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Bratva's Intern (Bratva's Undoing #1)
Bratva's Intern (Bratva's Undoing #1)
Gianni Holmes | 2025 | Contemporary, LGBTQ+, Romance
10
10.0 (1 Ratings)
Book Rating
BRATVA'S INTERN is the first in the Bratva's Undoing series and the first of two that has Maxim and Wren as the main characters.

So, firstly, as you may have gathered from the title, this has to do with the Russian mob. Maxim travelled to America when he was young and built up from there. Wren is a (in his own words) completely average and unremarkable student, who suffered the disappearance of his father when he was twelve. He doesn't mention his mother much, so I'm not sure if she's still alive or not. Anyway, these two meet in a coffee shop, and it all goes from there, but I won't say too much as I don't want to give any spoilers.

This was a one-sitting read for me. I simply couldn't put it down once I'd started it. The back-and-forth between them, the confusion, the jealousy, the 'what the hell is going on here?' moments; they all add up to a fantastic story. Maxim is possessive of Wren and makes no bones about telling him, which is just what Wren needs to hear. I loved how Wren showed his backbone to stick up for others, and yet failed to stand up for himself. I shouted out when Maxim helped give him more confidence, and the backing and support Wren hasn't had for far too many years. Maxim tries to keep Wren out of it for the most part, but Wren is a stubborn and independent man who just didn't see the danger (because he's been kept out of it!) until it was too late.

I loved the ending of this book. It ties some things up nicely, giving a HFN ending for Maxim and Wren, while leaving me with answers I still need! What happened to Wren's dad? What is going on with Archie? Who applied on Wren's behalf for the internship?

Honestly, I loved Maxim and Wren so much. They are ably supported by other characters, some of whom I adored (Nik, Jess, Darius), and some of whom gave me an itchy feeling, where it feels as though more is going on, but I won't know until the author shares. And, no, I don't need to name them because anyone who's read the book knows d@mn well who I'm on about!

Absolutely brilliant and HIGHLY RECOMMENDED by me. I can't wait for the second book in this series!

** Same worded review will appear elsewhere. **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Jul 1, 2025
  
Closet Monster (2016)
Closet Monster (2016)
2016 | Drama
8
8.0 (1 Ratings)
Movie Rating
PTSD and Coming of Age and Out
This movie is an amazing tale of coming of age and coming to terms with ones own sexuality. This movie for being an Indie film portrays the inner dialogue and the inner turmoil of coming to terms with ones sexuality, as well as showing the hidden side of a broken home. The movie begins with young Oscar (Jack Fulton) and his father tucking him into bed and their nightly rituals of his father (Aaron Abrams) "giving him a dream".

In the next scene you see Oscar and mother (Joanne Kelly) and father giving him a present of a Hamster, and then his father declaring that Oscars mother is leaving them. You then see Oscar in his room with the hamster, who begins "talking" to Oscar (voiced by Isabella Rossellini) and names herself "Buffy" (as in Buffy the Vampire Slayer) but the voice is an inner monologue that Oscar creates for the critter and is a comforting mechanism for him, as throughout the movie you gain the feeling that Oscar only has one friend, Gemma (Sofia Banzhaf).

The PTSD (Post Traumatic Stress Disorder) comes in when while coming home from school one day, Oscar notices a group of kids bullying another student. He follows them to a secluded cemetery where they see them beating the kids and sodomizing him with a piece of re-bar. Later that night Oscar and his dad are watching the News coverage of the situation and Oscars asks his dad why they did that and the father said "because he was gay" and makes a side reference to Oscars long shaggy hair. To which Oscar being scared cuts his hair himself.

Skip forward: Now Oscar as a teen (Connor Jessup) is taking pictures of Gemma for his portfolio for admissions into college. We also see that the now 18yr old Oscar is now working in a general hardware store who is ran by Allison (Mary Walsh) who teaches him the basics of greeting customers and how to help them make selections, etc. After his shift while in the employee locker room a strapping young man named Wilder (Aliocha Schneider) checks his locker for his employee uniform and realizes that it is not there and asks to borrow Oscars shirt. This is the first time that we witness Oscar's sexual preference, when Wilder takes off his shirt and puts on Oscars shirt. Oscar longingly looks at the finely toned body of Wilder.

Later the next day Wilder gives Oscar his shirt back before work, and says thanks. You then see Oscar smelling the shirt to see if it was "ok" to wear. And then he rushes into the restroom with the shirt and begins touching himself and fantasizing about Wilder, and then has a flash of the students sodomizing that other student when he was a kid.

Slowly Oscar and Wilder begin a friendship and get closer. As Oscar and Gemma seem to grow apart. Things at home take a turn for the worse as Oscars father begins seeing a woman, and Oscar becomes more frustrated with himself, work, life and everything between. It finally escalates into a fight with his father that leaves Oscar physically assaulting his dad, and running away to a party that Wilder had invited him to.

At the party he finds Wilder and his friends, and they take Oscar to a room and put together a costume for him to wear for the party. Wilders friends take some Ecstasy and begin to really party it up. Gemma runs into Oscar and realizes that he is high and Oscar excuses himself as he notices that Wilder is talking to some girls. A guy approaches Oscar and begins hitting on him, and Oscar who was holding out for Wilder notices that he is kissing a girl. So Oscar and the guy make their way into the bathroom where they begin to kiss and have sex. In the midst of it Oscar begins to have flash backs of the beaten boy in the cemetery and freaks out, vomits and passes out.

We then see Wilder waking him up and helping him home. Oscar and Wilder spend the night together in Oscars tree house. Oscar and Wilder begin talking about the escapades of the night and things turn to sexuality when Oscar mistakes Wilders reaching for a bottle of water as him wanting to kiss. Embarrassed, Oscar asks him to leave, and they begin to talk about it, and then Wilder kisses him. In the morning you see Oscar wake up and find a note from Wilder basically saying "See you later gotta run" and you are not sure if the two had slept together or not. Oscar sneaks back into his room only to find that everything had been destroyed by his father.

The next scene you see his mother and father fighting as Oscar is looking through whats left of his possessions that are scattered throughout the drive way. Oscar sees his beloved Buffy laying dead in her cage. Enraged by this, Oscar comes to terms with his sexuality and breaks something of his fathers and then moves in with his mother. The movie ends with Oscar moving to a small house near the beach. Leaving you wondering how much time had passed or if he was in a school or what was going on.

But throughout the whole of the movie. The sexuality is done in a very muted and respectable manner. There is some cussing and things like that but over all very tastefully done. If you are a lover of coming to age films or films dealing with the nature of coming out, then you are sure to love this movie.