"Probably the most famous countertenor of the 20th century – unless you count Frankie Valli – was the wonderful Alfred Deller, a major figure in the revival of original performance techniques for early and Baroque music. When I was a child we had this album,so I grew up thinking everyone knew and loved 'Where The Bee Sucks' and 'We Be Soldiers Three'. The liner notes, at least on the CD version, are woefully inadequate (who wrote what? when? for which play? Did Henry VIII really write 'Greensleeves'?) but the music is lovely. "

"In general, I’m not a big fan of French New Wave films, and Touki bouki is clearly inspired by their characteristic fragmented, slow-moving, alienating quality. But the world of Touki bouki is so beautiful and engrossing that it sucks you right in. When the cows come toward the camera in the opening shot, you know immediately that these cows have been color-coordinated to within an inch of their lives. I love this kind of super-deliberate film where each frame could stand on its own. Even the piles of garbage are perfectly composed. Mambéty’s visual sense of humor is terrific: the man trying to break up a fight between two women only to get beaten up himself, the taxi driver running away in his yellow socks, Mory in the paddleboat with the lecherous Charlie. The main characters, Mory and Anta, never ask for our sympathy, because they are too cool for us."

"This film is the most ambitious failure. I love Tati as an actor, and I love the way the scenes are made; they’re so intelligent and funny, and the timing is fantastic in each and every moment. It has a Chaplin-like precision. But it’s also a black hole that sucks energy from the audience. I also really love his short films, like the one where he’s teaching actors how to walk into a wall properly. For me, Tati took acting to a level comparable to sports. His performances are very direct, and you can see his skill as an actor."