with a few interesting surprises, mystery being one of them. Sarah Ladd does a brilliant job of drawing you into the story. I could feel my heart racing when tensions rose and sighed with relief on more than one occasion. Throughout the book we can clearly see the underlying message: And we know that in all things, God works for the good of those who love Him, who have been called according to His purpose (Romans 8:28 NIV) I highly recommend The Curiosity Keeper, and I look forward to the next book in the Treasures of Surrey series.
I received a free digital copy of The Curiosity Keeper from NetGalley courtesy of Thomas Nelson, Inc. in exchange for my honest review.
Deviant Warrior (Dark Warrior Alliance #5)
7.0
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Of all the Dark Warriors, Kyran Tarakesh is the most aberrant. Having witnessed the brutal murder...
BankofMarquis (1832 KP) rated Violent night (2022) in Movies
Dec 27, 2023
A Ton of Fun
The 2022 “Christmas” movie VIOLENT NIGHT was mis-marketed a year ago as ads made it appear that this was just another “slasher” flick, when…in fact…it is a fun action flick that settles the DIE HARD Christmas movie debate once and for all.
Compared to VIOLENT NIGHT, DIE HARD is not a Christmas movie for VIOLENT NIGHT (which is a DIE HARD knock-off) is MOST DEFINITELY a Christmas Movie, but instead of former Cop John McClane thwarting bad guys, it is SANTA CLAUS.
Yes, you read that right, Santa Claus.
Director Tommy Wirkola got the idea for VIOLENT NIGHT when watching another Christmas Classic - HOME ALONE. He thought that the traps Kevin sets up for the crooks would really do some physical damage to people and decided to make a movie that did just that…add a dash of “Die Hard with Santa Claus” and…voila…you got yourself a fun action flick.
David Harbour (STRANGER THINGS) hits just the right notes as a burned out Santa Claus who just wants to get through the night, but when he is stranded in an isolated compound (when his reindeer are scared away by gunfire) he must decide to stay and help or stay out of the way.
Jon Leguizamo (MOULIN ROUGE) is the “Hans Gruber” of this piece - a mercenary named SCROOGE and he is a “good enough” villain. While Leah Brady is “charming enough” as the little girl that Santa decides to help. All the rest of the hostages and mercenaries (including CHRISTMAS VACATION’s Beverly D’Angelo) are underwritten “cannon fodder” for the action that takes place.
And…that is just fine as this is an action/comedy flick, so the enjoyment lies in the creativity that Santa (and others) use in dispatching the bad guys. Candy Canes, Christmas Stars, Ice Skates and…yes…SnowThrowers are all used to the advantage of the good guys (and the ultimate demise of the bad guys).
It’s not going to win any Oscars, but Violent Night is a fun “anti-Holiday” action film that the older folks in the crowd will enjoy later at night after the kiddo-s go to bed.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
P.S.: Violent Night is streaming for free (with your Amazon Prime subscription) or you can rent or own it in many of the usual ways.
Compared to VIOLENT NIGHT, DIE HARD is not a Christmas movie for VIOLENT NIGHT (which is a DIE HARD knock-off) is MOST DEFINITELY a Christmas Movie, but instead of former Cop John McClane thwarting bad guys, it is SANTA CLAUS.
Yes, you read that right, Santa Claus.
Director Tommy Wirkola got the idea for VIOLENT NIGHT when watching another Christmas Classic - HOME ALONE. He thought that the traps Kevin sets up for the crooks would really do some physical damage to people and decided to make a movie that did just that…add a dash of “Die Hard with Santa Claus” and…voila…you got yourself a fun action flick.
David Harbour (STRANGER THINGS) hits just the right notes as a burned out Santa Claus who just wants to get through the night, but when he is stranded in an isolated compound (when his reindeer are scared away by gunfire) he must decide to stay and help or stay out of the way.
Jon Leguizamo (MOULIN ROUGE) is the “Hans Gruber” of this piece - a mercenary named SCROOGE and he is a “good enough” villain. While Leah Brady is “charming enough” as the little girl that Santa decides to help. All the rest of the hostages and mercenaries (including CHRISTMAS VACATION’s Beverly D’Angelo) are underwritten “cannon fodder” for the action that takes place.
And…that is just fine as this is an action/comedy flick, so the enjoyment lies in the creativity that Santa (and others) use in dispatching the bad guys. Candy Canes, Christmas Stars, Ice Skates and…yes…SnowThrowers are all used to the advantage of the good guys (and the ultimate demise of the bad guys).
It’s not going to win any Oscars, but Violent Night is a fun “anti-Holiday” action film that the older folks in the crowd will enjoy later at night after the kiddo-s go to bed.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
P.S.: Violent Night is streaming for free (with your Amazon Prime subscription) or you can rent or own it in many of the usual ways.
BankofMarquis (1832 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 5, 2019
Good Enough - Monsters Fighting Each Other
I grew up in the 1960's watching old monster movies on Saturday afternoons on an old black and white TV in the home I grew up in. A staple of these Saturday afternoon movies was the Godzilla monster movies from Japan, featuring such great monsters as Godzilla, Mothra, Rodan and Ghidorah. So, imagine my excitement when I realized that they all would be in the same film.
And...that film...GODZILLA - KING OF THE MONSTERS...delivers the goods just fine. Sometimes you go to the movie theater looking for laughs, sometimes you are looking to cry, sometimes you are looking to have your mind stimulated with interesting thoughts and ideas and sometimes you just want to watch giant monsters battling it out over the remnants of Fenway Park in Boston.
The 3rd in the "Monarch Series" of films from Warner Brothers (following the surprisingly good 2014 GODZILLA film and the fun KONG: SKULL ISLAND movie of 2017), GODZILLA - KING OF THE MONSTERS follows Monarch as they find (and in some instances, re-awaken) giant monsters - TITANS as they are called - the Titans attempt to take over the planet from the humans (there's a "save the planet" message that is being used as the excuse)...but here comes good ol' Godzilla to save the day.
Besides the monsters, there are quite a few humans along for the ride...Kyle Chandler and Vera Famiga as a dysfunctional couple (who also happen to be experts in Monsters) who are trying to keep in check their daughter, Millie Bobbie Brown (STRANGER THINGS). Ken Watanbe, Sally Hawkins and Jason Strahairn reprise their roles as members of MONARCH from the 2014 GODZILLA film, 2 veritable "that person" actors, Thomas Middleditch & Aisha Hinds as other members of Monarch along with Ziya Zhang and O'Shea Jackson, Jr. - all of these actors are "serviceable" to the plot and machinations, reacting appropriately to the green screen carnage and monsters that they are pretending to react to. Only Bradley Whitford (as a Monarch Scientist) rises above things with a goofy, "almost too over the top" performance that captures the spirit of the proceedings. Add into this good ol' Tywin Lannister himself (Charles Dance) as a shadowy, non-feeling bad guy that seems to have an inexhaustible supply of men and material - kind of like Tywinn Lannister - and the "human side" of this movie is fun...enough.
But, make no mistake about it, this film - and the reason I came to see it - is to watch giant monsters fighting each other and destroying everything in their wake and this film delivers the goods. Director Micheal Dougherty ( KRAMPUS) does a "serviceable" job keeping the action moving and coherent while avoiding (for the most part) the headache-inducing "quick-cut" editing sequence. There's nothing much new or innovative in his approach to showing us monsters fighting and creating massive destruction, but he doesn't take away from the spectacle of the action on the screen so that's a good thing..
There are 2 more Godzilla films currently "on the books" to be produced - including next year's KONG vs. GODZILLA - which will keep me coming back to the IMAX in the multiplex for years to come...and that's just fine with me.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
And...that film...GODZILLA - KING OF THE MONSTERS...delivers the goods just fine. Sometimes you go to the movie theater looking for laughs, sometimes you are looking to cry, sometimes you are looking to have your mind stimulated with interesting thoughts and ideas and sometimes you just want to watch giant monsters battling it out over the remnants of Fenway Park in Boston.
The 3rd in the "Monarch Series" of films from Warner Brothers (following the surprisingly good 2014 GODZILLA film and the fun KONG: SKULL ISLAND movie of 2017), GODZILLA - KING OF THE MONSTERS follows Monarch as they find (and in some instances, re-awaken) giant monsters - TITANS as they are called - the Titans attempt to take over the planet from the humans (there's a "save the planet" message that is being used as the excuse)...but here comes good ol' Godzilla to save the day.
Besides the monsters, there are quite a few humans along for the ride...Kyle Chandler and Vera Famiga as a dysfunctional couple (who also happen to be experts in Monsters) who are trying to keep in check their daughter, Millie Bobbie Brown (STRANGER THINGS). Ken Watanbe, Sally Hawkins and Jason Strahairn reprise their roles as members of MONARCH from the 2014 GODZILLA film, 2 veritable "that person" actors, Thomas Middleditch & Aisha Hinds as other members of Monarch along with Ziya Zhang and O'Shea Jackson, Jr. - all of these actors are "serviceable" to the plot and machinations, reacting appropriately to the green screen carnage and monsters that they are pretending to react to. Only Bradley Whitford (as a Monarch Scientist) rises above things with a goofy, "almost too over the top" performance that captures the spirit of the proceedings. Add into this good ol' Tywin Lannister himself (Charles Dance) as a shadowy, non-feeling bad guy that seems to have an inexhaustible supply of men and material - kind of like Tywinn Lannister - and the "human side" of this movie is fun...enough.
But, make no mistake about it, this film - and the reason I came to see it - is to watch giant monsters fighting each other and destroying everything in their wake and this film delivers the goods. Director Micheal Dougherty ( KRAMPUS) does a "serviceable" job keeping the action moving and coherent while avoiding (for the most part) the headache-inducing "quick-cut" editing sequence. There's nothing much new or innovative in his approach to showing us monsters fighting and creating massive destruction, but he doesn't take away from the spectacle of the action on the screen so that's a good thing..
There are 2 more Godzilla films currently "on the books" to be produced - including next year's KONG vs. GODZILLA - which will keep me coming back to the IMAX in the multiplex for years to come...and that's just fine with me.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
BankofMarquis (1832 KP) rated Free Guy (2021) in Movies
Sep 5, 2021
Wonderful - and Family Friendly!
Like most of us, when I first saw the trailer for the Ryan Reynolds comedy, FREE GUY (well over a year ago), I thought this looked like a bad “money grab” that will quickly come and go.
But after it premiered earlier this summer, buzz started to grow - and a few people that I trust recommended it to me, so I decided to check it out.
And…I’m glad I did for FREE GUY is a fun, family-friendly romp with a charismatic Ryan Reynolds anchoring a strong cast in a surprisingly heart-felt film.
Directed by Shawn Levy (NIGHT AT THE MUSEUM), Free Guy tells the story of an NPC (Non-Playable Character in a video game) that becomes sentient.
In the capable hands of Director Levy and actor Reynolds, Guy (his character) is charming, earnest and likeable - a trio of qualities that is hard to pull off, but Levy and Reynolds walk this fine line very well, making Guy a character to root for. They wisely steer away from this character becoming cloying and annoying and just keep him charming and sincere.
This is do-able because Levy and screenwriters Matt Lieberman and Zak Penn wisely choose to not make Guy the emotional center of this film, but rather, Guy is the catalyst who moves the plot (and the other characters) towards their final destinations - all the while keeping Guy (basically) the same. A very smart move that has been used in other, successful films (most notably Michael J. Fox in the BACK TO THE FUTURE FILMS).
Jodie Comer (Killing Eve) and Joe Keery (Stranger Things) are a the heart of this film as 2 video game designers that are trying to find proof that their code was stolen by a heartless Video Game mogul (broadly, comically played by Taika Waititi). Both Comer and Keery are pleasant in their roles and they play off of Waititi (and his chief henchman, played with specific focus - this is a compliment - by Utkarsh Ambudkar). Comer and Keery make it easy for the audience to root for them and Waititi and Ambdukar make it easy for the audience to root against them.
Credit for all of this goes to Director Levy. This film has the same feel as NIGHT AT THE MUSEUM. It doesn’t try to do too much, makes the motivations of the good guys and the bad guys very simple to understand and then drops in the variable (Guy) to mix things up - all done with wit, simplicity and charm - a pretty easy combination, that often gets lost in the machinations, but Levy avoids this trap very, very well.
Finally, I have to point out the performance of Lil Rel Howery as Guy’s buddy…named…Buddy. He is the perfect “Best Friend”. Again, Directed to a simple and direct performance by Levy, not trying to be more than he is, but ends up being a character you care about and root for.
A winning combination of Director, Actors and material, FREE GUY isn’t going to win any Oscars, but it is going to do something that very few films these days do - provide entertainment for the entire family.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
But after it premiered earlier this summer, buzz started to grow - and a few people that I trust recommended it to me, so I decided to check it out.
And…I’m glad I did for FREE GUY is a fun, family-friendly romp with a charismatic Ryan Reynolds anchoring a strong cast in a surprisingly heart-felt film.
Directed by Shawn Levy (NIGHT AT THE MUSEUM), Free Guy tells the story of an NPC (Non-Playable Character in a video game) that becomes sentient.
In the capable hands of Director Levy and actor Reynolds, Guy (his character) is charming, earnest and likeable - a trio of qualities that is hard to pull off, but Levy and Reynolds walk this fine line very well, making Guy a character to root for. They wisely steer away from this character becoming cloying and annoying and just keep him charming and sincere.
This is do-able because Levy and screenwriters Matt Lieberman and Zak Penn wisely choose to not make Guy the emotional center of this film, but rather, Guy is the catalyst who moves the plot (and the other characters) towards their final destinations - all the while keeping Guy (basically) the same. A very smart move that has been used in other, successful films (most notably Michael J. Fox in the BACK TO THE FUTURE FILMS).
Jodie Comer (Killing Eve) and Joe Keery (Stranger Things) are a the heart of this film as 2 video game designers that are trying to find proof that their code was stolen by a heartless Video Game mogul (broadly, comically played by Taika Waititi). Both Comer and Keery are pleasant in their roles and they play off of Waititi (and his chief henchman, played with specific focus - this is a compliment - by Utkarsh Ambudkar). Comer and Keery make it easy for the audience to root for them and Waititi and Ambdukar make it easy for the audience to root against them.
Credit for all of this goes to Director Levy. This film has the same feel as NIGHT AT THE MUSEUM. It doesn’t try to do too much, makes the motivations of the good guys and the bad guys very simple to understand and then drops in the variable (Guy) to mix things up - all done with wit, simplicity and charm - a pretty easy combination, that often gets lost in the machinations, but Levy avoids this trap very, very well.
Finally, I have to point out the performance of Lil Rel Howery as Guy’s buddy…named…Buddy. He is the perfect “Best Friend”. Again, Directed to a simple and direct performance by Levy, not trying to be more than he is, but ends up being a character you care about and root for.
A winning combination of Director, Actors and material, FREE GUY isn’t going to win any Oscars, but it is going to do something that very few films these days do - provide entertainment for the entire family.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Enola Holmes 2 (2022) in Movies
Nov 14, 2022
Pleasant and Entertaining
Back in September 2020 - in the heart of the pandemic shutdown - Netflix released ENOLA HOLMES which was dubbed “the teen version of Guy Ritchie’s Sherlock Holmes” - one can decide for themselves if that is a good or a bad thing. For me, this flick was an agreeable way to spend a few hours and I, for one, was looking forward to further adventures of Enola and her more well-known older brother, Sherlock.
And, in ENOLA HOLMES 2, we get exactly that. A very entertaining way to spend a few hours with characters that continue to be a joy to while away the time - and a mystery - with.
Starring Millie Bobby Brown (11 in STRANGER THINGS), Enola Holmes 2 follows the titular character as she has opened her own, competing, Detective Agency. But, as these sorts of things go, her case ends up intertwining with her famous older sibling’s case, so we really get “Holmes and Holmes”.
And that is just fine with me for Brown and Henry Cavill (who plays Sherlock Holmes and who has previously played the MAN OF STEEL) make a winning pair, working off each other with just the right tone of mystery and fun and they look like they are having a good time figuring out the central mystery of this story.
Credit for this must go to Director Harry Bradbeer (Director of the first ENOLA HOLMES film) who came up with this story based on Nancy Springer’s characters (she wrote the ENOLA HOLMES books) and to which Jack Thorne bases his screenplay on. Bradbeer seems to understand these characters and the tone of this film. He makes just the right balance between mystery and fun - keeping the proceedings moving along at a jaunty pace, so the audience can enjoy the ride, but aren’t too jostled around by it.
Brown and Cavill fit right into this tone as does the always wonderful Helena Bonham Carter (she of many films, let’s go with A ROOM WITH A VIEW) as the mother of both of these two Detectives. The sturdy David Thewlis (Professor Lupine in the HARRY POTTER films) brings along his professionalism, comedic timing and mysteriousness as Police Inspector Grail while Louis Partridge returns as the handsome almost-love interest of Enola, Lord Tewkesbury.
Special notice needs to be made of Costumer Consolata Boyle (THE QUEEN) she populates this film with the prerequisite muted colors of 19th Century London (lots of Grey, Black and Dark Blue) but she manages to give Enola just enough of a flair in her costumes. For example, the blue of her skirt is just brighter enough than those around her to punch her up, but it is not so much brighter that it is obviously making her stick out. It is a smart, subtle touch to a very pleasing film to look at.
And that is, really, the bottom line of this movie. It is a very pleasant movie, with a mystery that is interesting enough to keep a person hooked, but not overly complex or dingy as to turn people off.
A good family film - and that is a compliment - the type of film that can be enjoyed by young and old alike.
Letter Grade: B+
7 1/2 (out of 10) stars
And you can take that to the Bank (ofMarquis)
And, in ENOLA HOLMES 2, we get exactly that. A very entertaining way to spend a few hours with characters that continue to be a joy to while away the time - and a mystery - with.
Starring Millie Bobby Brown (11 in STRANGER THINGS), Enola Holmes 2 follows the titular character as she has opened her own, competing, Detective Agency. But, as these sorts of things go, her case ends up intertwining with her famous older sibling’s case, so we really get “Holmes and Holmes”.
And that is just fine with me for Brown and Henry Cavill (who plays Sherlock Holmes and who has previously played the MAN OF STEEL) make a winning pair, working off each other with just the right tone of mystery and fun and they look like they are having a good time figuring out the central mystery of this story.
Credit for this must go to Director Harry Bradbeer (Director of the first ENOLA HOLMES film) who came up with this story based on Nancy Springer’s characters (she wrote the ENOLA HOLMES books) and to which Jack Thorne bases his screenplay on. Bradbeer seems to understand these characters and the tone of this film. He makes just the right balance between mystery and fun - keeping the proceedings moving along at a jaunty pace, so the audience can enjoy the ride, but aren’t too jostled around by it.
Brown and Cavill fit right into this tone as does the always wonderful Helena Bonham Carter (she of many films, let’s go with A ROOM WITH A VIEW) as the mother of both of these two Detectives. The sturdy David Thewlis (Professor Lupine in the HARRY POTTER films) brings along his professionalism, comedic timing and mysteriousness as Police Inspector Grail while Louis Partridge returns as the handsome almost-love interest of Enola, Lord Tewkesbury.
Special notice needs to be made of Costumer Consolata Boyle (THE QUEEN) she populates this film with the prerequisite muted colors of 19th Century London (lots of Grey, Black and Dark Blue) but she manages to give Enola just enough of a flair in her costumes. For example, the blue of her skirt is just brighter enough than those around her to punch her up, but it is not so much brighter that it is obviously making her stick out. It is a smart, subtle touch to a very pleasing film to look at.
And that is, really, the bottom line of this movie. It is a very pleasant movie, with a mystery that is interesting enough to keep a person hooked, but not overly complex or dingy as to turn people off.
A good family film - and that is a compliment - the type of film that can be enjoyed by young and old alike.
Letter Grade: B+
7 1/2 (out of 10) stars
And you can take that to the Bank (ofMarquis)
Abandoned Things
10.0
Rate It
Book
Frankie is a fifth-year college student with a secret. He's the writer and creator of the popular...
MM Science Fiction Fantasy Enemies to Lovers Romance
Hadley (567 KP) rated Stranger Things: Darkness on the Edge of Town in Books
Jul 17, 2019
Jim Hopper (1 more)
Serial killers and cults, oh my!
Too much attention to detail (1 more)
Using the same body language for every character
In 1977, New York City was a disaster; men were trying to return to a normal life after Vietnam ended, gangs were on every street corner, and a serial killer, by the name 'Son of Sam,' was on the loose. But for Detective Jim Hopper, New York was housing another serial killer just for him- - - a killer who is killing Vietnam war veterans, and leaving behind a psychic calling card, known as the Zener cards.
Adam Christopher is the chosen author to tell Stranger Things' fans about the most important homicide case that Jim Hopper ever worked on in the novel 'Darkness on the Edge of Town.' Fans may recall from season 2, when Eleven found a secret hatch in Hopper's cabin, it revealed boxes under the floor - one which was labeled 'New York.' This is that story.
The entire book is Hopper telling Eleven about his greatest homicide story from New York City. Readers get to meet new characters from Hopper's past, but the most memorable may be his partner in the Homicide Unit, Rosario Delgado (1977 was a time where Homicide Units didn't allow female detectives, and Delgado is one of the first of few that is allowed into the unit). Delgado, who is Cuban, but was raised in Queens, New York, has all the right attitude that wins over her partner, Hopper. The reader will realize that they are two-peas-in-a-pod.
Quickly, the story gets into the first case the two have together: the Zener card serial killer; here, we learn that there were two previous victims, both murdered the same way: stabbed five times with the wounds joining together to form a five-pointed star. Throughout the book, the story goes back and forth between 1977 and the present, where Eleven asks questions about the story, and also, Hopper questioning himself as to whether he should continue to tell Eleven the story.
But soon, we meet a very important man named Leroy Washington - a gang member who wants protection in exchange for the information that he holds- this leads Hopper to our villain: a cult leader who goes by the name Saint John. This villain believes that Satan is going to rise and destroy New York City.
Backtracking a little before, Hopper and Delgado are taken off the case of the Zener card murders, introducing readers to Special Agent Gallup. Gallup states that the third victim, Jacob Hoeler, was also a Special Agent, so the case is turned over to Federal Agents. "What you don't know, Detective, is that Jacob Hoeler is one of ours- - - Special Agent Jacob Hoeler. He was working on assignment, and the fact that he was killed in the course of his duties is of primary concern to my department. Therefore, we need to be sure that a most thorough investigation is carried out. In order to ensure that happens, we will be taking the case in-house. " Hopper, along with Delgado, refuse to let the case go, and secretly continue to work on it. But, as they dig deeper into the evidence and crime scenes, the two realize the murder case is a part of something much bigger - - - a cult that is armed with vehicles and weapons, ready to take over New York City for their leader, Saint John.
Readers get to see the story from both Hopper's and Delgado's point of view, which readers may question how Hopper knows Delgado's side of the story, but quickly to react, Eleven asks this very question for us: " 'Fair point,' said Hopper. 'But we - - - I mean, Delgado and me- - - we pieced it all together afterward. We had to interview everyone we could, and we put it all into a big official report. Actually, it took way longer to write that thing up than we spent on the investigation itself. We were even flown down to D.C. to present it to a bunch of anonymous suits in some federal building. They grilled us pretty well, too, although I ever found out who they all were. ' He grinned. ' Kinda sums the whole thing up, really.' " Even so, without Delgado's point of view, the story wouldn't have turned out as well as it did.
Hopper's obsession with cracking this case lands him in the center of it- - - he is recruited, not by choice, to the task force that is trying to top Saint John's big plan to destroy New York City. Leroy Washington, the informant from before, is Hopper's wing man for the mission, because Washington turns out to be a recruiting officer for the cult. Hopper is to pretend that he is a new recruit, and that he is an ex-cop, who just happened to 'murder' two people the night before. Hopper infiltrating the cult is one of the most exciting parts of the book, but the sequence of these scenes are much too short, leaving this reader disappointed.
Unfortunately, by this time, Delgado has become somewhat of a secondary character. She still works the case, being in the-know of Hopper going undercover, but we see little else of Delgado's character being developed. This is a missed opportunity indeed.
Although I enjoyed Christopher bringing Hopper's backstory to light, the writer is so detail oriented in his writing, that it bogged down much of the flow in the story. The reader is told things in almost every scene that come to nothing, and just seem to waste the reader's time. You may also find that the author uses the same words or physical actions to describe emotions for every single character (such as neck rolling to show stress), which gets old very quickly.
With that said, and only a few inconsistencies here and there, the book was very good. The story takes off pretty quickly and doesn't seem to slow down. The scenery descriptions put the reader right there with our favorite Hawkins Police Chief, Jim Hopper, but the best part about this book is that you don't have to be a Stranger Things' fan to enjoy it; anyone who enjoys Crime Fiction would love this story. Highly recommend!
Adam Christopher is the chosen author to tell Stranger Things' fans about the most important homicide case that Jim Hopper ever worked on in the novel 'Darkness on the Edge of Town.' Fans may recall from season 2, when Eleven found a secret hatch in Hopper's cabin, it revealed boxes under the floor - one which was labeled 'New York.' This is that story.
The entire book is Hopper telling Eleven about his greatest homicide story from New York City. Readers get to meet new characters from Hopper's past, but the most memorable may be his partner in the Homicide Unit, Rosario Delgado (1977 was a time where Homicide Units didn't allow female detectives, and Delgado is one of the first of few that is allowed into the unit). Delgado, who is Cuban, but was raised in Queens, New York, has all the right attitude that wins over her partner, Hopper. The reader will realize that they are two-peas-in-a-pod.
Quickly, the story gets into the first case the two have together: the Zener card serial killer; here, we learn that there were two previous victims, both murdered the same way: stabbed five times with the wounds joining together to form a five-pointed star. Throughout the book, the story goes back and forth between 1977 and the present, where Eleven asks questions about the story, and also, Hopper questioning himself as to whether he should continue to tell Eleven the story.
But soon, we meet a very important man named Leroy Washington - a gang member who wants protection in exchange for the information that he holds- this leads Hopper to our villain: a cult leader who goes by the name Saint John. This villain believes that Satan is going to rise and destroy New York City.
Backtracking a little before, Hopper and Delgado are taken off the case of the Zener card murders, introducing readers to Special Agent Gallup. Gallup states that the third victim, Jacob Hoeler, was also a Special Agent, so the case is turned over to Federal Agents. "What you don't know, Detective, is that Jacob Hoeler is one of ours- - - Special Agent Jacob Hoeler. He was working on assignment, and the fact that he was killed in the course of his duties is of primary concern to my department. Therefore, we need to be sure that a most thorough investigation is carried out. In order to ensure that happens, we will be taking the case in-house. " Hopper, along with Delgado, refuse to let the case go, and secretly continue to work on it. But, as they dig deeper into the evidence and crime scenes, the two realize the murder case is a part of something much bigger - - - a cult that is armed with vehicles and weapons, ready to take over New York City for their leader, Saint John.
Readers get to see the story from both Hopper's and Delgado's point of view, which readers may question how Hopper knows Delgado's side of the story, but quickly to react, Eleven asks this very question for us: " 'Fair point,' said Hopper. 'But we - - - I mean, Delgado and me- - - we pieced it all together afterward. We had to interview everyone we could, and we put it all into a big official report. Actually, it took way longer to write that thing up than we spent on the investigation itself. We were even flown down to D.C. to present it to a bunch of anonymous suits in some federal building. They grilled us pretty well, too, although I ever found out who they all were. ' He grinned. ' Kinda sums the whole thing up, really.' " Even so, without Delgado's point of view, the story wouldn't have turned out as well as it did.
Hopper's obsession with cracking this case lands him in the center of it- - - he is recruited, not by choice, to the task force that is trying to top Saint John's big plan to destroy New York City. Leroy Washington, the informant from before, is Hopper's wing man for the mission, because Washington turns out to be a recruiting officer for the cult. Hopper is to pretend that he is a new recruit, and that he is an ex-cop, who just happened to 'murder' two people the night before. Hopper infiltrating the cult is one of the most exciting parts of the book, but the sequence of these scenes are much too short, leaving this reader disappointed.
Unfortunately, by this time, Delgado has become somewhat of a secondary character. She still works the case, being in the-know of Hopper going undercover, but we see little else of Delgado's character being developed. This is a missed opportunity indeed.
Although I enjoyed Christopher bringing Hopper's backstory to light, the writer is so detail oriented in his writing, that it bogged down much of the flow in the story. The reader is told things in almost every scene that come to nothing, and just seem to waste the reader's time. You may also find that the author uses the same words or physical actions to describe emotions for every single character (such as neck rolling to show stress), which gets old very quickly.
With that said, and only a few inconsistencies here and there, the book was very good. The story takes off pretty quickly and doesn't seem to slow down. The scenery descriptions put the reader right there with our favorite Hawkins Police Chief, Jim Hopper, but the best part about this book is that you don't have to be a Stranger Things' fan to enjoy it; anyone who enjoys Crime Fiction would love this story. Highly recommend!
Kristy H (1252 KP) rated The Roommate in Books
May 6, 2021
A fun, sexy romance
Clara Wheaton comes from a wealthy family--the well-to-do Wheatons are infamous for many things, but socialite Clara has made a life around pleasing her parents and doing everything just right. But she's breaking out of the mold for the first time: heading across the country to move in (as a roommate) with her longtime childhood crush, Everett. But when Everett picks Clara up at the airport, he breaks the news that he's leaving to tour with his band, and she'll be living with a stranger, Josh. Josh seems friendly enough, but uppity Clara has no intentions of sharing a place with someone she doesn't know. When she researches him on the Internet, she makes a startling discovery about his profession. Clara realizes any association with Josh may turn her into another Wheaton scandal. But the more she gets to know him, she realizes Josh is more than his job. And he has a lot to say about women and sexuality and the power of women deserving better sex.
"Somewhere in her bloodline, a Wheaton had crossed Fate, cursing his descendants to pay the price. That was the only explanation for why, the one and only time Clara had taken a leap of faith, she'd landed with a spectacular belly flop."
THE ROOMMATE was one of those books that seemed to be everywhere for a while. I think if it hadn't been quite so hyped, I would have enjoyed it more. I liked it, but did not love it. Josh and Clara are a good couple, but didn't have that irresistible chemistry and witty banter that takes a romance to the next level.
Clara was too worried about the impression she made on everyone--Josh, her family, strangers, etc. I get that she came from a well-known family, but the fact that she dodged her mom's phone calls for weeks because she was too afraid to tell her she wasn't living with Everett was a bit much. But I could relate to a lot of Clara, and I appreciated her growth process. Josh was an interesting character and certainly not typical of what you see in a lot of romances. Neither seemed fully developed to me, though, and perhaps that's why it was hard to fully root for them.
Still, this is a cute and sexy book. It's a fast read and I enjoyed its push for female sexual empowerment. I'll definitely pick up the next book in the series. 3 stars.
"Somewhere in her bloodline, a Wheaton had crossed Fate, cursing his descendants to pay the price. That was the only explanation for why, the one and only time Clara had taken a leap of faith, she'd landed with a spectacular belly flop."
THE ROOMMATE was one of those books that seemed to be everywhere for a while. I think if it hadn't been quite so hyped, I would have enjoyed it more. I liked it, but did not love it. Josh and Clara are a good couple, but didn't have that irresistible chemistry and witty banter that takes a romance to the next level.
Clara was too worried about the impression she made on everyone--Josh, her family, strangers, etc. I get that she came from a well-known family, but the fact that she dodged her mom's phone calls for weeks because she was too afraid to tell her she wasn't living with Everett was a bit much. But I could relate to a lot of Clara, and I appreciated her growth process. Josh was an interesting character and certainly not typical of what you see in a lot of romances. Neither seemed fully developed to me, though, and perhaps that's why it was hard to fully root for them.
Still, this is a cute and sexy book. It's a fast read and I enjoyed its push for female sexual empowerment. I'll definitely pick up the next book in the series. 3 stars.